Meet the Author
Hi, I’m Jerry Work.
Welcome to my studio. I
build fine furniture in the
1907 Masonic Temple
building in historic Kerby,
Oregon. Nestled along the
Redwood Highway a scant
20 miles from the California
border in Oregon’s great
southwest, Kerby was once
the center of commerce for a
large region of northern
California and southern
Oregon. When the railroads
bypassed Kerby for a
passable route through the
mountains near what today
is Grants Pass, OR, like the
story of the American west,
the commerce followed the
railroad and Kerby faded
from prominence.
During it’s heyday as the
county seat for Josephine
County, the Masons decided
to build what was for the
time to be one of the
grandest buildings right in
the center of town, the corner
of Sixth and Main. Today,
Main Street is US-199, the
Redwood Highway that
connects the I-5 at Grants
Pass with US-101 at Crescent
City, CA. My wife and I
would hardly call our 5,000
square foot two story
building “grand,” but it is a
perfect setting for my studio
on the first floor and our loft
style living quarters on the
second.
The studio reflects both my
former background in
technology management and
my fetish for precision and
standards in my furniture
making. In consultation
with the client, I first fully
engineer a piece for function
so I will know how the
owner will interact with it,
how the doors will hinge,
latch and swing, how the
drawers will slide and stop,
and how all the other
functional aspects of the
piece will work.
Then, I design the piece for
aesthetics taking design
queues from many periods
and styles and bring them
into a modern decorating
idiom. At that point a set of
standards for sizing all the
component parts and joints
takes over.
These standards allow me to
easily calculate the sizes of
all the component parts by
knowing only the overall
dimensions of the piece.
Long ago I found that using
metric measurements made
these calculations far easier
and far less error prone.
See the sidebar on “Using
the Metric System.”
I work almost exclusively
with solid woods so I can
resaw and book match all of
the panels, even those like
drawer dust blocks that sit
inside the drawer dividers.
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