D i g i t a l 8 • B u s
24
• Connect the output of the digital delay to an
unused LINE IN (channels 13–24) on the
rear panel of the Digital 8•Bus. If the digital
delay has a stereo output, connect it to two
LINE IN jacks on the Digital 8•Bus. For this
example, let’s connect it to LINE IN 23 and
24.
LINE IN 21
LINE IN 15
LINE IN 22
LINE IN 16
2 TRACK A
LINE IN 23
LINE IN 17
LINE IN 24
LINE IN 18
MASTER
OUT
LINE INPUTS
(BAL /UNBAL)
L R
L R
• Press the MIC/LINE button in the Master
Fader/Bank Select Section to bring up Fader
Bank 1.
SHIFT
MASTERS
1
-
24
25
-
48
49
-
72
(TRACK)
(MONITOR)
BANK SELECT
EFFECTS
MIC/LINE
TAPE IN
• Press AUX 2 in the V-Pot Select Section.
AUX 1
AUX 3
AUX 2
AUX 4
LEVEL TO TAPE
DIGITAL TRIM
1-24
1-48
• The channel V-Pots are now Aux 2 send level
controls. Adjust the V-Pots on the vocal
channels for the amount of send level you
want to send to the Aux 2 bus.
• Use the Master V-Pot in the Master V-Pot
Section to adjust the overall amount of Aux
2 signal to send to the external digital delay.
MASTER
PAN
SOLO
• Press the MASTER L-R button in the Bus
Assignment Section.
BUS 1
BUS 2
BUS 3
BUS 4
BUS 5
BUS 7
BUS 6
BUS 8
L-R
ROUTE TO
TAPE
ASSIGNMENT
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
• Press the ASSIGN buttons on the channels
assigned to Aux 2 if you want the dry signal
returned to the L-R bus. Press the ASSIGN
buttons on channels 23 and 24 to assign the
wet signal to the L-R bus.
• Adjust the channel 23 and 24 fader levels for
the amount of digital delay effect you want
returned to the L-R bus.
Soloing
The solo function is useful for isolating and
listening to an individual channel or aux send
without affecting the signal at the main
outputs. When a SOLO button is pressed, the
signal at the Control Room Output (MAIN and
NEAR FIELD) is interrupted and replaced with
the signal on the stereo solo bus.
• The solo level is adjusted separately from
the Control Room Speaker Level (but is still
affected by the Control Room Speaker
Level).
General Guidelines
