Novation MiniNova Instructions Manual Download Page 28

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Parameter: 

Effect Amount

Displayed As: 

FX1 Amnt

 

Default value: 

64

Range of adjustment: 

0 to 127

The precise function of this parameter depends on which FX device is loaded into the slot. 
See the table below for a summary.

FX TYPE

ADJUSTED PARAMETER

Compressor

Level

EQ

Level

Distortion

Amount or bit/sample rate reduction

Delay

Send and Return levels

Chorus

Level

Reverb

Send and Return levels

Gator

Level

The remaining parameters available for adjustment in the FXSLOTn submenu are 
determined by which effects device has been loaded into the slot. A slot which has no FX 
device loaded has no further menu options available.

Each FX device has its own menu; these are described in turn below. All references to FX1 
may be taken as being equally applicable to the other four FX slots.

EQ Menu
The equaliser is a three-band ‘swept’ type, with cut/boost and frequency controls for each 
band. The LF and HF sections are second-order (slope of 12 dB/octave) shelving filters, 
and the MF section is a bell-response filter.

Note that FX1 Amnt parameter should be set to 127 for the full range of cut or boost 
(

±

12 dB) to be available. Lower settings of FX1 Amnt will result less cut or boost 

being applied at the minimum or maximum values of the EQ Level parameters

Parameter: 

LF Cut/Boost

Displayed As: 

EQBasLvl

 

Default value: 

0

Range of adjustment: 

-64 to +63

This parameter controls the LF response of the equaliser; a value of 0 gives a flat response 
in the LF region, positive values will give a rise in the LF response – i.e., more bass, and 
negative values will have the opposite effect. The range of adjustment is ±12 dB (with  
FX1 Amnt set to 127).

Parameter: 

MF Cut/Boost

Displayed As: 

EQMidLvl

 

Default value: 

0

Range of adjustment: 

-64 to +63

This parameter controls the MF response of the equaliser; a value of 0 gives a flat response 
in the MF region, positive values will give a rise in the MF response – i.e., more mid-
frequencies (the voice region of the audio spectrum), and negative values will accordingly 
reduce the MF response. The range of adjustment is ±12 dB (with FX1 Amnt set to 127).

Parameter: 

HF Cut/Boost

Displayed As: 

EQTrbLvl

 

Default value: 

0

Range of adjustment: 

-64 to +63

This parameter controls the HF response of the equaliser; a value of 0 gives a flat response in 
the HF region, positive values will give a rise in the HF response – i.e., more treble, and negative 
values less treble. The range of adjustment is ±12 dB (with FX1 Amnt set to 127).

Parameter: 

LF Frequency

Displayed As: 

EQBasFre

 

Default value: 

64

Range of adjustment: 

0 to 127

The equaliser is a “swept” type, which means that in addition to being able to increase or 
decrease the treble, mid or bass, you can also control the frequency band over which the 
Cut/Boost controls are effective – i.e., just what is meant by “bass”, “mid” and “treble”. 
This gives you much more accurate control over the frequency response. Increasing the 
value of EQBasFre increases the frequency below which EQBasLvl is effective, so in 
general, EQBasLvl will have more effect on the sound the higher the value of EQBasFre
Decreasing the value of EQBasFre will lower the frequency below which the cut/boost 
control is effective with a value of 0 corresponding to approx. 140 Hz . The maximum value 
of 127 corresponds to about 880 Hz and the default value of 64 to about 500 Hz.

Parameter: 

MF Frequency

Displayed As: 

EQMidFre

 

Default value: 

64

Range of adjustment: 

0 to 127

Increasing the value of this parameter increases the “centre” frequency of the MF 
response. The centre frequency is the one that gets the maximum amount of cut or boost 

as you adjust EQMidLvl, and this control will have a proportionately decreasing effect 
on frequencies above and below the centre frequency. The range of adjustment is from 
440 Hz (value = 0) to 2.2 kHz (value = 127). The default value of 64 corresponds to 
approximately 1.2 kHz.

