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6. MIXER Function
The next function displayed after turning the FUNCTION SELECT knob clockwise is the Mixer
function. The Mixer function parameters are included in all presets -- regardless of which configuration
is currently recalled -- although the parameter values stored in this function are only for the currently
recalled preset.
This digital mixer allows you to control most signal levels pertaining to each preset's configuration
and stores these levels for each preset.
The PARAMETER SELECT knob will allow you to access these Mixer parameters:
The VOLUME parameter determines the overall signal level of the current pre-
set.
The LEFT OUT LEVEL parameter allows you alter the level of the left channel
output of the current preset independent of the right channel.
The RIGHT OUT LEVEL parameter allows you alter the level of the right chan-
nel output of the current preset independent of the left channel.
The DIR/EFF MIX parameter is used to define the ratio of direct signal level to
effect (Chorus, Flange, Pitch Shift) signal level.
The DIRECT PAN parameter allows you to pan the direct signal to the left or
right.
The DELAY LEVEL parameter determines the overall level of the delayed signal
at the output relative to the direct signal and other effect signals. This parameter
can also be accessed from the Delay function parameter list.
The REVERB LEVEL parameter determines the level of the reverb signal at the
output relative to the direct signal and other effect signals. This parameter can
also be accessed from the Reverb function parameter list.
VOLUME
LEFT OUT LVL
RIGHT OUT LVL
MIX DIR/EFF
DIR PAN
DELAY LVL
REVERB LVL
The PREAMP function is accessible in all configurations. The preamp stage offers 5 channel choices
ranging from clean to high gain for maximum sustain and distortion.
The PARAMETER SELECT knob will allow you to access these PREAMP parameters:
6. PREAMP Function
The CHANNEL parameter chooses one of the five (5) PREAMP types: CLEAN,
TEXAS, BRITISH, MEGA and SCORCH.
The GAIN parameter determines the gain value in the distortion stage.
CHANNEL
GAIN
Summary of Contents for Utopia G300
Page 6: ...6 2 Quick Reference ...
Page 8: ...8 3 UTOPIA G300 Top and Back Panels ...
Page 14: ...14 4 Connections Standard Connection with a Guitar Amplifier ...
Page 15: ...15 Connection in Stereo to Two Guitar Amplifiers 4 Connections continued ...
Page 16: ...16 Connection to a PA System 4 Connections continued ...
Page 17: ...17 Connection to a Computer 4 Connections continued ...
Page 18: ...18 Connection to a Recording Workstation 4 Connections continued ...
Page 19: ...19 4 Connections continued Connection Using Effects Loop and MIDI ...
Page 20: ...20 4 Connections continued Connection Using Effects Loop to a Stompbox ...
Page 21: ...21 4 Connections continued Connection for MIDI IN from a Computer with MIDI Utility Program ...
Page 22: ...22 4 Connections continued Connection for MIDI OUT to Computer with MIDI Utility Program ...
Page 45: ...45 WITH CHORUS FLANGER AND PITCH SHIFT MODULATION EFFECTS 7 UTOPIA G300 Block Diagrams ...
Page 46: ...46 WITH TREMOLO MODULATION EFFECT 7 UTOPIA G300 Blocks ...
Page 83: ...83 ...