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Hammond Skx PRO Reference Manual Download Page 14

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VOLUME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337

PITCH BEND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337

RANGE UP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337
RANGE DOWN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338

PORTAMENTO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338

ON / OFF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338
MODE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339
RATE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339

KEY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340

PRIORITY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340
EG TRIGGER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340

LFO Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341

SETTING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341

TRIGGER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341
WAVEFORM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 342
RATE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343
DELAY TIME. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343
ATTACK RATE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 344
RATE KEY TRK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 344
LFO DEP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345
LFO MOD DEP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 346

OSCILLATOR Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 347

OSC TYPE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 347
OCTAVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 348
KEY TRK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 349
EG DEP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 349

OSCILLATOR TYPES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 350

Duo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 350

OSC2 PITCH. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 350
OSC2 VOLUME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 351
OSC1 WAVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 352
OSC2 WAVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353

Unison . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 354

DETUNE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 354
UNISON NUM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 355
OSC1 WAVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 356
UNISON WAVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 357

Pulse. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 358

PULSE WIDTH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 358
MOD.DEPTH. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 359
MOD.SOURCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 360

Sync . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 361

OSC2 PITCH. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 361
MOD.DEPTH. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 362
MOD.SOURCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 363

FM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 364

OSC2 PITCH. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 364
MOD.DEPTH. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365
FEEDBACK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 366

Noise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367

SMPL FREQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367
MOD.DEPTH. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368
NOISE TYPE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368
MOD.SOURCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 369

FILTER Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 370

SETTING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 370

MODE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 370
CUTOFF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 371
RESONANCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 371

KEY TRACK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 372
VEL TRACK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 372
EG DEPTH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 373
DRIVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 373

LEVEL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 373

PITCH & FILTER EG Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 374

ATTACK RATE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 374
DECAY RATE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 374
SUS LEVEL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375
RELEASE RATE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375

AMPLITUDE Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 376

GENERAL LEVEL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 376

HA<O>

   SKX   PRO   Reference   Guide

Summary of Contents for Skx PRO

Page 1: ...REFERENCE GUIDE...

Page 2: ......

Page 3: ...functions pertaining to Drawbars are grouped together all Percussion features are treated as a group and so on Also each feature is treated as an explanation unto itself and does not require you to ha...

Page 4: ......

Page 5: ...TABLE OF CONTENTS...

Page 6: ...Connections 6 Connecting to an external sound source 6 Connecting a Leslie Speaker 6 Connecting a Foot Switch 7 Connecting a Damper Pedal 7 Connecting an Expression Pedal 7 Connecting a MIDI pedal cl...

Page 7: ...UPPER 43 Allocating Voices LOWER 44 Allocating Voices PEDAL 46 Using two or more Voice Sections simultaneously 47 Adding Voice Sections together 47 COMBINATIONS PATCHES BUNDLES FAVORITES 52 COMBINATIO...

Page 8: ...al Zone Velocity 88 DAMP External Zone Damper 89 BEND External Zone Pitch Bend 89 MOD External Zone Modulation Wheel 90 EXP External Zone Expression ON OFF 90 E MIN External Zone Minimum Volume 91 E M...

Page 9: ...PEDAL 162 TYPE 162 ENVELOPE 163 PEDAL 164 CONTACT SUSTAIN Parameters 165 V MULTI CON 166 OFFSET TIME 166 DAMPING 166 MODE 167 DEPTH 167 IMPEDANCE 168 AMOUNT 168 SUS UPPER 169 SWITCH 169 LENGTH 169 SU...

Page 10: ...IT button 197 Sound Groups 199 Color Groups 200 White Drawbars 200 Black Drawbars 200 Brown Drawbars 201 Tone Families By Shape 201 Typical Drawbar Registration Patterns 202 Flute family 202 Reed fami...

Page 11: ...CLAV 235 CHRO PERC 235 OTHER 1 235 PIANO VOLUME knob 235 ENSEMBLE CATEGORY buttons 236 WIND 236 STRINGS 236 CHOIR 236 SYNTH PAD 236 BASS 236 OTHER 2 236 ENSEMBLE VOLUME knob 236 PIANO ENSEMBLE WAVEFO...

Page 12: ...POSE 279 BEND SW 279 KEY TRACK 280 FINE TUNE 280 STRET TUNE 281 EG DEPTH 281 EG VEL TRK 282 PITCH EG Parameters 284 ATTACK RATE 284 DECAY RATE 284 BREAKPOINT 285 SLOPE RATE 285 SUSTAIN LVL 286 REL RAT...

Page 13: ...PITCH DEPTH sliders 324 LFO RATE knob 324 PORTAMENTO RATE knob 324 FILTER CUTOFF knob 324 FILTER RESONANCE knob 324 FILTER EG DEPTH knob 324 WHAT IS ADSR 325 WHAT IS AN ENVELOPE 325 PITCH FILTER ENVE...

Page 14: ...SC1 WAVE 352 OSC2 WAVE 353 Unison 354 DETUNE 354 UNISON NUM 355 OSC1 WAVE 356 UNISON WAVE 357 Pulse 358 PULSE WIDTH 358 MOD DEPTH 359 MOD SOURCE 360 Sync 361 OSC2 PITCH 361 MOD DEPTH 362 MOD SOURCE 36...

Page 15: ...396 Using the VALUE knob 396 Using the Drawbars and Keyboards 396 LEAK WH Leakage Wheel 397 LV dB Leakage Wheel Level 397 MATRIX LEVEL 398 FOOTAGE 399 Selecting a Matrix to Edit 399 Using the VALUE kn...

Page 16: ...n 463 Accessing the MULTI EFFECT 1 FUNCTION Mode Page for the PIANO ENSEMBLE Voice Sections using the Shortcut 464 Accessing the MULTI EFFECT 1 FUNCTION Mode Page for the PIANO ENSEMBLE Voice Sections...

Page 17: ...Accessing the MULTI EFFECT 2 FUNCTION Mode Page for the PIANO ENSEMBLE Voice Sections using the APP MENU 513 Accessing the MULTI EFFECT 2 FUNCTION Mode Page for the MONO SYNTH Voice Section using the...

Page 18: ...VE 574 MONITOR Expression Monitor 574 DAMPER Functions 575 MODE 575 GAIN 576 CALIBRATE POLARITY 577 USER 578 PITCH BEND 579 DEPTH 579 TONE WHEEL BRAKE 580 RANGE 580 TIME 580 AMPLITUDE 581 DISPLAY 582...

Page 19: ...rnal Zone Transpose 626 LOW External Zone Lower Note Limit 626 HIGH External Zone Upper Note Limit 627 VOL External Zone Volume 627 PAN External Zone Pan 628 VEL External Zone Velocity 628 DAMP Extern...

Page 20: ...TION Mode 689 What Is A Setup 689 Saving a Setup Patch or Custom Set 689 Loading a Setup Patch or Custom Set 694 Deleting a Setup Patch or Custom Set 697 APPENDIX 702 FACTORY COMBINATIONS 702 COMBINAT...

Page 21: ...INTRODUCTION...

Page 22: ...s an inbuilt library of 163 high quality waveforms representing various instruments such as Piano Guitar Strings Trumpet Saxophone etc There are two sections for controlling these sounds The PIANO Voi...

Page 23: ...ES BUNDLES FAVORITES chapter of this Guide starting on page 129 t ALLOCATE Section These buttons allow you to assign the Sections to each Keyboard In normal single manual operation you simply press ea...

Page 24: ...r or monitor speaker is stereophonic connect both the L and R jacks If it is monaural connect only the L MONO jack LESLIE 11 PIN socket Use to connect a Leslie Speaker Cabinet having an 11 pin interfa...

Page 25: ...e connected to the FOOT SWITCH 1 jack EXP PEDAL jack Use this jack to connect an Expression Pedal to control volume while playing The recommended Expression Pedals are listed below HAMMOND EXP 50J EXP...

Page 26: ...the Accessory Panel 3 Connect the other ends of each cable to the female 1 4 audio input connectors of your sound source If your amplifier has only a single 1 female 1 4 phono plug audio input you can...

Page 27: ...jacks For a complete explanation of this please consult the SPECIAL PERFORMANCE FEATURES chapter of this Guide starting on page 564 t Connecting a Damper Pedal To connect a Damper piano sustain Pedal...

Page 28: ...entire instrument Turn this knob to the right to increase the total volume Turn this knob to the left to decrease the total volume NOTE If you have an Expression Pedal connected it will express up to...

Page 29: ...efer to the DRAWBARS PERCUSSION section of this Reference Guide for a complete explanation of Hammond Drawbars t Buttons The Button controls on the SKX PRO have LEDS or lights that will light up indic...

Page 30: ...to couple the Pedal tones to the LOWER Keyboard NOTE More information about Pedal Sustain can be found in the COMBINATIONS PATCHES BUNDLES FAVORITES chapter of this Guide starting on page 74 614 LOWER...

Page 31: ...er control downward toward you will decrease the corresponding control s level u USB Ports The USB Ports are located in the middle of the Accessory Panel t TO FLASH DRIVE This Port is designed to acce...

Page 32: ...d Please consult the MIDI chapter of this Guide for more information On the SKX PRO this playing style can be faithfully replicated by playing the Upper and Lower Manuals in much the same fashion as y...

Page 33: ...recommend disabling this feature however you can select whether or not the instrument will automatically turn OFF by doing the following procedure 1 From any of the PLAY Mode Pages press the MENU EXI...

Page 34: ...this The data chart below shows the options you can select POWER AUTO OFF Description Function 30min The AC power to the instrument will turn OFF after 30 minutes have elapsed with no keys or buttons...

Page 35: ...Custom Setup in which this feature is set to Disable and will remain so even if the power in turned OFF In this way you will not have continually to edit this feature each time the instrument is turne...

Page 36: ...ing procedure You will see the following messages flash in the display for approximately 1 second each After the Completed message disappears the POWER FUNCTION Mode Page will display 4 Press the PLAY...

Page 37: ...INFORMATION CENTER DISPLAY...

Page 38: ...for using the Information Center Display The following is a very brief explanation of each of these buttons t MENU EXIT This button allows you to place the Information Center Display into MENU Mode a...

Page 39: ...uttons They allow you to 1 Select Parameters within the PLAY Mode Pages 2 Select FUNCTION Modes within the MENU Mode and 3 Select Parameters within each FUNCTION Mode Page t PAGE buttons The two PAGE...

Page 40: ...Center Display will show a screen similar to this This screen will show 1 The Favorite Number and Favorite Bank Number 2 The Combination Number and Name 3 The Part Octave and Volume settings for the O...

Page 41: ...AY Mode COMBINATION Page TRY THIS From the screen shown in the middle of the previous page press all four ALLOCATE buttons simultaneously to turn them ON The Information Center Display should look lik...

Page 42: ...Patch 7 The Part Octave and Volume settings for the ORGAN patch 8 The Octave settings for UPPER LOWER and PEDAL t PLAY Mode MONO SYNTH PATCH Page TRY THIS 1 Press the SYNTH button in the ALLOCATE Sec...

Page 43: ...ctave settings for the ORGAN Patch 4 The Part Note Range and Octave settings for the PIANO Patch 5 The Part Note Range and Octave settings for the ENSEMBLE Patch 6 The Part Octave Velocity and Volume...

Page 44: ...ive 5 FUNCTION Modes should now appear in the display window Using the DIRECTION UP p and DOWN q buttons will allow you to select the FUNCTION Mode you want to change COMBINATION Allows you to edit Co...

Page 45: ...ing the DIRECTION UP p DOWN q LEFT t and RIGHT u buttons will allow you to select the FUNCTION Mode you want to change SOUND Allows you to adjust Master Tune Transpose and Master Equalizer AUDIO Allow...

Page 46: ...TER buttons will allow you to select the FUNCTION Mode you want to change LOAD Allows you to Load data from a USB Flash Drive or from the instrument s Internal Memory SAVE Allows you to Save data to a...

Page 47: ...o select Pages within each FUNCTION Mode The following example is designed to help you get used to using the DIRECTION and PAGE buttons to find your way to the FUNCTION Mode Page you want to edit Sele...

Page 48: ...TCH EDIT Menu 3 Now press the PAGE u button once The Information Center Display should now look like this The CUSTOM EDIT Menu will now display The TONE WHEEL box should be highlighted 4 Press the DIR...

Page 49: ...ed 6 Press the DIRECTION q button two times The Information Center Display should now look like this The CONTROL box will now be highlighted 7 Now press the DIRECTION u button once The Information Cen...

Page 50: ...ike this The FILE Menu will now display The LOAD box should be highlighted 9 Press the DIRECTION q button once The Information Center Display should now look like this The SAVE box will now be highlig...

Page 51: ...ay should now look like this This is the PATCH EDIT Menu which will be the first one displayed The COMBINATION box should be highlighted Now let us assume you want to edit the current PIANO Voice 2 Pr...

Page 52: ...n once The Information Center Display should now look like this In the previous examples you can see how to display the various Pages within a FUNCTION Mode by using the PAGE t and u buttons When you...

Page 53: ...f the PLAY Mode Pages press the MENU EXIT button The Information Center Display should now look like this This is the PATCH EDIT Menu which will be the first one displayed The COMBINATION box should b...

Page 54: ...ox to the right of VOLUME should be highlighted 4 Turn the VALUE knob to the left so the Information Center Display looks like this The LOUDNESS VOLUME of the selected PIANO Patch is now set at 80 5 F...

Page 55: ...ices more quickly u Shortcuts Sometimes it may be desirable to access a FUNCTION Mode Page more quickly than can be done by using the buttons on the Information Center Display Because of this your Ham...

Page 56: ...ctions and MANUAL This APP MENU allows you to access the EDIT mode of each of the Voice Sections of the instrument as well as initialize the MANUAL feature NOTE More information about the Voice Sectio...

Page 57: ...on about the ORGAN Voice Section can be found in the ORGAN VOICE SECTION chapter of this Guide starting on page 144 t PIANO APP MENU This APP MENU allows you to 1 Initialize all the Patch Parameters i...

Page 58: ...t the PIANO Voice Section can be found in the PIANO ENSEMBLE VOICE SECTIONS chapter of this Guide starting on page 234 t SYNTH APP MENU This APP MENU allows you to 1 Initialize all the Patch Parameter...

Page 59: ...Mode Page or screen to one of the 10 FAVORITE buttons so it can be accessed quickly To access a Page or screen saved to a FAVORITE button Press and Hold the SHIFT button and press the numbered FAVORIT...

Page 60: ...e this When the above message appears Release the PAGE buttons and wait for the system to finish Loading When the display is Locked 1 The MENU EXIT button is disabled 2 The RECORD button is disabled 3...

Page 61: ...ALLOCATING VOICE SECTIONS...

Page 62: ...the ALLOCATE button section has been set up so you can easily assign Voice Sections to the LOWER Keyboard and PEDALs This will be explained in more detail starting on the next page of this chapter of...

Page 63: ...ill light The Information Center Display should now look similar to this 3 Play some notes on the UPPER Keyboard You will hear the sound of an acoustic grand piano 4 Now press the ENSEMBLE button The...

Page 64: ...S 2 Press the PIANO button A red LED will light The Information Center Display should now look similar to this 3 Play some notes on the UPPER Keyboard You will hear the sound of an acoustic grand pian...

Page 65: ...ly pressing the ALLOCATE button for the desired Voice Section The LED of the Voice Section assigned to the LOWER portion of the Keyboard will light green In this way you can quickly identify which Sec...

Page 66: ...ld now look similar to this This is how to allocate the Voice Sections to the Keyboard you want u Allocating Voices PEDAL You can also allocate Voice Sections to the PEDALs by pressing and holding the...

Page 67: ...is already ON the first button will turn OFF leaving only the Voice Section you just selected TRY THIS 1 For this example turn all four white ALLOCATE buttons OFF 2 Press the PIANO button The LED wil...

Page 68: ...isplay should now look like this This is the PATCH EDIT Menu which will be the first one displayed The COMBINATION box should be highlighted 2 Press the PAGE u button two times The Information Center...

Page 69: ...w look like this This is the PANEL FUNCTION Mode Page which allows you to determine how the various controls on the Control Panel will function 6 Press the DIRECTION q button four times The ALLOCATE P...

Page 70: ...s the ALLOCATE buttons will add to each other instead of canceling each other 8 Press the PIANO button to turn it ON 9 Press the ENSEMBLE button Notice the PIANO button is still ON 10 Play some notes...

Page 71: ...COMBINATIONS PATCHES BUNDLES FAVORITES...

Page 72: ...atches from the different Voice Sections are combined to produce a Combination t COMBINATION FUNCTION Mode In addition to the Voice Sections there are additional Parameters which are included in a Com...

Page 73: ...ay not display all Voice Sections depending on which Voice Sections are active for the selected Combination or which ALLOCATE buttons are ON LED lit If the Voice Section you want is not displaying pre...

Page 74: ...the different Voice Sections for which you can adjust Parameters individually 1 ORGAN UPPER LOWER and PEDAL Parts 2 PIANO 3 ENSEMBLE 2 SYNTH These Parameters are saved as part of a Combination and are...

Page 75: ...these Parameters can be Recorded to a Combination PATCH This Parameter allows you to select Patch Numbers for the currently selected Combination The data chart below shows the options you can select S...

Page 76: ...Voice Section will not sound The ALLOCATE button associated with the selected Voice Section will not light Upper The selected Voice Section will sound from the UPPER Keyboard The ALLOCATE button asso...

Page 77: ...he box underneath VEL should be highlighted VEL Velocity Curve This Parameter allows you to select how the selected Voice Section will respond to key velocity The data chart below shows the options yo...

Page 78: ...regular pitch 1 The sound is one octave below the regular pitch 0 The sound is at normal pitch 1 The sound is one octave above the regular pitch 2 The sound is two octaves above the regular pitch Tur...

Page 79: ...urn the VALUE knob to the right to transpose the selected Voice Section lower NOTE This Parameter works independently of the TRANSPOSE feature controlled by the TRANSPOSE UP DOWN buttons on the Contro...

Page 80: ...right to set the Low Key Range higher Turn the VALUE knob to the right to set the Low Key Range lower From the above screen press the DIRECTION u button once The box underneath KEY HI should be highli...

