Novation MiniNova Instructions Manual Download Page 26

26

The Modulation Matrix is both variable and additive. What do we mean by a 
‘variable’ and ‘additive’ matrix?

By ‘variable’, we mean that it is not just the routing of a controlling source to a controlled 
parameter which is defined in each slot, but also the “magnitude” of the control. Thus the 
‘amount’ of control – or control ‘range’ – used is up to you.

By ‘additive’ we mean that a parameter may be varied by more than one source, if wished. 
Each slot allows for two sources to be routed to a parameter, and their effects are 

multiplied

 together. This means that if either of them is at zero, there will be no modulation. 

However, there is no reason why you can’t have further slots routing these or other 
sources to the same parameter. In this case, the control signals from different slots “add” 
to produce the overall effect.

SOURCE 1: LFO

SOURCE 2: MOD WHEEL

SOURCE 1: LFO

MOD SLOT NO 1

MOD SLOT NO 1

MOD SLOT NO 1

MOD SLOT NO 1

MOD SLOT NO 2

MOD SLOT NO 2

SOURCE 2: MOD WHEEL

SOURCE 1: MOD WHEEL

SOURCE 2: 

SOURCE 1: LFO

SOURCE 2:

SOURCE 1: MOD WHEEL

SOURCE 2: 

SOURCE 1: LFO

SOURCE 2:

You need to be careful when setting up patches like this to ensure that the 
combined effect of all the controllers acting simultaneously still creates the sound 
that you want.

In addition, the Modulation Matrix Menu lets you assign the Pads as additional controllers, 
so long as the Animate mode is enabled (see “Using the Pads as performance controls” on 
page 7).

With this submenu, it is first necessary to select the Modulation Slot whose parameters are 
to be adjusted: 

Displayed As: 

ModSltn

 (where n is 1 to 20)

Default value: 

ModSlt1

Range of adjustment: 

ModSlt1…ModSlt20

The Modulation Matrix has 20 ‘slots’ (‘mod slots’), each defining a routing assignment of 
one (or two) sources to a destination. All the slots have the same selection of sources and 
destinations and any or all can be used. The same source can control multiple destinations, 
and one destination can be controlled by multiple sources.

Because the 20 Modulation Slots are identical, only the functions of Slot 1 are described.

Parameter: 

First Source

Displayed As: 

Source 1

Default value: 

Direct

Range of adjustment: 

See Modulation Matrix Sources Table on page 35.

This selects a control source (modulator), which will be routed to the destination set by 
Destin. Setting both Source1 and Source2 to Direct means no modulation is defined.

Parameter: 

Second Source

Displayed As: 

Source 2

Default value: 

Direct

Range of adjustment: 

See Modulation Matrix Sources Table on page 35. 

This selects a second control source for the chosen destination. If only one source per 

patch is being used, set Source2 to.

Parameter: 

Touch controller enable

Displayed As: 

TouchSel

Default value: 

Off

Range of adjustment: 

Touch1….Touch 8

The eight ANIMATE Pads can be programmed as touch controllers, so that they initiate 
a change to a parameter value (defined by Destin, see below) when pressed. Note that 
Animate mode must be enabled for the Pads to be active. ANIMATE pads will illuminate 
purple if a controller has been assigned. See “Using the Pads as performance controls” 
on page 7 for more details regarding using the Pads. Note that when both a Pad and 
other sources (Source1 and/or Source2) are assigned in the same slot, the Pad acts as 
a switch for the other sources, whose effect will only be heard when the Pad is pressed.

Note that the Pads can also be directly assigned to trigger any of the six 
envelopes in some way (AMPTTrig, FltTTrigE3Ttrig… .E6TTrg). When set to 
trigger an envelope, there is no need to set up an assignment between the 

envelope and the touch trigger in a mod slot. Of course, if you want to re-use the same 
pad to do something else at the same time, go ahead and use it in a mod slot too! 

Parameter: 

Destination

Displayed As: 

Destin

Default value: 

O123Ptch

Range of adjustment: 

See Mod Matrix Destination Table on page 36.

This sets which MiniNova parameter is to be controlled by the selected source (or sources) 
in the current matrix configuration. The range of possibilities comprises:

• 

Parameters that directly affect the sound:

• 

four parameters per oscillator

• 

global pitch (0123Ptch)

• 

the six mixer inputs from the oscillators, noise source and ring modulators, plus 
the mixer output level

• 

per-filter drive amount, frequency and resonance, plus filter balance

• 

34 assorted FX parameters including chorus, delay, EQ etc.

• 

3 Vocoder parameters

• 

Vocal tuning pitch shift 

• 

Parameters that can also act as modulating sources (thus permitting recursive 
modulation):

• 

LFO 1 to 3 rate

• 

the Decay phases of the Amplitude Envelope (Env1Dec) and Filter Envelope  
(Env2Dec)

Parameter: 

Depth

Displayed As: 

Depth

Default value: 

0

Range of adjustment: 

-64 to +63

The Depth control sets the level of the control being applied to the Destination – i.e., the 
parameter being modulated. If both Source1 and Source2 are active in the current slot, 
Depth controls their combined effect.

