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nal hybrid remains active and can be used with inde-
pendence of the external hybrid. 

The lines connected to console and the external hy-
brid can be in conference. 

Remember:  once  a call  is  on-air,  the  cue channel
stays disconnected, so the user must use a phone
associated with that line to speak privately with the
second caller.

When make a conference between internal and external hy-

brid, 

take care with the output level of the external hy-

brid

, so an excessive level can cause feedbacks.

2.2.6 StudioBox output

The RJ45 named “StudioBox”, located at rear pan-
nel, gives connection to the accesories “Solidyne
HD3”   and   “Solidyne   HD5”,  which   manages   the
monitoring signals into the Studio.

2.5.3.1 Connections

The monitoring boxes HD3 and HD5 connects to the

2600 using a standar CAT5 STP (Shielded Twisted

Pair) cable, with RJ45 at both ends (pin to pin). This

cable  is  provided  with  the   2600  mixer.   The  cable

connects   the   “Studiobox”   RJ45   of   2600.  Through

this cable, the console sends to the Studio the sig-

nals for headphones and loudspeakers

At the Studios, the  

headphone

 

outputs

  uses ¼”

stereo jack plug (TRS). Any combination of imped-
ance can be used (16; 32 and 64 ohms).

Loudspeakers   output  

are   for   the   Studio   moni-

tors, and use a 1/8” stereo TRS (minijack). This is
a  

line   level

  output,   designed   to   be   used   with

powered speakers. 

2.2.7 INPUT MODULES

2.2.7.1 Line inputs

The   line   inputs   are   stereo,   electronically   balanced
(transformerless).   It   allows   the   connection   of   high-
level signals, balanced or unbalanced. Input gain ad-
justs from the frontal panel with the GAIN trims (L &
R). In order to unbalance this inputs, connect the neg-
ative (-) pin to GND and positive pin to signal (see

“2.3 – Connectors and wiring”

).

AUX  

inputs   are   unbalanced   stereo.   It   manages

-10dBu / 10KOhms and +4/+8 dBu line levels. Input

gain adjusts from the frontal panel with the GAIN AUX
trim (L&R).

The impedance of LINE and AUX input is bigger than
10 Kohms (Bridging inputs). This is compatible with
all current equipment (sound cards, CD-player, audio
interfaces, etc.). But if you need to adapt the input to
600 ohms, place inside the connector a 680 ohms re-
sistor in parallel with the input.

2.2.7.2 Microphone inputs 

Microphone inputs

 

are electronically balanced. The

gain adjusts from the frontal panel with a trim control
with 30dB of range. The pan-pot allows change the
microphone position in the stereo image. AUX inputs
are

 

similar to line modules, but don't have gain pre-

sets. The MIC modules use RJ45 connectors for mic
and aux inputs. Please see connections at 

2.3 ‘Con-

nections and wiring’

.

2.2.8 The Master Module

PGM and AUD outputs are electronically balanced,
with a high  

reject

  to common mode signals. To un-

balance a balanced output, only connect the positive
pin (+), and leave unconnected the negative one (-).
SEND output is stereo, unbalanced. 

The 

nominal output level

 is: 0VU = +4dBm. When a

balanced output is connected to unbalanced input, its
level is reduced in 6 dB, therefore 0VU= -2dBm. No-
tice that if some nonprofessional equipment connects
to the 2600's output, possibly the level will be too high
and some clipping will occur. In this cases use a re-
sistor attenuator to reduce the level.

ON-AIR input:

  This is a stereo input to connect an

external   tuner

.   Both   the   studio   and   control  room,

must be heard the tuned air transmission, because
the   transmitted   audio   is   processed   and   therefore
sound levels change with respect to the signal on the
console.

Use professional tuners with 

outputs of low impedance

 

(600 Ohms). In case of use consumer tuners, you must add 

a line amplifier between the tuner outputs and the “Air” input

of Master 2608. This line amplifier is for adapt the tuner out-

put to low impedance.

CUE  input:

 

Master 2608 have  a CUE  input,  de-

signed  to connect  an output  of  a computer.  This
way  is   not   necessary   to   use   additional   speakers
next to the computer. 

