background image

depends

  on the  

audio quality of the telephone

line

  (all communications don’t transmit the same

bandwidth)   and   the  

telephone   or   microphone

used   at   the   other   end.   Obviously,   same   results
are not obtained using the small microphone of a
cellular telephone or a microphone of good quality
with   a  portable   console.  at  least  quality  has  the
transmission   (smaller bandwidth) smaller will be
the action of VQR processing.

Make sure to listen to the processing in the main
monitors of the control room, to avoid an exces-
sive reinforcement of lows in the processed  sig-
nal; that can take place if you are monitoring the
communication using small headphones or  loud-
speakers of bad quality.

Hi band

It controls the level of high frequencies added to
the original audio coming from the telephone line.
With the fader closed the high processing deacti-
vates.

The action of this control  

is much more critical

that the Low Band

, since an excess of highs pro-

cessing will generate an  

“artificial”

  sound; and in

extreme   case  

“crashed   high”

  sound   can   take

place, that will be annoying to the listener. 

On   the   other   hand,   consider   that   an   A.M.   radio
can require more emphasis in high frequency than
a FM; to obtain a well-known improvement on the
air; therefore the control Hi Band  

has an ample

rank of action

.

The   reconstruction   level   -or   amount   of   highs
added to the signal- depends on the quality of the
transmission. This stage will be affected, mainly, if
the line has much background noise.

REMEMBER

The optimal level of work is obtained when the indicator

MID BAND lights  with the signal peaks.  Lower audio
levels can affect the behavior of the VQR processing.

NOISE Control 

(expander) 

This control is used to reduce the  background
noise present in the phone line. It acts only dur-
ing the 

silences

 in the conversation, attenuating

the   level   of   the   signal   to   suppress   the   noise.
This is quick action gate reason why its effect is
imperceptible with normal levels of noise, not af-
fecting the word.

The NOISE fader acts changing the  

threshold

of   the   expander/gate.   When   de   background
noise is under this threshold the expander/gate
works attenuating the noise. 

Closing   the   fader   the   expander/gate   is   turned
off.   When   opening   the   fader  

increases   the

threshold

, that is to say, the signal level below

which the expander/gate goes off. The action of
the expander/gate is showed  in the display  by
the NOISE CONTROL indicator.

How use this control

Increase the threshold raising the NOISE fader
until eliminating the background noise. An insuf-
ficient   level  will   do   that  the  noise   remains,  al-
though reduced.  An excessive  level  will  cause
that the audio appears “intermittent”.

Next some important tips to take in mind when
use this control: 

If the background noise in the communication 
is very high, will be always over the maximum 
threshold (fader at top) with which the ex-
pander/gate will not work correctly.

Consider that the expander/gate releases 
whenever the audio signal is below the 
threshold. If the background noise is very vari-
able in level (noise from a street, for exam-
ple), it agrees not to use the NOISE CON-
TROL to avoid that during the pauses it acti-
vates and deactivates generating an intermit-
tent background sound. In these cases it is 
preferred to leave the ambient noise.

Also can happen that the background noise is 
very notorious (a strong humming or buzz) 
and although the gate can attenuate it during 
the pauses, the effect “appearance” and “dis-
appearance” of the noise is more annoying 
than the own noise, due to a psycho-acoustic 
phenomenon according to which the ear “is 
accustomed” to the floor of constant noise 
when concentrating the attention in the word.

According to these advice, the good criterion of
the   operator   will   determine   when   it   will   make
use of the noise gate and in which cases it will
prefer not to use it.

3.9

Remote control 

Models with Ethernet controller (option /VI) can be
managed   remotely   via   LAN,   using   any   web
browser on any operating system. 

The console connects to a LAN from the RJ45 con-
nector labeled "IP Control", located at rear panel of
Master 2608. This connection uses a standard Eth-
ernet cable. By default the console is set to work
with   DHCP.   When   the   console   connects   to   a
router/switch, it will assign an IP address. 

Page 32

Broadcast mixing consoles - 2600 series

solidynepro.com

Summary of Contents for 2600 serie

Page 1: ......

