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Sometimes Bigger is Better. Image Sensors are a Case in Point.

Film or digital: big photoreceptors 
mean high image quality

The bigger the film size, the better 
the image quality. That's common 
knowledge in the world of film 
cameras. Ever tried using a Brownie 
film camera to shoot high-quality 
photos? Then you'll have a vivid 
sense of the exponential increase in 
image quality as film size increases. 
Basically, the same goes for digital 
cameras. In other words, sensor 
performance being equal, 
the image quality of a digital camera 
is determined by the size of 
the image sensor, be it CCD or 
CMOS. At 20.7 x 13.8mm, the DP1's 
14-megapixel image sensor is SLR-
sized. This is about 12 times the 
size of the 1- to 2.5-inch sensor, and 
7 times the size of a 1- to 1.8-inch 
sensor used in a conventional 
digital compact. This generous size 
takes the DP1's image quality to 
a different dimension.

A high pixel count doesn't always 
mean high image quality

Even among ordinary compact 
digital cameras, pixel-counts have 
increased rapidly of late. However, 
there may be more pixels, but the 
sensor is still the same size. This 
means that the pixel pitch, or the 
gap between each pixel, is reduced 
to about 2 micron. Decreasing the 
pixel pitch also decreases the size 
of the light-capturing photodiodes, 
so more light is lost in the capture 
process. This loss of light leads to 

a poorer signal-to-noise (S/N) 
ratio, a narrower dynamic range, 
and a deterioration in the actual 
image signal. And that's why a high 
pixel count doesn't always mean 
high image quality. The pixel pitch 
in the DP1's image sensor, however, 
is a generous 7.8 micron. 
The large photodiodes capture 
the light coming through the lens 
without losing any of it. This image 
sensor is one of the secrets behind 
the DP1's high resolution and 
richly-nuanced images.

Full-sized sensor delivers 
a shallower depth of field

The small size of the image sensor 
used in a conventional compact 
digital camera explains why it 
captures rather flat, unmodulated 
images. If the image sensor is small, 
the focal distance of the lens is short. 
If the focal distance of the lens is 
shorter, the depth of field — meaning 
the span of distances over which 
the lens can focus — also increases. 
The prosaic quality of the images 
captured by an ordinary compact 
digital camera is caused by the depth 
of field characteristic of a small 
image sensor: the lens focuses evenly 
on everything between the subject 
and the background, eliminating 
any cadence within the image. 
The DP1 uses a wide-angle lens with 
a focal depth equivalent to 28mm on 
a 35mm film camera. But because of 
its large image-sensor, the depth of 
field is shallow. So, when shooting 
at close range or even with a wide-

SIGMA DP1's Direct Image Sensor

Conventional 

Compact 

Digital Camera's 

Image Sensor

The DP1 has an integral 14 megapixel, 
SLR-sized (20.7 x 13.8mm) image 
sensor. This is about 12 times the size 
of the 1- to 2.5-inch sensor, and seven 
times the size of a 1- to 1.8-inch sensor 
used in a conventional compact 
digital camera. This generous size 
takes the DP1’s image quality to 
a different dimension. What’s more, 
the pixel pitch of the image sensor 
is a generous 7.8 micron. An ordinary 
compact digital camera delivers 
“high quality” with a high pixel count 
achieved simply by dividing up the 
sensor into smaller sections. In the 
DP1, however, the large photodiodes 
deployed at a large pixel pitch 
capture pure, rich light efficiently, so 
the image signal is superb right from 
the start. This gives the DP1 its high 
resolution and richly-graduated tones.

Image Sensor Size Comparison

open aperture, you can use the kind 
of natural out-of-focus effects you'd 
expect of an SLR.

A camera born of Sigma's purist 
camera philosophy and universal 
camera priorities. The world's first 
high-performance compact digital 
camera with an integral full-sized 
image-sensor. That would be the DP1.

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Summary of Contents for DP1 BROCHURE 2008

Page 1: ...The Sigma DP1 Unique Groundbreaking A compact digital camera with all the power of a digital SLR For the first time Ever...

Page 2: ...Having principles The DP1 has principles It sticks to the fundamental principle of photography To capture the truth If you live by your own personal principles the DP1 was born to be yours This is wh...

Page 3: ...resulting from this failure averse technology have a certain air of flatness and lifelessness A certain sameness whatever their subject And a certain lack of expressiveness Not everyone would agree th...

Page 4: ...sed his or her perception of the light and the subject s texture We made sure the camera s own image processing doesn t tinker too much with the tone when the data is processed This way the light capt...

Page 5: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 160s Aperture Value F8 Focal Length 16 6 mm 05...

Page 6: ...06...

Page 7: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 2s Aperture Value F11 Focal Length 16 6 mm 07...

Page 8: ...08...

Page 9: ...it differ from the average DSLR Well it doesn t have a TTL optical viewfinder or an interchangeable lens Nor does it have the advanced continuous shooting function you find in some high end DSLRs But...

Page 10: ...a shallower depth of field The small size of the image sensor used in a conventional compact digital camera explains why it captures rather flat unmodulated images If the image sensor is small the foc...

Page 11: ...1 1 This photograph shows the approximate dimensions of the Sigma DP1...

Page 12: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 25s Aperture Value F4 Focal Length 16 6 mm 12...

Page 13: ...13...

Page 14: ...Camera SIGMA DP1 FileType X3F Raw Exposure Mode Aperture Priority AE ISO Setting 100 White Balance Auto Shutter Speed 1 20s Aperture Value F4 Focal Length 16 6 mm 14...

Page 15: ...15...

Page 16: ...r in a single pixel location Just like the three photosensitive layers of film each photodiode captures all the RGB data at the outset so no final stage demosaicing is required and exquisite nuanced c...

Page 17: ...t image sensor as the SD14 Utilizing the special features of silicon which is penetrated to different depths by different wavelengths of light this direct image sensor succeeds in full color capture w...

Page 18: ...preferred to develop lenses with minimal distortion or in other words lenses that keep straight lines straight After all as an industry leader in interchangeable lenses we re not prepared to compromi...

Page 19: ...19...

Page 20: ...ub if you only shoot JPEG mode maybe you ll find it very difficult to reproduce the photo you saw in your mind s eye which is your own personal sensory experience If you ve ever used a conventional co...

Page 21: ...displaying enlargements on their computer screens and large photo prints are mainstream Today s output conditions are getting better and better The old YCbCr 4 2 2 format was designed for efficient si...

Page 22: ...we ve made sure the DP1 is easy to carry around anytime anywhere Breaking through old categories to new horizons Simple yet distinctive its compact body will draw admiring glances Packed into a neatl...

Page 23: ...23...

Page 24: ...Flash Coverage Range Flash Metering Flash Mode External Flash Synch Pop up Manual 6 ISO100 m 30cm to 2 1m ISO200 TTL type Forced Flash Redeye Reduction Slow Syncro Hotshoe X Sync Contact FLASH AC Adap...

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