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A Camera for Artists.

Sigma's main effort went into 
perfecting basic performance. 
We aimed to create a brand-new 
compact digital camera delivering 
top-of-the-range image quality. 
We gave it a large, SLR-sized image 
sensor. A direct image sensor 
capable of capturing all the light and 
color. We developed a lens specially 
for top performance. We developed 
a special image-processing engine, 
from scratch. If you're pursuing the 
very essence of cameras and photos, 
these elements are indispensable.

We also minimized the automatic 
element in selecting the capture 
setting. We scaled back the image-
correcting functions, and took care 
to leave the photographer plenty 
of creative scope. We think the 
camera should be a tool that lets the 
photographer take the initiative and 
work the magic. We designed the 
user interface with care. 
We made it easy for the user to select 
the best mode to shoot in, based his 
or her perception of the light and 
the subject's texture. We made sure 
the camera's own image processing 
doesn't tinker too much with the 

tone when the data is processed. 
This way, the light captured by 
the lens is converted faithfully into 
image signal.  These are the ideals 
behind the DP1's approach 
to making pictures.

The DP1 may not be the easiest 
camera to use, and it may not be 
ideal for the casual user. But if you 
want a camera that stimulates your 
creative intelligence, brings out an 
artistic urge you never knew you 
had, and ignites your talent, that 
would be the DP1. It may not have 
the kind of extra features that hit 
the headlines. But if you want to 
capture the true complexities of 
light and color on planet Earth, and 
turn them into top-quality images, 
then no other camera will do.

A camera for artists: if the DP1 
increases the sum of human art by 
a single work, Sigma will be happy. 
A high-performance compact digital 
camera in a class of its own. 
A camera aimed squarely at the 
heart of photographic art. 
A camera that sparks the creative 
urge. That would be the DP1.

04

Summary of Contents for DP1 BROCHURE 2008

Page 1: ...The Sigma DP1 Unique Groundbreaking A compact digital camera with all the power of a digital SLR For the first time Ever...

Page 2: ...Having principles The DP1 has principles It sticks to the fundamental principle of photography To capture the truth If you live by your own personal principles the DP1 was born to be yours This is wh...

Page 3: ...resulting from this failure averse technology have a certain air of flatness and lifelessness A certain sameness whatever their subject And a certain lack of expressiveness Not everyone would agree th...

Page 4: ...sed his or her perception of the light and the subject s texture We made sure the camera s own image processing doesn t tinker too much with the tone when the data is processed This way the light capt...

Page 5: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 160s Aperture Value F8 Focal Length 16 6 mm 05...

Page 6: ...06...

Page 7: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 2s Aperture Value F11 Focal Length 16 6 mm 07...

Page 8: ...08...

Page 9: ...it differ from the average DSLR Well it doesn t have a TTL optical viewfinder or an interchangeable lens Nor does it have the advanced continuous shooting function you find in some high end DSLRs But...

Page 10: ...a shallower depth of field The small size of the image sensor used in a conventional compact digital camera explains why it captures rather flat unmodulated images If the image sensor is small the foc...

Page 11: ...1 1 This photograph shows the approximate dimensions of the Sigma DP1...

Page 12: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 25s Aperture Value F4 Focal Length 16 6 mm 12...

Page 13: ...13...

Page 14: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 20s Aperture Value F4 Focal Length 16 6 mm 14...

Page 15: ...15...

Page 16: ...r in a single pixel location Just like the three photosensitive layers of film each photodiode captures all the RGB data at the outset so no final stage demosaicing is required and exquisite nuanced c...

Page 17: ...t image sensor as the SD14 Utilizing the special features of silicon which is penetrated to different depths by different wavelengths of light this direct image sensor succeeds in full color capture w...

Page 18: ...preferred to develop lenses with minimal distortion or in other words lenses that keep straight lines straight After all as an industry leader in interchangeable lenses we re not prepared to compromi...

Page 19: ...19...

Page 20: ...ub if you only shoot JPEG mode maybe you ll find it very difficult to reproduce the photo you saw in your mind s eye which is your own personal sensory experience If you ve ever used a conventional co...

Page 21: ...displaying enlargements on their computer screens and large photo prints are mainstream Today s output conditions are getting better and better The old YCbCr 4 2 2 format was designed for efficient si...

Page 22: ...we ve made sure the DP1 is easy to carry around anytime anywhere Breaking through old categories to new horizons Simple yet distinctive its compact body will draw admiring glances Packed into a neatl...

Page 23: ...23...

Page 24: ...Flash Coverage Range Flash Metering Flash Mode External Flash Synch Pop up Manual 6 ISO100 m 30cm to 2 1m ISO200 TTL type Forced Flash Redeye Reduction Slow Syncro Hotshoe X Sync Contact FLASH AC Adap...

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