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5.3  Technical specs

Audio Inputs

A & B – 2 inputs per channel. 2601 balanced stereo line and un-

balanced AUX. 2610/2612 balanced MIC

2620 Digital USB and balanced AUX.  

In option USB 2602

, 2 inputs and 2 outputs 

Outputs

3 bus outputs; PGM & AUD ba 4 dBm; 

AUX Unba 4 dBm

Balanced Outs; Max Level +26dBu (10K), +20dBm (600ohms)

Unbalanced Outs; Max Level = +20dBm/600 ohms

Optional Digital AES/EBU output for PGM & AUD.

Inputs Level/Impedance

Balanced MIC= -25 dBu/-80 dBu; 150/250 Ohms

Balanced LINE = -20 dBu/+22 dBu; 600~ 10Kohms

Unbalanced AUX = -20 dBu/+15dBu; 600~ 10Kohms

Digital Levels

AES-3/SPDIF outputs TCP/IP & USB inputs & outputs; 0VU RMS 

is set at -15dB Ref Full Scale level. 0dB Peak is set to 100% Full 

Digtal Scale 

Phantom 48V

Standar phantom 48V power supply for up to 10 microphones.

Monitor & Hybrid Outputs

4 stereo monitor outputs for active speakers and headphones, 

including internal hedphones distribution Amp (up to 8 headph-

pnes) in announcer studio.

1 External Hybrid input + 4 dBu/10K

1 External Hybrid send output (MIX-Minus) +4 dBu / 10K

Each 2602 channel has one Mix-Minus out at 0 dBu output 

CUE Monitor

3W CUE monitor with internal speaker. 

Phone Hybrid

3 Hybrid inputs, 2 for phone lines and one for cellular phone at 

4 wires. It includes a mini-PBX with Ringer, Line attention with 

free hands operation, and Line Transfer.
  Frequency Response:  250 -  4.000 Hz

  Noise:                           > 60 dBA S/N

  Rejection:                     > 30 dB rejection

  Rejection adjust::         Quick Test Mode to adjust the hybrid 

balance without disturbing On-air oper-

ation.

Preference attenuation: 10 dB local speaker interrupt priority.

Automatic On-Air logic:  Audio & Logic are managed from a sin-

gle 100mm slide fader that performs all

the operations in error-free mode.

Lighting discharge safety: 

Telephone Hybrid inputs are 

transformer floating to meet the Public Telephone service iso-

lation standards. They are protected with SIOV Varistors 

against lightning discharges. And are factory tested to 2.000 

volts capacitor discharge according to Siemens/Ramatel 

44.04 standard. Protector is mounted in plug-in board. We 

recommend in some areas using external gas discharge pro-

tection 

Voice Quality Restoration

The optional 2630 module allows using VQR technology for all 

the telephone hybrid signals, included external hybrids. It means 

to restore the cuasi-original voice quality that is impaired during 

a telephone or cellular communication. 

ON-AIR LIGHT

ON-AIR signal output (turns on when MIC is open) 12 VDC @ 0,3 

amp

Microphone Processor

Optional MIC module model 2612, 160mm wide,   with 3 MIC

with processing facilities. 4 band EQ, 80 Hz and 10 kHz shelv-

ing, 160 Hz & 5 kHz bell shaped; +/- 14 dB action. Expander

Gate to eliminate backgound noise. Audio Compressor, 20 dB

action. Iluminated switchs for EQ and Compressor-Expander

Monitor & Hybrid Outputs

1 Separate Hybrid CUE, +4dBu / 10K

1 Hybrid On-Air R 4 dBu/10K

1 Hybrid send (MIX-Minus) +4 dBu / 10K

Headroom

22 dB @ LIN to PGM Ref + 4dBu/10 k

Digital Control Bus

One Start Devices output for each input module, to start exter-

nal devices when open each channel fader. Out at minijack 1/8"

//  Ring = A channel (left side) Tip= B channel (Rigth side) Open

collector OFF = Open   Manages 0-24 V DC @ 100 mA 

This allows to control audio processors and start audio devices. 

Frequency response

20-20.000 Hz +/- 0.25 dB (LIN or MIC to PGM)

Noise

MIC input, EIN=-132 dBu/150 ohms

LINE input, S/N > 95 dBA at PGM output

Dynamic Range

From Line to PGM > 

110dBA 

(Better than CD quality)

Crosstalk

PGM-AUD-SEND > 90 dBA @30-10.000 Hz

L-R & R-L > 80 dBA @ 1khz

Start external devices 

One Start Devices output 

for each input module, to start ex-

ternal devices when open each channel fader. Out at minijack

1/8" // Ring = A channel (left side) Tip= B channel (Rigth side)

Open collector OFF= Open. Manages 0-24 VDC @ 100 mA. This

allows to control 

Virtual Rack 

processors and start audio de-

vices. 