Parameter: 

HF Frequency

Displayed As: 

EQTrbFre

 

Default value: 

64

Range of adjustment: 

0 to 127

Decreasing the value of EQTrbFre decreases the frequency above which EQTrbLvl is 
effective, so in general, EQTrbLvl will have more effect on the sound the lower the value of 
EQTrbFre. Increasing the value of EQTrbFre will raise the frequency above which the cut/
boost control is effective, with a value of 127 corresponding to about 4.4 kHz. A value of 0 
corresponds to about 650 Hz and the default value of 64 to about 2 kHz.

Compressor Menu
Two compressor devices are available. Their facilities are identical; the example below 
illustrates Compressor 1.

The compressors can be used to reduce the dynamic range of the synth sound (or the 
external audio input), which gives the effect of “thickening” the sound and/or giving it 
more “punch” or impact. They are particularly effective on sounds with a strong percussive 
content.

Parameter: 

Compression Ratio

Displayed As: 

C1Ratio

 

Default value: 

1.0

Range of adjustment: 

1.0 to 13.7 (0.1 steps)

With the minimum value of 1 .0 set, the compressor has no effect as 1.0 means that 
every change in input level results in an equal change in output level. The parameter sets 
the degree to which sounds which are louder than the level set by the Threshold level 
parameter get reduced in volume. If the Ratio is set to 2 .0, a change in input level results 
in a change in output level of only half the magnitude, thus the overall dynamic range of the 
signal is reduced. The higher the setting of Compression Ratio, the more compression is 
applied to those parts of the sound which are above the Threshold level.

Parameter: 

Threshold Level

Displayed As: 

C1Thrsh

 

Default value: 

-16

Range of adjustment: 

-60 to 0

Threshold defines the signal level at which compressor action starts. Signals below 
the threshold (i.e. the quieter parts of the sound) are unaltered, but signals exceeding 
the threshold (the louder sections) are reduced in level - in the ratio set with C1Ratio - 
resulting in an overall reduction of the dynamic range of the sound. Note that the value of 
the parameter approximately represents the actual analogue signal level – i.e., the number 
of dBs below the maximum digital clip level of 0 dB.

Note that any alteration in volume resulting from compressor action has nothing to 
do with how the output level of the synth is set. Whether you are using the 
MiniNova’s MASTER VOLUME control or an Expression pedal to control your 

overall volume, any compression in the FX section is applied ‘before’ these volume control 
methods, and thus will remain constant.

Parameter: 

Attack Time

Displayed As: 

C1Attack

 

Default value: 

0

Range of adjustment: 

0 to 127

The Attack Time parameter determines how fast the compressor applies gain reduction 
to a signal exceeding the threshold. With percussive sounds - such as struck drums or 
plucked bass - it may be desirable to compress the main envelope of the sound while 
retaining the distinctive front edge or “attack phase” of the sound. A low value gives a fast 
attack time, and compression will be applied to the front edge of the signal. High values 
give slow response times, and percussive leading edges will not be compressed, to give a 
“punchier” sound. The range of attack times available is from 0.1 ms to 100 ms.

Parameter: 

Release Time

Displayed As: 

C1Rel

 

Default value: 

64

Range of adjustment: 

0 to 127

This parameter should be adjusted in conjunction with the Hold Time parameter (see 
C1Hold below). Release Time determines the time period over which the gain reduction 
is removed (resulting in no compression) after the completion of the Hold Time. Low 
values give a short Release Time, high values a long one. The range of release times 
available is from 25 ms to 1 second.

Parameter: 

Hold Time

Displayed As: 

C1Hold

Default value: 

32

Range of adjustment: 

0 to 127

Hold Time determines for how long any gain reduction applied to a signal exceeding the 
Threshold Level remains applied after the signal level drops below the Threshold Level

Summary of Contents for MiniNova

Page 1: ...evice must accept any interference received including interference that may cause undesired operation For USA To the User 1 Do not modify this unit This product when installed as indicated in the inst...

Page 2: ...8 Updating the MiniNova s Operating System 8 Synthesis Tutorial 8 Synth Menus Reference section 12 Top Menu Audio In 12 Top Menu Global 12 Top Menu Arp 13 Top Menu Chord 14 Top Menu Edit 14 Edit menu...

