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6. REVERB Function
Reverb is a multitude of echoes spaced so close together that, to the human ears seem as a single
continuous sound. These echoes gradually decrease in intensity until they are ultimately absorbed by the
boundaries and obstacles within a room. As the sound waves from the sound source strike the boundar-
ies of a room, a portion of the energy is reflected away from the obstacle while another portion is ab-
sorbed into it - thereby causing both the continuance of sound as well as the decaying or "dying out' of
the sound.
The PARAMETER SELECT knob will allow you to access these REVERB parameters:
The REVERB INPUT parameter determines whether the input to the Reverb sec-
tion is ACTIVE (passing a signal) or MUTED (will not pass a signal).
The MIX DIRECT/DELAY parameter is used to define the ratio of direct signal
to delayed signal to be input to the reverb section.
The REVERB LEVEL parameter allows you to control the level of the reverb
signal at the output in relation to the direct signal and other effect signals. This
parameter is also accessible from the Mixer function.
The REVERB DECAY parameter determines the length of time that the reverb
signal will sound before it has completely died out.
The REVERB HIGH FREQUENCY DAMPING parameter is used to control the
decay rate of high frequency information in the reverb signal. Higher parameter
settings will result in a faster decay of high frequency information.
REV INPUT
MIX DIR/DLY
REVERB LVL
REV DECAY
REV HF DAMP
Summary of Contents for Utopia G300
Page 6: ...6 2 Quick Reference ...
Page 8: ...8 3 UTOPIA G300 Top and Back Panels ...
Page 14: ...14 4 Connections Standard Connection with a Guitar Amplifier ...
Page 15: ...15 Connection in Stereo to Two Guitar Amplifiers 4 Connections continued ...
Page 16: ...16 Connection to a PA System 4 Connections continued ...
Page 17: ...17 Connection to a Computer 4 Connections continued ...
Page 18: ...18 Connection to a Recording Workstation 4 Connections continued ...
Page 19: ...19 4 Connections continued Connection Using Effects Loop and MIDI ...
Page 20: ...20 4 Connections continued Connection Using Effects Loop to a Stompbox ...
Page 21: ...21 4 Connections continued Connection for MIDI IN from a Computer with MIDI Utility Program ...
Page 22: ...22 4 Connections continued Connection for MIDI OUT to Computer with MIDI Utility Program ...
Page 45: ...45 WITH CHORUS FLANGER AND PITCH SHIFT MODULATION EFFECTS 7 UTOPIA G300 Block Diagrams ...
Page 46: ...46 WITH TREMOLO MODULATION EFFECT 7 UTOPIA G300 Blocks ...
Page 83: ...83 ...