Page 81: ...Turn the VALUE knob to the right to increase the Minimum Level Turn the VALUE knob to the left to decrease the Minimum Level NOTE This Parameter is not available for the ORGAN Voice Section From the...

Page 82: ...ob to make your selection From the screen shown on the previous page press the DIRECTION u button once The box underneath MOD should be highlighted MOD Modulation Wheel This Parameter allows you to se...

Page 83: ...ons Accessing the REVERB FUNCTION Mode Page using the MENU EXIT button 1 From any of the PLAY Mode Pages press the MENU EXIT button The Information Center Display should now look like this The COMBINA...

Page 84: ...EDIT COMBINATION box should be highlighted NOTE The APP MENU may not display all Voice Sections depending on which Voice Sections are active for the selected Combination or which ALLOCATE buttons are...

Page 85: ...ameter allows you to turn REVERB ON or OFF NOTE This switch affects the ORGAN PIANO ENSEMBLE and MONO SYNTH Reverbs Turn the VALUE knob or press the ON button on the Control Panel to turn Reverb ON or...

Page 86: ...the DIRECTION t and u buttons to highlight the Voice Section you want to modify Turn the VALUE knob to the right to increase the Reverb Level for the highlighted Voice Section Turn the VALUE knob to t...

Page 87: ...w shows the options you can select REVERB TYPE Options Reverb Type Description Room 1 Large room Room 2 Small room Live Ambient room Hall 1 Dark hall similar to a theatre Hall 2 Bright hall similar to...

Page 88: ...ase the Reverb Decay Time for the highlighted Voice Section From the above screen press the DIRECTION q button once The box to the right of MODE should be highlighted PRE LPF Low Pass Filter This Para...

Page 89: ...NCTION Mode Page using the MENU EXIT button 1 From any of the PLAY Mode Pages press the MENU EXIT button The Information Center Display should now look like this The COMBINATION FUNCTION Mode should b...

Page 90: ...ED lit If the Voice Section you want is not displaying press the PLAY button press the ALLOCATE button for the Voice Section you want to turn it ON LED lit then repeat Steps 1 and 2 above 2 Release th...

Page 91: ...hen PEDAL TO LOWER is active OCTAVE Octave Setting This Parameter allows you to set the octave for the UPPER and LOWER Keyboards and PEDALs The data chart below shows the options you can select OCTAVE...

Page 92: ...ake your selection From the above screen press the DIRECTION q button once The box underneath PEDAL SUSTAIN should be highlighted PEDAL SUSTAIN LENGTH The Pedal Sustain features allows the Pedal tones...

Page 93: ...ld be highlighted LOWER TO PEDAL LIMIT This Parameter allows you to set the range of the Pedal tones when LOWER TO PEDAL is ON orange LED lit You can select from 0C one octave below the lowest note on...

Page 94: ...LOWER Keyboard From the above screen press the DIRECTION u button once The box to the right of MODE should be highlighted PEDAL TO LOWER MODE This Parameter allows you to select how the PEDAL TO LOWE...

Page 95: ...ect the SKX PRO to the MIDI device you want to control all MIDI messages from the SKX PRO Note On Note Off Program Changes Controller Changes etc will be mirrored on the connected device Please consul...

Page 96: ...Press the DIRECTION u button once The Information Center Display should now look like this 4 Press the ENTER button The Information Center Display should now look like this 5 Press the PAGE u button...

Page 97: ...ne data will be transmitted to a connected MIDI device Turn the VALUE knob to make your selection To allow MIDI data transmission from the External Zones turn this Parameter ON NOTE Both Internal and...

Page 98: ...ON box should be highlighted NOTE The APP MENU may not display all Voice Sections depending on which Voice Sections are active for the selected Combination or which ALLOCATE buttons are ON LED lit If...

Page 99: ...ION and PAGE buttons in conjunction with the VALUE knob to make changes to the External Zones of your SKX PRO These changes are explained starting below NOTE The External Zone Parameters are identical...

Page 100: ...transmitted You can turn the External Zones ON or OFF in one of two ways 1 Use the DIRECTION buttons to highlight the EXTERNAL ZONE SW box you want and turn the VALUE knob to turn the selected Zone On...

Page 101: ...es are greyed out This indicates that no External Zone MIDI data will be transmitted even if the SW settings are set to On If the EXTERNAL ZONES Parameter is On the Information Center Display will loo...

Page 102: ...e VALUE knob to make your selection From the above screen press the DIRECTION u button once The box underneath BNK M should be highlighted The two Parameters described on this page allow you to perfor...

Page 103: ...up and down among the three External Zones 1 2 and 3 Turn the VALUE knob to make your selection From the above screen press the DIRECTION u button once The box underneath PROG should be highlighted P...

Page 104: ...this setting to allocate the selected External Zone to the LOWER Keyboard Ped Use this setting to allocate the selected External Zone to the PEDAL Part NOTE The PEDAL Part will play either from a con...

Page 105: ...able The data chart below shows the options you can select Octave Options Setting Description 2 The sound is two octaves below the regular pitch 1 The sound is one octave below the regular pitch 0 The...

Page 106: ...and 3 Turn the VALUE knob to the right to transpose the selected External Zone higher Turn the VALUE knob to the right to transpose the selected External Zone lower From the above screen press the DIR...

Page 107: ...The Upper Limit number cannot be lower than the Lower Limit number From the above screen press the DIRECTION u button once The box underneath VOL should be highlighted VOL External Zone Volume This P...

Page 108: ...and 3 Turn the VALUE knob to make your selection NOTE In order to hear the effect of this Parameter the sound controlled from the External Zone must be connected via Stereo both Left and Right channe...

Page 109: ...q buttons to move up and down among the three External Zones 1 2 and 3 Turn the VALUE knob to make your selection From the above screen press the DIRECTION u button once The box underneath BEND should...

Page 110: ...make your selection From the above screen press the DIRECTION u button once The box underneath EXP should be highlighted EXP External Zone Expression ON OFF This Parameter allows you to select whethe...

Page 111: ...e setting of the connected Expression Pedal Use the DIRECTION p and q buttons to move up and down among the three External Zones 1 2 and 3 Turn the VALUE knob to make your selection From the above scr...

Page 112: ...Volume and Expression are identical both control loudness or sound level The difference lies with how they are customarily used in MIDI applications particularly in creating and playing back MIDI sequ...

Page 113: ...and Volume settings for the currently selected Part s NOTE The ORGAN Voice Section does not receive Velocity therefore the Velocity box on the line just below the top line will not be shown The middl...

Page 114: ...are not shown in the Information Center Display unless you create and Record them Creating and Recording Combinations and Patches will be covered later in this chapter The three digit number following...

Page 115: ...PPER Keyboard 5 From the above screen turn the VALUE knob to the left until F010 shows on the top line of the Information Center Display Notice the SYNTH line is greyed out Notice also that the SYNTH...

Page 116: ...ted or changed the Combination from its factory setting Changes to Factory Combinations will not be remembered unless they are Recorded as User Combinations This will be covered later in this chapter...

Page 117: ...ENSEMBLE ALLOCATE button is now OFF The MONO SYNTH Patch will now sound 5 Now press the ORGAN ALLOCATE button ON The Information Center Display will now look like this You have now returned to the set...

Page 118: ...hin a Combination TRY THIS 1 After the power to the SKX PRO has been turned ON and the operating system finishes loading the Information Center Display will look like this 2 From the above screen pres...

Page 119: ...that the box underneath CONTENTS is highlighted You can now use the VALUE knob to decide what you want to Record For this example leave this Parameter set for Combination Patch since we are Recording...

Page 120: ...indicates that a User Combination is now active If you Rename a Combination the new Name will display to the right of the Combination Number NOTE After you have created and Recorded a User Combinatio...

Page 121: ...INATION FUNCTION Mode using any of the methods described starting on page 52 The Information Center Display should look like this 2 Press and Release the MANUAL button The Information Center Display s...

Page 122: ...om the above screen press the ENTER button The Information Center Display should look like this The INITIALIZE icon will be highlighted 2 Press the ENTER button to initialize all the COMBINATION Param...

Page 123: ...allows you to register the current Page to one of the FAVORITE buttons for quick access To register the current Page to a FAVORITE do the following 1 From the above screen press the ENTER button The I...

Page 124: ...FUNCTION Mode Page to a FAVORITE button In this way you can access Menu Pages you use frequently with a single button press If you wish you can register up to 100 Pages to the FAVORITE buttons by util...

Page 125: ...one or Voice to describe collections of sounds and parameters On the SKX PRO a Patch is defined as a collection of Parameter settings for each Voice Group For example the ORGAN Voice Section has sound...

Page 126: ...hree times Press the DIRECTION q button four times 2 Press the DIRECTION q button to select a Voice Section Pressing it once from the screen shown on the previous page will highlight the ORGAN Voice S...

Page 127: ...also access the above screen for each Voice Section by pressing the EDIT button associated with that Section or by using the APP MENU This is explained in more detail in the chapters for each Voice S...

Page 128: ...The FUNCTION Mode of each Voice Section allows you to edit any of the Patches You can access the FUNCTION Modes of the Voice Sections in several ways This is explained more fully in the VOICE SECTION...

Page 129: ...ch Record PIANO Parameters to a PIANO Patch Ensemble Patch Record ENSEMBLE Parameters to an ENSEMBLE Patch Synth Patch Record MONO SYNTH Parameters to a SYNTH Patch Bundles and Combinations contain mu...

Page 130: ...hanges the character type Capital and lower case letters numbers special characters Delete MANUAL Deletes the character at the cursor space FAVORITE 1 Replaces the character at the cursor with a space...

Page 131: ...rocedure You will see the following messages flash in the display for approximately 1 second each After the Completed message disappears you will see the Number of the Patch you are working with as we...

Page 132: ...RECTION buttons to move the cursor to the box to the left of the Patch Name 2 Press the DIRECTION q button to highlight the Voice Section you want to work with In the example below ORGAN is highlighte...

Page 133: ...he VALUE knob to select the User Number which will contain your User Patch NOTE The box underneath CONTENTS will show the Voice Section you are currently editing Organ Patch Piano Patch Ensemble Patch...

Page 134: ...BANK Changes the character type Capital and lower case letters numbers special characters Delete MANUAL Deletes the character at the cursor space FAVORITE 1 Replaces the character at the cursor with...

Page 135: ...messages are displaying After the Completed message disappears you will see the Number of the Patch you are working with change from Fnnn to Unnn This indicates that a User Patch is now active If you...

Page 136: ...e the DIRECTION q button to highlight the Voice Section containing the Patch you want to include in your User Combination NOTE If you want to include a Patch from a Voice Section not shown in the disp...

Page 137: ...o Record For this example leave this Parameter set for Combination Patch since you are Recording a User Combination 5 From the above screen use the DIRECTION q button to move the cursor to the box und...

Page 138: ...case letters numbers special characters Delete MANUAL Deletes the character at the cursor space FAVORITE 1 Replaces the character at the cursor with a space Insert FAVORITE 6 Inserts a space at the c...

Page 139: ...is indicates that a User Combination is now active If you Rename a Combination the new Name will display to the right of the Combination Number NOTE If you DO NOT wish to Record press the MENU EXIT or...

Page 140: ...ey can be Saved as part of a Setup TRY THIS 1 From any of the PLAY Mode Pages press the MENU EXIT button The Information Center Display should now look like this The COMBINATION box should be highligh...

Page 141: ...to change each time you select a different Combination you can turn the desired Voice Section ON or OFF Use the DIRECTION p and q buttons to move up and down among the Voice Sections Turn the VALUE k...

Page 142: ...f a vintage Hammond Organ which would change only the Drawbar Registrations REG UPPER This Parameter allows you to select whether you want the Drawbar registration for the UPPER Keyboard to change whe...

Page 143: ...Parameters and Sustain Parameters to change when you select an ORGAN Patch Turn the VALUE knob to turn this Parameter ON or OFF From the above screen press the DIRECTION q button once The box to the...

Page 144: ...when you select an ORGAN Patch Turn the VALUE knob to turn this Parameter ON or OFF From the above screen press the DIRECTION q button once The box to the right of EFFECT should be highlighted EFFECT...

Page 145: ...ange the PIANO and or ENSEMBLE Patches to create new custom Combinations You can either Record and use a Bundle on its own or Record a Bundle as an interim step to Recording a Combination if you want...

Page 146: ...tch For this example turn the VALUE knob to select Bundle if it is not already displaying 5 From the above screen use the DIRECTION q button to move the cursor to the box underneath TO You can now use...

Page 147: ...ase letters numbers special characters Delete MANUAL Deletes the character at the cursor space FAVORITE 1 Replaces the character at the cursor with a space Insert FAVORITE 6 Inserts a space at the cur...

Page 148: ...Number You will also notice the ORGAN and MONO SYNTH Voice Numbers and Names will display the Bundle Name and Number This is because the ORGAN and MONO SYNTH Parameters are Recorded as a Bundle NOTE I...

Page 149: ...are used one at a time pressing a FAVORITES button while another is active cancels the previous Combination and selects the new one When the Information Center Display is in the PLAY Mode and a Favor...

Page 150: ...gh F010 Bank 2 contains Combinations F011 through F020 etc However you can assign any Factory or User Combination to any Favorite The Factory Combinations and Patches themselves will not be affected i...

Page 151: ...tions you can access using the FAVORITE buttons You can load the FAVORITE buttons with up to ten 10 Banks of Favorites so that you can have up to 100 Combinations available through the FAVORITE button...

Page 152: ...shing and the LED of the FAVORITE button you selected will stay ON Also the yellow FAV box will show the Favorite Bank number you selected in Step 2 as well as the number of the Favorite you just sele...

Page 153: ...de Pages press the MENU EXIT button The Information Center Display should now look like this The COMBINATION box should be highlighted 2 Press the PAGE u button two times to highlight the SOUND box Yo...

Page 154: ...Setting Description ASSOCIATE This allows you to touch a numbered FAVORITE button to recall the Combination associated with that button To associate a Combination with a numbered button Press and Hol...

Page 155: ...ttons for each Favorite Bank In this way you can create custom Favorite Banks easily and quickly The left side of the display shows the Combination or Bundle Number This number will be the same one sh...

Page 156: ...ng see below The number F001 should be highlighted Now suppose you want to replace Combination F001 with F064 Oct Saw Lead 2 Turn the VALUE knob to the right The Combination Number will change Continu...

Page 157: ...select Favorite 5 Now suppose you want to replace Combination F025 with F041 Legato Strings for Favorite 5 7 Turn the VALUE knob to the right The Combination Number will change Continue to turn the V...

Page 158: ...and a PAGE in order to make full use of this feature MENU This Parameter allows you to associate a FUNCTION Mode with a FAVORITE button The data chart below shows the options you can select FAVORITE D...

Page 159: ...MP COMPO AMP EG MFX 1 O DRIVE MFX 2 EQUALIZ SYNTH GENERAL LFO OSC FILTER P FEG AMP AMP EG MFX 1 O DRIVE MFX 2 EQUALIZ TONE WHEEL SET FOLD EACH WH LEAK WH M LEVEL LESLIE CABINET SPEAKER ROTOR MIKING TR...

Page 160: ...Combinations and works much the same way as the Adjust Presets on Hammond Organs with Preset Keys or the Cancel piston on many classic organs or on electronic home organs such as the Hammond XT XH se...

Page 161: ...lay Use the VALUE knob to select which Section to Initialize ALL ORGAN or SYNTH 5 Press the DIRECTION q button to highlight he INITIALIZE box 6 Press the ENTER button You will see the message Initiali...

Page 162: ...THIS PAGE INTENTIONALLY LEFT BLANK TO PRESERVE PAGE FORMATTING...

Page 163: ...ORGAN VOICE SECTION...

Page 164: ...the performance of a vintage Hammond Organ 2 Transistor Organ replicates the sounds of various combo organs using solid state technology 3 Pipe Organ produces authentic pipe organ tones The different...

Page 165: ...rawbar icons shows light grey This indicates the ORGAN Voice Section is registered for both UPPER and LOWER Keyboards Notice also the three boxes P L and U in the upper part of the display These indic...

Page 166: ...on Center Display will look like this Notice that the area of the screen occupied by the UPPER Drawbar icons now shows dark grey This indicates the ORGAN Voice Section is registered for the LOWER Keyb...

Page 167: ...N Combination F001 should display see below 2 Press the MANUAL button This will allow you to de select Combinations and use the front panel controls entirely to control the sound as explained on page...

Page 168: ...WER Keyboard You will hear the notes play with the Drawbar registration you just set up Finally here is how to add a Pedal or Bass registration TRY THIS 1 Locate the PEDAL DRAWBARS on the Control Pane...

Page 169: ...above screen press the DIRECTION q button once The Information Center Display should now look like this The box underneath ORGAN should now be highlighted You can now use the VALUE knob to select the...

Page 170: ...e Octave setting controlled by the OCTAVE buttons on the Control Panel For more information please consult the SPECIAL PERFORMANCE FEATURES chapter of this Guide starting on page 554 t VOL From the ab...

Page 171: ...ond Organs Mellow Produces very pure sine wave tones similar to all electronic Hammond Organs such as the Concorde Grandee Monarch etc Vx Reproduces a vintage British combo organ Farf Reproduces a vin...

Page 172: ...of the B 3 C 3 A 100 Muted Produces very mellow analog type pedal tones Turn the VALUE knob to make your selection NOTE The function of this Parameter is duplicated by the PEDAL TYPE Parameter in the...

Page 173: ...ssing the PATCH EDIT ORGAN FUNCTION Mode using the MENU EXIT button 1 From any of the PLAY Mode Pages press the MENU EXIT button to see the PATCH EDIT screen The COMBINATION box will be highlighted 2...

Page 174: ...ation Center Display should now look similar to this The EDIT COMBINATION box should be highlighted NOTE The APP MENU may not display all Voice Sections depending on which Voice Sections are active fo...

Page 175: ...n Center Display will look similar to this 3 Release the SHIFT button NOTE The above screen is actually the second Screen of the PATCH EDIT ORGAN FUNCTION Mode Page To see the opening screen GENERAL a...

Page 176: ...Voice Section is controlled by the ORGAN VOLUME knob The MASTER VOLUME knob and or a connected Expression Pedal will control the volume of the entire instrument From the above screen press the DIRECTI...