Page 3: ...d by the novice They are intended to provide a clarification or explanation of a particular area of operation Performance Parameter P MiniNova has a fantastic degree of flexibility in tailoring sounds...

Page 4: ...two rows assign the Tweak controls to parameters which have been factory selected by the Novation programming team for each Patch giving you immediate access to the most useful and striking sonic vari...

Page 5: ...then be controlled entirely from the computer by using the MiniNova Editor plug in The MiniNova Librarian is a separate software application which greatly assists in the organising saving and recall o...

Page 6: ...button to load Patches You can assign up to eight of your favourite Patches to the eight Performance Pads and then quickly reload them without needing to search through the whole Patch list Assigning...

Page 7: ...iniNova has a powerful Arpeggiator feature which allows arpeggios of varying complexity and rhythm to be played and manipulated in real time If a single key is pressed the note will be retriggered by...

Page 8: ...update procedure requires the MiniNova to be connected via USB to a computer which has first had the necessary USB drivers installed Full instructions on performing the update will be supplied with th...

Page 9: ...nic 1 Sine Wave Sawtooth Wave Volume Volume Harmonic 1 2 3 4 5 Harmonic 1 2 3 4 5 Noise These are rich in harmonics and containing both even and odd harmonics of the fundamental frequency The volume o...

Page 10: ...r the rejection of harmonics above the cut off point and the more pronounced the filtering effect A further important parameter of the Filter is its Resonance Frequencies at the cut off point may be i...

Page 11: ...ng the Wavetable index or FX levels ATTACK DECAY RELEASE TIME ATTACK DECAY RELEASE SUSTAIN TIME KEY ON KEY OFF FILTER CUT OFF LFOs Like the Envelope Generators the LFO section of a synthesizer is a Mo...

Page 12: ...ost on the loudest passages The meter also includes an OVER flag aim to set your signal level so that this never comes on Note that if InptGain is set to Off the audio input is inoperative Vocoder Voc...

Page 13: ...c LFO Rate Sync Pan Rate Sync will follow the tempo of an external MIDI clock source or follow the tempo set by the TEMPO knob 21 Internal the MiniNova will synchronise to the internal MIDI clock irre...

Page 14: ...d resulting from each key press will be arpeggiated Top Menu Edit This menu is where you can modify the sound of a Patch or create a new one from first principles The Edit menu is divided further subm...

Page 15: ...s Parameter Density Displayed As O1Dense Default value 0 Range of adjustment 0 to 127 The density parameter effectively adds copies of the oscillator waveform to itself Up to eight additional virtual...

Page 16: ...ameter Oscillator 2 Level Displayed As O2Level Default value 0 Range of adjustment 0 to 127 This parameter sets the initial amount of Oscillator 2 s signal present in the overall sound Parameter Oscil...

Page 17: ...1Track can be also adjusted directly from Row 3 of the PERFORM section of the control panel with Tweak Control RC2 Parameter Filter type Displayed As F1Type Default value LP24 Range of adjustment See...

Page 18: ...1 3 OSC 3 OSC 2 OSC 1 FILTER BALANCE EFFECTS FILTER 1 FILTER 2 Parallel Filter sections are driven with the same input signal and their output mix is adjusted by the Filter Balance parameter NOISE 2 3...

Page 19: ...e portamento and other related voicing parameters Parameter Unison Voices Displayed As Unison Default value Off Range of adjustment Off 2 3 4 Unison can be used to thicken the sound by assigning addit...

Page 20: ...kes for the note to increase from zero e g when the key is pressed to its maximum level A long attack time produces a fade in effect Decay the time it takes for the note to drop in level from the maxi...

Page 21: ...othly and this mode aids this style of playing It is important to appreciate that for the Legato mode to be operative mono voicing must be selected it will not work with polyphonic voicing See Edit me...

Page 22: ...shing a relationship between the filter section and ADSR Filter Envelope resulting in the filter frequency being varied by the shape of the envelope In order to hear the effect of any of the Filter En...