This input requires a special cable that connects to
the Master's RJ45 “On air in/Cue In” (see “2.3.3 –
Additional signals of Master 2608”). 

solidynepro.com

Broadcast mixing consoles - 2600 series

Page 11

To 2600 StudioBox Out

To active speakers

Secondary audio input

Summary of Contents for 2600 serie

Page 1: ......

Page 2: ...Page 2 Broadcast mixing consoles 2600 series solidynepro com...

Page 3: ...utton 18 2 4 4 1 Jumper s table for 2610 2612 y 2601 18 2 5 Adding modules to console 19 2 5 1 USB 2602 19 2 5 2 2630 VQR module 19 2 6 Set the gain of the inputs 19 2 7 Models 2600 IP 20 2 7 1 STL li...

Page 4: ...This page is intentionally left blank Page 4 Broadcast mixing consoles 2600 series solidynepro com...

Page 5: ...s to adjust the input levels for comfortable operation of the main fader 2 bands low high EQ Baxandall type with 15dB of rage The mic module 2612 manages 3 microphone channels and 3 unbalanced line in...

Page 6: ...nal never passes through a carbon track neither mechanical switches For more information please visit our web site Main advantages of this technology are Eliminates noise generated by dirty faders Mai...

Page 7: ...o clock mode If you turn on the mi crophones again in this 3 sec window the timer will resume 1 3 3 2630 VQR module This optional module allows partially restore the voice quality that has been degrad...

Page 8: ...ed la bel is the right channel 1 MIC LIN analog inputs By each MIC or LINE channel there are One RJ45 Male to RJ45 Male length 2 5 m one Adapter RJ45 Female to 2 x XLR Female Left Right In MIC cables...

Page 9: ...dental short circuits At the console the operator has independent level controls for Studio and Control headphones We recommend to install at the Studios the Solidyne Studio Box optional a headphones...

Page 10: ...nnect the new device found to stay active In others the new device is enabled after being detected 2 2 6 1 Re connect a paired phone To reconnect to the console a cell phone proceed as follow Turn on...

Page 11: ...with all current equipment sound cards CD player audio interfaces etc But if you need to adapt the input to 600 ohms place inside the connector a 680 ohms re sistor in parallel with the input 2 2 7 2...

Page 12: ...ue White Green Brown White Brown BALANCED INPUTS OUTPUTS PIN WIRE COLOR 1 Left channel 2 Left channel 3 Right channel 4 GND 5 Reserved 6 Right channel 7 15 optional 8 15 optional Orange White Orange G...

Page 13: ...602 and install the drivers Additional drivers are not required Each channel will appear on Windows like one stereo USB audio device and one stereo USB recording device When a USB channel is plugged t...

Page 14: ...To mix minus on Canal A place jumpers JP1 and JP2 To mix minus on Canal B place jumpers JP3 and JP4 2 3 6 Start devices GPO Each module has a Start devices TRS 1 8 con nector to trigger external devic...

Page 15: ...2 3 8 Ground connections recommended for protection against electric storms solidynepro com Broadcast mixing consoles 2600 series Page 15...

Page 16: ...2 3 9 Schematic Diagram Recommended connection of 2600 consoles Page 16 Broadcast mixing consoles 2600 series solidynepro com...

Page 17: ...onsole and talks from the Control Room the Control Room speakers monitors are muted when DJ mic is on air and auto cue fea ture which allows cueing the microphones after pressing the Talkback button i...

Page 18: ...peaker from studies reads an announcement The priority can be dis abled quitting the jumper JPRIORITY located in Master circuit board 2 4 3 2 External control of Master MIC button Connector EXT MIC CO...

Page 19: ...ster considers moving all the modules that are necessary to leave a place beside the Master Is easy to do it since the modules are intercon nected by a ribbon cable with polarized connec tors In order...

Page 20: ...IP address this can take a few minutes Step 2 To know the IP assigned to the console the user must run the application Discovery_AoIP which is available at the following link solidynepro com DW IP ex...

Page 21: ...uter To receive the streaming from 2600 IP using a computer set the audio format see 2 7 1 3 Audio settings as PCM16 44 1KHz or any MP3 mode The audio player software must supports the RTP protocol We...