Page 177: ...ws you to set the amount by which the pitch will bend down using the Pitch Bend Wheel for the ORGAN Voice Section The lowest setting is 0 no change while the highest setting is 12 twelve half steps or...

Page 178: ...Select the Attack and Release Envelope for the PEDAL Part 6 Select the amount of Leakage for the UPPER and LOWER Keyboards 7 Select the registration for the Pedal Drawbars 8 Select the Custom Set for...

Page 179: ...ditional settings modeled from vintage Hammond Organs You can customize each one of these Organ Types to your liking This is explained in the CUSTOM SETS chapter of this Guide starting on page 384 NOT...

Page 180: ...vintage tone wheel organs You can adjust the rate of Attack when a key is depressed and Release when the key is released The data chart below shows the options you can select ATTACK RELEASE ENVELOPE P...

Page 181: ...ect from 0 no Leakage to 127 maximum amount of Leakage Turn the VALUE knob to make your selection NOTE This Parameter is not available for the Transistor Vx Farf and Ace or Pipe Organ Types CUSTOM ORG...

Page 182: ...art below shows the options you can select PEDAL TYPE Parameter Description Normal Produces the traditional tone wheel registration of the B 3 C 3 A 100 Muted Produces very mellow analog type pedal to...

Page 183: ...arameter changes the Release rate The Attack rate is that provided by the Virtual Multi Contacts This means that the onset of the tone will be instantaneous while the Release rate is regulated by the...

Page 184: ...F2 and F3 You can select any of these or if you have created and saved your own Custom Pedal Registration s you can select them as well These will be identified by a number preceded by a U for User Y...

Page 185: ...anual Drawbar sets of a tone wheel organ for example Upper Manual B pulling all of the Drawbars in the selected set out to their maximum volume setting and slowly pressing a playing key Each of the ha...

Page 186: ...ove screen press the DIRECTION q button once The box to the right of DAMPING should be highlighted DAMPING This Parameter allows you to control the amount of damping applied to the Virtual Multi Conta...

Page 187: ...reaches the bottom of its travel Velocity When a key is depressed to the bottom of its travel each contact of the VMC s is made by a time difference depending on the velocity The contacts are made se...

Page 188: ...age Hammond Organ to another and the effect can be different on different organs built during different time periods and using components of slightly different values These Parameter settings allow yo...

Page 189: ...PER Part Turn the VALUE knob to turn UPPER Sustain ON or OFF From the above screen press the DIRECTION q button once The box to the right of LENGTH should be highlighted LENGTH This Parameter allows y...

Page 190: ...ER Sustain ON or OFF From the above screen press the DIRECTION q button once The box to the right of LENGTH should be highlighted LENGTH This Parameter allows you to adjust the length of the Sustain e...

Page 191: ...ine and progressively retards the phase creating the Vibrato effect Vibrato Chorus an effect similar to the effect of two or three slightly out of tune frequencies mixed together is obtained when the...

Page 192: ...effect ON for the Great Manual of a vintage B 3 C 3 press the top of the VIBRATO GREAT tilt tab To turn the Vibrato or Chorus effect ON for the LOWER Keyboard of the SKX PRO press the LOWER button ON...

Page 193: ...ivalent of most orchestral solo instruments V 2 Wide Vibrato To select vibrato depth V 2 press the MODE button so that the orange LED next to the legend V 2 will light This is the standard depth vibra...

Page 194: ...ct chorus depth C 3 press the MODE button so that the orange LED next to the legend C 3 will light This is the fullest amount Remember either one or both of the UPPER or LOWER buttons must be ON orang...

Page 195: ...Mode Page Accessing the VIBRATO CHORUS FUNCTION Mode Page using the MENU EXIT button 1 From any of the PLAY Mode Pages press the MENU EXIT button The Information Center Display should now look like th...

Page 196: ...m any of the PLAY Mode Pages Press and Hold the MANUAL button The Information Center Display should now look similar to this The EDIT COMBINATION box should be highlighted NOTE The APP MENU may not di...

Page 197: ...on four times The Information Center Display should now look like this You are now in the VIBRATO CHORUS FUNCTION Mode Page You can now use the DIRECTION buttons in conjunction with the VALUE knob to...

Page 198: ...E shown will correspond to the Mode setting on the Control Panel In this screen the box to the right of TYPE should be highlighted TW ORGAN TYPE Hammond tone wheel organs with Vibrato Chorus were manu...

Page 199: ...once The box to the right of MIX should be highlighted MIX The Chorus effect is produced by mixing two audio signals together one containing Vibrato and a dry signal with no Vibrato The amount of Vib...

Page 200: ...e VALUE knob to turn Vibrato On or Off for the Pedal Drawbar tones From the above screen use the DIRECTION buttons to move the cursor to the right side of the display so the Information Center Display...

Page 201: ...GAN TREM RATE This Parameter allows you to adjust the Tremulant Rate for the Pipe Organ You can select from 0 no Tremulant to 127 fastest Tremulant Turn the VALUE knob to the right to increase the Tre...

Page 202: ...e individual tones from each Drawbar into one complex musical tone It serves also through taps on its primary winding to establish a series of intensity levels for the Drawbars Doing this imparts some...

Page 203: ...LEVEL This Parameter allows you to set the saturation level of the Matching Transformer You can select from 0 to 127 A higher value will result in more saturation at low volume levels see the illustra...

Page 204: ...wbar has 8 degrees of volume When a Drawbar is moved not only the volume but the sound quality changes because of the artifacts introduced by the Matching Transformer This Parameter allows you to repl...

Page 205: ...select from 0 to 127 A higher value creates a deeper effect Turn the VALUE knob to the right to increase the Depth Turn the VALUE knob to the left to decrease the Depth From the above screen press the...

Page 206: ...r effect Turn the VALUE knob to the right to increase the Depth Turn the VALUE knob to the left to decrease the Depth From the screen above press the DIRECTION q button once The box to the right of OR...

Page 207: ...named Donald J Leslie wanted a sound from a Hammond Organ more nearly approximating the sound of a theatre organ particularly a realistic theatre organ tremulant He found that rotating a baffle in fr...

Page 208: ...eaker cabinet In the mid 60 s an additional motor was added to both Horn and Bass which spun the rotors much more slowly to suggest the sound of a celeste or a compound organ stop with two or more ran...

Page 209: ...tionary channel The effect is similar to the sound produced by a vintage Hammond Organ being played through a Hammond speaker cabinet STOP When this button is OFF LED not lit the Leslie effect is that...

Page 210: ...EXIT button 1 From any of the PLAY Mode Pages press the MENU EXIT button The Information Center Display should now look like this The COMBINATION box should be highlighted 2 Press the DIRECTION q but...

Page 211: ...PLAY Mode Pages Press and Hold the MANUAL button The Information Center Display should now look similar to this The EDIT COMBINATION box should be highlighted NOTE The APP MENU may not display all Vo...

Page 212: ...PAGE u button six times The Information Center Display should now look like this You are now in the LESLIE FUNCTION Mode Page You can now use the DIRECTION buttons in conjunction with the VALUE knob...

Page 213: ...sent to a Leslie Cabinet the Reverb is modulated along with the main signal This characteristic can be replicated using this Parameter The data chart below shows the options you can select LESLIE ON R...

Page 214: ...Cabinets SPECIAL NOTE All of the ORGAN Parameters affect the Tone Wheel Organs however some of the ORGAN Parameters do not affect the Transistor or Pipe Organs for example Leakage Level Pedal Type and...

Page 215: ...ng ORGAN FUNCTION Mode Pages IMPORTANT NOTE These FUNCTION Mode Pages are covered in the MULTI EFFECT OVERDRIVE EQUALIZER chapter of this Guide since each Voice Section has these Parameters However th...

Page 216: ...select which type of organ sounds you want the Drawbars to control t Organ Types A 100 B 3 C 3 Mellow Accessing the Organ Types from a PLAY Screen 1 After turning the SKX PRO ON Combination F001 shoul...

Page 217: ...Pages press the MENU EXIT button The Information Center Display should now look like this The COMBINATION box should be highlighted 2 Press the DIRECTION q button once to highlight the ORGAN box 3 Pre...

Page 218: ...ined starting below There are approximately 253 000 000 possible sound combinations that can be produced by these Drawbars Each Drawbar consists of sine waves of different pitches The illustration bel...

Page 219: ...IN off 2 Make sure the ORGAN ALLOCATE button is ON LED lit 3 Hold down a C chord starting with E above middle C E G C notes with your right hand on the UPPER Keyboard 4 Starting with the first white D...

Page 220: ...one by one in sequence As you add each Drawbar you will hear the addition of the same note an octave higher in each case Black Drawbars The Black Drawbars on the Hammond Organ represent the dissonant...

Page 221: ...ay out You will now hear the sound of C one octave lower being added 6 Now pull the second brown Drawbar in the same group out and you will hear it add a richness to the sound of the C note that you a...

Page 222: ...ibia Theater 16 Wooden Open Flute 8 00 8460 000 00 3220 000 00 8600 000 80 8605 002 00 3831 000 00 0006 003 00 5020 000 00 7030 000 00 0700 030 80 8605 004 00 8840 000 Reed family triangle pattern Ree...

Page 223: ...0 8874 210 00 8686 310 00 7785 321 00 4434 210 85 8524 100 00 8877 760 00 0606 045 00 8887 480 01 8866 430 01 8855 331 00 7754 321 String family bow pattern String Tones Cello 8 Dulciana 8 Gamba 8 I G...

Page 224: ...hich are immediately recognized as Hammond Sounds The basic Hammond Organ jazz sound is obtained with the first three Drawbars such as 88 8000 000 When the last white Drawbar is used along with the fi...

Page 225: ...g the Vx Organ Type from a PLAY Screen 1 After turning the SKX PRO ON Combination F001 should display see below NOTE Press the PLAY button to display the above screen if it is not already displaying 2...

Page 226: ...st way to do this is to use the Shortcut shown below 2 Press the PAGE u button once The Information Center Display should now look like this The box to the right of TYPE should be highlighted 3 Turn t...

Page 227: ...wbars The eighth Drawbar causes pure tones to sound while the last Drawbar causes brighter and more harmonically complex tones to sound NOTE The first seven Drawbars WILL NOT sound unless one or both...

Page 228: ...ng the Farf Organ Type from a PLAY Screen 1 After turning the SKX PRO ON Combination F001 should display see below NOTE Press the PLAY button to display the above screen if it is not already displayin...

Page 229: ...est way to do this is to use the Shortcut shown below 2 Press the PAGE u button once The Information Center Display should now look like this The box to the right of TYPE should be highlighted 3 Turn...

Page 230: ...replicate the effect of tablets simply pull the Drawbar s representing the tone s you want out all the way Or you can create shadings of tones by using the Drawbars in the more traditional fashion NO...

Page 231: ...g the Ace Organ Type from a PLAY Screen 1 After turning the SKX PRO ON Combination F001 should display see below NOTE Press the PLAY button to display the above screen if it is not already displaying...

Page 232: ...st way to do this is to use the Shortcut shown below 2 Press the PAGE u button once The Information Center Display should now look like this The box to the right of TYPE should be highlighted 3 Turn t...

Page 233: ...e the effect of tablets simply pull the Drawbar s representing the tone s you want out all the way Or you can create shadings of tones by using the Drawbars in the more traditional fashion NOTE The co...

Page 234: ...er suited to semi classical and popular music as well as orchestral transcriptions Organ Type Pipe classical This Organ Type allows you to use the Drawbars to register authentic classical pipe organ t...

Page 235: ...ot already done so access the PATCH EDIT ORGAN FUNCTION Mode Page The quickest way to do this is to use the Shortcut shown below 2 Press the PAGE u button once The Information Center Display should no...

Page 236: ...s shown in the above figure are the ones shown in the Information Center Display when the Pipe Classical Organ Type is selected IMPORTANT NOTE When Pipe mode is activated the Drawbars will function si...

Page 237: ...already done so access the PATCH EDIT ORGAN FUNCTION Mode Page The quickest way to do this is to use the Shortcut shown below 2 Press the PAGE u button once The Information Center Display should now...

Page 238: ...e the Drawbars to control the voices of a theatre or cinema pipe organ Use the VALUE knob to select F2 Theatre 1 or F3 Theatre 2 Theatre 1 is a stop complement similar to a Wurlitzer Style 210 while T...

Page 239: ...rgan Types are selected IMPORTANT NOTE When Pipe mode is activated the Drawbars will function similar to the stop tablets on a theatre pipe organ pulling a Drawbar out will turn the associated Pipe Vo...

Page 240: ...he SKX PRO is first and foremost a Hammond Organ there may be occasions when you will want to play it as a Hammond Organ without having to do a great deal of programming or setting up beforehand The O...

Page 241: ...stic grand piano 4 Press the ORGAN SOLO button ON The LED will light The PIANO ALLOCATE button should turn OFF The Information Center Display should now look like this Compare this screen with the one...

Page 242: ...mation Center Display should look like this 2 Press and Release the MANUAL button The Information Center Display should now look like this This is the APP MENU for the PATCH EDIT ORGAN FUNCTION Mode Y...

Page 243: ...verdrive settings From the above screen press the DIRECTION q button once The REGISTER PAGE TO FAVORITE box should be highlighted t REGISTER PAGE TO FAVORITE This allows you to register the current Pa...

Page 244: ...UNCTION Mode Page or screen to a FAVORITE button In this way you can access Menu Pages you use frequently with a single button press If you wish you can register up to 100 Pages to the FAVORITE button...

Page 245: ...UPPER PERCUSSION...

Page 246: ...SSION section are OFF the tone for this harmonic is the same as the sound derived from the 4 Drawbar Combining this Percussion tone with the Drawbars will produce bright and clear sounds u SOFT This b...

Page 247: ...U EXIT button 1 From any of the PLAY Mode Pages press the MENU EXIT button The Information Center Display should now look like this The COMBINATION box should be highlighted 2 Press the DIRECTION q bu...

Page 248: ...AY Mode Pages Press and Hold the MANUAL button The Information Center Display should now look similar to this The EDIT COMBINATION box should be highlighted NOTE The APP MENU may not display all Voice...

Page 249: ...FUNCTION Mode should now display 5 Press the PAGE u button three times The Information Center Display should now look like this You can now use the DIRECTION and PAGE buttons in conjunction with the V...

Page 250: ...EVEL SOFT NORMAL This Parameter allows you to set the overall volume level of the Percussion tones This will allow you to balance the amount of NORMAL and SOFT Percussion sound the choices provided by...

Page 251: ...to the left to shorten the Decay t KEYBOARD TOUCH From the above screen use the DIRECTION u button to move the cursor to the right portion of the display Use the DIRECTION p and q buttons if necessar...

Page 252: ...CTION q button once The box to the right of SOFT should be highlighted SOFT This Parameter allows you to set the Drawbar Level when Percussion is ON at normal volume SOFT button OFF The data chart bel...

Page 253: ...PIANO ENSEMBLE VOICE SECTIONS...

Page 254: ...tom Patch a U number will be shown in the display during the RECORD process as well as a Voice Category This will be explained fully later on in this chapter of the Guide u PIANO ENSEMBLE Controls The...

Page 255: ...ins sounds similar to those produced by an electrically amplified clavichord CHRO PERC This category contains chromatic percussion instruments such as Xylophone Marimba Glockenspiel etc OTHER 1 This c...

Page 256: ...al accompaniment BASS This category contains Bass voices OTHER 2 This category contains other Voice Categories such as Acoustic Pianos Chromatic Percussions etc These voices can be used either in comb...

Page 257: ...l Atk 6 Tp Grs Up Sus 7 Trumpet Sect 8 Trombone Str 9 Trombone Muted 10 Tb Fall Sus 11 Tb Fall Atk 12 Flute Str 13 Flute Vib 14 Flute Atk 15 Alto Sax Str 16 Alto Sax Vib 17 Tenor Sax Str 18 Tenor Sax...

Page 258: ...Selecting a Voice t PIANO Voice Section TRY THIS 1 After turning the SKX PRO ON Combination F001 should display see below 2 Press the PIANO button in the ALLOCATE Section The LED will light red The I...

Page 259: ...string guitar Each time you press one of the CATEGORY buttons you will see a List Menu similar to the one shown above listing the available choices for the selected Category You will also see two numb...

Page 260: ...SKX PRO ON Combination F001 should display see below 2 Press the ENSEMBLE button in the ALLOCATE Section The LED will light red The Information Center Display should now look similar to this 3 Play s...

Page 261: ...thesizer Each time you press one of the CATEGORY buttons you will see a List Menu similar to the one shown above listing the available choices for the selected Category You will also see two numbers i...

Page 262: ...PLAY Mode screens for the PIANO and ENSEMBLE Voice Sections You should see a screen similar to one of these depending on which Voice Section you select PIANO Voice Section ENSEMBLE Voice Section The f...

Page 263: ...arameters for the PIANO and ENSEMBLE Parameters are identical therefore from this point forward for the explanation of each Parameter the PIANO Patch will be shown at the top of the screen You can now...

Page 264: ...h the selected Voice Section will play You can select from 2 up to two octaves down to 2 up to two octaves up Turn the VALUE knob to the right to raise the Octave Turn the VALUE knob to the left to lo...

Page 265: ...Options Paramete r Description Off Standard organ touch the notes play at a fixed velocity 100 regardless of a light or heavy keystroke 1 This is the most exaggerated velocity curve most like an acous...

Page 266: ...t from 0 no volume to 127 maximum volume Turn either the VALUE knob or the VOLUME knob for the selected Voice Section to the right to increase the Volume Turn either the VALUE knob or the VOLUME knob...

Page 267: ...he PIANO PATCH EDIT Modes to explain both PIANO and ENSEMBLE t Accessing the PATCH EDIT PIANO ENSEMBLE FUNCTION Mode using the MENU EXIT button 1 From any of the PLAY Mode Pages press the MENU EXIT bu...

Page 268: ...PATCH EDIT PIANO ENSEMBLE FUNCTION Mode using the Shortcut From any of the PLAY Mode Pages press the EDIT button in either the PIANO or ENSEMBLE Voice Section depending on which Voice you want to edit...

