2290 Delay
Inspired by the TC Electronic TC 2290 delay, a 1980s studio-standard digital delay still
sought after today for its crisp repeats and versatile panning/modulation options
Memory Delay
Inspired by the Electro-Harmonix Deluxe Memory Man, a late-’70s “bucket-brigade”
delay pedal that imparts dis- tinctive character to repeats and modulation
Space Delay
Based on the beloved Roland RE-201 Space Echo
Tape Plex
Faithful recreation of the Maestro Echoplex EP-3 echo
26
REVERB EFFECTS
Small Hall
Simulates the kind of bright reverb often heard in,
for example, a hall the size of a movie theater
Mod. Small Hall
Builds on Fender’s Small Hall Reverb by adding lush modulation to internal reverb struc-
ture. Added high- and low-frequency cut controls further expand creative possibilities
Large Hall
Strong, bright reverb simulating the size of, for example, a major performance hall and
other large, cavernous spaces
Mod. Large Hall
Similar to Mod Small Hall Reverb above, with modulation added to internal structure of
Fender Large Hall Reverb
Small Room
Warmer, less echo-y reverb typical of smaller spaces
and classic echo chambers
Large Room
Warm-sounding kind of reverb heard in larger rooms that aren’t halls, such as many
nightclubs
Small Plate
Resonantly metallic reverb with more density and flatness than room and hall reverbs
Large Plate
The reverb type heard on countless recordings, based on
the classic (and pool table-sized) EMT 140
’63 Spring
Classic early-’60s standalone Fender reverb effect
’65 Spring
Fender reverb effect built into classic mid-’60s Fender amps
Arena
Simulates the long-trailing reverberation typical of
large stadiums and arenas
Ambient
Subtle reverb effect typical of notably smaller spaces (even smaller than
Small Room reverb above)
Shimmer
Sonically radiant combination of reverb and
two-octave pitch shift
GA-15 Reverb
Based on the ’60s-era Gibson GA-15 amp reverb, unique in
its ability to go “full wet” (no dry signal)
All non-FMIC product names and trademarks appearing in this manual are the property of their respective owners and are used solely to identify the products whose tones
and sounds were studied during sound model development for this product. The use of these products and trademarks does not imply any affiliation, connection, sponsor-
ship, or approval between FMIC and with or by any third party.
DELAY EFFECTS (CONT’D.)