Page 2: ...Page 2 Broadcast mixing consoles 2600 series solidynepro com...

Page 3: ...utton 18 2 4 4 1 Jumper s table for 2610 2612 y 2601 18 2 5 Adding modules to console 19 2 5 1 USB 2602 19 2 5 2 2630 VQR module 19 2 6 Set the gain of the inputs 19 2 7 Models 2600 IP 20 2 7 1 STL li...

Page 4: ...This page is intentionally left blank Page 4 Broadcast mixing consoles 2600 series solidynepro com...

Page 5: ...s to adjust the input levels for comfortable operation of the main fader 2 bands low high EQ Baxandall type with 15dB of rage The mic module 2612 manages 3 microphone channels and 3 unbalanced line in...

Page 6: ...nal never passes through a carbon track neither mechanical switches For more information please visit our web site Main advantages of this technology are Eliminates noise generated by dirty faders Mai...

Page 7: ...o clock mode If you turn on the mi crophones again in this 3 sec window the timer will resume 1 3 3 2630 VQR module This optional module allows partially restore the voice quality that has been degrad...

Page 8: ...ed la bel is the right channel 1 MIC LIN analog inputs By each MIC or LINE channel there are One RJ45 Male to RJ45 Male length 2 5 m one Adapter RJ45 Female to 2 x XLR Female Left Right In MIC cables...

Page 9: ...dental short circuits At the console the operator has independent level controls for Studio and Control headphones We recommend to install at the Studios the Solidyne Studio Box optional a headphones...

Page 10: ...nnect the new device found to stay active In others the new device is enabled after being detected 2 2 6 1 Re connect a paired phone To reconnect to the console a cell phone proceed as follow Turn on...

Page 11: ...with all current equipment sound cards CD player audio interfaces etc But if you need to adapt the input to 600 ohms place inside the connector a 680 ohms re sistor in parallel with the input 2 2 7 2...

Page 12: ...ue White Green Brown White Brown BALANCED INPUTS OUTPUTS PIN WIRE COLOR 1 Left channel 2 Left channel 3 Right channel 4 GND 5 Reserved 6 Right channel 7 15 optional 8 15 optional Orange White Orange G...

Page 13: ...602 and install the drivers Additional drivers are not required Each channel will appear on Windows like one stereo USB audio device and one stereo USB recording device When a USB channel is plugged t...

Page 14: ...To mix minus on Canal A place jumpers JP1 and JP2 To mix minus on Canal B place jumpers JP3 and JP4 2 3 6 Start devices GPO Each module has a Start devices TRS 1 8 con nector to trigger external devic...

Page 15: ...2 3 8 Ground connections recommended for protection against electric storms solidynepro com Broadcast mixing consoles 2600 series Page 15...

Page 16: ...2 3 9 Schematic Diagram Recommended connection of 2600 consoles Page 16 Broadcast mixing consoles 2600 series solidynepro com...

Page 17: ...onsole and talks from the Control Room the Control Room speakers monitors are muted when DJ mic is on air and auto cue fea ture which allows cueing the microphones after pressing the Talkback button i...

Page 18: ...peaker from studies reads an announcement The priority can be dis abled quitting the jumper JPRIORITY located in Master circuit board 2 4 3 2 External control of Master MIC button Connector EXT MIC CO...

Page 19: ...ster considers moving all the modules that are necessary to leave a place beside the Master Is easy to do it since the modules are intercon nected by a ribbon cable with polarized connec tors In order...

Page 20: ...IP address this can take a few minutes Step 2 To know the IP assigned to the console the user must run the application Discovery_AoIP which is available at the following link solidynepro com DW IP ex...

Page 21: ...uter To receive the streaming from 2600 IP using a computer set the audio format see 2 7 1 3 Audio settings as PCM16 44 1KHz or any MP3 mode The audio player software must supports the RTP protocol We...

Page 22: ...onitoring circuits Talk back and telephone lines The turret contains the level meters that show the program level and a speaker for CUE 3 2 Meter bridge 3 2 1 Audio meters The program level meter has...