Page 269: ...ll Voice Sections depending on which Voice Sections are active for the selected Combination or which ALLOCATE buttons are ON LED lit If the Voice Section you want is not displaying press the PLAY butt...

Page 270: ...AGE buttons in conjunction with the VALUE knob to make various changes to the selected Patch These changes are explained starting on the next page NOTE The Parameters for the PIANO and ENSEMBLE Parame...

Page 271: ...volume of the PIANO or ENSEMBLE Voice Section is controlled by the VOLUME knob associated with the selected Voice Section The MASTER VOLUME knob and or a connected Expression Pedal will control the v...

Page 272: ...increase the Range Turn the VALUE knob to the left to decrease the Range From the above screen use the DIRECTION buttons to move the cursor to the right side of the display so the Information Center...

Page 273: ...played legato a key is depressed while another key is held Turn the VALUE knob to make your selection From the above screen press the DIRECTION q button once The box to the right of RATE should be hig...

Page 274: ...multiple notes Poly when multiple notes are played on the keyboard The data chart below shows the options you can select MONO POLY MODE Parameter Description Poly Polyphonic if more than one key is d...

Page 275: ...one note is played in MONO Mode The data chart below shows the options you can select MONO PRIORITY Parameter Description Auto If the selected Patch is used with other Voice Sections the highest note...

Page 276: ...yed on the LOWER Part and a note is played on the UPPER Part the note represented by the key played on the UPPER Part is heard along with a scored harmony pattern which sounds according to the Chord R...

Page 277: ...n ON 6 Play a chord on the LOWER Part and hold the keys down You will not hear any sound 7 While holding the keys down play a single note melody on the UPPER Part You will hear the melody note plus a...

Page 278: ...the Patch Name ProChord can be added to any PIANO or ENSEMBLE Patch via the FUNCTION Mode Parameters This is described starting on page 260 NOTE When a ProChord Patch is selected the UPPER Part becom...

Page 279: ...d symbol to display next to the blue CHORD box see the figure above This symbol will show the Chord Root and Chord Type For example if you see the chord symbol Fm7 F is the Root of the chord and m7 mi...

Page 280: ...ing is added to single notes played on the UPPER Part Small Combo 3 part Closed harmony is added to single notes played on the UPPER Part Theatre 3 part Open harmony is added to single notes played on...

Page 281: ...select how ProChord works when it is disabled no chord outlined by the left hand or disabled by the Foot Switch The data chart below shows the options you can select Pro Chord DISABLED Parameter Descr...

Page 282: ...side of the screen are visual representations of the shapes of the selected Parameters You will see their shapes change in response to the edits you make SETTING These Parameters allow you to control...

Page 283: ...y drops to a zero voltage Square A waveform which sharply rises to a peak point and sharply drops to a zero voltage Rectangular Square A waveform which smoothly rises to a peak point and smoothly drop...

Page 284: ...to increase the Rate Turn the VALUE knob to the left to decrease the Rate From the above screen press the DIRECTION q button once The box to the right of DELAY TIME should be highlighted DELAY TIME Th...

Page 285: ...b to the left to decrease the Attack Rate NOTE Delay Time must be set to some value other than 0 to hear the effect of this Parameter From the above screen press the DIRECTION q button once The box to...

Page 286: ...er Envelopes etc Thus several Patches contain multiple waveforms such as Nylon Steel Gtrs and Section Str Oct Each Component can be edited separately though it is not necessary for each Component to b...

Page 287: ...you to sets the maximum LFO Pitch Depth controlled by the Modulation Wheel for each Component Use the DIRECTION t and u buttons to select the Component you want to edit Us the 1 2 3 and 4 numbered bu...

Page 288: ...ease the Filter Depth From the above screen press the DIRECTION q button once The box to the right of FILTER MOD DEP should be highlighted FILTER MOD DEP This Parameter allows you to adjust the maximu...

Page 289: ...the Amplitude Depth Turn the VALUE knob to the left to decrease the Amplitude Depth From the above screen press the DIRECTION q button once The box to the right of AMP MOD DEP should be highlighted AM...

Page 290: ...ld be highlighted t LFO 2 Parameters As explained on page 262 both the PIANO and ENSEMBLE Voice Sections have two LFOs Low Frequency Oscillators These can be used to modulate various Components All of...

Page 291: ...allow you to adjust basic Parameters These are explained starting below SWITCH This Parameter allows you to select whether you want the selected Component to sound as part of the selected Patch A roun...

Page 292: ...0 no volume to 127 maximum volume Turn the VALUE knob to the right to increase the volume Turn the VALUE knob to the left to decrease the volume From the above screen press the DIRECTION q button onc...

Page 293: ...ge higher NOTE 2C is a note two octaves and a sixth below the lowest note on a standard 88 note piano keyboard 8G is two octaves and a fifth above the highest note From the above screen press the DIRE...

Page 294: ...7 Turn the VALUE knob to the right to increase the Low Point Turn the VALUE knob to the left to decrease the Low point From the above screen press the DIRECTION q button once The box to the right of V...

Page 295: ...ess of notes played using the selected Component see illustration above You can select from 64 to 63 A lower setting will result in lower volume levels from the lowest to the highest key velocities A...

Page 296: ...eter allows you to adjust the response of the selected Component to key velocity see illustration above You can select from 0 to 200 At 0 there is no change in velocity At 200 the volume is changed by...

Page 297: ...the Waveform and adjust various Pitch Parameters These are explained starting below WAVE CAT This Parameter allows you to select the Waveform Category The data chart below shows the numbered categorie...

Page 298: ...iption Abbreviation Number of Waveforms 1 Acoustic Piano A Pno 11 2 Electric Piano E Pno 8 3 Harpsichord Harps 4 4 Clav Clav 5 5 Chromatic Percussion Ch Pc 18 6 Guitar Guitar 9 7 Ethnic Ethnic 6 8 SFX...

Page 299: ...transposition Turn the VALUE knob to the right to transpose the selected Component higher Turn the VALUE knob to the right to transpose the selected Component lower From the above screen press the DIR...

Page 300: ...und the same pitch A minus setting will cause notes to decrease in pitch as higher notes are played on the keyboard Turn the VALUE knob to the right to transpose the selected Component higher Turn the...

Page 301: ...er from instrument to instrument This is explained in more detail several places on the Internet and can be found by executing Searches on Stretch tuning or Inharmonicity From the above screen press t...

Page 302: ...pitch changing of the Pitch EG for the selected Component by keyboard velocity You can select from 0 to 100 At 0 there is no change by key velocity At 100 the pitch will change by a wide amount Turn...

Page 303: ...Filter and Amplitude The illustration below shows the structure of the Envelope Generators for the PIANO ENSEMBLE Section Each of the Parameters shown above as they affect Pitch will be explained star...

Page 304: ...can select from 0 to 127 Turn the VALUE knob to the right to increase the Attack Rate Turn the VALUE knob to the left to decrease the Attack Rate From the above screen press the DIRECTION q button on...

Page 305: ...ncrease the Breakpoint Level Turn the VALUE knob to the left to decrease the Breakpoint Level From the above screen press the DIRECTION q button once The box to the right of SLOPE RATE should be highl...

Page 306: ...to the right to increase the Sustain Level Turn the VALUE knob to the left to decrease the Sustain Level From the above screen press the DIRECTION q button once The box to the right of REL RATE shoul...

Page 307: ...aximum amount Turn the VALUE knob to the right to increase the Attack Rate Turn the VALUE knob to the left to decrease the Attack Rate From the above screen press the DIRECTION q button once The box t...

Page 308: ...ximum amount Turn the VALUE knob to the right to increase the Slope Rate Turn the VALUE knob to the left to decrease the Slope Rate From the above screen press the DIRECTION q button once The box to t...

Page 309: ...the VALUE knob to the left to decrease the Attack Rate From the above screen press the DIRECTION q button once The box to the right of REL VEL TRK should be highlighted REL VEL TRK This Parameter allo...

Page 310: ...art below shows the options you can select DELAY MODE Parameter Description On When the note is ON the selected Component sounds at the Note On Delay Time When the note is OFF the sound will stop afte...

Page 311: ...rn the VALUE knob to make your selection From the above screen press the DIRECTION q button once The box to the right of OFF THR LVL should be highlighted OFF THR LVL This Parameter allows you to adju...

Page 312: ...ght to increase the Note On Delay Time Turn the VALUE knob to the left to decrease the Note On Delay Time From the above screen press the DIRECTION q button once The box to the right of N OFF TIME sho...

Page 313: ...sound NOTE The violet colored shapes at the bottom of the screen are visual representations of the shapes of the Parameters You will see their shapes change in response to the edits you make MODE This...

Page 314: ...ase the Cutoff Frequency Turn the VALUE knob to the left to decrease the Cutoff Frequency From the above screen press the DIRECTION q button once The box to the right of RESONANCE should be highlighte...

Page 315: ...knob to the right to increase the amount of Key Tracking Turn the VALUE knob to the left to decrease the amount of Key Tracking From the above screen press the DIRECTION q button once The box to the...

Page 316: ...ase the amount of Key Tracking Turn the VALUE knob to the left to decrease the amount of Key Tracking From the above screen press the PAGE u button once The FILTER EG Page should now display The box t...

Page 317: ...knob to the right to increase the Decay Rate Turn the VALUE knob to the left to decrease the Decay Rate From the above screen press the DIRECTION q button once The box to the right of BREAKPOINT shou...

Page 318: ...ower value increases the time Turn the VALUE knob to the right to increase the Slope Rate Turn the VALUE knob to the left to decrease the Slope Rate From the above screen press the DIRECTION q button...

Page 319: ...time Turn the VALUE knob to the right to increase the Release Rate Turn the VALUE knob to the left to decrease the Release Rate From the above screen press the DIRECTION q button once The box to the...

Page 320: ...Turn the VALUE knob to the right to increase the Decay Rate Turn the VALUE knob to the left to decrease the Decay Rate From the above screen press the DIRECTION q button once The box to the right of...

Page 321: ...the maximum amount Turn the VALUE knob to the right to increase the Release Rate Turn the VALUE knob to the left to decrease the Release Rate From the above screen press the DIRECTION q button once T...

Page 322: ...TE The Velocity Parameter in the COMBINATION Edit Menu must be ON values 1 4 in order to hear the effect of Velocity Tracking From the above screen press the PAGE u button once The AMPLITUDE Page shou...

Page 323: ...The box to the right of PAN IMAGE should be highlighted PAN IMAGE This Parameter allows you to adjust the panning by the note The data chart below shows how the Tone Wheels are allocated to each Drawb...

Page 324: ...its peak value beginning when a key is depressed You can select from 0 to 127 Turn the VALUE knob to the right to increase the Attack Rate Turn the VALUE knob to the left to decrease the Attack Rate F...

Page 325: ...ncrease the Breakpoint Level Turn the VALUE knob to the left to decrease the Breakpoint Level From the above screen press the DIRECTION q button once The box to the right of SLOPE RATE should be highl...

Page 326: ...E knob to the right to increase the Sustain Level Turn the VALUE knob to the left to decrease the Sustain Level From the above screen press the DIRECTION q button once The box to the right of REL RATE...

Page 327: ...t Turn the VALUE knob to the right to increase the Attack Rate Turn the VALUE knob to the left to decrease the Attack Rate From the above screen press the DIRECTION q button once The box to the right...

Page 328: ...VALUE knob to the right to increase the Slope Rate Turn the VALUE knob to the left to decrease the Slope Rate From the above screen press the DIRECTION q button once The box to the right of REL KEY TR...

Page 329: ...e VALUE knob to the left to decrease the Attack Rate From the above screen press the DIRECTION q button once The box to the right of REL VEL TRK should be highlighted REL VEL TRK This Parameter allows...

Page 330: ...ious page press the DIRECTION q button once The box to the right of ATTACK COEF should be highlighted ATTACK COEF This Parameter allows you to adjust the Attack Contour for each envelope zone You can...

Page 331: ...ase the Decay Contour Turn the VALUE knob to the left to decrease the Decay Contour NOTE The Decay Coefficient controls both Decay and Slope From the above screen press the DIRECTION q button once The...

Page 332: ...ng PIANO ENSEMBLE FUNCTION Mode Pages IMPORTANT NOTE These FUNCTION Mode Pages are covered in the MULTI EFFECT OVERDRIVE EQUALIZER chapter of this Guide since each Voice Section has these Parameters H...

Page 333: ...LE FUNCTION Mode using any of the methods described starting on page The Information Center Display should look like this 2 Press and Release the MANUAL button The Information Center Display should no...

Page 334: ...NITIALIZE box should be highlighted NOTE The PIANO and ENSEMBLE PATCH EDIT FUNCTION Mode Pages are identical The following pages will refer to the PIANO APP MENU to explain both PIANO and ENSEMBLE t I...

Page 335: ...ONENT This allows you to clear all the Parameters within a Component To initialize a Component do the following 1 From the above screen press the ENTER button The Information Center Display should loo...

Page 336: ...ialize press the MENU EXIT or PLAY button instead of the ENTER button From the screen shown at the top of the previous page press the DIRECTION q button once The INITIALIZE COMPONENT box should be hig...

Page 337: ...4 Use the VALUE knob to select the target Component the Component you want to copy to You can select from 1 to 4 5 After you have made your selection press the DIRECTION q button to highlight the COPY...

Page 338: ...ou to register the current Page to one of the FAVORITE buttons for quick access To register the current Page to a FAVORITE do the following 1 From the above screen press the ENTER button The Informati...

Page 339: ...d a FUNCTION Mode Page or screen to a FAVORITE button In this way you can access Menu Pages you use frequently with a single button press If you wish you can register up to 100 Pages to the FAVORITE b...

Page 340: ...THIS PAGE INTENTIONALLY LEFT BLANK TO PRESERVE PAGE FORMATTING...

Page 341: ...MONO SYNTH VOICE SECTION...

Page 342: ...Voice Section press the SYNTH button in the ALLOCATE button section The LED will light u MONO SYNTH Controls The controls for the MONO SYNTH are located to the right of the Information Center Display...

Page 343: ...m has a variable width known as the duty cycle The sound can be modified by changing the pulse width or duty cycle For example a duty cycle of 50 will produce a clarinet like sound while a duty cycle...

Page 344: ...on or sliding from one note to another NOTE The PORTAMENTO button must be ON orange LED lit to hear the Portamento effect t FILTER CUTOFF knob This control allows you to select the frequency at which...

Page 345: ...ADSR Parameters over time as a key is pressed and held The eight sliders on the SKX PRO allow you to adjust Pitch Filter and Amplitude Envelopes The Pitch Envelope allows you to control the pitch of t...

Page 346: ...the screen 2 Press the SYNTH button in the ALLOCATE Section The red LED will light The Information Center Display should now look similar to this 3 Play some notes You will now hear the current regist...

Page 347: ...PLAY Mode screen t PATCH From the above screen press the DIRECTION q button until the Information Center Display looks similar to this The box to the left of SYNTH should now be highlighted You can n...

Page 348: ...ves down to 2 up to two octaves up Turn the VALUE knob to the right to raise the Octave Turn the VALUE knob to the left to lower the Octave NOTE The function of this Parameter is duplicated by the OCT...

Page 349: ...to key velocity Turn the VALUE knob to make your selection NOTE The function of this Parameter is duplicated by the VEL Velocity Parameter in the COMBINATION FUNCTION Mode For more information consul...

Page 350: ...utton to cause this screen to display This Parameter allows you to select the Oscillator Type Turn the VALUE knob or press the TYPE button repeatedly until the orange LED next to the desired Oscillato...

Page 351: ...CH EDIT SYNTH FUNCTION Mode using the MENU EXIT button 1 From any of the PLAY Mode Pages press the MENU EXIT button The Information Center Display should now look like this The COMBINATION box should...

Page 352: ...button in the MONO SYNTH Voice Section You will see the OSCILLATOR screen 2 Release the HOLD TO EDIT button NOTE The OSCILLATOR Screen is actually the third Screen of the PATCH EDIT SYNTH FUNCTION Mod...

Page 353: ...selected Combination or which ALLOCATE buttons are ON LED lit If the Voice Section you want is not displaying press the PLAY button press the ALLOCATE button for the Voice Section you want to turn it...

Page 354: ...SHIFT button turn the PORTAMENTO RATE knob The Information Center Display will look similar to this 3 Release the SHIFT button A complete explanation of the GENERAL Parameters can be found starting o...

Page 355: ...ase the SHIFT button A complete explanation of the OSCILLATOR Parameters can be found starting on page 347 Accessing the FILTER Page 1 Press and Hold the SHIFT button 2 While holding the SHIFT button...

Page 356: ...e the SHIFT button A complete explanation of the PITCH FILTER EG Parameters can be found starting on page 374 Accessing the AMPLITUDE EG Page 1 Press and Hold the SHIFT button 2 While holding the SHIF...

Page 357: ...atch and works independently of the SYNTH VOLUME knob The overall volume of the MONO SYNTH Voice Section is controlled by the SYNTH VOLUME knob The MASTER VOLUME knob and or a connected Expression Ped...

Page 358: ...knob to the left to decrease the Range From the above screen use the DIRECTION buttons to move the cursor to the right side of the display so the Information Center Display looks like this The box to...

Page 359: ...rn the VALUE knob to make your selection From the above screen press the DIRECTION q button once The box to the right of RATE should be highlighted RATE This Parameter allows you to adjust the rate at...

Page 360: ...ound High The highest note played will sound Low The lowest note played will sound Turn the VALUE knob to make your selection From the above screen press the DIRECTION q button once The box to the rig...

Page 361: ...Parameters allow you to control the overall settings for the LFO TRIGGER This Parameter allows you to adjust whether the phase of the LFO will reset each time a key is depressed The data chart below s...

Page 362: ...s to a zero voltage Square A waveform which sharply rises to a peak point and sharply drops to a zero voltage Rectangular Square A waveform which smoothly rises to a peak point and smoothly drops to a...

Page 363: ...increase the Rate Turn the VALUE knob to the left to decrease the Rate From the above screen press the DIRECTION q button once The box to the right of DELAY TIME should be highlighted DELAY TIME This...

