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19
Hex Mode Harmonic Series
1
Unison {1,1,1,1,1,1}
2
All {1,2,3,4,5,6}
Rhythms
3
Powers of 2 4/4 Rhythm {1,2,4,8,16,32}
4
12/8 Rhythm {1,2,4,6,8,12}
5
3/4 Rhythm {1,2,3,4,6,8}
6
3+5 Rhythm {1,2,3,5,6,10}
Odd
7
Odd {1,3,5,7,9,11}
8
Fave Odd {1,5,9,11,15,19}
9
Fibonacci {1,2,3,5,8,13}
Non-harmonic
10
Bar 1 {9/9,25/9,49/9,81/9,121/9,169/9}
squares of odd numbers
11
Bar 2 {1, 4.4375, 8.6975, 14.3775, 21.4775,
29.9975}
12
Bell {1,2,2.4,3,4,5}
13
Kettle Drum {1,1.17647,1.77647,1.97647,2.34
117,2.45882}
Scales
14
Hexatonic Major {C,D,E,F,G,A}
(1 ... 1.68179)
15
Hexatonic Minor {C,D,Eb,F,G,Bb}
(1 ... 1.78179)
16
Not Currently Used
H.GAIN/MIX
In Individual Mode, this control
lets you set levels for the
individual channels and also
controls whether a particular
channel appears in the Mix
output.
In Hex Mode, the primary function is
“Harmonic Gain” (that’s why only the “H” is
orange on the panel.) Harmonic Gain lets
you control the balance of the six channels.
At full clockwise, all six channels will play at
their individually programmed levels. As you
turn the knob counterclockwise from there,
variable slope attenuation will be applied:
more for the higher numbered oscillators and
less for the lower numbered oscillators. At
full counterclockwise, only Channel 1 will be
audible.
In Individual Mode:
Primary:
Sets a channel’s Level
Option 1:
Includes or removes a channel
from the Mix output.
Option 2:
(Includes or removes a channel
from the Mix output.)
NOTE:
Like the previously described
Sync and 1-Shot functions, Option 1 is a
two position switch. Rotating the knob
counterclockwise from 12 o’clock removes
the selected channel(s) from the Mix output.
Turning it clockwise from 12 o’clock causes
thechannel(s) to appear at the Mix output.
Again, the specific knob position doesn’t
matter,as long as it’s either to the right or left of
12 o’clock.
In Hex Mode:
Primary:
Controls Harmonic Gain
Option 1:
Sets the attenuation of the Mix
output
Option 2:
(Sets the attenuation of the Mix
output)
Summary of Contents for MOB OF EMUS
Page 5: ...5 3 Overview...
Page 42: ...42...
