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E-Mu Proteus 1000, Operation Manual

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Proteus 1000 Filter Types

Swept3>1oct

06

EQ+

Parametric filter with 24 dB of boost or cut. 
The bandwidth of the filter is three octaves 
wide at the low end of the audio spectrum, 
gradually changing to one octave wide at 
the upper end of the spectrum. 

DJAlkaline

12

EQ+

Band accentuating filter, Q shifts “ring” 
frequency.

AceOfBass

12

EQ+

Bass-boost to bass-cut morph

TB-OrNot-TB

12

EQ+

Great Bassline “Processor.”

BolandBass

12

EQ+

Constant bass boost with mid-tone Q 
control.

BassTracer

12

EQ+

Low Q boosts bass. Try sawtooth or square 
waveform with Q set to 115.

RogueHertz

12

EQ+

Bass with mid-range boost and smooth Q. 
Sweep cutoff with Q at 127.

RazorBlades

12

EQ-

Cuts a series of frequency bands.
Q selects different bands.

RadioCraze

12 

EQ-

 Band limited for a cheap radio-like EQ

AahAyEeh

06

VOW

Vowel formant filter which sweeps from 
“Ah” sound, through “Ay” sound to “Ee” 
sound at maximum frequency setting. Q 
varies the apparent size of the mouth cav-
ity.

Ooh-To-Aah 

06

VOW

Vowel formant filter which sweeps from 
“Oo” sound, through “Oh” sound to “Ah” 
sound at maximum frequency setting. 
Q varies the apparent size of mouth cavity.

MultiQVox        

12

VOW

Multi-Formant,  Map  Q  To  velocity.

Ooh-To-Eee 

12

VOW

Oooh to Eeee formant morph. 

TalkingHedz      

12

VOW

“Oui”  morphing  filter.  Q  adds  peaks.

Eeh-To-Aah

12

VOW

“E” to “Ah” formant movement. 
Q accentuates “peakiness.”

UbuOrator

12

VOW

Aah-Uuh vowel with no Q. Raise Q for 
throaty vocals.

DeepBouche

12

VOW

French vowels! “Ou-Est” vowel at low Q.

PhazeShift1

06

PHA

Recreates a comb filter effect typical of 
phase shifters. Frequency moves position of 
notches. Q varies the depth of the notches.

PhazeShift2  

06

PHA

Comb filter with slightly different notch 
frequency moving the frequency of notches. 
Q varies the depth of the notches.

FreakShifta

12

PHA

Phasey movement. Try major 6 interval and 
maximum Q.

CruzPusher

12

PHA

Accentuates harmonics at high Q. 
Try with a sawtooth LFO.

Filter Name

Order

Type

Description

Summary of Contents for Proteus 1000

Page 1: ...Operation Manual ...

Page 2: ... E MU and E MU Systems All other trade marks are the property of their respective holders Important Notice In order to obtain warranty service on your Proteus 1000 unit the serial number sticker must be intact and you must have a sales receipt or other proof of purchase If there is no serial number sticker on Proteus 1000 please contact E MU Systems at once This product is covered under one or mor...

Page 3: ...onnection Instructions 14 Basic Setup 14 Studio Setup 15 Power Up 16 Instant Gratification 17 Playing Demo Sequences 17 Auditioning Presets 17 Selecting and Quick Editing Presets 18 Basic Operations 21 Front Panel 21 Volume Control 21 Master Button 21 Edit Button 21 Control Button 21 Audition Button 22 Left Right Cursor Buttons 22 Multisetup Button 22 Save Copy Button 22 Home Enter Button 23 Data ...

Page 4: ...ng 34 Master Menu 35 Defining Master Parameters 36 Transpose Tune 36 Bend Range 36 Velocity Curve 37 Mix Output 37 Master Effects 39 Effects Mode 39 Effects Multi Mode Control 39 Master FXA Algorithm 40 A Effect Types 40 FXA Parameters Decay HF Damping FxB FxA 41 FXA Send Amounts 41 Master FXB Algorithm 41 B Effect Types 42 FXB Parameters Feedback LFO Rate Delay Time 42 FXB Send Amounts 42 MIDI Pa...

Page 5: ...nerators 59 Tempo based Envelopes 60 Envelope Repeat 60 Low Frequency Oscillators LFOs 61 Clock Modulation 62 Modulation Destinations 64 Modulation Processors 65 Preset Modulation Processors 67 Using the Modulation Processors 69 More Examples 71 Dynamic Filters 73 What is a Filter 74 Parametric Filters 77 The Z Plane Filter 78 Signal Flow 79 MIDI Channels Real time Controls 80 Bank Select Commands...