Page 364: ...e VALUE knob to the left to decrease the Attack Time NOTE Delay Time must be set to some value other than 0 to hear the effect of this Parameter From the above screen press the DIRECTION q button once...

Page 365: ...n select from 0 to 127 The data chart below shows the options you can select LFO DEPTH Options Parameter Description PITCH Allows you to adjust the depth of the LFO for controlling Pitch FIL Allows yo...

Page 366: ...27 The data chart below shows the options you can select LFO MOD DEPTH Options Parameter Description PITCH Allows you to adjust the maximum depth of the LFO for controlling Pitch FIL Allows you to adj...

Page 367: ...in unison which can be detuned Sync A single oscillator sounds synchronized with out of tune frequency Pulse A single oscillator sounds as a pulse wave FM Using one waveform to change or modulate anot...

Page 368: ...the Octave or pitch at which the selected Oscillator will sound The data chart below shows the options you can select OCTAVE Options Parameter Description 2 The sound is two octaves below the regular...

Page 369: ...Turn the VALUE knob to the right to increase the amount of Key Tracking Turn the VALUE knob to the left to decrease the amount of Key Tracking From the screen shown at the bottom of the previous page...

Page 370: ...lator OSC1 sounds at true pitch while the second Oscillator OSC2 can be transposed up or down by one 1 octave in half step increments If the OSC2 LEVEL is set to 0 only OSC1 will sound This Oscillator...

Page 371: ...lighted OSC2 VOLUME This Parameter allows you to adjust the Volume of the second Oscillator OSC2 You can select from 0 no Volume to 127 maximum Volume Move the OSCILLATOR DEPTH slider up or turn the V...

Page 372: ...SCILLATOR 1 WAVEFORM Options Waveform Description Sawtooth A waveform very rich in harmonics so named because it resembles the teeth of a saw blade It produces string or brass type tones Square A wave...

Page 373: ...OSCILLATOR 2 WAVEFORM Options Waveform Description Sawtooth A waveform very rich in harmonics so named because it resembles the teeth of a saw blade It produces string or brass type tones Square A wav...

Page 374: ...chorus or other purposely out of tune effects From the above screen press the DIRECTION q button once The box to the right of DETUNE should be highlighted DETUNE This Parameter allows you to adjust th...

Page 375: ...Oscillators You can select from 0 to 6 NOTE A setting of 6 will result in seven 7 Oscillators sounding 1 will be the first Oscillator OSC1 while 1 through 6 will be the secondary or other Oscillators...

Page 376: ...ATOR 1 WAVEFORM Options Waveform Description Sawtooth A waveform very rich in harmonics so named because it resembles the teeth of a saw blade It produces string or brass type tones Square A waveform...

Page 377: ...ON WAVEFORM Options Waveform Description Sawtooth A waveform very rich in harmonics so named because it resembles the teeth of a saw blade It produces string or brass type tones Square A waveform cont...

Page 378: ...like tone quality From the above screen press the DIRECTION q button once The box to the right of PULSE WIDTH should be highlighted PULSE WIDTH This Parameter allows you to adjust the Pulse Width You...

Page 379: ...Modulation You can select from 0 to 127 At 0 there is no Modulation 127 results in maximum Modulation Move the OSCILLATOR DEPTH slider up or turn the VALUE knob to the right to increase the Modulatio...

Page 380: ...the PITCH FILTER ENVELOPE sliders will allow you to change the duty cycle or tonality of the sound while a key is pressed and held LFO A periodic pitch shift vibrato like effect is added by the Low Fr...

Page 381: ...above screen press the DIRECTION q button once The box to the right of OSC2 PITCH should be highlighted OSC2 PITCH This Parameter allows you to adjust the Pitch of the second Oscillator OSC2 You can...

Page 382: ...to the second Oscillator OSC2 You can select from 0 to 127 At 0 there is no Modulation A setting of between 1 and 8 will produce a vibrato like effect and higher numbers will result in more extreme M...

Page 383: ...tch Envelope Using the PITCH FILTER ENVELOPE sliders will allow you to change the tonality of the sound while a key is pressed and held LFO The Sync effect is controlled by the Low Frequency Oscillato...

Page 384: ...l effects From the above screen press the DIRECTION q button once The box to the right of OSC2 PITCH should be highlighted OSC2 PITCH This Parameter allows you to adjust the Pitch of the second Oscill...

Page 385: ...rrier tone OSC1 You can select from 0 to 127 At 0 there is no Modulation only the carrier tone will sound resulting in a pure sine wave Higher settings will increase the depth of the modulating tone r...

Page 386: ...llows you to adjust the level of Feedback Setting the FB feedback at Half allows you to create string type tones while Full is useful for unpitched or noise type tones The data chart below shows the o...

Page 387: ...s effects suggestive of a retro science fiction movie This setting utilizes two different pitched Oscillators similar to Duo From the above screen press the DIRECTION q button once The box to the righ...

Page 388: ...ob to the left to decrease the ModulationDepth From the above screen press the DIRECTION q button once The box to the right of NOISE TYPE should be highlighted NOISE TYPE This Parameter allows you to...

Page 389: ...The data chart below shows the options you can select MODULATION SOURCE Options Parameter Description P EG Pitch Envelope The Modulation is regulated by the Pitch Envelope LFO The Modulation is contro...

Page 390: ...Page by Pressing and Holding the SHIFT button and moving the FILTER CUT OFF RESONANCE or EG DEPTH knobs SETTING MODE This Parameter allows you to select the filtering method The data chart below show...

Page 391: ...r allows you to adjust the Cutoff Frequency of the Filter You can select from 0 to 127 From the above screen press the DIRECTION q button once The box to the right of RESONANCE should be highlighted R...

Page 392: ...to decrease the amount of Key Tracking applied to the Filter From the above screen press the DIRECTION q button once The box to the right of VEL TRACK should be highlighted VEL TRACK This Parameter a...

Page 393: ...requency does not change At 64 or 63 the Cutoff Frequency changes by a wide amount From the above screen press the DIRECTION u button once The box to the right of LEVEL should be highlighted DRIVE LEV...

Page 394: ...e Parameter is highlighted ATTACK RATE This Parameter allows you to adjust the time for the sound to increase to its peak value beginning when a key is depressed You can select from 0 to 127 A higher...

Page 395: ...FILTEREGSUSTAINsliderdown or turnthe VALUEknobtotheleft todecrease theSustainLevel From the screen shown at the bottom of the previous page press the DIRECTION q button once The box to the right of RE...

Page 396: ...aximum level Turn the VALUE knob to the right to increase the Level Turn the VALUE knob to the left to decrease the Level From the above screen press the DIRECTION q button once The box to the right o...

Page 397: ...peak value beginning when a key is depressed You can select from 0 to 127 A higher value will result in a slower Attack Rate MovetheAMPLITUDEENVELOPEATTACK slider up or turnthe VALUEknob to the right...

Page 398: ...PESUSTAIN slider down or turnthe VALUEknob tothe left to decrease the Sustain Level From the screen shown at the bottom of the previous page press the DIRECTION q button once The box to the right of R...

Page 399: ...ng MONO SYNTH FUNCTION Mode Pages IMPORTANT NOTE These FUNCTION Mode Pages are covered in the MULTI EFFECT OVERDRIVE EQUALIZER chapter of this Guide since each Voice Section has these Parameters Howev...

Page 400: ...the HOLD TO EDIT button to access the PATCH EDIT SYNTH FUNCTION Mode you will see the OSCILLATOR screen 2 Press and Release the MANUAL button The Information Center Display should now look like this T...

Page 401: ...button to capture the current MONO SYNTH settings From the above screen press the DIRECTION q button once The REGISTER PAGE TO FAVORITE box should be highlighted t REGISTER PAGE TO FAVORITE This allow...

Page 402: ...instead of the ENTER button You have now registered a FUNCTION Mode Page or screen to a FAVORITE button In this way you can access Menu Pages you use frequently with a single button press If you wish...

Page 403: ...CUSTOM SETS...

Page 404: ...files of specific organs Drawbar Foldback points levels of each individual Tone Wheel etc u CUSTOM LESLIE This allows you to select or create Custom Leslie Cabinets u CUSTOM PEDAL REGISTRATION This al...

Page 405: ...ith 256 teeth allowing them to play frequencies 92 through 96 Notice in the drawing above that the tone wheels are placed so that they rotate next to magnetized rods Each rod has a small coil of wire...

Page 406: ...definition with individual pitches more discernable A properly calibrated B 3 will have a minimum of this effect however an instrument which has been subjected to hard use over a period of time may ex...

Page 407: ...exist but as noted above they are more likely to be the result of factors not necessarily having anything to do with the age of the instrument Many characteristics of the Hammond Organ especially as...

Page 408: ...hlighted 3 Press the ENTER button The Information Center Display should now look like this You are now in the CUSTOM EDIT TONE WHEEL FUNCTION Mode You can now use the DIRECTION and PAGE buttons in con...

Page 409: ...xt page shows the options you can select TONE WHEEL ORGAN TYPES CUSTOM SETS Organ Type Custom Set Description A 100 F1 35564 F2 Shiny F3 Mixture A 102 serial number 35564 Leakage tones with even overt...

Page 410: ...ote produced by the Sub Fundamental Drawbar is the 2nd C 2C from the left end of the manual while the highest note that can be played by the 8th harmonic Drawbar is the 4th F from the left end of the...

Page 411: ...ne wheels 96 manual tone wheels plus the 12 tone wheels for the bass frequencies which play only from the Pedals on a vintage Hammond Organ As explained previously each tone has a magnetized rod assoc...

Page 412: ...rs and Keyboard If you want to find a certain Tone Wheel quickly you can use the Drawbars and the playing keys to select it TRY THIS 1 With the screen shown at the top of this page displaying Press an...

Page 413: ...y Wheels 01 through 12 shown in blue on the screen are special wheels producing complex tones for the lowest octave of the PEDAL tones They cannot be assigned to the UPPER or LOWER Keyboards After you...

Page 414: ...ost the low frequencies From the above screen press the DIRECTION u button once The box underneath LEAK should be highlighted LEAK Leakage Amount This allows you to adjust the amount of Leakage sound...

Page 415: ...ame manner as on a vintage Hammond Organ by other wheels producing a small amount of sound in addition to the basic tone The tone wheel producing the basic tone is referred to as the Fundamental Wheel...

Page 416: ...ge Wheel quickly youcanuse the Drawbars and the playing keys toselect it TRY THIS 1 With the above screen displaying Press and Hold a key on the UPPER Keyboard 2 While holding down a key move an UPPER...

Page 417: ...in the display move to designate the selected Leakage Wheel From the screen shown on the previous page press the DIRECTION u button once The box underneath LV db should be highlighted LV dB Leakage Wh...

Page 418: ...ristic of vintage Hammond tone wheel organs Each individual Drawbar contains a group of settings for the Fundamental Wheels and Leakage Wheels for each note This group of settings is called a Matrix T...

Page 419: ...red This red bar represents the currently selected Tone Wheel FOOTAGE This Parameter allows you to select the Drawbar which produces the Matrix you want to edit You can select 16 5 1 3 8 4 2 2 3 2 1 3...

Page 420: ...ER Keyboard move one of the LOWER Drawbars The number shown in the Information Center Display will be the number of the Matrix associated with that key and that Drawbar Notice the bar graph in the dis...

Page 421: ...the same 7 Try moving other Drawbars while still holding down the key Notice the value shown in the LV dB box will change each time a different Drawbar is moved This means the same note will sound at...

Page 422: ...splaying and the box to the right of NOTE highlighted shown above Press and Hold a key on either Keyboard 2 While holding down a key move a Drawbar for example the first white 8 Drawbar NOTE Make sure...

Page 423: ...f the selected Matrix You can select from Inf zero level to 92dB lowest level to 40dB loudest level The numbers represent decibels or units of volume After you have selected a Matrix and a Note using...

Page 424: ...hted 2 Turn the VALUE knob to select the Organ Type you want to edit 3 Press the DIRECTION q button to move the cursor to the box underneath CUSTOM It should be highlighted 4 Turn the VALUE knob to se...

Page 425: ...look similar to this The box underneath TO should be highlighted 7 Use the VALUE knob to select the target Custom Tone Wheel the Custom Tone Wheel you want to Record to You can select from U1 to U3 8...

Page 426: ...the cursor with a space Insert FAVORITE 6 Inserts a space at the cursor ABC etc FAVORITES 2 5 7 10 Use these to cycle through and select the characters for the highlighted location Each successive tou...

Page 427: ...ker access The following paragraphs will explain this in more detail TRY THIS 1 From any of the PLAY Mode Pages press the MENU EXIT button The Information Center Display should now look like this The...

Page 428: ...isplay should now look like this 4 Turn the VALUE knob to select the Organ Type you want to register 5 Press the DIRECTION q button to move the cursor to the box underneath CUSTOM It should be highlig...

Page 429: ...e current Page to a FAVORITE do the following 1 From the above screen press the ENTER button The Information Center Display should look like this The box underneath TO should be highlighted 2 Use the...

Page 430: ...ed a FUNCTION Mode Page to a FAVORITE button In this way you can access Menu Pages you use frequently with a single button press If you wish you can register up to 100 Pages to the FAVORITE buttons by...

Page 431: ...up to 8 User Cabinets which will be indicated by a U To create and Record a Leslie Cabinet use the CUSTOM EDIT LESLIE FUNCTION Mode to modify the sonic characteristics of one of the F Cabinets After...

Page 432: ...s the ENTER button The Information Center Display should now look similar to this You are now in the CUSTOM EDIT LESLIE FUNCTION Mode You can now use the DIRECTION and PAGE buttons in conjunction with...

Page 433: ...e heard from a distance rear 145 Wild Replicates 145 cabinet heard from a closer distance front PR 40 Replicates a Hammond tone cabinet There are two categories of Custom Leslie Cabinets Factory and U...

Page 434: ...Rear Leslie 145 Cabinet positioned so that the rear of the cabinet faces out L147 Front Leslie 147 Cabinet positioned so that the front of the cabinet is facing front L147 Rear Leslie 147 Cabinet posi...

Page 435: ...ws you to set the rotor speed for the TREMOLO or FAST Mode You can select 0 no rotation or a value between 200 and 500 rpm Use the DIRECTION t and u buttons to select either HORN or DRUM Turn the VALU...

Page 436: ...Turn the VALUE knob to select the Speed setting you prefer From the above screen press the DIRECTION q button once The box to the right of RISE TIME sec should be highlighted RISE TIME HORN DRUM This...

Page 437: ...DRUM rotor Use the DIRECTION t and u buttons to select HORN or DRUM Turn the VALUE knob to select the Fall Time you prefer From the above screen press the PAGE u button once The box to the right of BR...

Page 438: ...elay Time you prefer From the above screen press the PAGE u button once The box to the right of VOLUME db should be highlighted MIKING Virtual Microphone Settings These Parameters allow you to replica...

Page 439: ...Width you prefer From the above screen press the DIRECTION q button once The box to the right of MIC CENTER cm should be highlighted CENTER HORN DRUM This Parameter allows you to adjust the offset bet...

Page 440: ...ighlighted DISTANCE HORN DRUM This Parameter allows you to replicate distance settings between a Leslie Speaker and the microphones You can select from 30 to 200 centimeters cm A lower value results i...

Page 441: ...it 3 Make whatever changes you want to the editable Parameters The Custom Leslie Parameters are covered on pages 413 through 420 4 When you have completed your edits press the red RECORD button The In...

Page 442: ...ursor space FAVORITE 1 Replaces the character at the cursor with a space Insert FAVORITE 6 Inserts a space at the cursor ABC etc FAVORITES 2 5 7 10 Use these to cycle through and select the characters...

Page 443: ...this in more detail TRY THIS 1 From any of the PLAY Mode Pages press the MENU EXIT button The Information Center Display should now look like this The COMBINATION box should be highlighted 2 Press the...

Page 444: ...he above message displays press the PAGE u to highlight the YES icon and press the ENTER button The Information Center Display should now look like this 5 Press and Release the MANUAL button The Infor...

Page 445: ...he following 1 From the screen shown at the bottom of the previous page press the ENTER button The Information Center Display should look like this 2 Use the VALUE knob to select which FAVORITE button...

Page 446: ...is way you can access Menu Pages you use frequently with a single button press If you wish you can register up to 100 Pages to the FAVORITE buttons by utilizing the 10 available Favorite Banks To acce...

Page 447: ...ration can be Recorded as part of an ORGAN Patch The SKX PRO has 3 different Factory Custom Pedal Registrations indicated by an F which are permanently written in memory You can create and Record up t...

Page 448: ...es press the MENU EXIT button The Information Center Display should now look like this The COMBINATION box should be highlighted 2 Press the PAGE u button once You will now see the CUSTOM EDIT FUNCTIO...

Page 449: ...njunction with the VALUE knob to make various changes These changes are explained starting below t SET If you followed the instructions shown previously the Information Center Display should look like...

Page 450: ...DIRECTION p and q buttons to move the cursor to the Pedal Drawbar you wish to edit Use the DIRECTION t and u buttons to move the cursor to each frequency within the selected Pedal Drawbar Turn the VAL...

Page 451: ...t 3 Make whatever changes you want to the editable Parameters The Custom Pedal Registration Parameters are covered on pages 429 through 430 4 When you have completed your edits press the red RECORD bu...

Page 452: ...the cursor space FAVORITE 1 Replaces the character at the cursor with a space Insert FAVORITE 6 Inserts a space at the cursor ABC etc FAVORITES 2 5 7 10 Use these to cycle through and select the char...

Page 453: ...xplain this in more detail TRY THIS 1 From any of the PLAY Mode Pages press the MENU EXIT button The Information Center Display should now look like this The COMBINATION box should be highlighted 2 Pr...

Page 454: ...If the above message displays press the PAGE u to highlight the YES icon and press the ENTER button The Information Center Display should now look like this 5 Press and Release the MANUAL button The I...

Page 455: ...E do the following 1 From the screen shown at the bottom of the previous page press the ENTER button The Information Center Display should look like this 2 Use the VALUE knob to select which FAVORITE...

Page 456: ...In this way you can access Menu Pages you use frequently with a single button press If you wish you can register up to 100 Pages to the FAVORITE buttons by utilizing the 10 available Favorite Banks T...

