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1.2.3 Start devices output

This   output   modules   present   in   the   console
(stereo   mini-jack   located   next   RJ45)   can   com-
mand   the   Audicom   computer,   digital   audio   pro-
cessors or any other device with a remote con-
trol. Activation is performed by opening the fader
and press the AIR button on each channel.

1.2.4 Cue

There are several modes for the cueing:

"Solo":

  In   this   mode,   when   a   CUE   button   is

pressed and then another; the second CUE turn
off the first one. If all channels are set in mode
"soloist";   then   only   one   CUE   can   be   on.   By
pressing a CUE buton that is on, it will off. 

"Mix":

  CUE   works   with   independence   of   other

channels. The CUE button turns on or  off each
time that is pressed. All channels defined as "Mix
mode" can have the CUE button turned on at the
same time. 

"Auto-off": 

With independence of the modes ex-

plained   above,   the   option   Auto-off   turn   off   the
CUE when the channel is send on-air (AIR button
turned   ON   and   fader   raised).   The   CUE   can   be
turned on once  the  channel is on-air,  but it  will
turned off again if the fader is moved. 

The CUE behavior is defined in the configuration
of each module; as explains at “2.4.2. - Custom-
izable features".

The level of the CUE speaker is set using a knob
located at the Master Module. 

At the section "Control Room", there is a button
called "CUE to Speaker" that allows to send the
CUE signal to the Control Room's main monitors
and  headphones. 

1.2.5 ETM-CPU faders

The   2600   uses   a   new   generation   of   slide
potentiometers: conductive ceramic with 

“feather

touch”

. In normal use, offers more than 20 years

of duty. They have a very solid construction, as
the   skate   slides   on   two   sylver-steel   cylindrical
axis with teflon bushings. The fader generates a
DC   voltage   that   controls   the   module's   internal
computer. In a 2600 mixer the audio signal never
passes   through   a   carbon   track   neither
mechanical   switches.   For   more   information
please visit our web site. 

Main advantages of this technology are:

Eliminates noise generated by dirty faders.

Maintenance free and greater useful life.

Maintains a perfect stereo tracking (error > 

0,1 dB). 

Allows the use of conductive ceramic sliding

potentiometers which offers 2 millions of op-

erations guaranteed. 

1.2.6 On-Air mics button

Located   above   the   main   fader,   this   button   turn
on/off  the channel. The button lights when is on.

The   button   ON   AIR   switch   the   signal   electroni-
cally; there in no mechanical contacts. It gives an
operation clicks & plops free, due to 2600's uses
a   fast   slope   fading   action   instead   of   the   hard
switch that are characteristic on the mechanical
switches. 

When   an   AIR   button   is   pressed,   turns   on   the

tally   light  

(the   console   gives  12   V   DC   as   tally

signal).   Also,   a   relay  

mutes   the   studio   moni-

tors

A   Master   Microphone   button   is   located   on   the
2608 Master module. The purpose of this button
is switch on/off all microphones channels at the
same time. Each channel can be linked to Master
Mic button with independence. By default, all mic
channels are linked to the Master Mic button.

1.3 Expansions & accessories

The series 2600 can be customized according to
the   requirements  of   the   radio   station.   The   user
decides how many microphone and line modules
will have. 

All models feature as an option the kit of wiring
and adapters for connecting the console without
the need to assemble cables.

You   can   also   choose   to   include   other   optional
features, which are described below:

2600 XL

2600 XX

2600 XD

2600 XZ

INPUT

CHANNELS

(MIC 2601, 2612;

LIN 2610, 2602)

Up to 16

Up to 26

Up to 16

Up to 28

AES-3 OUTPUT

OPTIONAL

OPTIONAL OPTIONAL

YES

STREAMING

OUTPUT 

(AoIP)

OPTIONAL

OPTIONAL

YES

YES

VC180

YES

YES

YES

YES

Clock-Counter

YES

YES

YES

 (LCD)

YES

Remote Control

LAN

 (/VI)

OPTIONAL

OPTIONAL OPTIONAL OPTIONAL

Page 6

Broadcast mixing consoles - 2600 series

solidynepro.com

Summary of Contents for 2600 serie

Page 1: ......

