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After the DP1, Youll Never Feel the Same Way About Image Quality

A direct image sensor 
that will rock your world

In developing the SD series of 
DSLR cameras, Sigma has used the 
Foveon X3® direct image sensor 
right from the outset. Its outstanding 
image quality performance has 
earned high praise from users 
around the world who have very 
high standards when it comes to 
image quality. "SD image quality 
is something else" and "pictures 
taken with an SD have an emotional 
quality", are typical comments. 
With their solid, nuanced feel and 
amazing vividness, images taken 
with SD-series cameras have 
a quality that cannot be adequately 
explained in terms of figures and 
pixel counts: "emotional image-
quality" is perhaps the only way 
to put it. The secret behind this 
extraordinary image quality lies in 
the revolutionary mechanism of this 
unique direct image sensor.

The difference between a color 
sensor and a monochrome device 

Apart from the SD series, almost all 
the digital cameras on the market 
use monochrome sensors, only 
capable of capturing light intensity. 
Because these sensors do not 
capture color data, a color filter 
with a mosaic of pixels for the three 
primary colors – red, blue and green 
(RGB) – is mounted on top so that 
color data can be represented. 
But each light-sensing photodiode 
has a one-color filter, which means 
that each pixel can only capture 
one color, and data for the other 
two colors is discarded. The full RGB 
complement is restored by 
a color interpolation process known 
as demosaicing, performed in the 

latter stage of the image processing. 
Having been continuously improved 
over an extended period, this 
image-processing method has 
matured to a certain extent. 
If the subject contains a high 
proportion of solid color, it does not 
pose much of a problem. However, 
a single shot of a subject featuring 
complex intermingling of colors will 
instantly reveal its weakness. 
Fine patterns, subtle textures and 
areas of finely-intermingled colors 
cannot be reproduced properly by 
the conventional technology.

Full-color capture system delivers 
"emotional image quality" 

The DP1 uses the same integral 
14 megapixel direct image sensor 
as the SD14. Utilizing the special 
features of silicon, which is 
penetrated to different depths by 
different wavelengths of light, this 
direct image sensor succeeds in 
full-color capture with the full RGB 
complement for the first time ever 
in a single-pixel location. 
Just like film, each photodiode 
captures all the RGB data, so no 
final-stage demosaicing is required, 
and exquisite, nuanced color 
expression can be handled in pixel-
location units. The "emotional image 
quality" delivered by the direct image 
sensor owes everything to the high 
"color resolution" achieved using this 
unique sensor configuration.

Loss-free capture of light 
and color data

That, however, is not the full story. 
In an ordinary digital camera using 
a color filter array, demosaicing can 
sometimes add what are known 
as "color artifacts", or colors not 

actually present in the subject. 
These are caused by the action of 
the mosaic-form color filter when 
capturing an image featuring more 
than a certain level of detail 
(i.e. high-frequency components). 
In an ordinary digital camera, 
another filter known as an optical 
low-pass filter is placed over 
the sensor in order to stop color 
artifacts occurring. The job of the 
optical low-pass filter is to cut out 
any high-frequency components 
which exceed a certain level. 
Although this does effectively 
inhibit color artifacts, the downside 
is that the color resolution of the 
image deteriorates. In other words, 
an ordinary digital camera loses 
data at two stages: first the image 
signal captured by the lens has 
high-frequency components cut 
out by the optical low-pass filter, 
and after that, two of the 3 primary 
colors are cut out by the color filter. 

Because it does not need a color 
filter, the DP1's direct image sensor 
does not generate the color 
artifacts that color filters produce. 
So, obviously, it does not need 
an optical low-pass filter either. 
Its full-color capture system can 
handle all sorts of spatial high-
frequency components, and 
the full complement of primary 
colors, which is precisely why 
the DP1 can deliver that special 
"emotional image quality".

A camera born of Sigma's 
unique image-quality standards 
and sustained obsession with 
photographic expression. 
The world's first high-performance 
compact digital camera with 
an integral full-sized image-sensor. 
That would be the DP1.

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Summary of Contents for DP1 BROCHURE 2008

Page 1: ...The Sigma DP1 Unique Groundbreaking A compact digital camera with all the power of a digital SLR For the first time Ever...

Page 2: ...Having principles The DP1 has principles It sticks to the fundamental principle of photography To capture the truth If you live by your own personal principles the DP1 was born to be yours This is wh...

Page 3: ...resulting from this failure averse technology have a certain air of flatness and lifelessness A certain sameness whatever their subject And a certain lack of expressiveness Not everyone would agree th...

Page 4: ...sed his or her perception of the light and the subject s texture We made sure the camera s own image processing doesn t tinker too much with the tone when the data is processed This way the light capt...

Page 5: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 160s Aperture Value F8 Focal Length 16 6 mm 05...

Page 6: ...06...

Page 7: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 2s Aperture Value F11 Focal Length 16 6 mm 07...

Page 8: ...08...

Page 9: ...it differ from the average DSLR Well it doesn t have a TTL optical viewfinder or an interchangeable lens Nor does it have the advanced continuous shooting function you find in some high end DSLRs But...

Page 10: ...a shallower depth of field The small size of the image sensor used in a conventional compact digital camera explains why it captures rather flat unmodulated images If the image sensor is small the foc...

Page 11: ...1 1 This photograph shows the approximate dimensions of the Sigma DP1...

Page 12: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 25s Aperture Value F4 Focal Length 16 6 mm 12...

Page 13: ...13...

Page 14: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 20s Aperture Value F4 Focal Length 16 6 mm 14...

Page 15: ...15...

Page 16: ...r in a single pixel location Just like the three photosensitive layers of film each photodiode captures all the RGB data at the outset so no final stage demosaicing is required and exquisite nuanced c...

Page 17: ...t image sensor as the SD14 Utilizing the special features of silicon which is penetrated to different depths by different wavelengths of light this direct image sensor succeeds in full color capture w...

Page 18: ...preferred to develop lenses with minimal distortion or in other words lenses that keep straight lines straight After all as an industry leader in interchangeable lenses we re not prepared to compromi...

Page 19: ...19...

Page 20: ...ub if you only shoot JPEG mode maybe you ll find it very difficult to reproduce the photo you saw in your mind s eye which is your own personal sensory experience If you ve ever used a conventional co...

Page 21: ...displaying enlargements on their computer screens and large photo prints are mainstream Today s output conditions are getting better and better The old YCbCr 4 2 2 format was designed for efficient si...

Page 22: ...we ve made sure the DP1 is easy to carry around anytime anywhere Breaking through old categories to new horizons Simple yet distinctive its compact body will draw admiring glances Packed into a neatl...

Page 23: ...23...

Page 24: ...Flash Coverage Range Flash Metering Flash Mode External Flash Synch Pop up Manual 6 ISO100 m 30cm to 2 1m ISO200 TTL type Forced Flash Redeye Reduction Slow Syncro Hotshoe X Sync Contact FLASH AC Adap...

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