Page 457: ...create and Record a Custom Pipe use the CUSTOM PIPE FUNCTION Mode to edit the Parameters of one of the F Custom Pipes After you have made all of your changes you can Save them as a U Custom Pipe NOTE...

Page 458: ...e the following message will appear 5 Press the DIRECTION u button to highlight YES then press the ENTER button The Information Center Display should now look like this You are now in the CUSTOM EDIT...

Page 459: ...ay should look like this The box underneath CUSTOM should be highlighted This Parameter allows you to select the Organ Type to edit Turn the VALUE knob to select Classic Theatre 1 or Theatre 2 The fol...

Page 460: ...e F1 Classic classical or liturgical pipe organ F2 Theatre 1 patterned after Wurlitzer Style D theatre pipe organ F3 Theatre 2 patterned after Wurlitzer Style 260 Special theatre pipe organ HA O SKX P...

Page 461: ...bottom of page 439 press the PAGE u button once The box underneath STOP should be highlighted STOP This Parameter allows you to select the Pipe Voice or Stop to be assigned to each Drawbar The design...

Page 462: ...4 Brass Trumpet S25 Clarinet S26 Brs E PostHorn S27 Orchestral Oboe S28 Style D Trumpet S29 Viol d Orchestre S30 Vox Humana S31 Viol Celeste S32 Reserved S33 Reserved S34 CotVln 32 Brdn 16 S35 CtlBmb...

Page 463: ...r Cutoff point PAN L R Allows you to set the directionality of the selected Pipe Voice IMAGING Allows you to simulate pipe chest configurations for the selected Pipe Voice The following pages give a m...

Page 464: ...Stop Sets Turn the VALUE knob to make your selection From the above screen press the DIRECTION u button once The box underneath TUNE should be highlighted TUNE Pipe Voice Detune This Parameter allows...

Page 465: ...ng a vibrato or tremolo effect Many large organs have as many as 9 or 10 tremulants each one affecting a different sound on the organ while smaller organs may have only one or two Use the PAGE t and u...

Page 466: ...a clarinet A flue pipe can be voiced in such a way so that when a key is depressed and the air first enters the pipe there is a small short burst of upper harmonics before the tone develops fully The...

Page 467: ...llower Turn the VALUE knob to the left to make the pitch selected Pipe Voice brighter From the above screen press the DIRECTION u button once The box underneath PAN should be highlighted PAN Pipe Voic...

Page 468: ...sts of pipes representing a specific sound on the organ Open Diapason Trompette etc In keeping with the different philosophies of organ sound many organ stop names are of European origin hence the use...

Page 469: ...ing up on the keyboard the notes start at one end and alternate between left and right until they meet in the center NOTE The Pyramid and Inverted Pyramid pipe placement schemes are sometimes referred...

Page 470: ...edit 3 Make whatever changes you want to the editable Parameters The Custom Pipe Parameters are covered on pages 439 through 449 4 When you have completed your edits press the red RECORD button The In...

Page 471: ...ursor space FAVORITE 1 Replaces the character at the cursor with a space Insert FAVORITE 6 Inserts a space at the cursor ABC etc FAVORITES 2 5 7 10 Use these to cycle through and select the characters...

Page 472: ...re detail TRY THIS 1 From any of the PLAY Mode Pages press the MENU EXIT button The Information Center Display should now look like this The COMBINATION box should be highlighted 2 Press the PAGE u bu...

Page 473: ...he above message displays press the PAGE u to highlight the YES icon and press the ENTER button The Information Center Display should now look like this 5 Press and Release the MANUAL button The Infor...

Page 474: ...e following 1 From the screen shown at the bottom of the previous page press the ENTER button The Information Center Display should look like this 2 Use the VALUE knob to select which FAVORITE button...

Page 475: ...s way you can access Menu Pages you use frequently with a single button press If you wish you can register up to 100 Pages to the FAVORITE buttons by utilizing the 10 available Favorite Banks To acces...

Page 476: ...THIS PAGE INTENTIONALLY LEFT BLANK TO PRESERVE PAGE FORMATTING...

Page 477: ...MULTI EFFECTS OVERDRIVE EQUALIZER...

Page 478: ...cts added after the audio has received Overdrive and or Expression u MULTI EFFECT 1 There are four Multi Effects that are inserted at pre Overdrive or Expression 1 Tremolo 2 Wah Wah 3 Ring Modulator 4...

Page 479: ...seven times The Information Center Display should now look like this t Accessing the MULTI EFFECT 1 FUNCTION Mode Page for the ORGAN Voice Section using the Shortcut 1 Press and Release the EDIT butt...

Page 480: ...nformation Center Display should now look like this The EDIT COMBINATION box should be highlighted NOTE The APP MENU may not display all Voice Sections depending on which Voice Sections are active for...

Page 481: ...e You can now use the DIRECTION and PAGE buttons in conjunction with the VALUE knob to make various changes to the characteristics of the ORGAN sounds t Accessing the MULTI EFFECT 1 FUNCTION Mode Page...

Page 482: ...ht the EDIT PIANO box 3 Press the ENTER button The Information Center Display should now look like this Page 1 of the PATCH EDIT PIANO FUNCTION Mode should now display 4 Press the PAGE u button five t...

Page 483: ...t the EDIT ENSEMBLE box 3 Press the ENTER button The Information Center Display should now look like this Page 1 of the PATCH EDIT ENSEMBLE FUNCTION Mode should now display 4 Press the PAGE u button f...

Page 484: ...on in either the PIANO or ENSEMBLE Voice Section depending on which Section you want to edit The Information Center Display should now look like this PIANO Voice Section ENSEMBLE Voice Section 2 Press...

Page 485: ...be highlighted NOTE The APP MENU may not display all Voice Sections depending on which Voice Sections are active for the selected Combination or which ALLOCATE buttons are ON LED lit If the Voice Sec...

Page 486: ...ode You can now use the DIRECTION and PAGE buttons in conjunction with the VALUE knob to make various changes to the characteristics of the PIANO or ENSEMBLE sounds t Accessing the MULTI EFFECT 1 FUNC...

Page 487: ...YNTH box 3 Press the ENTER button The Information Center Display should now look like this Page 1 of the PATCH EDIT SYNTH FUNCTION Mode should now display 4 Press the PAGE u button seven times The Inf...

Page 488: ...nd Release the HOLD TO EDIT button in the MONO SYNTH Section After you release the button the Information Center Display should look like this Page 3 of the PATCH EDIT SYNTH FUNCTION Mode should now d...

Page 489: ...now look like this The EDIT COMBINATION box should be highlighted NOTE The APP MENU may not display all Voice Sections depending on which Voice Sections are active for the selected Combination or whi...

Page 490: ...age 8 of the PATCH EDIT SYNTH FUNCTION Mode You can now use the DIRECTION and PAGE buttons in conjunction with the VALUE knob to make various changes to the characteristics of the MONO SYNTH NOTE The...

Page 491: ...SWITCH This Parameter allows you to turn MULTI EFFECT 1 ON or OFF NOTE This is a MASTER ON OFF for MULTI EFFECT 1 Turn the VALUE knob to turn the MULTI EFFECT 1 On or Off For the following explanatio...

Page 492: ...de or volume at a determined rate Wah Wah Periodic emphasis and de emphasis of upper frequencies by means of a frequency filter to impart a speech like quality to the sound Ring Modulation Signal proc...

Page 493: ...sed to modulate the Tremolo The data chart below shows the options you can select WAVE OPTIONS Waveform Description Triangle Triangle wave which will change the volume smoothly from loud to soft to lo...

Page 494: ...int it happens to be in its cycle Single The LFO of each note oscillates individually Each LFO will start its cycle when a key is depressed Turn the VALUE knob to make your selection From the above sc...

Page 495: ...t of DEPTH should be highlighted DEPTH This Parameter allows you to adjust the intensity or depth of the Tremolo You can select from 0 no modulation to 127 maximum modulation Turn the VALUE knob to th...

Page 496: ...to the sound produced by a trumpeter using a Wah Wah or Harmon mute From the screen shown on the previous page use the DIRECTION buttons to move the cursor to the box to the right of TYPE and turn th...

Page 497: ...audio envelope of the sound engine Turn the VALUE knob to make your selection From the above screen press the DIRECTION q button once The box to the right of SENS should be highlighted SENS Wah Wah Se...

Page 498: ...ou to set the resonance frequency of the Low Pass Filter used to control the Wah Wah effect You can select from 0 minimum resonance to 127 maximum resonance At higher number settings the Wah Wah effec...

Page 499: ...o the right of LFO WAVE LFO WAVE Wah Wah Waveform This Parameter allows you to select which waveform will be used to modulate the Wah Wah effect The data chart below shows the options you can select D...

Page 500: ...hted LFO RATE Wah Wah Rate This Parameter allows you to adjust the rate of the Wah Wah effect You can select from 0 slowest rate to 127 fastest rate NOTE The SOURCE must be set to LFO in order for thi...

Page 501: ...is a sound rich in overtones and typically having somewhat of a bell like or metallic quality Because of this the sound is sometimes called a Klang tone From the screen shown on the previous page use...

Page 502: ...ill interface with This Parameter allows you to select how the ring frequency will be controlled The data chart below shows the options you can select Ring Modulation Source Options Parameter Descript...

Page 503: ...minimum range to 127 maximum range Turn the VALUE knob to the right to increase the range Turn the VALUE knob to the left to decrease the range NOTE The effect of this Parameter depends on the SRC Sou...

Page 504: ...decrease the frequency From the above screen press the DIRECTION q button once The box to the right of MIX should be highlighted FREQ Ring Modulator Mix This Parameter allows you to adjust the volume...

Page 505: ...AW Ascending Sawtooth wave which will cause the filter to rise suddenly and fall gradually S H Sample Hold which will cause the filter to rise and fall randomly NOTE The SOURCE must be set to LFO in o...

Page 506: ...the selected MULTI EFFECT or the changes you make to it You can now select and hear the changes to the characteristics for the Compressor MULTI EFFECT as you make them From the above screen press the...

Page 507: ...rn the VALUE knob to the right to increase the Threshold Level Turn the VALUE knob to the left to decrease the Threshold Level From the above screen press the DIRECTION q button once The box to the ri...

Page 508: ...LUE knob to the right to increase the Attack Rate Turn the VALUE knob to the left to decrease the Attack Rate From the above screen press the DIRECTION q button once The box to the right of REL RATE s...

Page 509: ...127 A higher value results in a longer delay NOTE This is referred to as the lookahead time This is a special feature of digital compression systems whereby the system can look ahead to see the signal...

Page 510: ...t gain NOTE The Overdrive for the ORGAN Voice Section is not available for the Pipe Organ Type t OVERDRIVE button Pressing this button will turn the Overdrive effect ON or OFF NOTE The OVERDRIVE butto...

Page 511: ...utton eight times The Information Center Display should now look like this t Accessing the OVERDRIVE FUNCTION Mode Page for the ORGAN Voice Section using the Shortcut 1 Press and Release the EDIT butt...

Page 512: ...he ALLOCATE button section is not ON press it to turn it ON 2 From any of the PLAY Mode Pages Press and Hold the MANUAL button The Information Center Display should now look like this The EDIT COMBINA...

Page 513: ...now use the DIRECTION and PAGE buttons in conjunction with the VALUE knob to make various changes to the characteristics of the Overdrive for the ORGAN sounds t Accessing the OVERDRIVE FUNCTION Mode...

Page 514: ...the EDIT PIANO box 3 Press the ENTER button The Information Center Display should now look like this Page 1 of the PATCH EDIT PIANO FUNCTION Mode should now display 4 Press the PAGE u button six time...

Page 515: ...the EDIT ENSEMBLE box 3 Press the ENTER button The Information Center Display should now look like this Page 1 of the PATCH EDIT ENSEMBLE FUNCTION Mode should now display 4 Press the PAGE u button six...

Page 516: ...either the PIANO or ENSEMBLE Voice Section depending on which Section you want to edit The Information Center Display should now look like this PIANO Voice Section ENSEMBLE Voice Section 2 Press the...

Page 517: ...The APP MENU may not display all Voice Sections depending on which Voice Sections are active for the selected Combination or which ALLOCATE buttons are ON LED lit If the Voice Section you want is not...

Page 518: ...e Information Center Display should now look like this You are now in Page 7 of the PATCH EDIT PIANO or ENSEMBLE FUNCTION Mode You can now use the DIRECTION and PAGE buttons in conjunction with the VA...

Page 519: ...MENU EXIT button The Information Center Display should now look like this The COMBINATION box should be highlighted 2 Press the DIRECTION q button four times to highlight the SYNTH box 3 Press the EN...

Page 520: ...ION Mode Page for the MONO SYNTH Voice Section using the Shortcut 1 Press and Release the HOLD TO EDIT button in the MONO SYNTH Section After you release the button the Information Center Display shou...

Page 521: ...this The EDIT COMBINATION box should be highlighted NOTE The APP MENU may not display all Voice Sections depending on which Voice Sections are active for the selected Combination or which ALLOCATE bu...

Page 522: ...rious changes to the characteristics of the Overdrive for the MONO SYNTH NOTE The OVERDRIVE Parameters are identical for all Voice Sections To avoid confusing repetition the ORGAN Voice Section will b...

Page 523: ...e Overdrive The data chart below shows the options you can select OVERDRIVE TYPE Option Description Tube Soft clipped sound similar to a vacuum tube valve amplifier Solid Hard clipped sound similar to...

Page 524: ...lighted CROSSOVER FREQUENCY This Parameter allows you to adjust the upper limit of the frequency range receiving Overdrive You can select from 400 to 14 7 kHz Turn the VALUE knob to the right to raise...

Page 525: ...dry and Overdriven sounds From the above screen press the DIRECTION u button once This will move the cursor to the right side of the screen and the box to the right of EXP CTRL will be highlighted EX...

Page 526: ...to select and adjust these Effects t Accessing the MULTI EFFECT 2 FUNCTION Mode Page for the ORGAN Voice Section using the MENU EXIT button 1 From any of the PLAY Mode Pages press the MENU EXIT butto...

Page 527: ...The Information Center Display should now look like this tAccessing the MULTI EFFECT 2 FUNCTION Mode Page for the ORGAN Voice Section using the Shortcut 1 Press and Release the UPPER and PEDAL buttons...

Page 528: ...formation Center Display should now look like this The EDIT COMBINATION box should be highlighted NOTE The APP MENU may not display all Voice Sections depending on which Voice Sections are active for...

Page 529: ...e You can now use the DIRECTION and PAGE buttons in conjunction with the VALUE knob to make various changes to the characteristics of the ORGAN sounds t Accessing the MULTI EFFECT 2 FUNCTION Mode Page...

Page 530: ...ight the PIANO box 3 Press the ENTER button The Information Center Display should now look like this Page 1 of the PATCH EDIT PIANO FUNCTION Mode should now display 4 Press the PAGE u button seven tim...

Page 531: ...ght the ENSEMBLE box 3 Press the ENTER button The Information Center Display should now look like this Page 1 of the PATCH EDIT ENSEMBLE FUNCTION Mode should now display 4 Press the PAGE u button seve...

Page 532: ...n in either the PIANO or ENSEMBLE Voice Section depending on which Section you want to edit The Information Center Display should now look like this PIANO Voice Section ENSEMBLE Voice Section 2 Press...

Page 533: ...NOTE The APP MENU may not display all Voice Sections depending on which Voice Sections are active for the selected Combination or which ALLOCATE buttons are ON LED lit If the Voice Section you want is...

Page 534: ...w display 5 Press the PAGE u button seven times The Information Center Display should now look like this You are now in Page 8 of the PATCH EDIT PIANO or ENSEMBLE FUNCTION Mode You can now use the DIR...

Page 535: ...ss the MENU EXIT button The Information Center Display should now look like this The COMBINATION box should be highlighted 2 Press the DIRECTION q button four times to highlight the SYNTH box 3 Press...

Page 536: ...YNTH Voice Section using the Shortcut 1 Press and Release the HOLD TO EDIT button in the MONO SYNTH Section After you release the button the Information Center Display should look like this Page 3 of...

Page 537: ...ENU may not display all Voice Sections depending on which Voice Sections are active for the selected Combination or which ALLOCATE buttons are ON LED lit If the Voice Section you want is not displayin...

Page 538: ...N Voice Section will be used as the basis for the explanations of these Parameters If you followed the instructions on the previous pages you should now see the MULTI EFFECT 2 FUNCTION Mode Page The b...

Page 539: ...t the digital Leslie From the screen shown on the previous page use the DIRECTION buttons to move the cursor to the box to the right of TYPE and turn the VALUE knob so that the highlighted box display...

Page 540: ...nly from Left to Right L to R The sound will move smoothly from left to right S H Sample Hold which will cause the sound to move from Left to Right randomly DullSqr Dull Square wave similar to Square...

Page 541: ...right of DEPTH should be highlighted DEPTH This Parameter allows you to adjust the intensity or depth of the panning effect You can select from 0 no modulation to 127 maximum modulation Turn the VALU...

Page 542: ...haser Make sure the box to the right of SWITCH displays On otherwise you will not hear the selected MULTI EFFECT or the changes you make to it You can now select and hear the changes to the characteri...

Page 543: ...to decrease the amount of Phasing From the above screen press the DIRECTION q button once The box to the right of RESO should be highlighted RESO This Parameter allows you to adjust the amount of feed...

Page 544: ...nd the dry signal are at equal volumes Turn the VALUE knob to the right to increase the amount of Phaser effect Turn the VALUE knob to the left to decrease the amount of Phaser effect From the above s...

Page 545: ...should be highlighted STAGE This Parameter allows you to adjust the complexity or stage of the phasing You can select 2 4 6 8 or 10 A higher value creates more complex effects Turn the VALUE knob to...

Page 546: ...time delay and creating the sweeping effect From the screen shown on the previous page use the DIRECTION buttons to move the cursor to the box to the right of TYPE and turn the VALUE knob so that the...

Page 547: ...rn the VALUE knob to the left to decrease the Depth From the above screen press the DIRECTION q button once The box to the right of RESO should be highlighted RESO This Parameter allows you to adjust...

Page 548: ...anged sound are at equal levels Turn the VALUE knob to the right to increase the amount of Flanged signal Turn the VALUE knob to the left to decrease the amount of Flanged signal From the above screen...

