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For Everyone With a Creative Urge

Brand-new 
"TRUE" 
image-
processing 
engine

Sigma created 
a new image-

processing engine specially designed 
for the DP1's direct image sensor. We 
called it the Three-layer Responsive 
Ultimate Engine, or "TRUE" for short. 
Applying our exhaustive knowledge 
of the image-creation mechanism of 
the direct image sensor, we focused 
on using a proprietary algorithm to 
optimize and record the rich optical 
signal it captures. The "optimal 
image" is something we have always 
pursued in our development of 
DSLR cameras, and in developing 
the DP1, a compact camera with 
a unique mission, we mobilized all 
our skill towards attaining this goal. 
The rich optical signal captured 
by the high-performance lens and 
groundbreaking direct image sensor 
is transformed into an information-
rich image: this is the important role 
played by the brand-new "TRUE"  
image-processing engine.

In JPEG mode, images are 
finished at Sigma's discretion

JPEG images captured by the DP1 
are photos finished in what Sigma 

considers the most appropriate way. 
If you find that the photos you take 
in JPEG mode look the way you 
intended, then by all means enjoy 
the ease and convenience of the 
JPEG setting. Your JPEG images are 
ready to print – just plug the camera 
into your printer – and the image 
data files are ready to share with 
your friends and family. If you want 
email-friendly image files that can 
be transferred straight from your 
camera, JPEG mode wins hands-
down on convenience.

However, to create a JPEG file, 
the data is subjected to irreversible 
compression, which leaves very 
little scope for image-correction 
afterwards. And here's the rub: if you 
only shoot JPEG mode, maybe you'll 
find it very difficult to reproduce the 
photo you saw in your mind's eye, 
which is your own personal sensory 
experience. If you've ever used 
a conventional compact digital 
camera that only has JPEG mode, 
you'll know how unsatisfying the 
results can be. You'll know what it's 
like to find yourself thinking that the 
light should have been punchier, that 
the sky should have been bluer, that 
the greenery should have been 
a more vivid green, or that the sunset 
should have been redder and had 
more depth to it. Unfortunately, it's 
extremely difficult to fully express 

your artistic vision using only JPEG 
images, which are created using the 
camera's automatic settings.

X3F mode and the exclusive image-
processing software Sigma Photo Pro

The DP1 has an X3F mode (RAW 
file format) in which all the image 
data captured by the sensor can be 
recorded without any significant 
deterioration in camera performance. 
If you want to do your own hands-on 
photo-finishing, then for best results, 
we recommend Sigma Photo Pro, the 
image-processing software designed 
exclusively for these X3F files.
You may think that "RAW data 
processing" sounds like something 
scarily technical, requiring high levels 
of knowledge and skill. If so, just try 
Sigma Photo Pro for yourself, and 
you'll soon find out how easy it really 
can be. Sigma Photo Pro offers only 
those functions you really need for 
artistic photo-finishing. Its interface 
is one of the most user-friendly and 
intuitive of the many RAW data-
processing software packages on the 
market, so even if you're a beginner, 
you'll find it simple to turn your 
images into finished photos. Images 
can be corrected using just seven  
parameters — exposure, contrast, 
shadows, highlights, color saturation, 
sharpness and X3F Fill Light — all 
provided in the Adjustment Controls 

20

Summary of Contents for DP1 BROCHURE 2008

Page 1: ...The Sigma DP1 Unique Groundbreaking A compact digital camera with all the power of a digital SLR For the first time Ever...

Page 2: ...Having principles The DP1 has principles It sticks to the fundamental principle of photography To capture the truth If you live by your own personal principles the DP1 was born to be yours This is wh...

Page 3: ...resulting from this failure averse technology have a certain air of flatness and lifelessness A certain sameness whatever their subject And a certain lack of expressiveness Not everyone would agree th...

Page 4: ...sed his or her perception of the light and the subject s texture We made sure the camera s own image processing doesn t tinker too much with the tone when the data is processed This way the light capt...

Page 5: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 160s Aperture Value F8 Focal Length 16 6 mm 05...

Page 6: ...06...

Page 7: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 2s Aperture Value F11 Focal Length 16 6 mm 07...

Page 8: ...08...

Page 9: ...it differ from the average DSLR Well it doesn t have a TTL optical viewfinder or an interchangeable lens Nor does it have the advanced continuous shooting function you find in some high end DSLRs But...

Page 10: ...a shallower depth of field The small size of the image sensor used in a conventional compact digital camera explains why it captures rather flat unmodulated images If the image sensor is small the foc...

Page 11: ...1 1 This photograph shows the approximate dimensions of the Sigma DP1...

Page 12: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 25s Aperture Value F4 Focal Length 16 6 mm 12...

Page 13: ...13...

Page 14: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 20s Aperture Value F4 Focal Length 16 6 mm 14...

Page 15: ...15...

Page 16: ...r in a single pixel location Just like the three photosensitive layers of film each photodiode captures all the RGB data at the outset so no final stage demosaicing is required and exquisite nuanced c...

Page 17: ...t image sensor as the SD14 Utilizing the special features of silicon which is penetrated to different depths by different wavelengths of light this direct image sensor succeeds in full color capture w...

Page 18: ...preferred to develop lenses with minimal distortion or in other words lenses that keep straight lines straight After all as an industry leader in interchangeable lenses we re not prepared to compromi...

Page 19: ...19...

Page 20: ...ub if you only shoot JPEG mode maybe you ll find it very difficult to reproduce the photo you saw in your mind s eye which is your own personal sensory experience If you ve ever used a conventional co...

Page 21: ...displaying enlargements on their computer screens and large photo prints are mainstream Today s output conditions are getting better and better The old YCbCr 4 2 2 format was designed for efficient si...

Page 22: ...we ve made sure the DP1 is easy to carry around anytime anywhere Breaking through old categories to new horizons Simple yet distinctive its compact body will draw admiring glances Packed into a neatl...

Page 23: ...23...

Page 24: ...Flash Coverage Range Flash Metering Flash Mode External Flash Synch Pop up Manual 6 ISO100 m 30cm to 2 1m ISO200 TTL type Forced Flash Redeye Reduction Slow Syncro Hotshoe X Sync Contact FLASH AC Adap...

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