High-pass and Low-pass
To restrict the frequency response of an acoustic system in the low or the high end,
the high pass (which actually means “low-cut”) and the low pass filter is implemented.
LP
Lowpass Filter 12 dB with adjustable
“Q”
factor
mid frequency
20
Hz -
44 kHz
bandwidth „Q“
0,1
-
20
At Q= 0,7 you have a „normal“ low pass filter like you find it in some professional
mixing consoles (High-Cut).
Setting the bandwidth outside of Q <0,4 und Q >2,0 is
not
recommended.
HP
High Pass Filter 12 dB with adjustable “Q” factor
mid frequency
20
Hz -
44 kHz
bandwidth „Q“
0,1
-
20
At Q= 0,7 you have a „normal“ low pass filter like you find it in some professional
mixing consoles (Lo-Cut).
Setting the bandwidth outside of Q <0,4 und Q >2,0 is
not
recommended.
BP
Bandpass- Filter with adjustable
“Q”
factor
The band-pass filter is rarely used in professional audio technology. The band-pass
filter lets, in opposite to the notch filter, pass a audio band defined by the mid
frequency and bandwidth.
Summary of Contents for DAP 26
Page 1: ...User Manual DAP 26 Digital Audio Processor KME Control Remote Software Mainframe ...
Page 26: ...Example Connecting two DAP 26 on different COM ports ...
Page 49: ...For your notes ...
Page 50: ......
Page 51: ......