ENGLISH
13
The other controls included on most compressors are
attack
and
release
.
Attack determines the speed at which the compressor starts to reduce the gain once the
threshold has been exceeded. Think of it as the time taken to turn the volume down.
Very short attack times mean the compressor ‘kicks in’ very quickly – short attack
times are typically used for vocals in order to keep the levels under strict control.
Longer attack times mean more of the original signal’s attack dynamics are preserved –
this is a good way of keeping percussive and guitar sounds exciting and punchy.
Release determines the speed at which the compressor stops acting once the signal
drops below the threshold. Think of it as the time taken to turn the volume back up.
Short release times mean the compressor very quickly returns the signal to its normal
level. This can produce a ‘pumping’ sound, where the changes in volume are very
audible. Depending on the style of music, this can be undesirable, or a useful creative
effect.
Longer release times may mean that parts of the signal below the threshold end up
being compressed, or that the gain doesn’t have a chance to return to normal before
the next ‘above threshold’ sound – remember that the compressor works on the whole
signal. See the diagram below:
Summary of Contents for TwinTrak Pro
Page 81: ...81 TWINTRAK PRO AND YOUR STUDIO RECORDING ALL ANALOGUE ...
Page 82: ...82 RECORDING ANALOGUE OUT WITH DIGITAL PLAYBACK AND ANALOGUE INSERT ...
Page 83: ...83 RECORDING DIGITAL WITH ANALOGUE PLAYBACK ...
Page 84: ...84 RECORDING DIGITAL WITH DIGITAL PLAYBACK ...
Page 85: ...85 USING THE TWINTRAK PRO TO RECORD TWO MUSICIANS ...
Page 86: ...86 STEREO RECORDING COINCIDENT PAIR WITH DIGITAL MONITORING ...