Page 549: ...is Parameter allows you to adjust the frequency limit beyond which the Flange effect is applied You can select from 0 the effect is added to all frequencies to 127 the effect is added to the upper fre...

Page 550: ...buttons to move the cursor to the box to the right of TYPE and turn the VALUE knob so that the highlighted box displays Chorus Make sure the box to the right of SWITCH displays On otherwise you will n...

Page 551: ...of Chorus Turn the VALUE knob to the left to decrease the amount of Chorus From the above screen press the DIRECTION q button once The box to the right of RESO should be highlighted RESO This Paramet...

Page 552: ...sounds becomes 1 1 Turn the VALUE knob to the right to increase the amount of Phasing Turn the VALUE knob to the left to decrease the amount of Phasing From the above screen use the DIRECTION p and u...

Page 553: ...left to decrease the amount of Delay From the above screen press the DIRECTION q button once The box to the right of HPF should be highlighted HPF Controls the frequency range of the effect You can se...

Page 554: ...ress the DIRECTION q button once The box to the right of PHASE should be highlighted PHASE This Parameter allows you to select the algorithm of the Chorus effect You can select 2 two phase or 3 three...

Page 555: ...TION q button once The box to the right of TYPE should be highlighted TYPE This Parameter allows you to select the directionality or Type of the Delay The data chart below shows the options you can se...

Page 556: ...e VALUE knob to the right to increase the Delay Time Turn the VALUE knob to the left to decrease the Delay Time From the above screen press the DIRECTION q button once The box to the right of FEEDBACK...

Page 557: ...n the echo repeats and the dry no Delay sound You can select from 0 only the dry sound with no Delay effect at all to 127 only the echo repeats are heard with no dry sound NOTE At a setting of 64 the...

Page 558: ...ortcut to the MASTER EQUALIZER FUNCTION Mode but not to the EQUALIZER FUNCTION Modes for the individual Voice Sections For more information about the MASTER EQUALIZER please consult the SPECIAL UTILIT...

Page 559: ...he Information Center Display should now look like this t Accessing the EQUALIZER FUNCTION Mode Page for the ORGAN Voice Section using the Shortcut 1 Press and Release the UPPER and PEDAL buttons in t...

Page 560: ...mation Center Display should now look like this The EDIT COMBINATION box should be highlighted NOTE The APP MENU may not display all Voice Sections depending on which Voice Sections are active for the...

Page 561: ...changes to the characteristics of the ORGAN sounds NOTE The violet colored shapes on the right side of the screen are visual representations of the shapes of the selected Parameters You will see their...

Page 562: ...t the PIANO box 3 Press the ENTER button The Information Center Display should now look like this Page 1 of the PATCH EDIT PIANO FUNCTION Mode should now display 4 Press the PAGE u button eight times...

Page 563: ...t the ENSEMBLE box 3 Press the ENTER button The Information Center Display should now look like this Page 1 of the PATCH EDIT ENSEMBLE FUNCTION Mode should now display 4 Press the PAGE u button eight...

Page 564: ...either the PIANO or ENSEMBLE Voice Section depending on which Section you want to edit The Information Center Display should now look like this PIANO Voice Section ENSEMBLE Voice Section 2 Press the...

Page 565: ...The APP MENU may not display all Voice Sections depending on which Voice Sections are active for the selected Combination or which ALLOCATE buttons are ON LED lit If the Voice Section you want is not...

Page 566: ...his You are now in Page 9 of the PATCH EDIT PIANO or ENSEMBLE FUNCTION Mode You can now use the DIRECTION and PAGE buttons in conjunction with the VALUE knob to make various changes to the characteris...

Page 567: ...e MENU EXIT button The Information Center Display should now look like this The COMBINATION box should be highlighted 2 Press the DIRECTION q button four times to highlight the SYNTH box 3 Press the E...

Page 568: ...oice Section using the Shortcut 1 Press and Release the HOLD TO EDIT button in the MONO SYNTH Section After you release the button the Information Center Display should look like this Page 3 of the PA...

Page 569: ...y not display all Voice Sections depending on which Voice Sections are active for the selected Combination or which ALLOCATE buttons are ON LED lit If the Voice Section you want is not displaying pres...

Page 570: ...to the edits you make BASS Bass Central Frequency Adjust and Gain These Parameters allow you to adjust the central frequency and amount of the Bass frequency band You can select from 20Hz to 200Hz Us...

Page 571: ...Adjust and Gain These Parameters allow you to adjust the central frequency and amount of the Treble frequency band You can select from 4 0kHz 8 0kHz Use the DIRECTION p and q buttons to select either...

Page 572: ...200Hz gently You can select from 9 to 9 At 0 the effect becomes neutral 5 is a moderate amount of treble cut and 9 is the maximum amount NOTE A setting of 1 corresponds to the maximum setting of the B...

Page 573: ...SPECIAL PERFORMANCE FEATURES...

Page 574: ...The octave will change for the selected Keyboard The data chart below shows the options you can select OCTAVE Options Parameter Description 2 The sound is two octaves below the regular pitch 1 The sou...

Page 575: ...ce the boxes to the right of KYBD OCTAVE at the bottom of the screen are greyed out 2 Press the UP button once The Information Center Display should show the following Notice the red box U UPPER is hi...

Page 576: ...at the normal octave t Changing the Octave for the LOWER Keyboard TRY THIS 1 Make sure the instrument is un transposed or playing in concert pitch TRANSPOSE button LED not lit and Combination F001 is...

Page 577: ...eturn the instrument to concert pitch Press and Hold the LOWER button and press the UP button once All the boxes to the right of KYBD OCTAVE will be greyed out and the LOWER Keyboard will now play at...

Page 578: ...BD OCTAVE will once again be greyed out and the PEDALs will now play at the normal octave 5 Press and Hold the PEDAL button and press the DOWN button once more The Information Center Display should sh...

Page 579: ...llows you to transpose higher TRY THIS 1 Make sure the instrument is un transposed or playing in concert pitch TRANSPOSE button LED not lit 2 Press and Hold the TRANSPOSE button and look at the Inform...

Page 580: ...ssage at the upper right of the display disappears NOTE You can also transpose the entire instrument by using the MASTER TRANSPOSE feature in the SOUND FUNCTION Mode This is explained in the SPECIAL U...

Page 581: ...TROL FUNCTION Mode do the following 1 From any of the PLAY Mode Pages press the MENU EXIT button The Information Center Display should now look like this The COMBINATION box should be highlighted 2 Pr...

Page 582: ...look like this 4 Now press the ENTER button The Information Center Display should now look like this You can now use the PAGE NAVIGATION buttons in conjunction with the VALUE knob to make changes to t...

Page 583: ...1 DEVICE SELECT Options Description Function Foot Switch A conventional foot switch such as the Hammond FS 9H Leslie A half moon style speed switch available as an optional accessory which allows you...

Page 584: ...a splitter Insert the Stereo plug into the FOOT SW jack on the SK instrument and connect a Foot Switch to each of the Mono input jacks In most cases the Left L input jack will access the Tip function...

Page 585: ...l TS Tip Sleeve foot switch such as the Hammond FS 9H RING is not recognized and is part of SLEEVE Therefore when the FS 9H is connected to the foot switch jack RING is recognized as connected and the...

Page 586: ...vorites Spring Shock Allows you to use the Foot Switch to add the sound of a Spring Reverb unit being jostled Delay Allows you to adjust the Delay Time of the Effects at the interval of pressing the F...

Page 587: ...jack This Page is identical to the FOOT SWITCH 1 Page with one exception The DEVICE Parameter is not included in the FOOT SWITCH 2 Page because the FOOT SW 2 jack will not accept a Leslie Speed switc...

Page 588: ...y with the SKX PRO To calibrate a Foot Switch for the SKX PRO do the following NOTE Do not press the Foot Switch while performing this operation 1 From any of the FOOT SWITCH 1 or FOOT SWITCH 2 screen...

Page 589: ...g pages will explain how to set the Expression parameters to your preference SOURCE This Parameter allows you to select the source of expression control The data chart below shows the options you can...

Page 590: ...ve screen press the DIRECTION q button once The box to the right of ORGAN MIN LEVEL should be highlighted ORGAN MINIMUM LEVEL This Parameter allows you to set the amount of volume for the ORGAN Voice...

Page 591: ...KX PRO incorporates a Loudness algorithm similar to the one found on home audio At lower volume levels both high and low frequencies are boosted so that a flatter frequency response will be perceived...

Page 592: ...ALUE knob to the right to increase the Low Frequencies Turn the VALUE knob to the left to decrease the Low Frequencies NOTE The default settings for the ORGAN MIN LEVEL and LIMIT Parameters are design...

Page 593: ...be highlighted GAIN This Parameter allows you to adjust the range of a connected Expression Pedal You can select from 70 to 130 Turn the VALUE knob to the right to increase the amount of Gain Turn the...

Page 594: ...tion below Turn the VALUE knob to make your selection NOTE The default CURVE Parameter setting is designed to replicate the performance of the Expression Pedal on a vintage Hammond Organ such as B 3 C...

Page 595: ...edal to connect The data chart below shows the options you can select DAMPER Settings Parameter Description Switch Use a switch type pedal such as VFP1 Half Y Use a Type Y potentiometer switch Half R...

Page 596: ...ange of a connected Damper Pedal You can select from 70 to 130 however the amount of audible change may differ depending on the specific Damper Pedal used Use this Parameter to obtain the desired resp...

Page 597: ...Do not press the Damper Pedal while performing this operation 1 With the DAMPER FUNCTION Mode Page displaying press the DIRECTION q button repeatedly until the box CALIBRATE is highlighted 2 Press th...

Page 598: ...ON or OFF Organ Upper Sustain Allows you to turn Organ Upper Sustain ON or OFF Organ Lower Sustain Allows you to turn Organ Lower Sustain ON or OFF Tone Wheel Brake Allows you to bend the pitch with...

Page 599: ...when a Combination or Patch is selected The data chart below shows the options you can select PITCH BEND DEPTH Settings Parameter Description Patch The Pitch Bend Wheel will bend the pitch according...

Page 600: ...witch OFF then quickly back ON again a pseudo pitch bend effect could be created These Parameters allows you to recreate this effect RANGE This Parameter allows you to adjust the range of the pitch ch...

Page 601: ...ighlighted AMPLITUDE This Parameter allows you to adjust whether the Volume changes or not along with the pitch The data chart below shows the options you can select AMPLITUDE Settings Parameter Descr...

Page 602: ...several of the FUNCTION Mode Pages can be accessed by Pressing and Holding a button associated with that Page This Parameter allows you to select how long a button must be held before the FUNCTION Mod...

Page 603: ...n Center Display will continue to display a FUNCTION Mode Page before reverting to PLAY or MIXER Modes The data chart below shows the options you can select TIME OUT Settings Parameter Description 4 8...

Page 604: ...controls You can select from No no Pop Up will be displayed if a control is moved or from 0 5 to 2 0 seconds Turn the VALUE knob to make your selection From the above screen press the DIRECTION q but...

Page 605: ...buttons control Octave selection or Transposition The data chart below shows the options you can select OCTAVE TRANSPOSE Settings Parameter Description Every The Octave or Transposition will change wh...

Page 606: ...TE button ON will light both buttons Turn the VALUE knob to make your selection From the above screen use the DIRECTION buttons to move the cursor to the right side of the display so the Information C...

Page 607: ...tton once The box to the right of ORG SOUNDING POINT should be highlighted ORGAN SOUNDING POINT This Parameter allows you to set the point along the key travel at which sound is produced by the ORGAN...

Page 608: ...THIS PAGE INTENTIONALLY LEFT BLANK TO PRESERVE PAGE FORMATTING...

Page 609: ...MIDI incl INT EXT ZONES...

Page 610: ...the keyboard s of the sending or transmitting instrument MIDI OUT are being used to control the sound generators of the receiving instrument MIDI IN When a key is played on the sending instrument the...

Page 611: ...s LINE OUTPUT jack to the organ s LINE IN jack you can play both instruments simultaneously from the SKX PRO keyboard t Example A sound module Note that the LINE OUT or AUDIO OUT signal connection is...

Page 612: ...and MIDI OUT data Also the bandwidth of a USB MIDI connection is much higher than a DIN MIDI connection This means that a single USB cable can support 16 virtual MIDI ports with 16 channels each for a...

Page 613: ...t TRY THIS 1 From any of the PLAY Mode Pages press the MENU EXIT button The Information Center Display should now look like this 2 Press the PAGE u button two times The word SOUND should be highlighte...

Page 614: ...ff and Velocity data from the UPPER LOWER and PEDAL Parts These channels will both send MIDI OUT and receive MIDI IN data and are therefore used when recording and playing back sequences NOTE The UPPE...

Page 615: ...hich represent the most ideal settings for each MIDI environment A group of these settings is called a MIDI Template This Parameter Menu Page allows you to select the MIDI Template you want to use To...

Page 616: ...596 MIDI MIDI Templates SKX PRO HA O SKX PRO Reference Guide...

Page 617: ...ata chart below shows the options you can select MIDI IN jack options Setting Description Upper Lower Pedal Incoming MIDI data will sound the Sections allocated to the UPPER LOWER PEDAL keyboard ignor...

Page 618: ...ll play both its internal sounds and the sounds from a connected MIDI device When Local Control is OFF the SKX PRO will play only the sounds from a connected MIDI device synthesizer sound module Digit...

Page 619: ...2nd and 3rd Harmonic ON OFF Vibrato or Chorus ON OFF etc Most of the buttons on the SKX PRO have NRPN Controller numbers assigned to them When NRPN is ON NRPN codes are transmitted and received along...

Page 620: ...ange is ON the SKX PRO will send and receive Program Changes out to or from a connected MIDI device When Program Change is OFF Program Changes are not transmitted or received Turn the VALUE knob to tu...

Page 621: ...e highlighted EXTERNAL ZONE This is a Master Parameter which allows you to decide whether you want to transmit External Zone data to a connected MIDI device When this switch is is ON the SKX PRO will...

Page 622: ...nufacturer s Association MMA assigns each maker of MIDI devices a unique ID number This ID number is treated as part of the System Exclusive information and is embedded in the firmware of each device...

Page 623: ...as a series of System Exclusive SysEx messages called a Memory Dump This Parameter allows you to select whether or not you want System Exclusive messages received as part of a Sequence When this Param...

Page 624: ...A MIDI data recorder can be an external hardware device or a Digital Audio Workstation or DAW which is a software program installed on a computer NOTE It is recommended that you perform this operation...

Page 625: ...a recorder The Information Center Display will show When all information has been sent the Information Center Display will display 4 Press the MENU EXIT button The Completed message will disappear 5 P...

Page 626: ...E displays System This Parameter allows you to transmit all of the settings to a connected MIDI recorder To transmit your settings do the following 1 Make sure that the MIDI recorder is ready to recei...

Page 627: ...a recorder The Information Center Display will show When all information has been sent the Information Center Display will display 4 Press the MENU EXIT button The Completed message will disappear 5 P...

Page 628: ...PEDAL Turn the VALUE knob to make your selection From the above screen press the PAGE u button once MIDI RECEIVE INTERNAL ZONES This Menu Page allows you to select on which MIDI Channel each Part wil...

Page 629: ...oard Zones of your SKX PRO All of these Parameters can be Recorded to a Combination Accessing the INTERNAL ZONE FUNCTION Mode Page using the MENU EXIT button 1 From any of the PLAY Mode Pages press th...

Page 630: ...lit If the Voice Section you want is not displaying press the PLAY button press the ALLOCATE button for the Voice Section you want to turn it ON LED lit then repeat Steps 1 and 2 above 2 Release the M...

Page 631: ...PEDAL TO LOWER is active OCTAVE Octave Setting This Parameter allows you to set the octave for the UPPER and LOWER Keyboards and PEDALs The data chart below shows the options you can select OCTAVE Opt...

Page 632: ...your selection From the above screen press the DIRECTION q button once The box underneath PEDAL SUSTAIN should be highlighted PEDAL SUSTAIN LENGTH The Pedal Sustain features allows the Pedal tones to...

Page 633: ...be highlighted LOWER TO PEDAL LIMIT This Parameter allows you to set the range of the Pedal tones when LOWER TO PEDAL is ON orange LED lit You can select from 0C one octave below the lowest note on th...

Page 634: ...ER Keyboard From the above screen press the DIRECTION u button once The box to the right of MODE should be highlighted PEDAL TO LOWER MODE This Parameter allows you to select how the PEDAL TO LOWER fe...

Page 635: ...e MIDI device you want to control all MIDI messages from the SKX PRO Note On Note Off Program Changes Controller Changes etc will be mirrored on the connected device Please consult the MIDI Template p...

Page 636: ...ss the DIRECTION u button once The Information Center Display should now look like this 4 Press the ENTER button The Information Center Display should now look like this 5 Press the PAGE u button once...

Page 637: ...ata will be transmitted to a connected MIDI device Turn the VALUE knob to make your selection To allow MIDI data transmission from the External Zones turn this Parameter ON NOTE Both Internal and Exte...

Page 638: ...ox should be highlighted NOTE The APP MENU may not display all Voice Sections depending on which Voice Sections are active for the selected Combination or which ALLOCATE buttons are ON LED lit If the...

Page 639: ...and PAGE buttons in conjunction with the VALUE knob to make changes to the External Zones of your SKX PRO These changes are explained starting below NOTE The External Zone Parameters are identical fo...

Page 640: ...smitted You can turn the External Zones ON or OFF in one of two ways 1 Use the DIRECTION buttons to highlight the EXTERNAL ZONE SW box you want and turn the VALUE knob to turn the selected Zone On or...

Page 641: ...re greyed out This indicates that no External Zone MIDI data will be transmitted even if the SW settings are set to On If the EXTERNAL ZONES Parameter is On the Information Center Display will look si...

Page 642: ...LUE knob to make your selection From the above screen press the DIRECTION u button once The box underneath BNK M should be highlighted The two Parameters described on this page allow you to perform a...

Page 643: ...and down among the three External Zones 1 2 and 3 Turn the VALUE knob to make your selection From the above screen press the DIRECTION u button once The box underneath PROG should be highlighted PROG...

