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10 lp

30 lp

Spatial Frequency

Sagittal Line

Meridional Line

The MTF chart gives the results at the wide-open aperture.

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12.5

A Photo Is Only As Good As The Lens It Was Taken With.

The all-important lens

When it comes to photographic 
expression, the lens is the most 
crucial element. This is true of any 
camera, film or digital, and it remains 
just as true in any age. Observing the 
advances in digital image processing 
technology designed to compensate 
for lens aberrations, you would think 
that digital image compensation was 
the answer to everything. However, 
no matter how far digital image 
processing technology evolves, 
it will never rival the descriptive power 
of an excellent lens. Some might 
argue that an adequate lens is all you 
need, as long as you have brilliant 
compensation technology. That's not 
our view. Sigma is a lens expert, and the 
DP1's special lens is the culmination of 
years of lens-related R&D.

Just like a high-performance 
interchangeable lens

The DP1's integral 16.6mm F4 lens 
(equivalent to 28mm on a 35mm 
film camera) may be small, but 
it's a high-performance wide-angle 
single-focus lens designed to the 
standards of interchangeable SLR 
lenses. Manufactured to exacting 
standards, large-diameter (14.5mm) 
aspherical glass molds are arranged 
in the fourth group. Besides 
achieving high resolution and high-
contrast performance, we have 
succeeded in storing the whole lens 
unit in a compact lens barrel. 
Its MTF – the value indicating lens 
performance – is on a par with 
that of the interchangeable lenses 
used in SLR cameras.

A lens that keeps 
straight lines straight

In conventional digital cameras, 
the techniques used to shorten 
the lens barrel cause deterioration 
in anti-distortion performance. 
This means there is a certain amount 

of distortion in the image produced, 
which is handled by carrying out 
a little compensation in the latter-
stage image-processing. Sigma, 
however, has always preferred 
to develop lenses with minimal 
distortion, or in other words, lenses 
that keep straight lines straight. 
After all, as an industry leader in 
interchangeable lenses, we're not 
prepared to compromise when it 
comes to lens quality. The DP lens 
is a wide-angle lens equivalent to 
28mm on a 35mm film camera, but 
nevertheless, we have succeeded in 
keeping the distortion to within -2.3% 
even under the worst conditions 
when shooting at close range. 
Satisfyingly distortion-free photos, 
even with a compact lens: that's 
something a DP lens can guarantee. 

A lens for full photographic expression

The DP lens uses the Super Multi-
Layer Coating Sigma has developed 
over many years of manufacturing 
interchangeable lenses for digital 
cameras. Despite the compact 
lens-barrel, flare and ghosting can be 
effectively suppressed even in when 
shooting a backlit or semi-backlit 
scene, allowing more dramatic 
photographic expression. 
We've also taken peripheral 
brightness into consideration: the 
drop in peripheral brightness at the 
outermost edge of the screen when 
the aperture is released is kept at 
-1EV, which is on a par with that of 
an interchangeable lens for 
a precision digital camera. So, even 
when you shoot blue skies whose 
brightness continues to the horizon, 
your pictures will be bright, clear, 
and free of light fall-off at the edges.

A compact digital camera with 
integral high-performance lens, 
packed with optical technology 
smarts, and delivering as much scope 
for photographic expression as any 
DSLR. That would be the DP1.

The DP1’s integral 16.6mm F4 lens 
(equivalent to 28mm on a 35mm 
film camera) may be small, but it’s a 
high-performance wide-angle single-
focus lens designed to the standards 
of interchangeable SLR lenses. 

Manufactured to those exacting 
standards, large-diameter (14.5mm) 
aspherical glass molds are 
arranged in the fourth group.
Besides achieving high resolution and 
high-contrast performance, we have 
succeeded in storing the whole lens 
unit in a compact lens barrel. 

Its MTF – the value indicating lens 
performance – is on a par with that 
of the interchangeable lenses 
used in SLR cameras.

The construction of 

the special-design lens

Sigma Lens 16.6mm F4

MTF Chart

18

Summary of Contents for DP1 BROCHURE 2008

Page 1: ...The Sigma DP1 Unique Groundbreaking A compact digital camera with all the power of a digital SLR For the first time Ever...

Page 2: ...Having principles The DP1 has principles It sticks to the fundamental principle of photography To capture the truth If you live by your own personal principles the DP1 was born to be yours This is wh...

Page 3: ...resulting from this failure averse technology have a certain air of flatness and lifelessness A certain sameness whatever their subject And a certain lack of expressiveness Not everyone would agree th...

Page 4: ...sed his or her perception of the light and the subject s texture We made sure the camera s own image processing doesn t tinker too much with the tone when the data is processed This way the light capt...

Page 5: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 160s Aperture Value F8 Focal Length 16 6 mm 05...

Page 6: ...06...

Page 7: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 2s Aperture Value F11 Focal Length 16 6 mm 07...

Page 8: ...08...

Page 9: ...it differ from the average DSLR Well it doesn t have a TTL optical viewfinder or an interchangeable lens Nor does it have the advanced continuous shooting function you find in some high end DSLRs But...

Page 10: ...a shallower depth of field The small size of the image sensor used in a conventional compact digital camera explains why it captures rather flat unmodulated images If the image sensor is small the foc...

Page 11: ...1 1 This photograph shows the approximate dimensions of the Sigma DP1...

Page 12: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 25s Aperture Value F4 Focal Length 16 6 mm 12...

Page 13: ...13...

Page 14: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 20s Aperture Value F4 Focal Length 16 6 mm 14...

Page 15: ...15...

Page 16: ...r in a single pixel location Just like the three photosensitive layers of film each photodiode captures all the RGB data at the outset so no final stage demosaicing is required and exquisite nuanced c...

Page 17: ...t image sensor as the SD14 Utilizing the special features of silicon which is penetrated to different depths by different wavelengths of light this direct image sensor succeeds in full color capture w...

Page 18: ...preferred to develop lenses with minimal distortion or in other words lenses that keep straight lines straight After all as an industry leader in interchangeable lenses we re not prepared to compromi...

Page 19: ...19...

Page 20: ...ub if you only shoot JPEG mode maybe you ll find it very difficult to reproduce the photo you saw in your mind s eye which is your own personal sensory experience If you ve ever used a conventional co...

Page 21: ...displaying enlargements on their computer screens and large photo prints are mainstream Today s output conditions are getting better and better The old YCbCr 4 2 2 format was designed for efficient si...

Page 22: ...we ve made sure the DP1 is easy to carry around anytime anywhere Breaking through old categories to new horizons Simple yet distinctive its compact body will draw admiring glances Packed into a neatl...

Page 23: ...23...

Page 24: ...Flash Coverage Range Flash Metering Flash Mode External Flash Synch Pop up Manual 6 ISO100 m 30cm to 2 1m ISO200 TTL type Forced Flash Redeye Reduction Slow Syncro Hotshoe X Sync Contact FLASH AC Adap...

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