Page 2: ...Page 2 Broadcast mixing consoles 2600 series solidynepro com...

Page 3: ...utton 18 2 4 4 1 Jumper s table for 2610 2612 y 2601 18 2 5 Adding modules to console 19 2 5 1 USB 2602 19 2 5 2 2630 VQR module 19 2 6 Set the gain of the inputs 19 2 7 Models 2600 IP 20 2 7 1 STL li...

Page 4: ...This page is intentionally left blank Page 4 Broadcast mixing consoles 2600 series solidynepro com...

Page 5: ...s to adjust the input levels for comfortable operation of the main fader 2 bands low high EQ Baxandall type with 15dB of rage The mic module 2612 manages 3 microphone channels and 3 unbalanced line in...

Page 6: ...nal never passes through a carbon track neither mechanical switches For more information please visit our web site Main advantages of this technology are Eliminates noise generated by dirty faders Mai...

Page 7: ...o clock mode If you turn on the mi crophones again in this 3 sec window the timer will resume 1 3 3 2630 VQR module This optional module allows partially restore the voice quality that has been degrad...

Page 8: ...ed la bel is the right channel 1 MIC LIN analog inputs By each MIC or LINE channel there are One RJ45 Male to RJ45 Male length 2 5 m one Adapter RJ45 Female to 2 x XLR Female Left Right In MIC cables...

Page 9: ...dental short circuits At the console the operator has independent level controls for Studio and Control headphones We recommend to install at the Studios the Solidyne Studio Box optional a headphones...

Page 10: ...nnect the new device found to stay active In others the new device is enabled after being detected 2 2 6 1 Re connect a paired phone To reconnect to the console a cell phone proceed as follow Turn on...

Page 11: ...with all current equipment sound cards CD player audio interfaces etc But if you need to adapt the input to 600 ohms place inside the connector a 680 ohms re sistor in parallel with the input 2 2 7 2...

Page 12: ...ue White Green Brown White Brown BALANCED INPUTS OUTPUTS PIN WIRE COLOR 1 Left channel 2 Left channel 3 Right channel 4 GND 5 Reserved 6 Right channel 7 15 optional 8 15 optional Orange White Orange G...

Page 13: ...602 and install the drivers Additional drivers are not required Each channel will appear on Windows like one stereo USB audio device and one stereo USB recording device When a USB channel is plugged t...

Page 14: ...To mix minus on Canal A place jumpers JP1 and JP2 To mix minus on Canal B place jumpers JP3 and JP4 2 3 6 Start devices GPO Each module has a Start devices TRS 1 8 con nector to trigger external devic...

Page 15: ...2 3 8 Ground connections recommended for protection against electric storms solidynepro com Broadcast mixing consoles 2600 series Page 15...

Page 16: ...2 3 9 Schematic Diagram Recommended connection of 2600 consoles Page 16 Broadcast mixing consoles 2600 series solidynepro com...

Page 17: ...onsole and talks from the Control Room the Control Room speakers monitors are muted when DJ mic is on air and auto cue fea ture which allows cueing the microphones after pressing the Talkback button i...

Page 18: ...peaker from studies reads an announcement The priority can be dis abled quitting the jumper JPRIORITY located in Master circuit board 2 4 3 2 External control of Master MIC button Connector EXT MIC CO...

Page 19: ...ster considers moving all the modules that are necessary to leave a place beside the Master Is easy to do it since the modules are intercon nected by a ribbon cable with polarized connec tors In order...

Page 20: ...IP address this can take a few minutes Step 2 To know the IP assigned to the console the user must run the application Discovery_AoIP which is available at the following link solidynepro com DW IP ex...

Page 21: ...uter To receive the streaming from 2600 IP using a computer set the audio format see 2 7 1 3 Audio settings as PCM16 44 1KHz or any MP3 mode The audio player software must supports the RTP protocol We...

Page 22: ...onitoring circuits Talk back and telephone lines The turret contains the level meters that show the program level and a speaker for CUE 3 2 Meter bridge 3 2 1 Audio meters The program level meter has...

