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Explanation Of The Edit

Explanation Of The Edit

Explanation Of The Edit

Explanation Of The Edit

Pages

Pages

Pages

Pages

The Oscillator 1 and 2 Pages

Anamono does have separate settings for oscillator 1 and 2, but since these settings are equal,
except for the keyboard on/off parameter, which only affects oscillator 2, they are both explained in
this one section.
The oscillators in Anamono are, together with the external audio input if wanted, creating the basic
building block for the sound. It is also the osillators, that dictates the basic pitch of the sound.
All Anamono waveforms has a certain number of harmonics. The sound is shaped by filtering out
some of these harmonics, using the analogue and digital filters, and by adding other harmonics,
using the ring modulator, oscillator sync and the analogue overdrive.
The oscillators waveforms are continiously variable from sine to triangle to saw to square to noise.
The wave-shaping can be modulated from all 16 modulation sources. All waveforms can be
pulsewidth and pitch-modulated.

Edit 1 – Oscillator wave shape:

Value 0 to 255, 0: sine, 64: triangle, 128: saw, 192: square, 255:

noise.

Edit 2 – Oscillator wave shape modulation:

Value –128 to +127. A negative value inverts the

modulation source.

Encoder - Oscillator wave shape modulation source:

Value: Any of the 16 modulation sources.

1 OSC 1

1

Wave. Mod. Sorc

X Saw + 0 Mod1

2 OSC 2

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Summary of Contents for Anamono

Page 1: ...Gotharman s Gotharman s Gotharman s Gotharman s Anamono Anamono Anamono Anamono User Manual User Manual User Manual User Manual ...

Page 2: ...s 12 Modulation Sources 13 Explanation Of The Edit Pages 17 Oscillator 1 and 2 17 Oscillator Mod 20 DSP Filter 23 FeedBack 27 Analogue Filters 30 Amp VCA 35 Granulator Delay 40 Modulation Envelope 49 Modulator 1 53 Modulator 2 64 LFO 1 and LFO 2 68 Random 70 Modulation Keyboard 71 MIDI settings 72 Assign Edit Knobs 73 Save Preset 75 Exit 76 MIDI Implementation 77 Parameter List and NRPN s 78 ...

Page 3: ...lation sources An 8 step very flexible step modulator and a 5 step The 8 step variant has a selection of different trigger sources and is able to put out notes and gates The 2 modulators has like the 2 envelopes 2 sets of settings that can be morped between using any modulation source Anamono also has an external audio input which makes it possible to process any audio signal with Anamono s ringmo...

Page 4: ...Fully programable and controllable 16 step step granulator Delay granulator times up to 1 5 second Ring modulator that can process both internal sounds and sounds coming via the external audio input External audio input lets you process any sound with Anamono s filters g RAY feedback circuit granulator delay ringmodulator and analogue overdrive 2 envelopes and 2 step modulators all having 2 sets o...

Page 5: ...1 Analogue Filter 2 DSP Filter in position 2 FeedBack g RAY Circuit DSP Filter in position 3 Amp Amp Envelope Granulator Delay DSP Filter in position 4 Analogue Overdrive MIDI Mod Envelope Squared Envelope Modulator 1 LFO 1 LFO 2 Random Modulator 1 Stepped Modulator 2 Env Follower Ring Modulator Osc1 Ext In Ana VCF s Granu Osc2 LFO1 Ana VCF s Granu DSP filter Ana VCF s Amp ...

Page 6: ...n the ASSIGN EDIT 1 edit page When on a parameter edit screen this knob adjusts the parameter showing at the left of the screen Edit2 Ctrl 3 When on the preset select screen the screen showing on the picture and on the edit page select screen this knob transmits midi controller 3 internally and tweaks all parameters which has midi controller 3 selected as modulation source except if a parameter ar...

Page 7: ...sor click value This knob navigates around changes preset and changes various switch functions on the parameter edit screens If the cursor is blinking turning this knob will move the cursor Pushing it will stop the cursor from blinking to change a value or entering another screen If the cursor is not blinking turning this knob will change the value of the parameter where the cusor are located Push...

Page 8: ...t has to be A 9 12 V DC min 500 mA unregulated power adaptor with a 2 1 mm DC connector with the positive voltage in the middle MIDI in Connect this to the MIDI out of a MIDI transmitting device MIDI keyboard sequencer computer or whatever Audio In jack This is the external audio input of Anamono Connect any line level audio source to this to process it with Anamono s powerful audio system Audio O...

Page 9: ...cursor click value encoder you change the cursor from blinking to not blinking and vice versa When the cursor is located under Edit on the preset select page pushing the cursor click value encoder will enter the edit group select pages On the edit group select pages pushing the cursor click value encoder will enter the edit parameters pages except if the edit group page is EXIT then it will exit t...

Page 10: ...this preset from an external MIDI device As default when entering the preset select page the cursor is located under the preset number select so you immediately can select a preset It is also possible to locate the cursor under the bank select letter or Edit if you wish to enter the edit pages To change preset If the cursor is not blinking push the cursor click value encoder to make the cursor bli...

Page 11: ...h the cursor click value encoder If you on the other hand wants to start edit and create some sounds rotate the cursor click value encoder You can now select among various edit pages Pushing the cursor click value encoder enters an edit page Inside an edit page it might look like this By placing the cursor under the number in the upper left corner of the display and pushing the cursor click value ...

Page 12: ...f the edit group pages 1 Oscillator 1 2 Oscillator 2 3 Oscillator Mod 4 DSP Filter 5 Feedback 6 Analogue Filters 7 Amp VCA 8 Granulator 9 Mod Envelope 10 Modulator 1 11 Modulator 2 12 LFO 1 13 LFO 2 14 Random 15 Mod Keyboard 16 MIDI 17 Assign Edit 1 18 Assign Edit 2 19 Save Preset 20 Exit To preset select page ...

Page 13: ...as a squared output When the mod envelope has a value below half of it s max value this will be zero When the mod envelope reaches above it s half value this will be at maximum value The amp section has it s own ADSR envelope that is controlling the total output level before the granulator and the overdrive unless amp control Folr Then the envelope follower controls the output level Note On Note O...

Page 14: ...red without re triggering Key trigger key triggered with re triggering Key ed advances one step every time a note on is received Play the play enter knob starts and stops the modulator and MIDI synced to MIDI clock It has 2 sets of settings that can be morphed between using any modulator It also has a stepped output Every time modulator 1 reaches a new step value this is updated This can also be s...

Page 15: ...y variable from triangle to saw to square to pulse The LFO s can be both wave and rate modulated using any modulator Both LFO s can also be key synced and LFO wave start point can be adjusted 8 Random Voltage Each time it is triggered it outputs a new random value Trigger sources are LFO1 LFO2 or key 9 Random Pulse A squared version of the random voltage with adjustable pw When the random voltage ...

Page 16: ... velocity value 12 Env Folr The audio signal present on the external audio input converted to a controller shape With adjustable smoothing 13 MIDI Ctrl 1 14 MIDI Ctrl 2 15 MIDI Ctrl 3 16 MIDI Ctrl 4 The last received values from these four controllers or from edit knob 1 ctrl 2 or 2 ctrl 3 If edit knob 1 and 2 are assigned to a parameter in the assign section MIDI controller 2 and 3 will also be a...

Page 17: ...s has a certain number of harmonics The sound is shaped by filtering out some of these harmonics using the analogue and digital filters and by adding other harmonics using the ring modulator oscillator sync and the analogue overdrive The oscillators waveforms are continiously variable from sine to triangle to saw to square to noise The wave shaping can be modulated from all 16 modulation sources A...

Page 18: ...riangle When Pw is zero a pure triangle is generated As Pw is turned up the triangle is amplified more and more but instead of clipping the waveform it wraps the signal above maximum over the zero point and creates a totally different waveform Saw When Pw is zero a pure saw wave is generated As Pw is turned up it starts to sound more and more like a synced sawtooth with the sync pitch getting more...

Page 19: ...rol on off Edit 1 Pitch modulation Value 128 to 127 A negative value inverts the modulator Edit 2 Pitch modulation source Value Any of the 16 modulation sources Encoder Pitch modulation level source Selects a source that modulates the level of the pitch modulation Value Off first 15 modulation sources 3 Tune Fine Kybd X 0 0 On 4 Mod Sorc Levl X 127 Env Off ...

Page 20: ...ust the pw but now that Anamono has real sync this effect can be obtained on all waveforms The ring modulator takes the sum and the difference of the 2 signals present on it inputs and puts that signal out on the selected destination This will add harmonic sidebands to the signals Depending on the waveforms and frequencies of the input signals this will create a signal ranging from metallic to rin...

Page 21: ...ain you want the ringmodulated signal to appear Value Digital filter input analogue filters input amp section VCA input Edit 2 Ring Modulator volume The output level of the ring modulated signal Value 0 255 Edit 1 Ring Modulator output level modulation Value 128 to 127 A negative value inverts the modulator Edit 2 Ring Modulator output level modulation source Value Any of the 16 modulation sources...

Page 22: ...Edit 1 Bender Adjusts how much incoming MIDI pitch bend messages will affect both of the oscillators pitch From 0 to 255 about 12 semitones at maximum 5 Bender X 128 ...

Page 23: ...lel connection with the analogue filters In the g RAY feedback After the granulator delay A filter shapes the sound by removing certain harmonics from the source audio signal and by amplifying certain harmonics around the cutoff frequency point using resonance Edit 1 External audio input level Value 0 to 255 Adjusts the level of the audio signal present on the external audio input going to the DSP...

Page 24: ...nothing Edit 2 Oscillator 2 level Value 0 to 255 Adjusts the level of oscillator 2 going to the DSP filter input Edit 1 DSP filter cutoff frequency Value 0 to 255 Edit 2 DSP filter resonance Value 0 to 255 Encoder DSP filter type Choices are BPF band pass mode LPF low pass mode HPF high pass mode BP8 Sharp bandpass mode ADD add filter mode The ADD filter is not actually a filter since it doesn t f...

Page 25: ...Edit 1 DSP filter cutoff modulation B Value 128 to 127 A negative value inverts the modulator Edit 2 DSP filter cutoff modulation source B Value Any of the 16 modulation sources Edit 2 Cutoff modulation B level source Selects a source that modulates the level of cutoff modulation B Value Off first 15 modulation sources 4 CutA Sorc X 0 env 5 CutB Sorc X 0 env 6 ModB Level X Off ...

Page 26: ...Edit 1 DSP filter resonance modulation Value 128 to 127 A negative value inverts the modulator Edit 2 DSP filter resonance modulation source Value Any of the 16 modulation sources 7 Reso Sorc X 0 env ...

Page 27: ... sounds The feedback signal can be delayed to create comb filter like effects and it is also possible to place the DSP filter inside the feedback loop so only certain frequencies are fed back Edit 1 FeedBack level Value 0 to 255 Edit 2 FeedBack delay Value 0 to 255 The amount of time that the fed back signal will be delayed 0 0 mSec 255 6 4 mSec Encoder FeedBack mode Values Norm Normal 1 1 feedbac...

Page 28: ...eedBack modulation 2 Value 128 to 127 A negative value inverts the modulator Edit 2 FeedBack delay modulation 2 Value 128 to 127 A negative value inverts the modulator Encoder FeedBack modulation source 2 Value Any of the 16 modulation sources Edit 2 FeedBack modulation 2 level source Selects a source that modulates the level of FeedBack modulation 2 Value Off first 15 modulation sources 2 Feed Dl...

Page 29: ...Edit 1 FeedBack source VCF Analogue filters output Gran Granulator delay output Edit 2 g RAY Value 0 to 3 Adjusts the amount of g RAY intermodulation 0 no g RAY 3 max g RAY 5 From gRAY X VCF 3 ...

Page 30: ...off frequency point using resonance Edit 1 DSP filter output level Value 0 to 255 If connection serial Adjusts the level of the DSP filter going to the analogue filters input If connection parallel feed or gran Adjusts the output level of the DSP filter Edit 2 External audio input level Value 0 to 255 Adjusts the level of the audio signal present on the external audio input going to the analogue f...

Page 31: ...255 Encoder Analogue filter 1 type Choices are LPF low pass mode BPF band pass mode HPF high pass mode Off Edit 1 Analogue filter 2 cutoff frequency Value 0 to 255 If you want to use only analogue filter 1 put this control to zero and make sure that all 3 filter 2 cutoff modulation controls are on zero too Then filter 2 will make no sound Edit 2 Analogue filter 2 resonance Value 0 to 255 Encoder A...

Page 32: ...filters cutoff modulation source A Value Any of the 16 modulation sources Edit 1 Analogue filter 1 cutoff modulation B Value 128 to 127 A negative value inverts the modulator Edit 2 Analogue filter 2 cutoff modulation B Value 128 to 127 A negative value inverts the modulator Encoder Analogue filters cutoff modulation source B Value Any of the 16 modulation sources 5 Cu1A Cu2A Sorc X 0 0 Esqu 6 Cu1...

Page 33: ...ilters cutoff modulation C level source Selects a source that modulates the level of cutoff modulation C Value Off first 15 modulation sources Edit 1 Analogue filter 1 resonance modulation Value 128 to 127 A negative value inverts the modulator Edit 2 Analogue filter 2 resonance modulation Value 128 to 127 A negative value inverts the modulator Encoder Analogue filters resonance modulation source ...

Page 34: ...ource Value Any of the 16 modulation sources Edit 1 Analogue filters output level Value 0 to 255 Edit 2 Analogue filters output level modulation Value 128 to 127 A negative value inverts the modulator Encoder Analogue filters output level modulation source Value Any of the 16 modulation sources A Dflt Sorc X 0 env B Outp Mod Sorc X 255 0 Env ...

Page 35: ...on is received but if one key is held while another key is pressed and released it will not re trigger when the second note is released In that way it is possible to make it re trigger or not using playing techniques The amp section is located after the analogue filters and before the granulator delay in Anamono s audio chain Edit 1 Amp envelope attack time 1 Value 0 to 255 The higher the value th...

Page 36: ...de out This value is only completely active if the morph control on AMP edit page 5 are in position zero and morph modulation has the value 0 Edit 1 Amp envelope attack time 2 Value 0 to 255 The higher the value the slower the rise of the sound when a MIDI note on are received will be This value is only completely active if the morph control on AMP edit page 5 are in position 255 Edit 2 Amp envelo...

Page 37: ... on AMP edit page 5 are in position 255 Edit 1 Amp envelope morph control Value 0 to 255 At value zero the first set of envelope settings are used at value 255 the second set of envelope settings are used At values 1 to 254 it morphs between the first and the second settings Edit 2 Amp envelope morph modulation Value 128 to 127 A negative value inverts the modulator Encoder Amp envelope morph modu...

Page 38: ...ion source Value Any of the 16 modulation sources Edit 1 Amp control Values env The amp envelope controls the amp output folr The envelope follower controls the amp output Use the env setting for normal sounds you play from a connected MIDI device use the folr setting if you are processing an external audio signal Edit 2 Envelope follower smoothing Adjusts the smoothness of the envelope follower A...

Page 39: ...Edit 1 Amp drone Value 0 to 255 An overall sound volume offset parameter that keeps Anamono s output constantly open regardsless of the amp envelope and envelope follower A Drone X 0 ...

Page 40: ...adjustable and controllable time mix feedback audio playback direction forward reverse and audio freeze The granulator delay are the last stage in Anamono s audio chain placed right after the analogue amp and just before the audio output except if DSP filter connection is gran then the DSP filter is placed between the granulator delay and the audio outputs The DSP filter only affects the granulato...

Page 41: ... Edit 1 Granulator delay feedback Value 0 to 255 Adjusts how big a portion of the effected signal will be fed back to the granulator delay input Edit 2 Granulator delay playback direction Values Fwd The normal forward playback mode Rvs The effected signal will play back backwards Encoder Granulator re arrange sequencer step mode Values strc Each step in the re arrange sequencer can be time stretch...

Page 42: ...Granulator delay time modulation Value 128 to 127 A negative value inverts the modulator Edit 2 Granulator delay mix modulation Value 128 to 127 A negative value inverts the modulator Encoder Granulator delay time and mix modulation source Value Any of the 16 modulation sources Edit 1 Granulator re arrange sequencer crossfade Value 0 to 254 When turned up this makes transitions between the re arra...

Page 43: ...o signal step 2 of the re arrange sequencer will play back Edit 2 Granulator re arrange sequencer step 2 Stretch detune Value 128 to 127 Time stretches or detunes the audio piece played back by step 2 depending on the setting Mode strc pitc on granulator edit page 3 Edit 1 Granulator re arrange sequencer step 3 fragment number Value 1 to 128 Selects what fragment of the incoming audio signal step ...

Page 44: ...o signal step 5 of the re arrange sequencer will play back Edit 2 Granulator re arrange sequencer step 5 Stretch detune Value 128 to 127 Time stretches or detunes the audio piece played back by step 5 depending on the setting Mode strc pitc on granulator edit page 3 Edit 1 Granulator re arrange sequencer step 6 fragment number Value 1 to 128 Selects what fragment of the incoming audio signal step ...

Page 45: ...o signal step 8 of the re arrange sequencer will play back Edit 2 Granulator re arrange sequencer step 8 Stretch detune Value 128 to 127 Time stretches or detunes the audio piece played back by step 8 depending on the setting Mode strc pitc on granulator edit page 3 Edit 1 Granulator re arrange sequencer step 9 fragment number Value 1 to 128 Selects what fragment of the incoming audio signal step ...

Page 46: ... signal step 11 of the re arrange sequencer will play back Edit 2 Granulator re arrange sequencer step 11 Stretch detune Value 128 to 127 Time stretches or detunes the audio piece played back by step 11 depending on the setting Mode strc pitc on granulator edit page 3 Edit 1 Granulator re arrange sequencer step 12 fragment number Value 1 to 128 Selects what fragment of the incoming audio signal st...

Page 47: ... signal step 14 of the re arrange sequencer will play back Edit 2 Granulator re arrange sequencer step 14 Stretch detune Value 128 to 127 Time stretches or detunes the audio piece played back by step 14 depending on the setting Mode strc pitc on granulator edit page 3 Edit 1 Granulator re arrange sequencer step 15 fragment number Value 1 to 128 Selects what fragment of the incoming audio signal st...

Page 48: ...the incoming audio signal step 16 of the re arrange sequencer will play back Edit 2 Granulator re arrange sequencer step 16 Stretch detune Value 128 to 127 Time stretches or detunes the audio piece played back by step 16 depending on the setting Mode strc pitc on granulator edit page 3 M St16 Tune X 1 0 ...

Page 49: ...rphed between using any modulator It also has a second squared output to the modulation bus When the mod envelope has a value below half of it s max value this will be zero When the mod envelope reaches above it s half value this will be at maximum value 9 MOD ENV Note On Note Off Attack Time Decay Time Release Time Sustain Level ...

Page 50: ...edit page 5 are in position zero and morph modulation has the value 0 Edit 1 Mod envelope sustain level 1 Value 0 to 255 This is the level the amp envelope will decay to during the decay time As long as a MIDI note on is held it will stay at this level This value is only completely active if the morph control on MOD ENV edit page 5 are in position zero and morph modulation has the value 0 Edit 2 M...

Page 51: ...ive if the morph control on MOD ENV edit page 5 are in position 255 Edit 1 Mod envelope sustain level 2 Value 0 to 255 This is the level the amp envelope will decay to during the decay time As long as a MIDI note on is held it will stay at this level This value is only completely active if the morph control on MOD ENV edit page 5 are in position 255 Edit 2 Mod envelope release time 2 Value 0 to 25...

Page 52: ...5 the second set of envelope settings are used At values 1 to 254 it morphs between the first and the second settings Edit 2 Mod envelope morph modulation Value 128 to 127 A negative value inverts the modulator Encoder Mod envelope morph modulation source Value Any of the 16 modulation sources 5 Mrph Mod Sorc X 0 0 Env ...

Page 53: ... how long it will take to reach the next steps value and a selection of if it will continue sustain or loop after this step It has a flexible trigger system Off freerun no triggering Key reset key triggered without re triggering Key trigger key triggered with re triggering Key ed 10 MODULATOR 1 L1 T1 L2 L3 L4 L5 L6 L7 L8 L1 T2 T3 T4 T5 T6 T7 T8 T Times L Levels ...

Page 54: ...r 1 will reset to step 1 Keyd Every time a note on are received it will advance one step and loop that single step until the next note on are received Play When the Play Enter Freeze knob are pushed so it is lit modulator 1 will reset to step 1 and thereafter continiously loop until the Play Enter freeze knob are pushed again Then it will stop Midi When a MIDI start command are received modulator ...

Page 55: ...ont It will continue to the next step Loop It will loop reset to step 1 Edit 1 Modulator 1 step 2 level Value 0 to 255 This value is only completely active if the morph control on Modulator 1 edit page I are in position zero and morph modulation has the value 0 Edit 2 Modulator 1 step 2 Time Value 0 to 255 The time it will take to reach the value of the next step This value is only completely acti...

Page 56: ...Cont It will continue to the next step Loop It will loop reset to step 1 Edit 1 Modulator 1 step 4 level Value 0 to 255 This value is only completely active if the morph control on Modulator 1 edit page I are in position zero and morph modulation has the value 0 Edit 2 Modulator 1 step 4 Time Value 0 to 255 The time it will take to reach the value of the next step This value is only completely act...

Page 57: ...Cont It will continue to the next step Loop It will loop reset to step 1 Edit 1 Modulator 1 step 6 level Value 0 to 255 This value is only completely active if the morph control on Modulator 1 edit page I are in position zero and morph modulation has the value 0 Edit 2 Modulator 1 step 6 Time Value 0 to 255 The time it will take to reach the value of the next step This value is only completely act...

Page 58: ...ue to the next step Loop It will loop reset to step 1 Edit 1 Modulator 1 step 8 level Value 0 to 255 This value is only completely active if the morph control on Modulator 1 edit page I are in position zero and morph modulation has the value 0 Edit 2 Modulator 1 step 8 Time Value 0 to 255 The time it will take to reach the value of the next step This value is only completely active if the morph co...

Page 59: ...ontrol on Modulator 1 edit page I are in position 255 Encoder Has no function Edit 1 Modulator 1 step 2 b level Value 0 to 255 This value is only completely active if the morph control on Modulator 1 edit page I are in position 255 Edit 2 Modulator 1 step 2 b Time Value 0 to 255 The time it will take to reach the value of the next step This value is only completely active if the morph control on M...

Page 60: ...ontrol on Modulator 1 edit page I are in position 255 Encoder Has no function Edit 1 Modulator 1 step 4 b level Value 0 to 255 This value is only completely active if the morph control on Modulator 1 edit page I are in position 255 Edit 2 Modulator 1 step 4 b Time Value 0 to 255 The time it will take to reach the value of the next step This value is only completely active if the morph control on M...

Page 61: ...ontrol on Modulator 1 edit page I are in position 255 Encoder Has no function Edit 1 Modulator 1 step 6 b level Value 0 to 255 This value is only completely active if the morph control on Modulator 1 edit page I are in position 255 Edit 2 Modulator 1 step 6 b Time Value 0 to 255 The time it will take to reach the value of the next step This value is only completely active if the morph control on M...

Page 62: ...ontrol on Modulator 1 edit page I are in position 255 Encoder Has no function Edit 1 Modulator 1 step 8 b level Value 0 to 255 This value is only completely active if the morph control on Modulator 1 edit page I are in position 255 Edit 2 Modulator 1 step 8 b Time Value 0 to 255 The time it will take to reach the value of the next step This value is only completely active if the morph control on M...

Page 63: ... the second b set of modulator 1 settings are used At values 1 to 254 it morphs between the first and the second settings Edit 2 Modulator 1 morph modulation Value 128 to 127 A negative value inverts the modulator Encoder Modulator 1 morph modulation source Value Any of the 16 modulation sources I Mrph Mod Sorc X 0 0 Env ...

Page 64: ... time from it is resat until the rise time starts This value is only completely active if the morph control on Modulator 2 edit page 7 are in position zero and morph modulation has the value 0 Edit 2 Modulator 2 Loop mode Values Off Modulator 2 is reset when a note on are received excutes its 5 stages ending with value zero and stays at that value until it is re triggered On Freerunning loop mode ...

Page 65: ...time Value 0 to 255 The time it takes to fall from full value to zero This value is only completely active if the morph control on Modulator 2 edit page 7 are in position zero and morph modulation has the value 0 Edit 1 Modulator 2 T5 hold time2 Value 0 to 255 The time it will hold at value zero This value is only completely active if the morph control on Modulator 2 edit page 7 are in position ze...

Page 66: ...tely active if the morph control on Modulator 2 edit page 7 are in position 255 Edit 1 Modulator 2 T4 b fall time Value 0 to 255 The time it takes to fall from full value to zero This value is only completely active if the morph control on Modulator 2 edit page 7 are in position 255 Edit 1 Modulator 2 T5 b hold time2 Value 0 to 255 The time it will hold at value zero This value is only completely ...

Page 67: ... the second b set of modulator 2 settings are used At values 1 to 254 it morphs between the first and the second settings Edit 2 Modulator 2 morph modulation Value 128 to 127 A negative value inverts the modulator Encoder Modulator 2 morph modulation source Value Any of the 16 modulation sources 7 Mrph Mod Sorc X 0 0 Env ...

Page 68: ...w to square to pulse The LFO s can be both wave and rate modulated using any modulator Both LFO s can also be key synced and LFO wave start point can be adjusted Edit 1 LFO Rate Value 0 to 255 Sets the speed of the LFO Edit 2 LFO Rate modulation Value 128 to 127 A negative value inverts the modulator Encoder LFO Rate modulation source Value Any of the 16 modulation sources 12 LFO 1 13 LFO 2 1 Rate...

Page 69: ...128 to 127 A negative value inverts the modulator Encoder LFO wave shape modulation source Value Any of the 16 modulation sources Edit 1 LFO key trigger Value Off 1 to 255 Off The LFO is freerunning and not key triggered 1 255 The LFO is key triggered The value sets the LFO wave start position 2 Wave Wave Mod X 0 0 Env 3 KeyTrig X Off ...

Page 70: ...he output of this will be zero When the random voltage puts out a value below the pw the output of this will be max In this section adjustments for both output are made Edit 1 Random pulse output Pw Value 0 to 255 Encoder Random trigger Values LFO1 Every time LFO1 restarts its cycle a new random value will be outputted LFO2 Every time LFO2 restarts its cycle a new random value will be outputted Ke...

Page 71: ...l if you t ex don t want keyboard modulation when playing the lowest key of your keyboard but wants full keyboard modulation on the highest key If you don t bother about this leave both settings at zero Edit 1 Mod keyboard offset Value 0 to 255 The incoming note on value has to be higher than the offset to have any effect Edit 2 Mod keyboard spread Value 0 to 7 The higher value the more steep the ...

Page 72: ... adjust 7 bit mode or with fine adjust 14 bit mode For details regarding how Anamono recognizes NRPN controllers see the parameter list section later in this manual Encoder MIDI controller set Values pri primary controller set sec secondary controller set To allow the use of more possible MIDI controller numbers Anamono has 2 sets of controllers It is also possible to switch between the primary an...

Page 73: ...rs to the edit knobs NOTE When a parameter are assigned to one of the edit knobs MIDI controller 2 and or 3 are also assigned to this parameter and all parameters which has MIDI controller 2 or 3 selected as a modulation source will be ignored Encoder Parameter group select The parameter group name writes in the top of the display when you select a group Values 0 MIDI controller 2 3 default settin...

Page 74: ...13 LFO 2 14 Random 15 Mod Keyboard Encoder Parameter select The parameter name writes in the top of the display when you select it Values Any parameter in the selected group 2 Vcf Reso1 X Parameter 7 ...

Page 75: ...et It will write the name of the taget location at the top of the display or write empty if no sound is previously stored in the selected location Push the Play Enter freeze knob to move to the next page Name your preset Move the Cursor click value encoder to select the letters you want to change push it to change or move it to the X and push if you regret Pushing the Play Enter knob stores the pr...

Page 76: ...The Exit Page Exit s to the preset select page when pushing cursor click value Exit ...

Page 77: ... banks I to P All other values will be ignored MIDI Controllers are received on the MIDI channel selected on the MIDI edit pages Controllers 1 2 3 and 4 are assignable as modulation sources for many of Anamono s parameters All other controllers are hard assigned to specific parameters For details see the next section Parameter List MIDI NRPN Controllers Non registrered parameter number are receive...

Page 78: ...just a parameter MIDI controller 99 parameter MSB see parameter list MIDI controller 98 parameter LSB see parameter list MIDI controller 6 a 1 bit value Only the LSB bit of this value are used MIDI controller 38 a 7 bit value which sets the 7 LSB bits of the value The LSB bit from the controller 6 value and the 7 LSB bits from the controller 38 value are assembled to a complete 8 bit value which A...

Page 79: ...2h PW Waveform Pulsewidth 0 to 255 Does something on all waveforms 9 00h 03h PWM Pulsewidth Mod 128 to 127 00h 04h Pulsewidth Source Select between the 16 modulation sources 00h 05h Tune 32 to 31 In semitone steps 10 00h 06h Fine Tune 0 to 255 11 00h 07h Pitch Mod 128 to 127 00h 08h Pitch Mod Source Select between the 16 modulation sources 00h 09h Pitch Mod Level Source Select between Off and 15 o...

Page 80: ...rm Pulsewidth 0 to 255 Does something on all waveforms 13 01h 03h PWM Pulsewidth Mod 128 to 127 01h 04h Pulsewidth Source Select between the 16 modulation sources 01h 05h Tune 32 to 31 In semitone steps 14 01h 06h Fine Tune 0 to 255 15 01h 07h Keyboard On Off 01h 08h Pitch Mod 128 to 127 01h 09h Pitch Mod Source Select between the 16 modulation sources 01h 0Ah Pitch Mod Level Source Select between...

Page 81: ...ters Granulator 02h 02h Ring Modulator Input 2 Osc2 LFO1 Analogue Filters Granulator 02h 03h Ring Modulator Output Digital Filter Analogue Filters VCA 02h 04h Ring Modulator Output Level 0 to 255 16 02h 05h Ring Modulator Output Modulation 128 to 127 02h 06h Ring Modulator Output Modulation Source Select between the 16 modulation sources 02h 07h Pitch Bend Amount 0 to 255 02h 08h ...

Page 82: ... 0 to 255 22 03h 05h Filter Type Bpf Lpf Hpf Bp8 Add 23 03h 06h Cutoff Mod A 128 to 127 03h 07h Cutoff Mod A Source Select between the 16 modulation sources 03h 08h Cutoff Mod B 128 to 127 03h 09h Cutoff Mod B Source Select between the 16 modulation sources 03h 0Ah Cutoff Mod B Level Source Select between Off and 15 of the modulation sources 03h 0Bh Resonance Mod 128 to 127 03h 0Ch Resonance Mod S...

Page 83: ...y Modulation 1 128 to 127 04h 04h FeedBack Modulation Source 1 Select between the 16 modulation sources 04h 05h FeedBack Modulation 2 128 to 127 04h 06h FeedBack Delay Modulation 2 128 to 127 04h 07h FeedBack Modulation Source 2 Select between the 16 modulation sources 04h 08h FeedBack Modulation 2 Level Source Select between Off and 15 of the modulation sources 04h 09h FeedBack From Analogue Filt...

Page 84: ...o 127 05h 0Ah Filter 2 Cutoff Mod A 128 to 127 05h 0Bh Filters Cutoff Mod A Source Select between the 16 modulation sources 05h 0Ch Filter 1 Cutoff Mod B 128 to 127 05h 0Dh Filter 2 Cutoff Mod B 128 to 127 05h 0Eh Filters Cutoff Mod B Source Select between the 16 modulation sources 05h 0Fh Filter 1 Cutoff Mod C 128 to 127 05h 10h Filter 2 Cutoff Mod C 128 to 127 05h 11h Filters Cutoff Mod C Source...

Page 85: ...lect between the 16 modulation sources 05h 18h Analogue Filters Output Level 0 to 255 40 05h 19h Analogue Filters Output Level Mod 128 to 127 05h 1Ah Analogue Filters Output Level Mod Source Select between the 16 modulation sources 05h 1Bh ...

Page 86: ...gs 1 and 2 49 06h 08h Amp Env Morph Mod 128 to 127 06h 09h Amp Env Morph Mod Source Select between the 16 modulation sources 06h 0Ah Amp Final Output Volume 0 to 255 7 06h 0Bh Drive 0 to 255 50 06h 0Ch Amp Volume Mod 128 to 127 06h 0Dh Amp Volume Mod Source Select between the 16 modulation sources 06h 0Eh Amp Volume Mod Level Source Select between Off and 15 of the modulation sources 06h 0Fh Drive...

Page 87: ...Mix Mod 128 to 127 07h 0Dh Time And Mix Mod Source Select between the 16 modulation sources 07h 0Eh CrossFade 0 to 254 07h 0Fh Granulator Step 1 Fragment Select Depends on Of Fragments setting Primary 55 07h 10h Granulator Step 2 Fragment Select Depends on Of Fragments setting Primary 56 07h 11h Granulator Step 3 Fragment Select Depends on Of Fragments setting Primary 57 07h 12h Granulator Step 4 ...