Headroom 

22 dB @ LIN a PGM Ref + 4dBu/10 k

Frequencies response 

20-20.000 Hz +/- 0.25 dB (LIN or MIC to PGM)

Noise

MIC, EIN=-132 dBu/200 ohms

LINE, S/N > 95 dBA

Dynamic range 

From LINE to PGM > 

110dBA 

(better than “CD quality”)

Crosstalk

PGM-AUD-SEND > 90 dBA @30-10.000 Hz

L-R & R-L > 80 dBA @ 1khz

Distortion

From LINE to PGM out < 0.01 % THD @30-15.000 Hz.

From MIC to PGM out < 0.01 % THD @30-15.000 Hz 

Phase

From Line to PGM, < 2º L&R @50-10.000 Hz

Page 44

Broadcast mixing consoles - 2600 series

solidynepro.com

Summary of Contents for 2600 serie

Page 1: ......

Page 2: ...Page 2 Broadcast mixing consoles 2600 series solidynepro com...

Page 3: ...utton 18 2 4 4 1 Jumper s table for 2610 2612 y 2601 18 2 5 Adding modules to console 19 2 5 1 USB 2602 19 2 5 2 2630 VQR module 19 2 6 Set the gain of the inputs 19 2 7 Models 2600 IP 20 2 7 1 STL li...

Page 4: ...This page is intentionally left blank Page 4 Broadcast mixing consoles 2600 series solidynepro com...

Page 5: ...s to adjust the input levels for comfortable operation of the main fader 2 bands low high EQ Baxandall type with 15dB of rage The mic module 2612 manages 3 microphone channels and 3 unbalanced line in...

Page 6: ...nal never passes through a carbon track neither mechanical switches For more information please visit our web site Main advantages of this technology are Eliminates noise generated by dirty faders Mai...

Page 7: ...o clock mode If you turn on the mi crophones again in this 3 sec window the timer will resume 1 3 3 2630 VQR module This optional module allows partially restore the voice quality that has been degrad...

Page 8: ...ed la bel is the right channel 1 MIC LIN analog inputs By each MIC or LINE channel there are One RJ45 Male to RJ45 Male length 2 5 m one Adapter RJ45 Female to 2 x XLR Female Left Right In MIC cables...

Page 9: ...dental short circuits At the console the operator has independent level controls for Studio and Control headphones We recommend to install at the Studios the Solidyne Studio Box optional a headphones...

Page 10: ...nnect the new device found to stay active In others the new device is enabled after being detected 2 2 6 1 Re connect a paired phone To reconnect to the console a cell phone proceed as follow Turn on...

Page 11: ...with all current equipment sound cards CD player audio interfaces etc But if you need to adapt the input to 600 ohms place inside the connector a 680 ohms re sistor in parallel with the input 2 2 7 2...

Page 12: ...ue White Green Brown White Brown BALANCED INPUTS OUTPUTS PIN WIRE COLOR 1 Left channel 2 Left channel 3 Right channel 4 GND 5 Reserved 6 Right channel 7 15 optional 8 15 optional Orange White Orange G...

Page 13: ...602 and install the drivers Additional drivers are not required Each channel will appear on Windows like one stereo USB audio device and one stereo USB recording device When a USB channel is plugged t...

Page 14: ...To mix minus on Canal A place jumpers JP1 and JP2 To mix minus on Canal B place jumpers JP3 and JP4 2 3 6 Start devices GPO Each module has a Start devices TRS 1 8 con nector to trigger external devic...

Page 15: ...2 3 8 Ground connections recommended for protection against electric storms solidynepro com Broadcast mixing consoles 2600 series Page 15...

Page 16: ...2 3 9 Schematic Diagram Recommended connection of 2600 consoles Page 16 Broadcast mixing consoles 2600 series solidynepro com...

Page 17: ...onsole and talks from the Control Room the Control Room speakers monitors are muted when DJ mic is on air and auto cue fea ture which allows cueing the microphones after pressing the Talkback button i...

Page 18: ...peaker from studies reads an announcement The priority can be dis abled quitting the jumper JPRIORITY located in Master circuit board 2 4 3 2 External control of Master MIC button Connector EXT MIC CO...

Page 19: ...ster considers moving all the modules that are necessary to leave a place beside the Master Is easy to do it since the modules are intercon nected by a ribbon cable with polarized connec tors In order...

