A. INPUT 1
- A high-impedance plug-in connec -
tion for guitars or other instruments.
B. INPUT 2
- A lower-impedance plug-in con-
nection for guitars or other instruments with
active pre-amps.
•
NOTE:
Both inputs have identical impedance
when used simultaneously.
C. VOLUME
- Adjusts the overall loudness of the
amplifier when the
Overdrive Mode
is not
selected (
{I}DRIVE SELECT
switch OUT ).
•
NOTE:
The
Overdrive Mode
must be select-
ed (
{I}DRIVE SELECT
switch IN ) for controls
{D}GAIN
through
{J}VOLUME
to function.
D. GAIN
- Adjusts the amount of pre-amp gain
(distortion). Use with
{J}VOLUME
to control
the overall amplifier loudness.
E. MID BOOST
- Activates a special pre-empha-
sis filter which accentuates mid-range fre-
quencies when this switch is pressed IN.
F.
LIMITER
- Adjusts the amount of compres-
sion at high
{D}GAIN
settings. The compres-
sion is activated by distortion in the pre-amp,
therefore is not as noticeable at low
{D}GAIN
settings.
G. OVERDRIVE INDICATOR
- This LED illumi-
nates when the amplifier is in the
Overdrive
Mode
.
H. PRESENCE
- Adjusts the the post-distortion
ultra-high frequency range.
I.
DRIVE SELECT
- Activates the
Overdrive
M o d e
when this switch is pressed IN.
NOTE:
Both
{C}VOLUME
and the Channel-
Select
FOOTSWITCH
are disabled when this
switch is pressed IN.
J.
VOLUME
- Adjusts the post-distortion vol-
ume. Use with
{D}GAIN
to control overall
amplifier loudness.
K. TREBLE
- Adjusts the high-frequency range.
L.
MID
- Adjusts the mid-frequency range.
M. BASS
- Adjusts the low-frequency range.
N. DEFEAT
- Mutes the REVERB/DELAY type
DSP Effects when this switch is pressed IN.
This switch must be OUT to enable remote
switching from the
FOOTSWITCH
.
O. L E V E L
-
Adjusts
the
amount
of
REVERB/DELAY type DSP Effects to be mixed
in with the original dry signal.
P.
TYPE
- This control selects one of sixteen var-
ious REVERB/DELAY DSP Effects. The
{N } D E F E AT
switch must be OUT, the
{O}LEVEL
control must be above “1,” and
R E V E R B / D E L AY
on
the
re m o t e
FOOTSWITCH
(if used) must be active for this
DSP Effect to be heard.
NOTE:
See “
DSP
STEREO EFFECTS - CONTROLS,”
page 5.
Q. DEFEAT
- Mutes the CHORUS/MODULATION
type DSP Effects when this switch is pressed
IN. This switch must be OUT to enable remote
switching from the
FOOTSWITCH
.
R. L E V E L
-
Adjusts
the
amount
of
CHORUS/MODULATION type DSP Effects to
be mixed in with the original dry signal.
S. TYPE
- This control selects one of sixteen var -
ious CHORUS/MODULATION DSP Eff e c t s .
The
{Q}DEFEAT
switch must be OUT, the
{R}LEVEL
control must be above “1,” and
C H O R U S / M O D U L ATION
on the re m o t e
FOOTSWITCH
(if used) must be active for this
DSP Effect to be heard.
NOTE:
See “
DSP
STEREO EFFECTS - CONTROLS,”
page 5.
T.
R AT E
- Adjusts the
sweep
rate of
CHORUS/MODULATION type DSP Effects. A
lower number corresponds to a slower rate of
sweep.
U. DSP PEAK
- Flashing of this LED indicates
possible clipping (distortion) in either of the
DSP Effects circuits. Periodic flashing is nor-
mal. If the LED stays on and undesirable dis-
t o rtion is heard, try reducing:
{O } L E V E L ,
{R}LEVEL
or the amplifier
VOLUME
controls.
V. POWER INDICATOR
- This LED illuminates
when the amplifier is ON.
W. POWER SWITCH
- Press IN the bottom of this
switch to turn the amplifier ON. Press IN the
top of this switch to turn the amplifier OFF.
6
PRINCETON CHORUS DSP - FRONT PANEL
Summary of Contents for Princeton Chorus DSP
Page 1: ......
Page 8: ...EFFECTS LOOPS CONNECTION DIAGRAMS 8 ...
Page 14: ...14 BUCLES DE EFECTOS DIAGRAMAS DE CONEXIÓN ...
Page 20: ...20 BOUCLE D EFFETS SCHEMAS DE CONNEXION ...
Page 26: ...26 EFFECTS LOOP DIAGRAMMI DI CONNESSIONE ...
Page 34: ...34 PRINCETON CHORUS DSP ...
Page 35: ...35 ...
Page 36: ...36 PRINCETON CHORUS DSP 35 35 ...
Page 37: ...37 PRINCETON CHORUS DSP A PRODUCT OF SERIAL NUMBER PRINCETON CHORUS DSP 38 38 ...
Page 38: ...38 EFFECTS LOOPS ...
Page 40: ...39 PRINCETON CHORUS DSP ...