background image

Palette, plus the 
Color Wheel for 
adjusting the colors. 
Simply adjust these 
parameters and 
watch the image 
change in real time. 
That's all it takes to 
recreate the image 
you had in your 
mind's eye as you 
pressed the shutter.

Proprietary X3F 
file format for 
outstanding texture 
and color

In fact, shooting 
in X3F format has 
other advantages 
too. In a digital camera, the image 
signal captured in RGB is recorded by 
being converted into what is known 
as YCbCr color space. The Y stands 
for brightness, and the CbCr stands 
for color difference. In an ordinary 
digital camera, a file format known as 
YCbCr 4:2:2 is used, where the color 
signal is set to half the brightness 
signal. This format was developed 
in order to send color information 
efficiently on the limited bandwidth 
available back when color television 
was first developed. Designed on 
the principle that the human eye is 
less sensitive to color data than to 

brightness data, 
this historical 
format has 
survived intact 
to this day, and 
is still used as 
the mainstream 
format in 
digital cameras. 
However, 
now that 
digital camera 
performance 
has improved 
so dramatically, 
people are using 
their photos in 
different ways, 
displaying 
enlargements on 
their computer 

screens, and large photo prints 
are mainstream. Today's output 
conditions are getting better and 
better. The old YCbCr 4:2:2 format 
was designed for efficient signal 
transmission, and not for high-quality 
output. To our way of thinking, this 
format no longer adequate to meet 
the needs of all photographers.

X3F images preserving 
the balance of the natural data

The JPEG files from the DP1 are 
output in YCbCr 4:2:2 in compliance 
with the Exchangeable image file 

format (Exif) specification, 
which is the standard specification 
for file formats. But in the direct 
image sensor, each pixel location 
captures the full complement of 
RGB color data, so in X3F files, 
which is the RAW data format, 
brightness data and color data 
can be kept in a 1:1 ratio without 
relying on interpolation. 
When this image is processed 
in Sigma Photo Pro, even if it 
is saved as a JPEG, if the JPEG 
quality-setting selected is 7 to 12, 
it will be saved as YCbCr 4:4:4. 
The DP1's image quality, with its 
amazing vividness and texture, 
is really due to the X3F image data, 
which preserves the balance 
of the natural data. 
For the best photos with the 
best image quality, we definitely 
recommend shooting in X3F mode.

A top-performance compact digital 
camera for photographers who 
want to take the best photographs 
with the best image quality. 
That would be the DP1.

21

Summary of Contents for DP1 BROCHURE 2008

Page 1: ...The Sigma DP1 Unique Groundbreaking A compact digital camera with all the power of a digital SLR For the first time Ever...

Page 2: ...Having principles The DP1 has principles It sticks to the fundamental principle of photography To capture the truth If you live by your own personal principles the DP1 was born to be yours This is wh...

Page 3: ...resulting from this failure averse technology have a certain air of flatness and lifelessness A certain sameness whatever their subject And a certain lack of expressiveness Not everyone would agree th...

Page 4: ...sed his or her perception of the light and the subject s texture We made sure the camera s own image processing doesn t tinker too much with the tone when the data is processed This way the light capt...

Page 5: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 160s Aperture Value F8 Focal Length 16 6 mm 05...

Page 6: ...06...

Page 7: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 2s Aperture Value F11 Focal Length 16 6 mm 07...

Page 8: ...08...

Page 9: ...it differ from the average DSLR Well it doesn t have a TTL optical viewfinder or an interchangeable lens Nor does it have the advanced continuous shooting function you find in some high end DSLRs But...

Page 10: ...a shallower depth of field The small size of the image sensor used in a conventional compact digital camera explains why it captures rather flat unmodulated images If the image sensor is small the foc...

Page 11: ...1 1 This photograph shows the approximate dimensions of the Sigma DP1...

Page 12: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 25s Aperture Value F4 Focal Length 16 6 mm 12...

Page 13: ...13...

Page 14: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 20s Aperture Value F4 Focal Length 16 6 mm 14...

Page 15: ...15...

Page 16: ...r in a single pixel location Just like the three photosensitive layers of film each photodiode captures all the RGB data at the outset so no final stage demosaicing is required and exquisite nuanced c...

Page 17: ...t image sensor as the SD14 Utilizing the special features of silicon which is penetrated to different depths by different wavelengths of light this direct image sensor succeeds in full color capture w...

Page 18: ...preferred to develop lenses with minimal distortion or in other words lenses that keep straight lines straight After all as an industry leader in interchangeable lenses we re not prepared to compromi...

Page 19: ...19...

Page 20: ...ub if you only shoot JPEG mode maybe you ll find it very difficult to reproduce the photo you saw in your mind s eye which is your own personal sensory experience If you ve ever used a conventional co...

Page 21: ...displaying enlargements on their computer screens and large photo prints are mainstream Today s output conditions are getting better and better The old YCbCr 4 2 2 format was designed for efficient si...

Page 22: ...we ve made sure the DP1 is easy to carry around anytime anywhere Breaking through old categories to new horizons Simple yet distinctive its compact body will draw admiring glances Packed into a neatl...

Page 23: ...23...

Page 24: ...Flash Coverage Range Flash Metering Flash Mode External Flash Synch Pop up Manual 6 ISO100 m 30cm to 2 1m ISO200 TTL type Forced Flash Redeye Reduction Slow Syncro Hotshoe X Sync Contact FLASH AC Adap...

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