Page 20: ...IP address this can take a few minutes Step 2 To know the IP assigned to the console the user must run the application Discovery_AoIP which is available at the following link solidynepro com DW IP ex...

Page 21: ...uter To receive the streaming from 2600 IP using a computer set the audio format see 2 7 1 3 Audio settings as PCM16 44 1KHz or any MP3 mode The audio player software must supports the RTP protocol We...

Page 22: ...onitoring circuits Talk back and telephone lines The turret contains the level meters that show the program level and a speaker for CUE 3 2 Meter bridge 3 2 1 Audio meters The program level meter has...

Page 23: ...ions Talkback to Studio Level of CR headphones Talkback level Level of Studio speakers Ring level listened on the CUE speaker Assigns Tuner input to Studio external tuner Assigns AUD to Studio Level o...

Page 24: ...levels Remember that when a microphone is on air the Studio monitors are muted to avoid feedbacks 3 3 2 CUE The unit has a built in loudspeaker for the previous listening Each channel has a button nam...

Page 25: ...ntil reach the right level on VU meters 8 To finish a call first close the fader HYBRID and then release the button of the line For the case the cell phone the call is transferred to the cell phone an...

Page 26: ...gnal is limited to the band 400 2 200 Hz in order not to distort the signal to the air This narrow band intelligibil ity remains high due to processing but occa sionally may seem to the remote people...

Page 27: ...ooth to mode Headset as was explained in 3 2 2 3 Resume a call on cell phone Dial the number in the cell phone and call SEND To transfer the call to the console return to the Bluetooth mode on the cel...

Page 28: ...el to PGM output Assigns the channel to SEND output Assigns the channel to AUD output Cue Air Button Activates the channel when is pressed Main fader for program level 2610 Microphone module AUX MIC i...

Page 29: ...button to send the channel to the air CUE for previous listening in the built in speaker Output buses assignment PGM AUD SEND Indicates the action of the compressor which manage the dynamic range to a...

Page 30: ...the CUE turn on To send the comunication on the air press AIR button and open the main fader 3 6 3 Jumpers into 2602 s connector In order to enable the private circuit you need to plug a DB 25 connect...

Page 31: ...cessing is applicable as much to calls by terrestrial lines like a calls made through the mo bile telephony Although the reconstruction reaches to callings made using the internal micro phones of the...

Page 32: ...ground noise is under this threshold the expander gate works attenuating the noise Closing the fader the expander gate is turned off When opening the fader increases the threshold that is to say the s...

Page 33: ...at contains the applications and instructions Look in that folder the readme txt file and follow the steps as required Once the 2600 s IP address is obtained enter it in a WEB browser to access the Vi...

Page 34: ...ch The current level is always deter mined by the virtual position in the software If the actual position is changed in the console the level is updated in the software and both agree Turning on off a...

Page 35: ...ing a new password for the selected user For each user can define the visible channels and enable disable the control of channel To save the changes click Update The User Settings window also allows t...

Page 36: ...work configuration Default the 2600 works with Dynamic IP DHCP so that the router assigns an IP available Can be assigned a static IP in the Network configuration option Maintenance Chapter 4 In order...

Page 37: ...e sheet painted and labeled from the reverse side This unique protection technology allows for a full protection from hands abrasion The 2600 console will remains unaltered after a full life of operat...

Page 38: ...ntil obtain 4dBm at the output Move GAIN to the minimum Change the generator to 45 dBm Move the fader until you verify that can ob tain 4 dBm without clipping at the output Change to the right input o...

Page 39: ...hange the generator frequency to 1 kHz Take the main fader to the maximum Adjust the Pan Pot to obtain the same level in both channels L R of PGM output This level will be in order of 10 dBm Now move...

Page 40: ...o generator 4 dBm 1kHz to an left channel of a line input Connect an audio level me ter with A weighting filter an oscilloscope and a load of 600 ohms to the left AUD output Connect another load of 60...

Page 41: ...5 2 Bock diagrams solidynepro com Broadcast mixing consoles 2600 series Page 41...

Page 42: ...Page 42 Broadcast mixing consoles 2600 series solidynepro com...

Page 43: ...solidynepro com Broadcast mixing consoles 2600 series Page 43...

Page 44: ...We recommend in some areas using external gas discharge pro tection Voice Quality Restoration The optional 2630 module allows using VQR technology for all the telephone hybrid signals included externa...

Page 45: ...RMS Peak for PGM AUD One Timer Clock and one Stereo Phase Vector display Timer Clock Option Timer counts minutes seconds during on air MIC in order to avoid excessive speaker on air time When the Tim...

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