Page 23: ...ions Talkback to Studio Level of CR headphones Talkback level Level of Studio speakers Ring level listened on the CUE speaker Assigns Tuner input to Studio external tuner Assigns AUD to Studio Level o...

Page 24: ...levels Remember that when a microphone is on air the Studio monitors are muted to avoid feedbacks 3 3 2 CUE The unit has a built in loudspeaker for the previous listening Each channel has a button nam...

Page 25: ...ntil reach the right level on VU meters 8 To finish a call first close the fader HYBRID and then release the button of the line For the case the cell phone the call is transferred to the cell phone an...

Page 26: ...gnal is limited to the band 400 2 200 Hz in order not to distort the signal to the air This narrow band intelligibil ity remains high due to processing but occa sionally may seem to the remote people...

Page 27: ...ooth to mode Headset as was explained in 3 2 2 3 Resume a call on cell phone Dial the number in the cell phone and call SEND To transfer the call to the console return to the Bluetooth mode on the cel...

Page 28: ...el to PGM output Assigns the channel to SEND output Assigns the channel to AUD output Cue Air Button Activates the channel when is pressed Main fader for program level 2610 Microphone module AUX MIC i...

Page 29: ...button to send the channel to the air CUE for previous listening in the built in speaker Output buses assignment PGM AUD SEND Indicates the action of the compressor which manage the dynamic range to a...

Page 30: ...the CUE turn on To send the comunication on the air press AIR button and open the main fader 3 6 3 Jumpers into 2602 s connector In order to enable the private circuit you need to plug a DB 25 connect...

Page 31: ...cessing is applicable as much to calls by terrestrial lines like a calls made through the mo bile telephony Although the reconstruction reaches to callings made using the internal micro phones of the...

Page 32: ...ground noise is under this threshold the expander gate works attenuating the noise Closing the fader the expander gate is turned off When opening the fader increases the threshold that is to say the s...

Page 33: ...at contains the applications and instructions Look in that folder the readme txt file and follow the steps as required Once the 2600 s IP address is obtained enter it in a WEB browser to access the Vi...

Page 34: ...ch The current level is always deter mined by the virtual position in the software If the actual position is changed in the console the level is updated in the software and both agree Turning on off a...

Page 35: ...ing a new password for the selected user For each user can define the visible channels and enable disable the control of channel To save the changes click Update The User Settings window also allows t...

Page 36: ...work configuration Default the 2600 works with Dynamic IP DHCP so that the router assigns an IP available Can be assigned a static IP in the Network configuration option Maintenance Chapter 4 In order...

Page 37: ...e sheet painted and labeled from the reverse side This unique protection technology allows for a full protection from hands abrasion The 2600 console will remains unaltered after a full life of operat...

Page 38: ...ntil obtain 4dBm at the output Move GAIN to the minimum Change the generator to 45 dBm Move the fader until you verify that can ob tain 4 dBm without clipping at the output Change to the right input o...

Page 39: ...hange the generator frequency to 1 kHz Take the main fader to the maximum Adjust the Pan Pot to obtain the same level in both channels L R of PGM output This level will be in order of 10 dBm Now move...

Page 40: ...o generator 4 dBm 1kHz to an left channel of a line input Connect an audio level me ter with A weighting filter an oscilloscope and a load of 600 ohms to the left AUD output Connect another load of 60...

Page 41: ...5 2 Bock diagrams solidynepro com Broadcast mixing consoles 2600 series Page 41...

Page 42: ...Page 42 Broadcast mixing consoles 2600 series solidynepro com...

Page 43: ...solidynepro com Broadcast mixing consoles 2600 series Page 43...

Page 44: ...We recommend in some areas using external gas discharge pro tection Voice Quality Restoration The optional 2630 module allows using VQR technology for all the telephone hybrid signals included externa...

Page 45: ...RMS Peak for PGM AUD One Timer Clock and one Stereo Phase Vector display Timer Clock Option Timer counts minutes seconds during on air MIC in order to avoid excessive speaker on air time When the Tim...

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