Depth effectively defines the “amount” by which the controlled parameter 
varies when under modulation control. Think of it as the “range” of control. It 
also determines the “sense” or polarity of the control – positive Depth will 

increase the value of the controlled parameter and negative Depth will decrease it, for 
the same control input. Note that having defined source and destination in a patch, no 
modulation will occur until the Depth control is set to something other than zero.

With both sources set to Direct and TouchSel set to Off, the Depth control 
becomes a “manual” modulation control which will always affect whichever 
parameter is set as the Destination.

 

  

Edit menu - Submenu 9: 

Effects

The MiniNova comes equipped with a comprehensive set of DSP-based effects 
processors, which can be applied to both the synth sound and any audio applied to the 
MiniNova’s audio inputs.

The FX section comprises five processing 

slots

, each of which may be “loaded” with an 

FX processor from a pool of devices that includes panning, equalisation, compression, 
delay, chorus, distortion, reverb and gator effects. In addition to the slots, controls are also 
provided for global FX parameters like panning, FX level, FX feedback, etc.

The FX controls are accessed from the Effects submenu. This provides six options: 
PanRoute and FXSlot1 to FXSlot5PanRoute provides selection of panning and slot 
configuration. Entering FXSlot1 to FXSlot5 allows you to choose the FX device and its 
associated parameters for each of the five slots.  

Summary of Contents for MiniNova

Page 1: ...evice must accept any interference received including interference that may cause undesired operation For USA To the User 1 Do not modify this unit This product when installed as indicated in the inst...

Page 2: ...8 Updating the MiniNova s Operating System 8 Synthesis Tutorial 8 Synth Menus Reference section 12 Top Menu Audio In 12 Top Menu Global 12 Top Menu Arp 13 Top Menu Chord 14 Top Menu Edit 14 Edit menu...

Page 3: ...d by the novice They are intended to provide a clarification or explanation of a particular area of operation Performance Parameter P MiniNova has a fantastic degree of flexibility in tailoring sounds...

Page 4: ...two rows assign the Tweak controls to parameters which have been factory selected by the Novation programming team for each Patch giving you immediate access to the most useful and striking sonic vari...

Page 5: ...then be controlled entirely from the computer by using the MiniNova Editor plug in The MiniNova Librarian is a separate software application which greatly assists in the organising saving and recall o...

Page 6: ...button to load Patches You can assign up to eight of your favourite Patches to the eight Performance Pads and then quickly reload them without needing to search through the whole Patch list Assigning...

Page 7: ...iniNova has a powerful Arpeggiator feature which allows arpeggios of varying complexity and rhythm to be played and manipulated in real time If a single key is pressed the note will be retriggered by...

Page 8: ...update procedure requires the MiniNova to be connected via USB to a computer which has first had the necessary USB drivers installed Full instructions on performing the update will be supplied with th...

Page 9: ...nic 1 Sine Wave Sawtooth Wave Volume Volume Harmonic 1 2 3 4 5 Harmonic 1 2 3 4 5 Noise These are rich in harmonics and containing both even and odd harmonics of the fundamental frequency The volume o...

Page 10: ...r the rejection of harmonics above the cut off point and the more pronounced the filtering effect A further important parameter of the Filter is its Resonance Frequencies at the cut off point may be i...

Page 11: ...ng the Wavetable index or FX levels ATTACK DECAY RELEASE TIME ATTACK DECAY RELEASE SUSTAIN TIME KEY ON KEY OFF FILTER CUT OFF LFOs Like the Envelope Generators the LFO section of a synthesizer is a Mo...

Page 12: ...ost on the loudest passages The meter also includes an OVER flag aim to set your signal level so that this never comes on Note that if InptGain is set to Off the audio input is inoperative Vocoder Voc...

Page 13: ...c LFO Rate Sync Pan Rate Sync will follow the tempo of an external MIDI clock source or follow the tempo set by the TEMPO knob 21 Internal the MiniNova will synchronise to the internal MIDI clock irre...

Page 14: ...d resulting from each key press will be arpeggiated Top Menu Edit This menu is where you can modify the sound of a Patch or create a new one from first principles The Edit menu is divided further subm...

Page 15: ...s Parameter Density Displayed As O1Dense Default value 0 Range of adjustment 0 to 127 The density parameter effectively adds copies of the oscillator waveform to itself Up to eight additional virtual...

Page 16: ...ameter Oscillator 2 Level Displayed As O2Level Default value 0 Range of adjustment 0 to 127 This parameter sets the initial amount of Oscillator 2 s signal present in the overall sound Parameter Oscil...

Page 17: ...1Track can be also adjusted directly from Row 3 of the PERFORM section of the control panel with Tweak Control RC2 Parameter Filter type Displayed As F1Type Default value LP24 Range of adjustment See...

Page 18: ...1 3 OSC 3 OSC 2 OSC 1 FILTER BALANCE EFFECTS FILTER 1 FILTER 2 Parallel Filter sections are driven with the same input signal and their output mix is adjusted by the Filter Balance parameter NOISE 2 3...