Page 23: ...Amplitude Sustain Rate on page 21 for an illustration Parameter Filter Sustain Time Displayed As FltSusTm Default value KeyOff Range of adjustment 0 126 KeyOff This parameter also applies to the Sust...

Page 24: ...for adjustment Because the three LFOs are identical only the functions of LFO1 are described Parameter LFO 1 Rate Displayed As L1Rate Default value 68 Range of adjustment 0 to 127 Rate is the LFO s f...

Page 25: ...s set to Off the LFO delay is controlled by the Delay parameter L1Delay At all other settings L1Delay becomes inoperative and the LFO delay is derived from the internal external MIDI clock Parameter L...

Page 26: ...details regarding using the Pads Note that when both a Pad and other sources Source1 and or Source2 are assigned in the same slot the Pad acts as a switch for the other sources whose effect will only...

Page 27: ...ous combinations of serial and parallel FXRouting 0 DRY WET OUTPUT FEEDBACK DISABLED INPUT SLOT 1 SLOT 2 SLOT 3 SLOT 4 SLOT 5 FXRouting 1 DRY WET OUTPUT FEEDBACK INPUT SLOT 1 SLOT 2 SLOT 3 SLOT 4 SLOT...

Page 28: ...proximately 1 2 kHz Parameter HF Frequency Displayed As EQTrbFre Default value 64 Range of adjustment 0 to 127 Decreasing the value of EQTrbFre decreases the frequency above which EQTrbLvl is effectiv...

Page 29: ...eing played pitch shifting will result See also Delay Slew Parameter Delay Sync Displayed As Dly1Sync Default value Off Range of adjustment See Sync Values Table on page 34 Delay time may synchronised...

Page 30: ...se Gate triggered by a repeating pattern derived from the internal or external MIDI clock This breaks a note up rhythmically One of six patterns is available by setting the Gator Mode parameter the ba...

Page 31: ...e VocalTune will reference the notes in the chord that has been played most recently The more notes in the last chord the more notes VocalTune has to snap to A three note triad doesn t give great resu...

Page 32: ...enu Vocoder Parameter Vocoder On Off Displayed As On Off Default value Off Range of adjustment On or Off Enables disables the Vocoder function Parameter Vocoder Level Displayed As VocodLvl Default val...

Page 33: ...eech Sibilance can be added to give the Vocoder to give a more distinctive sound and to make vocoded vocals more intelligible Parameter Vocoder Noise Gate Threshold Displayed As GateThr Default value...

Page 34: ...28 Beats 1 cycle per 7 bars a 30 Beats 2 cycles per 15 bars a 32 Beats 1 cycle per 8 bars a 36 Beats 1 cycle per 9 bars a 42 Beats 2 cycles per 21 bars a 48 Beats 1 cycle per 12 bars a 64 Beats 1 cyc...

Page 35: ...No modulation source selected ModWheel Mod Wheel Mod Wheel is the controller AftTouch Aftertouch Modulation is proportional to the pressure applied to a key while it is held down Monophonic aftertouc...

Page 36: ...Level Ch1Rate Chorus parameters Chorus 1 Rate Ch1Depth Chorus 1 Depth Ch1Delay Chorus 1 Delay Ch1Fback Chorus 1 Feedback Ch2Rate Chorus 2 Rate Ch2Depth Chorus 2 Depth Ch2Delay Chorus 2 Delay Ch2Fback...

Page 37: ...ope 3 Sustain Level E3Rel Envelope 3 Release Time LFOs L1Rate LFO 1 Rate L1RSync LFO 1 Sync Rate L1Slew LFO 1 Slew Amount L2Rate LFO 2 Rate L2RSync LFO 2 Sync Rate L2Slew LFO 2 Slew Amount L3Rate LFO...

Page 38: ...elay2 Delay line Echo Single and multiple echos Reverb1 Reverb2 Reverberation Hall and room simulation Chorus1 Chorus2 Chorus3 Chorus4 Chorus Phasing Time domain effects Gator Gator 8 level 32 step se...

Page 39: ...UPDATES It is possible to install firmware updates into the MiniNova To check whether updates are available and to find out how to perform this operation visit the Novation website www novationmusic...

Page 40: ...40...

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