Page 6: ...Filter Types 105 Filter Parameters 107 Filter Envelope 107 Defining the Filter Envelope 109 Auxiliary Envelope 109 Low Frequency Oscillators LFOs 109 Shape 110 Sync 111 Rate 111 Delay 112 Variation 113 PatchCords 114 Modulator Polarity 115 Pitch Bend Range 117 Mix Output 117 Common Preset Parameters 118 Preset Effects 118 FXA Algorithm 120 A Effect Types 120 FXA Parameters 121 FXA Send Amounts 121...

Page 7: ...Effects Overview 141 The Effects Sends 141 Effect Types 143 A Effect Types 143 B Effect Types 143 Effect Parameters 143 Decay 144 High Frequency Damping 144 Feedback 144 LFO Rate 144 Delay 144 Effects Programmed in the Preset 145 Master Effects 146 Effects Mode 148 Flexible Effects Control 148 Using the Effects Channel Settings in Multi Mode 150 Effect B Into Effect A 150 General Effect Descriptio...

Page 8: ... Preset 159 Sound Authoring 160 Copy User Bank to Flash 160 Rename Flash SIMM 161 Duplicate Flash 162 Appendix 163 Front Panel Knob Functions 163 Proteus 1000 Preset Categories 164 Preset Listing 165 Instrument Listing 173 Riff Listing 182 Velocity Curves 185 PatchCord Amount Chart 187 MIDI 188 Received Channel Commands 190 Technical Specifications 191 Sound Design 192 Warranty 193 Index 195 ...

Page 9: ...oteus 1000 s Sound Navigator is a major improvement to the main screen that makes it easy to find the exact sound you want from the thousands available It s powerful yet simple to use Of course the real power of Proteus 1000 becomes apparent when you synthesize your own sounds The extremely flexible yet easy to use 4 layer synthesizer voices make it easy to build sounds of any kind Layers can be s...

Page 10: ...mbiance algorithms like reverb and delays while effects processor B contains primarily spectral algorithms such as chorus flange phase distortion and delay Effects can be linked to each preset or used globally to further enhance your sound Other features include multiple solo voice assignment and performance modes for expressive control 12 user definable alternate tunings and of course an extensiv...

Page 11: ... shock This product is equipped with a cord having an equipment grounding conductor and a grounding plug The plug must be plugged into an appropriate outlet properly installed and grounded in accordance with all local codes and ordinances Danger Improper connection of the equipment s grounding conductor can result in the risk of electric shock Check with a qualified electrician or service personne...

Page 12: ...e Proteus 1000 should be connected only to a power supply of the type described in the operating instructions and marked on the product 7 Care should be taken so that objects do not fall and liquids are not spilled into the enclosure of Proteus 1000 through openings 8 This Proteus 1000 may be equipped with a polarized line plug one blade wider that the other This is a safety feature If you are una...

Page 13: ... in a residential installation However there is no guarantee that the interference will not occur in a particular installation especially if a rabbit ear TV antenna is used If Proteus 1000 does cause interference to radio or television reception you can try to correct the interference by using one or more of the following measures Turn the television or radio antenna until the interference stops M...

Page 14: ...isiko eines Schlages Dieses Gerät ist mit einem geerdeten Kabel und Stecker ausgerüstet Der Stecker muss in eine passende einwandfrei montierte und geerdete Steckdose in Übereinstimmung mit den örtlichen Vorschriften eingeführt werden Gefahr Unvorschriftsgemässer Anschluss des Gerätes kann zum Risiko eines elektrischen Schlages führen Im Zweifelsfalle über die ordnungsgemässe Erdung soll ein quali...

Page 15: ...n der Nähe von Wasser in Betrieb nehmen z B in der Nähe von Badewannen Waschschüsseln auf nassen Gestellen oder am Swimmingpool 4 Proteus 1000 stets so aufstellen dass seine Belüftung nicht beein trächtigt wird 5 Proteus 1000 nicht in der Nähe von Hitze aufstellen wie Heizkörper offenem Feuer Öfen oder von Backöfen 6 Proteus 1000 ausschliesslich mit einem Netzgerät gemäss Bedienung sanleitung und ...