Page 19: ...e portamento and other related voicing parameters Parameter Unison Voices Displayed As Unison Default value Off Range of adjustment Off 2 3 4 Unison can be used to thicken the sound by assigning addit...

Page 20: ...kes for the note to increase from zero e g when the key is pressed to its maximum level A long attack time produces a fade in effect Decay the time it takes for the note to drop in level from the maxi...

Page 21: ...othly and this mode aids this style of playing It is important to appreciate that for the Legato mode to be operative mono voicing must be selected it will not work with polyphonic voicing See Edit me...

Page 22: ...shing a relationship between the filter section and ADSR Filter Envelope resulting in the filter frequency being varied by the shape of the envelope In order to hear the effect of any of the Filter En...

Page 23: ...Amplitude Sustain Rate on page 21 for an illustration Parameter Filter Sustain Time Displayed As FltSusTm Default value KeyOff Range of adjustment 0 126 KeyOff This parameter also applies to the Sust...

Page 24: ...for adjustment Because the three LFOs are identical only the functions of LFO1 are described Parameter LFO 1 Rate Displayed As L1Rate Default value 68 Range of adjustment 0 to 127 Rate is the LFO s f...

Page 25: ...s set to Off the LFO delay is controlled by the Delay parameter L1Delay At all other settings L1Delay becomes inoperative and the LFO delay is derived from the internal external MIDI clock Parameter L...

Page 26: ...details regarding using the Pads Note that when both a Pad and other sources Source1 and or Source2 are assigned in the same slot the Pad acts as a switch for the other sources whose effect will only...

Page 27: ...ous combinations of serial and parallel FXRouting 0 DRY WET OUTPUT FEEDBACK DISABLED INPUT SLOT 1 SLOT 2 SLOT 3 SLOT 4 SLOT 5 FXRouting 1 DRY WET OUTPUT FEEDBACK INPUT SLOT 1 SLOT 2 SLOT 3 SLOT 4 SLOT...

Page 28: ...proximately 1 2 kHz Parameter HF Frequency Displayed As EQTrbFre Default value 64 Range of adjustment 0 to 127 Decreasing the value of EQTrbFre decreases the frequency above which EQTrbLvl is effectiv...

Page 29: ...eing played pitch shifting will result See also Delay Slew Parameter Delay Sync Displayed As Dly1Sync Default value Off Range of adjustment See Sync Values Table on page 34 Delay time may synchronised...

Page 30: ...se Gate triggered by a repeating pattern derived from the internal or external MIDI clock This breaks a note up rhythmically One of six patterns is available by setting the Gator Mode parameter the ba...

Page 31: ...e VocalTune will reference the notes in the chord that has been played most recently The more notes in the last chord the more notes VocalTune has to snap to A three note triad doesn t give great resu...

Page 32: ...enu Vocoder Parameter Vocoder On Off Displayed As On Off Default value Off Range of adjustment On or Off Enables disables the Vocoder function Parameter Vocoder Level Displayed As VocodLvl Default val...

Page 33: ...eech Sibilance can be added to give the Vocoder to give a more distinctive sound and to make vocoded vocals more intelligible Parameter Vocoder Noise Gate Threshold Displayed As GateThr Default value...

Page 34: ...28 Beats 1 cycle per 7 bars a 30 Beats 2 cycles per 15 bars a 32 Beats 1 cycle per 8 bars a 36 Beats 1 cycle per 9 bars a 42 Beats 2 cycles per 21 bars a 48 Beats 1 cycle per 12 bars a 64 Beats 1 cyc...

Page 35: ...No modulation source selected ModWheel Mod Wheel Mod Wheel is the controller AftTouch Aftertouch Modulation is proportional to the pressure applied to a key while it is held down Monophonic aftertouc...

Page 36: ...Level Ch1Rate Chorus parameters Chorus 1 Rate Ch1Depth Chorus 1 Depth Ch1Delay Chorus 1 Delay Ch1Fback Chorus 1 Feedback Ch2Rate Chorus 2 Rate Ch2Depth Chorus 2 Depth Ch2Delay Chorus 2 Delay Ch2Fback...

Page 37: ...ope 3 Sustain Level E3Rel Envelope 3 Release Time LFOs L1Rate LFO 1 Rate L1RSync LFO 1 Sync Rate L1Slew LFO 1 Slew Amount L2Rate LFO 2 Rate L2RSync LFO 2 Sync Rate L2Slew LFO 2 Slew Amount L3Rate LFO...

Page 38: ...elay2 Delay line Echo Single and multiple echos Reverb1 Reverb2 Reverberation Hall and room simulation Chorus1 Chorus2 Chorus3 Chorus4 Chorus Phasing Time domain effects Gator Gator 8 level 32 step se...

Page 39: ...UPDATES It is possible to install firmware updates into the MiniNova To check whether updates are available and to find out how to perform this operation visit the Novation website www novationmusic...

Page 40: ...40...

Page 41: ...41...

Reviews: