MODIFIERS & CONTROLLERS
Doc v6.00c
127
Here are some more examples of the kinds of curves you can create by changing
START, MID, END,
and
SLOPE
. With
a bit of practice, you will learn to achieve desired modifier effects quickly.
Example 2: Setting MIN and MAX
MIN
and
MAX
allow a modifier’s range to be “pegged” to precise values by setting the y-axis scale of the modifier
graph using the same units as the parameter being modified. This ultimately determines the relationship between
the source and the target parameter. The following examples illustrate
MIN
and
MAX
in action.
A now-familiar example: the default modifier setting for a
VOLUME
parameter, showing a linear sweep, with
MIN
and
MAX
set to their extremes.
At first glance this seems to be a reversal of the example
above, where pushing the pedal forward decreases the
volume. But look closer and you’ll find that
MIN
is set to
“10.0” and
MAX
to “0.0” With both
sets of values inverted,
this setup sounds and works
exactly
like the one above!
Unlike the preceding examples, this one does not show
MIN
and
MAX
set to their extremes. Instead, the range
goes from 8.0 to 10.0, so our volume pedal will create only
a small swell as it is rocked from heel to toe. You might
use this to create a variable solo boost pedal.
Damping
7.2.2
If MODIFIERS add automation or remote-control in “real time,”
damping
allows these changes to happen in
“stretched time.” Normally, parameters change at the same
rate
as their modifier sources. Their values may be re-
mapped as we saw above, but changes are still essentially simultaneous; every little tremble of your foot is
Summary of Contents for AXE-FX II
Page 1: ...Owner s Manual ...
Page 82: ...EFFECTS GUIDE Doc v6 00c 71 ...