Page 16: ...ierte Serviceleute gewartet werden falls A das Netzkabel beschädigt wurde oder B Gegenstände oder Flüssigkeit in das Gerät gelangten C das Gerät Regen ausgesetzt war oder D das Gerät nicht normal oder einwandfrei arbeitet oder E das Gerät stürzte oder sein Gehäuse beschädigt wurde 12 Servicearbeiten sollten nur qualifizierten Fachleuten anvertraut werden DIESE INSTRUKTIONEN AUFBEWAHREN ...

Page 17: ...une fiche devant être branchée dans une prise appropriée et reliée à la terre en conformité avec les normes locales Danger Une connexion incorrecte peut résulter en des risques d électrocution Vérifiez avec un technicien qualifié si vous avez des doutes quant à la connexion Ne modifiez pas vous même le cordon d alimentation livré avec cet appareil s il ne rentre pas dans la prise faites en install...

Page 18: ... type décrit dans les instructions d opération et tel qu indiqué sur l appareil 7 Une attention particulière doit être observée quant aux objets pouvant tomber et aux liquides pouvant être versés sur et à l intérieur de le Proteus 1000 8 Le Proteus 1000 peut être équipé d une fiche secteur polarisée avec une broche plus large que l autre C est une mesure de sécurité Si vous ne pouvez pas brancher ...

Page 19: ... ou d une télévision Cet appareil a été testé et est conforme aux normes de Classe A en accord avec les spécifications du paragraphe J de la section 15 des lois FCC Ces lois sont désignées pour fournir une protection raisonnable contre de telles interférences dans une installation résidentielle Toutefois il n est pas garanti qu aucune interférence n apparaisse dans des installations particulières ...

Page 20: ...de Name Audio Sampler Emulator System Model Number Proteus 1000 CR Under 89 336 EEC as amended by 92 31 EEC and 72 23 EEC In accordance with EN 55103 1 1996 Emission Environments E1 E2 E3 In accordance with EN 55103 2 1996 Immunity Environments E1 E2 E3 Test information is contained in a report by Atlas Compliance and Engineering dated November 15 1999 Report No 9949EMU2KCR103 Under 73 23 EEC as a...

Page 21: ...rom the packaging material Take care to save the packing materials in case you need to transport the unit Check to make sure all components are included and in good condition If there are missing or damaged components contact E MU Systems immediately for replacement or repair The Proteus 1000 box should include the following components Proteus 1000 rack unit Power cable Rack mounting ears This ope...

Page 22: ... MIDI controllers Outputs In order to reproduce the widest dynamic range and frequency response use a high quality amplification and speaker system such as a keyboard amplifier or home stereo system A stereo setup is highly desirable because of the added realism of stereophonic sound Headphones can be used if an amplifier and speaker system is not available Plug stereo headphones into the headphon...

Page 23: ...adphones into the headphone jack located on the left side of the front panel The Right Main output jack serves as a mono output when the Left Main plug is not plugged in The Left Main output jack is a stereo jack carrying both channels when the Right output jack is empty S C O T T S V A L L E Y C A U S A A L L E Y C A U S A B IN THRU A MIDI Out MIDI In MIDI Controller MIDI Keyboard Sequencer etc A...

Page 24: ...u can turn on Proteus 1000 and its MIDI controller in any order When power is applied the liquid crystal display will light indicating that Proteus 1000 is operating You may have noticed that there is no 110 220 Volt power selector switch on Proteus 1000 Proteus 1000 automatically switches itself to the proper line voltage ...

Page 25: ... The screen shown below appears 4 Press the Enter button again to stop playing the sequence 5 When a demo sequence plays to the end the next demo will automati cally begin playing The screen will display the new demo name 6 With the sequence stopped press either the Master Edit or Multi button to Exit the demo sequence mode Auditioning Presets The front panel audition button allows you to hear any...

Page 26: ...o with the Proteus 1000 is select and play the factory provided presets Proteus 1000 comes standard with 12 banks containing 128 presets each The first four banks are USER locations that can be overwritten and used to store your own presets The presets that come stored in the USER presets are duplicated in banks 4 7 of the CMPSR ROM bank so feel free to overwrite them with your own presets You won...

Page 27: ...lect a new preset number If you turn the knob slowly the presets advance one number for each click of the knob If you spin the knob quickly the numbers advance much faster more than one number per click 3 Play the keyboard or press the Audition button and listen to the sounds made by your Proteus 1000 4 TURN THE FOUR KNOBS on the front panel and note how they change the sound of each preset The bu...

Page 28: ...20 E MU Systems Setup Instant Gratification ...

