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6. CHORUS Function
The CHORUS parameter determines whether the Chorus is active or bypassed
for the current preset.
The LEVEL 1 parameter determines the volume of Voice 1 in relation to Voice 2.
The DIR/EFF MIX parameter in the Mixer function also determines the Chorus
level.
PAN 1 parameter allows you to pan Voice 1 to the left or right channel.
The DEPTH 1 parameter adjusts the amount of modulation of the Voice 1 signal.
A lower depth setting will produce a more subtle detune effect, while a higher
setting will produce a more extreme detuning of Voice 1.
The RATE 1 parameter determines the sweep speed (or the speed at which Voice
1 is modulated). Lower parameter settings will result in slower speeds, while
higher settings will result in faster speeds.
The DELAY 1 parameter allows you to select the minimum delay time (in mil-
liseconds) for Voice 1. This delayed signal (along with Voice 2) is detuned and
modulated to produce the chorus effect. Using shorter delay times will result in a
tighter sounding chorused signal, while longer delay times will produce a larger
ambient effect.
CHORUS
LEVEL 1
PAN 1
DEPTH 1
RATE 1
DELAY 1
The CHORUS function is available if you have selected it in the MODULATION EFX Function.
The Chorus effect in the UTOPIA G300 is produced by using two delayed signals (Voice 1 and Voice
2), detuning these delayed signals (slightly changing their pitch), then modulating the detune effect so
that the amount of pitch detune is constantly varying. Using different detune amounts, modulation rates,
modulation depths and pan settings for each delayed signal will produce a greater perceived spacious-
ness.
The PARAMETER SELECT knob will allow you to access these CHORUS parameters:
Summary of Contents for Utopia G300
Page 6: ...6 2 Quick Reference ...
Page 8: ...8 3 UTOPIA G300 Top and Back Panels ...
Page 14: ...14 4 Connections Standard Connection with a Guitar Amplifier ...
Page 15: ...15 Connection in Stereo to Two Guitar Amplifiers 4 Connections continued ...
Page 16: ...16 Connection to a PA System 4 Connections continued ...
Page 17: ...17 Connection to a Computer 4 Connections continued ...
Page 18: ...18 Connection to a Recording Workstation 4 Connections continued ...
Page 19: ...19 4 Connections continued Connection Using Effects Loop and MIDI ...
Page 20: ...20 4 Connections continued Connection Using Effects Loop to a Stompbox ...
Page 21: ...21 4 Connections continued Connection for MIDI IN from a Computer with MIDI Utility Program ...
Page 22: ...22 4 Connections continued Connection for MIDI OUT to Computer with MIDI Utility Program ...
Page 45: ...45 WITH CHORUS FLANGER AND PITCH SHIFT MODULATION EFFECTS 7 UTOPIA G300 Block Diagrams ...
Page 46: ...46 WITH TREMOLO MODULATION EFFECT 7 UTOPIA G300 Blocks ...
Page 83: ...83 ...