Page 22: ...onitoring circuits Talk back and telephone lines The turret contains the level meters that show the program level and a speaker for CUE 3 2 Meter bridge 3 2 1 Audio meters The program level meter has...

Page 23: ...ions Talkback to Studio Level of CR headphones Talkback level Level of Studio speakers Ring level listened on the CUE speaker Assigns Tuner input to Studio external tuner Assigns AUD to Studio Level o...

Page 24: ...levels Remember that when a microphone is on air the Studio monitors are muted to avoid feedbacks 3 3 2 CUE The unit has a built in loudspeaker for the previous listening Each channel has a button nam...

Page 25: ...ntil reach the right level on VU meters 8 To finish a call first close the fader HYBRID and then release the button of the line For the case the cell phone the call is transferred to the cell phone an...

Page 26: ...gnal is limited to the band 400 2 200 Hz in order not to distort the signal to the air This narrow band intelligibil ity remains high due to processing but occa sionally may seem to the remote people...

Page 27: ...ooth to mode Headset as was explained in 3 2 2 3 Resume a call on cell phone Dial the number in the cell phone and call SEND To transfer the call to the console return to the Bluetooth mode on the cel...

Page 28: ...el to PGM output Assigns the channel to SEND output Assigns the channel to AUD output Cue Air Button Activates the channel when is pressed Main fader for program level 2610 Microphone module AUX MIC i...

Page 29: ...button to send the channel to the air CUE for previous listening in the built in speaker Output buses assignment PGM AUD SEND Indicates the action of the compressor which manage the dynamic range to a...

Page 30: ...the CUE turn on To send the comunication on the air press AIR button and open the main fader 3 6 3 Jumpers into 2602 s connector In order to enable the private circuit you need to plug a DB 25 connect...

Page 31: ...cessing is applicable as much to calls by terrestrial lines like a calls made through the mo bile telephony Although the reconstruction reaches to callings made using the internal micro phones of the...

Page 32: ...ground noise is under this threshold the expander gate works attenuating the noise Closing the fader the expander gate is turned off When opening the fader increases the threshold that is to say the s...

Page 33: ...at contains the applications and instructions Look in that folder the readme txt file and follow the steps as required Once the 2600 s IP address is obtained enter it in a WEB browser to access the Vi...

Page 34: ...ch The current level is always deter mined by the virtual position in the software If the actual position is changed in the console the level is updated in the software and both agree Turning on off a...

Page 35: ...ing a new password for the selected user For each user can define the visible channels and enable disable the control of channel To save the changes click Update The User Settings window also allows t...

Page 36: ...work configuration Default the 2600 works with Dynamic IP DHCP so that the router assigns an IP available Can be assigned a static IP in the Network configuration option Maintenance Chapter 4 In order...

Page 37: ...e sheet painted and labeled from the reverse side This unique protection technology allows for a full protection from hands abrasion The 2600 console will remains unaltered after a full life of operat...

Page 38: ...ntil obtain 4dBm at the output Move GAIN to the minimum Change the generator to 45 dBm Move the fader until you verify that can ob tain 4 dBm without clipping at the output Change to the right input o...

Page 39: ...hange the generator frequency to 1 kHz Take the main fader to the maximum Adjust the Pan Pot to obtain the same level in both channels L R of PGM output This level will be in order of 10 dBm Now move...

Page 40: ...o generator 4 dBm 1kHz to an left channel of a line input Connect an audio level me ter with A weighting filter an oscilloscope and a load of 600 ohms to the left AUD output Connect another load of 60...

Page 41: ...5 2 Bock diagrams solidynepro com Broadcast mixing consoles 2600 series Page 41...

Page 42: ...Page 42 Broadcast mixing consoles 2600 series solidynepro com...

Page 43: ...solidynepro com Broadcast mixing consoles 2600 series Page 43...

Page 44: ...We recommend in some areas using external gas discharge pro tection Voice Quality Restoration The optional 2630 module allows using VQR technology for all the telephone hybrid signals included externa...

Page 45: ...RMS Peak for PGM AUD One Timer Clock and one Stereo Phase Vector display Timer Clock Option Timer counts minutes seconds during on air MIC in order to avoid excessive speaker on air time When the Tim...

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