Page 88: ...ne 128 to 127 Primary 79 07h 21h Granulator Step 3 Stretch Tune 128 to 127 Primary 80 07h 22h Granulator Step 4 Stretch Tune 128 to 127 Primary 81 07h 23h Granulator Step 5 Stretch Tune 128 to 127 Primary 82 07h 24h Granulator Step 6 Stretch Tune 128 to 127 Primary 83 07h 25h Granulator Step 7 Stretch Tune 128 to 127 Primary 84 07h 26h Granulator Step 8 Stretch Tune 128 to 127 Primary 85 07h 27h G...

Page 89: ...Mod Env Release 0 to 255 Primary 97 08h 03h Mod Env Attack 2 0 to 255 Primary 100 08h 04h Mod Env Decay 2 0 to 255 Primary 101 08h 05h Mod Env Sustain 2 0 to 255 Primary 102 08h 06h Mod Env Release 2 0 to 255 Primary 103 08h 07h Mod Env Morph 0 to 255 Morphs between settings 1 and 2 104 08h 08h Mod Env Morph Mod 128 to 127 08h 09h Mod Env Morph Mod Source Select between the 16 modulation sources 0...

Page 90: ...Continue Loop Secondary 96 09h 0Bh Step 4 Value 0 to 255 Secondary 58 09h 0Ch Step 4 Time 0 to 255 Secondary 81 09h 0Dh Step 4 Will Sustain Continue Loop Secondary 97 09h 0Eh Step 5 Value 0 to 255 Secondary 59 09h 0Fh Step 5 Time 0 to 255 Secondary 82 09h 10h Step 5 Will Sustain Continue Loop Secondary 100 09h 11h Step 6 Value 0 to 255 Secondary 60 09h 12h Step 6 Time 0 to 255 Secondary 83 09h 13h...

Page 91: ...9h 23h Step 5 Time B 0 to 255 Secondary 90 09h 24h Step 6 Value B 0 to 255 Secondary 75 09h 25h Step 6 Time B 0 to 255 Secondary 91 09h 26h Step 7 Value B 0 to 255 Secondary 76 09h 27h Step 7 Time B 0 to 255 Secondary 92 09h 28h Step 8 Value B 0 to 255 Secondary 77 09h 29h Step 8 Time B 0 to 255 Secondary 93 09h 2Ah Modulator 1 Morph 0 to 255 Morphs between settings a and b 105 09h 2Bh Modulator 1...

Page 92: ...Ah 03h Time 4 0 to 255 109 0Ah 04h Time 5 0 to 255 110 0Ah 05h Time 1 B delay 0 to 255 111 0Ah 06h Time 2 B 0 to 255 112 0Ah 07h Time 3 B 0 to 255 113 0Ah 08h Time 4 B 0 to 255 114 0Ah 09h Time 5 B 0 to 255 115 0Ah 0Ah Modulator 2 Morph 0 to 255 Morphs between settings a and b 116 0Ah 0Bh Modulator 2 Morph Mod 128 to 127 0Ah 0Ch Modulator 2 Morph Mod Source Select between the 16 modulation sources...

Page 93: ... Select between the 16 modulation sources 0Bh 05h KeyTrigger LFO Wave Start Point Off 1 to 255 0Bh 06h LFO 2 LFO 2 LFO 2 LFO 2 Parameter Values MIDI ctrl NRPN 99 NRPN 98 Rate 0 to 255 119 0Ch 00h Rate Mod 128 to 127 0Ch 01h Rate Mod Source Select between the 16 modulation sources 0Ch 02h Wave Morphs from triangle to saw to square to pulse 0Ch 03h Wave Mod 128 to 127 0Ch 04h Wave Mod Source Select ...

Page 94: ...ger LFO 1 LFO 2 Key 0Dh 01h MOD KYBD MOD KYBD MOD KYBD MOD KYBD Parameter Values MIDI ctrl NRPN 99 NRPN 98 Mod Keyboard Offset 0 to 255 0Eh 00h Mod Keyboard Spread 0 to 7 0Eh 01h MIDI MIDI MIDI MIDI Parameter Values MIDI ctrl NRPN 99 NRPN 98 MIDI Channel 1 to 16 NRPN Mode 7 bit 14 bit MIDI Controller set Primary Secondary 65 ...

Page 95: ...tor 1 Modulator 2 LFO1 LFO2 Random Mod Kybd Parameter Any parameter kan be assigned to the edit knob ASSIGN EDIT KNOB 2 ASSIGN EDIT KNOB 2 ASSIGN EDIT KNOB 2 ASSIGN EDIT KNOB 2 Parameter Values MIDI ctrl NRPN 99 NRPN 98 Parameter Group MIDI controller 3 Osc1 Osc2 Osc Mod DSP Filter Feedback Analog Filters Amp Granulator Mod Env Modulator 1 Modulator 2 LFO1 LFO2 Random Mod Kybd Parameter Any parame...

Page 96: ...GotharMusic Copyright 2010 www gotharman dk ...

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