Page 29: ...r or amplifier Master Button The Master menu contains parameters that affect the entire machine not just certain presets An illuminated LED to the right of the button indicates that you are in the Master menu Edit Button Use the Edit menu when you want to create or modify a preset An illumi nated LED to the right of the button indicates that you are in the Edit menu Control Button The Control butt...

Page 30: ... next parameter on the display The cursor is a little flashing line underneath one of the parameters in the display Press either cursor button until the cursor is underneath the desired parameter The cursor buttons have an auto repeat feature which advances the cursor when the button is held continuously The cursor can be moved bidirectionally using the Data Entry Control while either cursor selec...

Page 31: ... variable control switch used to change parameter values The wheel increments or decrements the current value one unit with each click This control incorporates acceleration which advances the value faster if the Data Entry Control is turned quickly Front Panel Controller Modes The Real time Controller Knobs serve three purposes 1 Real time control of synthesizer parameters 2 Quick Editing the ini...

Page 32: ... Edit menu This mode is only active when on the Preset Select screen and when Quick Edit is enabled in the Master menu see Knob Preset Quick Edit on page 47 Initial controller values can be stored in every preset When you move a knob with Quick Edit enabled the Initial Controller Value is updated with the knob s new value The knob s LED lights indicating that the preset value has been changed The ...

Page 33: ...l the Controller LEDs are off 3 All the Control Row LEDS are off When you turn a knob the field value jumps to the current knob value You can still use the Data Entry Control for editing by moving the cursor to the desired field To move through menus horizontally use the Data Entry Control the page s title field is the default cursor position To move through menus vertically preset layers press th...

Page 34: ...hanges to show the preset volume pan and preset location associated with the displayed channel Preset Selection To Change the Preset 1 Press either cursor key until the cursor is underneath the preset number The cursor is a little flashing line underneath one of the parameters in the display As you rotate the Data Entry Control the preset number and name changes 2 The displayed preset is assigned ...

Page 35: ...cted MIDI channel in relation to the other channels This is the same parameter as MIDI volume control 7 and changes made over MIDI are shown in the display To Change the Channel Volume 1 Press either cursor key until the cursor is underneath the volume value 2 Rotate the Data Entry Control to select a volume level The Channel Volume range is 000 127 CMPSR CMPSR CMPSR CMPSR CMPSR CMPSR CMPSR CMPSR ...

Page 36: ...e preset ADD algebraically with the Channel Pan setting Therefore if the pan setting in the preset were set to 63R moving the Channel Pan setting full left would return the sound to the center position To Change the Channel Pan 1 Press either cursor key until the cursor is underneath the pan field 2 Rotate the Data Entry Control to select a pan value 64L indicates a hard left pan 63R indicates a h...

Page 37: ... Field will change to show the first preset in each category To Change the Preset Category 1 Press either cursor key repeatedly until the cursor is underneath the preset category field 2 Rotate the Data Entry Control to select one of the preset categories Preset Categories are displayed in alphabetical order To Select a Preset within a Category 1 After selecting a category move the cursor to the P...

Page 38: ... the Master menu 3 Select the desired preset for each of the MIDI channels you want the Proteus 1000 to receive using the Main Screen See Main Screen on page 26 O O O O See page 159 for detailed information on Multisetups 4 Save the Multisetup using the instructions provided in Chapter 9 Save Copy 5 Proteus 1000 now responds multitimbrally on each of the MIDI channels you have specified The volume...

Page 39: ...xcept MIDI Program Change Preset map User Key Tuning Tables Multisetups can also be restored selected via MIDI Bank and Program change commands Select cc00 80 cc32 00 dec then send a Program Change command corresponding to the Multisetup you wish to select To Enable the Multisetup Menu Press the Multi button lighting the LED The Multisetup screen displays the menu page most recently selected since...

Page 40: ...wish to select To Restore Select a Multisetup 1 Press the Multi menu button lighting the LED The Multi menu screen displays the menu page most recently selected since powering up Proteus 1000 The cursor appears below the first character of the screen heading on line one 2 Go to the Restore Multisetup screen shown above using the Data Entry Control This is the first screen in the menu 3 Press eithe...

Page 41: ...utton to move the cursor to the bottom line of the screen 6 Scroll to the Save Multisetup screen shown below using the Data Entry Control 7 Press either cursor button to move the cursor to the bottom line of the screen 8 Now use the Data Entry Control to select the destination location The Enter LED will be flashing 9 Press the Enter button to save the Multisetup SETUP NAME 020 User Setup 23 SAVE ...

Page 42: ...n the Master menu 2 Decide which MIDI channels you want Proteus 1000 to receive 32 channels can be used simultaneously If you are using 16 MIDI channels or less just use one of the MIDI ports Use both MIDI ports if you need more than 16 MIDI channels You can turn any unused channels OFF using the MIDI Enable function in the Master menu 3 Select the desired preset for each of the MIDI channels you ...

Page 43: ... line one _ _ _ _ Warning Master Menu changes are automatically saved when you exit the menu If the power is turned off before you exit the menu any changes you have made will be lost To select a new screen Press the Home Enter button or press the Cursor button repeatedly until the cursor is below the screen title heading Rotate the Data Entry Control to select another screen To modify a parameter...

Page 44: ...ine tuning of all presets so that you can tune Proteus 1000 to other instruments The master tuning range is 1 semitone in 1 64th semitone increments 1 56 cents A master tune setting of 00 indicates that Proteus 1000 is perfectly tuned to concert pitch A 440 Hz Bend Range The Bend Range parameter sets the range of the pitch wheel This affects only presets that have their individual Pitch Bend range...

Page 45: ...ndix Mix Output The Mix Output parameter allows you to override the routing assignments made in each preset and instead assign the outputs according to MIDI channel For each of the 16 MIDI channels you can select Send 1 4 or Preset When Preset is selected the output assignment defined in the Preset Edit menu is used MASTER VELOCITY CURVE 13 Linear 0 20 40 60 80 100 120 0 20 40 60 80 100 Played Vel...

Page 46: ...r MIDI channel could be routed to Send 4 with an effect amount of only 5 This is almost like having two different effects channel 16 use preset MIX OUTPUT channel 15 Send 1 MIX OUTPUT S E N D 1 M A I N OUTPUT SECTION EFFECTS PROCESSORS MIDI Channel 1 MIDI Channel 2 MIDI Channel 3 MIDI Channel 4 MIDI Channel 5 MIDI Channel 6 MIDI Channel 16 MIDI CHANNEL Hall 1 Effect A Chorus Effect B B A Preset Pr...

Page 47: ...et to bypass the effects are turned off on a global scale This includes Effects programmed in the preset Effects Multi Mode Control The routing scheme for the two stereo effects processors provides a lot of versatility When in multi mode you can use master settings which applies the Master menu effects settings to all 16 MIDI channels If you want more control you can use the channel setting which ...

Page 48: ...itap Pan 11 3 Tap 12 3 Tap Pan 13 Soft Room 14 Warm Room 15 Perfect Room 16 Tiled Room 17 Hard Plate 18 Warm Hall 19 Spacious Hall 20 Bright Hall 21 Bright Hall Pan 22 Bright Plate 23 BBall Court 24 Gymnasium 25 Cavern 26 Concert 9 27 Concert 10 Pan 28 Reverse Gate 29 Gate 2 30 Gate Pan 31 Concert 11 32 Medium Concert 33 Large Concert 34 Large Concert Pan 35 Canyon 36 DelayVerb 1 37 DelayVerb 2 38...

Page 49: ...ects through the A effects See Effect Parameters on page 143 for more details FXA Send Amounts These parameters set the effects amounts for each of the four stereo effects busses See Master Effects on page 146 for detailed information Master FXB Algorithm This parameter selects the type of effect used for the B effect The following effect types are available FXA DECAY HFDAMP FxB FxA 040 096 001 FX...

Page 50: ...tereo effects busses See the Effects chapter for detailed information 1 Chorus 1 2 Chorus 2 3 Chorus 3 4 Chorus 4 5 Chorus 5 6 Doubling 7 Slapback 8 Flange 1 9 Flange 2 10 Flange 3 11 Flange 4 12 Flange 5 13 Flange 6 14 Flange 7 15 Big Chorus 16 Symphonic 17 Ensemble 18 Delay 19 Delay Stereo 20 Delay Stereo 2 21 Panning Delay 22 Delay Chorus 23 Pan Delay Chorus 1 24 Pan Delay Chorus 2 25 Dual Tap ...

Page 51: ...ived on the currently selected MIDI channel on the preset selection screen and plays that channel s associated preset Multi Responds to data on any combination of MIDI channels and plays the specific preset associated with each of the MIDI channels You must select multi mode for multitimbral operation MIDI SysEx ID This page defines the MIDI system exclusive SysEx device ID number The SysEx ID let...

Page 52: ...also remap incoming MIDI program changes to a different numbered preset This is a handy feature when your master keyboard cannot send a bank change or you want to reorder preset numbers Any preset can be mapped to any incoming MIDI program change number For example you could set up the Program Preset map to call up preset 12 whenever Proteus 1000 receives MIDI program change 26 The four fields sho...

Page 53: ...ollers numbers will be received from 1 to 31 and from 64 to 119 and which controller numbers will be transmitted over MIDI if the front panel controls are turned The PatchCord routing and amount in the Edit menu determine what effect the controller has on each preset Real time controllers are shown in the PatchCord menu as MIDI A through MIDI L Selected Program Mapped Program 0 1 2 3 4 5 6 7 8 9 1...

Page 54: ...nts Following are a few of the standardized MIDI Controller numbers as defined by the MIDI manufacturers association The controllers shown in Bold are automatically routed to the destination volume pan or have their own PatchCord source Others such as Portamento Time can be routed using a PatchCord to have the desired effect MIDI Footswitch Assign Like the MIDI Controllers you can assign three MID...

Page 55: ...p and down parameters Proteus 1000 redefines the center of the controller s range as zero so it acts like a pitch wheel MIDI Controller values are added to the Base Tempo with a range of 64 When the controller is set to off the tempo returns to its original setting This control has no effect when using an external clock Knob Preset Quick Edit Quick Edit changes the initial controller setting in th...

Page 56: ... defined by the Real time Controller Assign parameter see page 45 This function also enables or disables trans mission of Riff note data over MIDI when the Audition button is pressed If Deep Edit is enabled Knobs MIDI Out does not work while in any of the editing menus Master Edit Save Copy Preset Edit All Layers Enable This function allows you to turn the Edit All Layers feature on or off Edit Al...

Page 57: ...e front panel controls To Calibrate the Front Panel Control Knobs 1 Press the Master menu button and advance to the Calibrate Knobs page 2 Press the Enter button to begin the calibration process The following screen appears 3 Turn all knobs to their minimum value which is pegged in the counter clockwise direction then press the Enter button The screen briefly flashes Reading Values then displays 4...

Page 58: ...data between two Proteus 1000 units make sure both have the same SysEx ID number See MIDI SysEx ID on page 43 to learn how to change the SysEx ID Using the cursor key and the Data Entry Control select the type of MIDI data you want to transmit Following are descriptions of the types of MIDI data that can be transmitted Current Multisetup Transmits all parameters in the Master menu except Tuning Ta...

Page 59: ...he selected preset All User Arp Patterns Transmits all user arpeggiator patterns All User Data Transmits ALL user presets user tuning tables user arp patterns and user multisetups The Enter LED will be flashing Press the Enter button to confirm the operation To receive MIDI data simply send the MIDI data into Proteus 1000 from another Proteus 1000 or from a computer sequencer To Record MIDI SysEx ...

Page 60: ...s when in Tempo based mode control the times of Tempo based envelopes or used as a modulation source in the PatchCords section There are two tempo values shown in the display Base Tempo The base tempo is the value to which the MIDI controller specified in the Tempo Controller screen will be applied See Tempo Controller on page 47 Current Tempo The current tempo is equal to the base tempo modu late...

Page 61: ...n changes the viewing angle of the display so that you can read it easily from either above or below the unit The angle is adjustable from 7 to 8 Positive values will make the display easier to read when viewed from above Negative values make the display easier to read from below VIEWING ANGLE 0 ...

Page 62: ...54 E MU Systems Master Menu MIDI Parameters ...

Page 63: ... just waiting to be discovered Each preset can consist of up to four instrument layers Each of the four layers can be placed anywhere on the keyboard and can be crossfaded or switched according to key position velocity or by using a real time control such as a wheel slider pedal LFO or envelope generator A preset can also be linked with up to 2 more presets creating additional layering or splits P...

Page 64: ...rs such as the volume has an initial setting which is changed by a modulation source Therefore in the case of volume we have an initial volume that we can change or modulate with a modulation source Two main kinds of modulation sources on Proteus 1000 are Envelope Gener ators and Low Frequency Oscillators In the example above an envelope generator could be routed to automatically turn the volume c...

Page 65: ...ilter Frequency if you want the filter to smoothly follow pitch in solo mode Routing Key Glide to Pan creates another interesting effect Key Glide A smoothly changing control source based on the Glide Rate and the interval between the last two notes played Pitch and Mod Wheels Synthesizer pitch bend and modulation wheels Keyboard Pressure mono aftertouch Key Pressure applied after the key is initi...

Page 66: ...us 1000 you define a modulation source and a modulation destination Then you connect the source to the destination using PatchCords Proteus 1000 s PatchCords are connected in the software Proteus 1000 has 24 general purpose Patch Cords for each layer The controller Knobs assignments printed on the front panel are the system defaults You can change any of these assignments using the Real time Contr...

Page 67: ...nts must have different levels for the rate control to work All three envelope generators have the six stages described above The Volume Envelope generator controls the volume of the voice over time The Filter Envelope generator is a general purpose envelope most often used to control the filter frequency Unlike the Volume Envelope however the Filter Envelope can have a negative level value as wel...

Page 68: ...eat as long as the key is held As soon as the key is released the envelope continues through its normal Release stages 1 2 Only the Filter and Auxiliary Envelopes have the repeating feature The diagram above show how the looping envelopes work When the key is pressed the envelope goes through its regular Attack 1 Attack 2 Decay 1 and Decay 2 stages In non looping mode the envelope would hold at th...

Page 69: ...s Like the Auxiliary Envelope LFOs can be routed to control any real time function such as Pitch Filter Panning or Volume A common use for the LFO is to control the pitch of the sound LFO Pitch This effect is called vibrato and is an important performance effect Many presets use this routing with the modulation wheel controlling how much LFO modulation is applied Another common effect Tremolo is c...

Page 70: ...nchro sonic rhythm patterns You can also use a MIDI Clock as the Master Clock to synchronize to an external MIDI device such as a drum machine or sequencer See Base Tempo on page 54 Envelopes are triggered on the positive going edge of the clock LFOs are triggered on the negative going edge of the clock Clocks are routed exactly like the other modulations sources using the PatchCords The PatchCord...

Page 71: ...w other possibilities are listed below Turn different voice layers on and off using different clock divisors Switch between Auxiliary and Filter Envelope retriggering using a slider or footswitch Retrigger LFOs or Envelopes using noise or other LFOs to create random or semi random effects Alter the LFO waveform by modulating the rate of a triggered LFO Route multiple clocks with different divisors...

Page 72: ...Modulation sources are simply added algebraically connecting two sources one with a value of 100 and the other with a value of 100 yields a net value of zero Note on modulation sources such as key velocity and gate output a single value at note on time Realtime modulation sources such as LFOs envelope generators and modulation wheels output continuously changing values The possible modulation rout...

Page 73: ...ch Outputs a digital 1 when the input is greater than 0 Summing Amp Lets you add several modulation signals together before applying them to a destination This processor can save PatchCords when routing the output to multiple destinations Lag Processors Slows down rapid changes in the input signal The output lags behind the input at a pre programmed rate There are two lag processors Lag 0 and Lag ...

Page 74: ... The value of the input PatchCord controls the number of steps The value of the output PatchCord controls the size of the steps 4x Gain This processor amplifies the modulation source by a factor of 4 Lag Inputs O O O O Summing Amps can be useful in complicated patches where you want to control a combination of modulation signals with a single patchcord The Lag processors can be used as 2 additiona...

Page 75: ...elected In contrast the layer level lag processors begin acting only after a keyboard key has been depressed The Preset Lag also has a Lag Amount input which controls the lag time Positive lag amounts increase the lag time A MIDI controller front panel knob is commonly used to control lag amount The preset lag can be used to spin up and spin down an LFO which controls some other effect perhaps lef...

Page 76: ...Pitch LFO Speed or any other destination you can think of Study this patch if you want to learn a few new tricks using the patchcords 1 DC Sets initial ramp Fast Positive 100 2 Decay Knob Inverted value slows ramp as the knob value is increased O O O O The combination of the DC Perc Decay Time Cords has the effect of reversing the Percussion Decay Time knob The decay time increases as the knob is ...

Page 77: ... perfect fifth The Velocity source scales the played velocity around zero In other words low velocities below 64 will have negative values and high velocities 64 and above will be positive A velocity of 64 would be zero The Switch module only outputs a 1 if the input value is greater than zero This digital 1 value can be scaled through the attenuator on the PatchCord to raise or lower the pitch by...

Page 78: ...alue based on the PatchCord Amount setting If applied to the switch along with the velocity it changes the velocity value required to trip the switch By setting the DC amount to a negative amount higher velocity values are required to trip the switch Setting the DC value to a positive value would bring the velocity switch point down The PatchCord screens for this patch are shown below Switch Veloc...