Page 23: ...ions Talkback to Studio Level of CR headphones Talkback level Level of Studio speakers Ring level listened on the CUE speaker Assigns Tuner input to Studio external tuner Assigns AUD to Studio Level o...

Page 24: ...levels Remember that when a microphone is on air the Studio monitors are muted to avoid feedbacks 3 3 2 CUE The unit has a built in loudspeaker for the previous listening Each channel has a button nam...

Page 25: ...ntil reach the right level on VU meters 8 To finish a call first close the fader HYBRID and then release the button of the line For the case the cell phone the call is transferred to the cell phone an...

Page 26: ...gnal is limited to the band 400 2 200 Hz in order not to distort the signal to the air This narrow band intelligibil ity remains high due to processing but occa sionally may seem to the remote people...

Page 27: ...ooth to mode Headset as was explained in 3 2 2 3 Resume a call on cell phone Dial the number in the cell phone and call SEND To transfer the call to the console return to the Bluetooth mode on the cel...

Page 28: ...el to PGM output Assigns the channel to SEND output Assigns the channel to AUD output Cue Air Button Activates the channel when is pressed Main fader for program level 2610 Microphone module AUX MIC i...

Page 29: ...button to send the channel to the air CUE for previous listening in the built in speaker Output buses assignment PGM AUD SEND Indicates the action of the compressor which manage the dynamic range to a...

Page 30: ...the CUE turn on To send the comunication on the air press AIR button and open the main fader 3 6 3 Jumpers into 2602 s connector In order to enable the private circuit you need to plug a DB 25 connect...

Page 31: ...cessing is applicable as much to calls by terrestrial lines like a calls made through the mo bile telephony Although the reconstruction reaches to callings made using the internal micro phones of the...

Page 32: ...ground noise is under this threshold the expander gate works attenuating the noise Closing the fader the expander gate is turned off When opening the fader increases the threshold that is to say the s...

Page 33: ...at contains the applications and instructions Look in that folder the readme txt file and follow the steps as required Once the 2600 s IP address is obtained enter it in a WEB browser to access the Vi...

Page 34: ...ch The current level is always deter mined by the virtual position in the software If the actual position is changed in the console the level is updated in the software and both agree Turning on off a...

Page 35: ...ing a new password for the selected user For each user can define the visible channels and enable disable the control of channel To save the changes click Update The User Settings window also allows t...

Page 36: ...work configuration Default the 2600 works with Dynamic IP DHCP so that the router assigns an IP available Can be assigned a static IP in the Network configuration option Maintenance Chapter 4 In order...

Page 37: ...e sheet painted and labeled from the reverse side This unique protection technology allows for a full protection from hands abrasion The 2600 console will remains unaltered after a full life of operat...

Page 38: ...ntil obtain 4dBm at the output Move GAIN to the minimum Change the generator to 45 dBm Move the fader until you verify that can ob tain 4 dBm without clipping at the output Change to the right input o...

Page 39: ...hange the generator frequency to 1 kHz Take the main fader to the maximum Adjust the Pan Pot to obtain the same level in both channels L R of PGM output This level will be in order of 10 dBm Now move...

Page 40: ...o generator 4 dBm 1kHz to an left channel of a line input Connect an audio level me ter with A weighting filter an oscilloscope and a load of 600 ohms to the left AUD output Connect another load of 60...

Page 41: ...5 2 Bock diagrams solidynepro com Broadcast mixing consoles 2600 series Page 41...

Page 42: ...Page 42 Broadcast mixing consoles 2600 series solidynepro com...

Page 43: ...solidynepro com Broadcast mixing consoles 2600 series Page 43...

Page 44: ...We recommend in some areas using external gas discharge pro tection Voice Quality Restoration The optional 2630 module allows using VQR technology for all the telephone hybrid signals included externa...

Page 45: ...RMS Peak for PGM AUD One Timer Clock and one Stereo Phase Vector display Timer Clock Option Timer counts minutes seconds during on air MIC in order to avoid excessive speaker on air time When the Tim...

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