Page 644: ...is setting to allocate the selected External Zone to the LOWER Keyboard Ped Use this setting to allocate the selected External Zone to the PEDAL Part NOTE The PEDAL Part will play either from a connec...

Page 645: ...e The data chart below shows the options you can select Octave Options Setting Description 2 The sound is two octaves below the regular pitch 1 The sound is one octave below the regular pitch 0 The so...

Page 646: ...3 Turn the VALUE knob to the right to transpose the selected External Zone higher Turn the VALUE knob to the right to transpose the selected External Zone lower From the above screen press the DIRECTI...

Page 647: ...e Upper Limit number cannot be lower than the Lower Limit number From the above screen press the DIRECTION u button once The box underneath VOL should be highlighted VOL External Zone Volume This Para...

Page 648: ...d 3 Turn the VALUE knob to make your selection NOTE In order to hear the effect of this Parameter the sound controlled from the External Zone must be connected via Stereo both Left and Right channel o...

Page 649: ...uttons to move up and down among the three External Zones 1 2 and 3 Turn the VALUE knob to make your selection From the above screen press the DIRECTION u button once The box underneath BEND should be...

Page 650: ...e your selection From the above screen press the DIRECTION u button once The box underneath EXP should be highlighted EXP External Zone Expression ON OFF This Parameter allows you to select whether a...

Page 651: ...etting of the connected Expression Pedal Use the DIRECTION p and q buttons to move up and down among the three External Zones 1 2 and 3 Turn the VALUE knob to make your selection From the above screen...

Page 652: ...me and Expression are identical both control loudness or sound level The difference lies with how they are customarily used in MIDI applications particularly in creating and playing back MIDI sequence...

Page 653: ...to cipher or sound continuously the phenomenon popularly referred to a stuck notes In this case you need to send a MIDI command to the receiving instrument to clear the ciphering notes To do this pre...

Page 654: ...THIS PAGE INTENTIONALLY LEFT BLANK TO PRESERVE PAGE FORMATTING...

Page 655: ...SPECIAL UTILITY FEATURES...

Page 656: ...ment and are explained in the INTRODUCTION chapter of this Guide starting on page 6 TRY THIS 1 From any of the PLAY Mode Pages press the MENU EXIT button The Information Center Display should now look...

Page 657: ...ansistor Organ tones will be sent out from the ROTARY OUT jack The ORGAN tones will not be sent out from the LINE OUT jacks Turn the VALUE knob to make your selection NOTE This Parameter does not affe...

Page 658: ...dio signal is sent from the MONO SYNTH Voice Section to the INDIVIDUAL OUT 2 jack Ensemble Synth An audio signal is sent from the ENSEMBLE Voice Section to the INDIVIDUAL OUT 1 jack and a separate aud...

Page 659: ...s sent to the Rotary Channel regardless of the status of the BYPASS button 3 If a multi channel Leslie Speaker is connected the audio from the Tone Wheel Transistor Organs is sent to the Rotary Channe...

Page 660: ...RANSPOSE and MASTER EQUALIZER TRY THIS 1 From any of the PLAY Mode Pages press the MENU EXIT button The Information Center Display should now look like this The COMBINATION box should be highlighted 2...

Page 661: ...MASTER TRANSPOSE This Parameter allows you to shift the musical key of the entire instrument This is useful if you have a piece of music written in one key but which needs to sound in another key for...

Page 662: ...a home stereo amplifier can be said to be a very elementary type of equalization However a true equalizer allows you control over more area of the frequency range than just highs and lows The Equalize...

Page 663: ...the VALUE knob to the left to lower the central frequency From the above screen press the DIRECTION u button once The box underneath MID should be highlighted MID Midrange Central Frequency This Para...

Page 664: ...ION buttons to move the cursor to the box to the right of GAIN and underneath BASS The box to the right of GAIN and underneath BASS should be highlighted GAIN This Parameter allows you to adjust the a...

Page 665: ...er allows you to adjust the amount of the Midrange frequency band You can select from 9 to 9 Turn the VALUE knob to the right to increase the amount Turn the VALUE knob to the left to decrease the amo...

Page 666: ...crease the amount Or Press and Hold the MASTER EQ button and move the TREBLE GAIN slider up to increase the amount Press and Hold the MASTER EQ button and move the TREBLE GAIN slider down to decrease...

Page 667: ...t OFF if no keys are controls are touched within a 30 minute period This FUNCTION Mode Page allows you to enable or disable this feature 1 From any of the PLAY Mode Pages press the MENU EXIT button Th...

Page 668: ...E knob to select the option you want The data chart below shows the options you can select POWER AUTO OFF Description Function 30min The AC power to the instrument will turn OFF after 30 minutes have...

Page 669: ...emory as a Mass Storage Device 1 From any of the PLAY Mode Pages press the MENU EXIT button The Information Center Display should now look like this The COMBINATION box should be highlighted 2 Press t...

Page 670: ...ter Display should now look like this Use the VALUE knob to select the option you want The data chart below shows the options you can select USB TO HOST MASS STORAGE Description Function On A connecte...

Page 671: ...From any of the PLAY Mode Pages press the MENU EXIT button The Information Center Display should now look like this The COMBINATION box should be highlighted 2 Press the PAGE u button two times to hi...

Page 672: ...Features 4 Press the DIRECTION q button four times The Information Center Display should now look like this 5 Press the ENTER button The Information Center Display should now look like this HA O SKX...

Page 673: ...in Leslie socket Yes A Leslie Speaker cabinet is connected via the 11 pin Leslie socket MIDI IN No A MIDI device is not connected via the MIDI IN Port Yes A MIDI device is connected via the MIDI IN Po...

Page 674: ...any of the PLAY Mode Pages press the MENU EXIT button The Information Center Display should now look like this The COMBINATION box should be highlighted 2 Press the PAGE u button two times to highligh...

Page 675: ...on Center Display should now look like this 6 Press the PAGE u button once The Information Center Display will show the current software for the main system see the date chart below VERSION FIRMWARE S...

Page 676: ...ted pre loaded data The details are listed below TW ORGAN Tone Wheel Organ TR ORGAN 1 Transistor Organ 1 TR ORGAN 2 Transistor Organ 2 PIPE Pipe Organ PEDAL DB Pedal Drawbars A PIANO Acoustic Piano HA...

Page 677: ...AULT Edit Menu do the following 1 From any of the PLAY Mode Pages press the MENU EXIT button The Information Center Display should now look like this The COMBINATION box should be highlighted 2 Press...

Page 678: ...WARNING Doing any of the following procedures will erase all parameters settings and registra tions returning the instrument to the original Hammond factory default settings The data chart below shows...

Page 679: ...see the following messages flash in the display for approximately 1 second each NOTE If you DO NOT wish to Reset press either the PLAY or the MENU EXIT button NOTE You can also perform a DEFAULT ALL...

Page 680: ...cker access The following paragraphs will explain this in more detail TRY THIS 1 From any of the PLAY Mode Pages press the MENU EXIT button The Information Center Display should now look like this The...

Page 681: ...like this This is Page 1 of the SOUND Function Mode 4 Press and Release the MANUAL button The Information Center Display should now look like this This is the APP MENU for the FUNCTION Mode Pages in t...

Page 682: ...riginal Hammond factory default settings 3 Press the ENTER button You will see the following messages flash in the display for approximately 1 second each NOTE If you DO NOT wish to Reset press either...

Page 683: ...sing the procedure described on the previous pages The Information Center Display should now look similar to this 2 Press the DIRECTION q button once The Information Center Display should now look lik...

Page 684: ...red a FUNCTION Mode Page to a FAVORITE button In this way you can access Menu Pages you use frequently with a single button press If you wish you can register up to 100 Pages to the FAVORITE buttons b...

Page 685: ...665 Special Utility Features t SYSTEM PARAMETER LIST HA O SKX PRO Reference Guide...

Page 686: ...THIS PAGE INTENTIONALLY LEFT BLANK TO PRESERVE PAGE FORMATTING...

Page 687: ...USING MEMORY...

Page 688: ...e example pictured below A USB Flash Drive is so called because it includes what is called flash memory with an integrated Universal Serial Bus USB interface USB Flash Drives are available in many dif...

Page 689: ...Drive in the SKX PRO Most USB Flash Drives currently available are pre formatted usually inserting the drive into the SKX PRO and creating the folders and sub folders described above will be all that...

Page 690: ...button three times The Information Center Display should now look like this 6 Press the ENTER button The Information Center Display should now look like this NOTE If the box to the right of MEDIA dis...

Page 691: ...ou DO NOT wish to format the USB Flash Drive press either the MENU EXIT or PLAY Touch buttons If you wish to proceed with the formatting operation from the above screen press the ENTER button The Info...

Page 692: ...with computer operations which involve several files such as software installations or upgrades it is frequently necessary to combine the individual files into one file called an archive and to compre...

Page 693: ...you will copy the system software files 10 From the folder on your hard drive containing the extracted files select the files with a SYS extension and copy them to the system folder on your USB Drive...

Page 694: ...Flash Drive containing the system upgrade software into the TO FLASH DRIVE Port of the SKX PRO You will see the following message flash in the display for approximately 1 second The amount of time nec...

Page 695: ...es to highlight the SOUND box 6 Press the DIRECTION u button once The Information Center Display should now look like this 7 Press the DIRECTION q button four times The Information Center Display shou...

Page 696: ...d now look like this NOTE If the box to the right of MEDIA displays Internal Memory turn the VALUE knob so the box reads USB Flash Drive NOTE If you wish to update the software from a USB Flash Drive...

Page 697: ...te procedure you will see status bars in the middle of the screen as the different software modules are loaded and installed When the system software has finished upgrading the Information Center Disp...

Page 698: ...ll explain how to use this feature t USB USB TO HOST In order to make use of the Internal Memory of the SKX PRO 1 Connect the computer you want to use as the Host to the TO HOST see the figure below 2...

Page 699: ...Information Center Display should now look like this 5 Press the DIRECTION q button once The Information Center Display should now look like this 6 Press the ENTER button The Information Center Displa...

Page 700: ...e instrument via the USB TO HOST port Your host computer will now recognize the SKX PRO s Internal Memory as a Mass Storage device and assign it a drive letter as if it were a USB Flash Drive HDD SSD...

Page 701: ...m Downloads from either of the two links on the page 8 On the left side of the System Downloads page you will see information about the latest system software upgrade and a link to a file named skproR...

Page 702: ...xtension and copy them to the system folder on your USB Drive see the illustration below You have now prepared the Internal Memory with all the necessary information for upgrading your SKX PRO with th...

Page 703: ...the SOUND box You are now in the SYSTEM Menu 16 Press the DIRECTION u button once The Information Center Display should now look like this 17 Press the DIRECTION q button four times The Information Ce...

Page 704: ...times The Information Center Display should now look like this NOTE If the box to the right of MEDIA displays USB Flash Drive turn the VALUE knob so the box reads Internal Memory 20 When you have mad...

Page 705: ...reen as the different software modules are loaded and installed When the system software has finished upgrading the Information Center Display will show 22 Turn the power to the SKX PRO OFF then back...

Page 706: ...The following paragraphs will explain how to Format the SKX PRO s Internal Memory 1 Follow the steps described on pages 678 to 680 to access the SKX PRO s Internal Memory 2 From any of the PLAY Mode...

Page 707: ...play should now look like this NOTE If the box to the right of MEDIA displays USB Flash Drive turn the VALUE knob so the box reads Internal Memory 6 Press the DIRECTION q button once The Information C...

Page 708: ...matting then the following message will display The Internal Memory will be formatted and ready for use IMPORTANT NOTE The Format operation described on the previous pages will erase any files contain...

Page 709: ...tom Pipes or Save your edits and custom settings as a Setup In this way you can customize the instrument in several different ways and Save each series of edits as a separate Setup This makes it easy...

Page 710: ...look similar to this 5 Use the VALUE knob to select where to Save You can select either Internal Memory the instrument s internal memory or USB Flash Drive If you wish to Save a file to a USB Flash Dr...

Page 711: ...ton to move the cursor to the next box down It may say PATCH or CUSTOM depending on the type of file you are Saving NOTE The number of boxes below the CONTENTS box will be different depending on the t...

Page 712: ...the cursor to TO and use the VALUE knob to select the location to which to Save the selected file Select a file location marked New File if you wish to Save a new file 9 Use the DIRECTION q button to...

Page 713: ...pace at the cursor ABC etc FAVORITES 2 5 7 10 Use these to cycle through and select the characters for the highlighted location Each successive touch will cause the next character to display for examp...

Page 714: ...ld now look like this 3 Press the ENTER button The Information Center Display should now look similar to this 4 Use the VALUE knob to select the media from which to Load You can select either Internal...

Page 715: ...tions you can select LOAD Content Options Content Description Setup Setup file Organ Patch User Patch in the ORGAN Voice Section Piano Ensemble Patch User Patch in the PIANO ENSEMBLE Voice Sections Sy...

Page 716: ...Guide 7 Use the DIRECTION q button to move the cursor to TO and use the VALUE knob to select the location from which to Load the selected file NOTE The Setup option will not have the TO box If you are...

Page 717: ...e Information Center Display should now look like this The COMBINATION box should be highlighted 2 Press the PAGE u button three times The Information Center Display should now look like this 3 Press...

Page 718: ...ill not be able to select USB Flash Drive using the VALUE knob 6 Use the DIRECTION q button to move the cursor to CONTENTS and use the VALUE knob to select the type of content to Delete The data chart...

Page 719: ...utton to move the cursor to DELETE and press the ENTER button 9 Press the ENTER button to complete the Deleting procedure You will see the following messages flash in the display for approximately 1 s...

Page 720: ...THIS PAGE INTENTIONALLY LEFT BLANK TO PRESERVE PAGE FORMATTING...

Page 721: ...APPENDIX...

Page 722: ...702 Appendix APPENDIX u FACTORY COMBINATIONS HA O SKX PRO Reference Guide...

Page 723: ...703 Appendix u COMBINATION PARAMETERS HA O SKX PRO Reference Guide...

Page 724: ...704 Appendix HA O SKX PRO Reference Guide...

Page 725: ...705 Appendix u ORGAN PATCHES HA O SKX PRO Reference Guide...

Page 726: ...706 Appendix u ORGAN PATCH PARAMETERS HA O SKX PRO Reference Guide...

Page 727: ...707 Appendix HA O SKX PRO Reference Guide...

Page 728: ...708 Appendix u PIANO ENSEMBLE PATCHES HA O SKX PRO Reference Guide...

Page 729: ...709 Appendix HA O SKX PRO Reference Guide...

Page 730: ...710 Appendix HA O SKX PRO Reference Guide...

Page 731: ...711 Appendix u PIANO ENSEMBLE PATCH PARAMETERS HA O SKX PRO Reference Guide...

Page 732: ...712 Appendix HA O SKX PRO Reference Guide...

Page 733: ...713 Appendix u PIANO ENSEMBLE WAVEFORM LIST HA O SKX PRO Reference Guide...

Page 734: ...714 Appendix u MONO SYNTH PATCHES HA O SKX PRO Reference Guide...

Page 735: ...715 Appendix u MONO SYNTH PATCH PARAMETERS HA O SKX PRO Reference Guide...

Page 736: ...716 Appendix u PIPE ORGAN STOPS u ProChord VOICINGS HA O SKX PRO Reference Guide...

Page 737: ...jor C C Major 6th C6 C Major 6th add 9 C69 C Major 7th CM7 C Major 9th CM9 C Major 5 CM 5 C Major add 9 CM 9 C Minor Cm C Minor 6th Cm6 C Minor 7th Cm7 C Minor 7th 5 Cm7 5 C Minor 9th Cm9 C Minor add...

Page 738: ...d key count two 2 keys to the left of the first key B if you are playing a C Seventh Chord Do not include the first key in your count 1 C 2 B Diminished Chords Forming a Diminished Chord requires Pres...

Page 739: ...719 Appendix u CUSTOM SETS HA O SKX PRO Reference Guide...

Page 740: ...720 Appendix u CUSTOM TONE WHEEL PARAMETERS u CUSTOM PEDAL REG PARAMETERS u CUSTOM PIPE PARAMETERS HA O SKX PRO Reference Guide...

Page 741: ...721 Appendix u CUSTOM LESLIE PARAMETERS HA O SKX PRO Reference Guide...

Page 742: ...722 Appendix u SYSTEM PARAMETERS HA O SKX PRO Reference Guide...

Page 743: ...723 Appendix FAVORITES HA O SKX PRO Reference Guide...

Page 744: ...724 Appendix u MIDI TEMPLATES HA O SKX PRO Reference Guide...

Page 745: ...725 Appendix HA O SKX PRO Reference Guide...

Page 746: ...726 Appendix u MIDI INFORMATION HA O SKX PRO Reference Guide...

Page 747: ...727 Appendix u MIDI IMPLEMENTATION CHART HA O SKX PRO Reference Guide...

Page 748: ...728 Appendix u MIDI CHANNELS AND MESSAGES HA O SKX PRO Reference Guide...

Page 749: ...c Standard MIDI Files created on a sequencer or notation application may be played back on another device while preserving the integrity of the original selection It follows a standard that assigns 12...

Page 750: ...Bells 47 Harp 79 Whistle 111 Fiddle 16 Dulcimer 48 Timpani 80 Ocarina 112 Shanai 17 Drawbar 49 Strings 1 81 Square Lead 113 Tinkle Bell 18 Percussive 50 Strings 2 82 Sawtooth 114 Agogo Bells 19 Rock...

Page 751: ...ing up to 128 banks of voices for each of the 128 Program Numbers in General MIDI 128 128 16 384 It should be noted that this is a theoretical limit the actual number is typically much less anywhere f...

Page 752: ...732 Appendix u DRAWBAR DATA LIST u SYSTEM EXCLUSIVE MESSAGES HA O SKX PRO Reference Guide...

Page 753: ...assistance contact Hammond at the following addresses In the United States contact HAMMOND SUZUKI USA Inc 219 W Wrightwood Ave Elmhurst IL 60126 1112 UNITED STATES In Europe and the U K contact HAMMO...

Page 754: ...2023 Hammond Suzuki USA Inc HA O SKX PRO Reference Guide FM2333 0423...

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