Page 79: ... generators or LFOs are routed to the input The quantizer turns a smoothly changing input signal into a series of steps By routing the output of the quantizer to Pitch and adjusting the PatchCord amounts you can control both the number of steps and the pitch interval of each step The input PatchCord amount controls how many steps will be generated With a sawtooth wave LFO feeding the input and the...

Page 80: ...t for the DC offset which was added to bring the pitch down into tune Sometimes you have to fix a problem but using the mod processors there s usually a way around it to achieve the desired result You can start to see some of the possibilities and there are many Whenever you find yourself wishing for some esoteric type of control take a minute to think and see if there is a way to achieve the desi...

Page 81: ... a sine wave can be analyzed as a mix of sine waves at specific frequencies and amplitudes Any waveform can be analyzed as a mixture of sine waves One way to represent complex waveforms is to use a chart with frequency on one axis and amplitude on the other Each vertical line of the chart represents one sine wave at a specific amplitude and frequency Instrument Amp L R Freq Vol Q Retrigger Pitch G...

Page 82: ...mple a low pass filter lets the low frequencies pass and removes only the high frequencies as illustrated in the following diagram A filter that lets only the high frequencies pass is called a high pass filter as illustrated in the following diagram 20 40 60 80 100 40 80 160 360 720 1440 2880 Frequency Amplitude Output of Filter Low Pass Filter Cutoff Frequency 20 40 60 80 100 40 80 160 360 720 14...

Page 83: ... frequencies around the cutoff frequency The following chart shows how different amounts of Q affect the low pass filter response In terms of sound frequencies around the cutoff tend to ring with high Q settings If a filter with high Q is slowly swept back and forth various overtones are picked out of the sound and amplified as the resonant peak sweeps over them Bells and gongs are real world exam...

Page 84: ...sizers were famous for their 2 pole filter sound Using a filter we have a way to control the harmonic content of a sound As it turns out even a simple low pass filter can simulate the response of many natural sounds For example when a piano string is struck by its hammer there are initially a lot of high frequencies present If the same note is played softer there are fewer high frequencies generat...

Page 85: ...eft unaltered This is different from a band pass filter which attenuates reduces frequencies outside the selected band The parametric filter is quite flexible Any range of frequencies can be either amplified or attenuated Several parametric sections are often cascaded in order to create complex filter response curves If four parametric filter sections were cascaded it would be possible to create t...

Page 86: ...zens of different muscles controlling the shape of the vocal tract When speaking however we don t think of the muscles we just remember how it feels to form the vowels A vowel is really a configuration of many muscles but we consider it a single object In changing from one vowel to another we don t need to consider the frequencies of the resonant peaks You remember the shape of your mouth for each...

Page 87: ...e but the filter frequency can be modulated by any source The Q parameter can be modulated only at note on time There are 50 types of filters available See Proteus 1000 Filter Types on page 105 for a complete list of the filters Digitally Controlled Amplifier DCA Together with the Volume Envelope the DCA is used to shape the volume contour of a sound The DCA can be controlled by any modulation sou...

Page 88: ...to control the Proteus 1000 The following MIDI controls are automatically routed in Proteus 1000 Pitch Wheel pwh Modulation Wheel 01 Old DX7 Aftertouch 03 Pedal 04 Volume 07 Pan 10 Expression 11 Any MIDI controller can be routed to any modulation destination First you have to know which controller numbers your keyboard transmits Most modern MIDI keyboards let you select a controller number for eac...

Page 89: ... Pressing the control button adjacent to the row of knobs selects A D E H or I L functions for the knobs The front panel knob A L and incoming MIDI controller messages assigned to that letter both control the same parameter that you select in the PatchCord screen 0 1 2 3 31 MIDI Controller C Patchcord Destinations Control Knobs Master Menu Edit Menu A B C L 0 1 2 3 31 MIDI Controller A 0 1 2 3 31 ...

Page 90: ...izer has 16 384 banks yet but hey it s nice to know it s possible for that really BIG project Continuous Controller CC 0 is the MSB most significant byte and CC 32 is the LSB least significant byte Normally you send both the MSB and LSB controllers to implement a bank change When you press the Audition button the Bank Select MSB and LSB are displayed on the top line of the display Proteus 1000 rem...

Page 91: ...he Master menu and set the MIDI channel to Preset Next set the Mix Output routing in the preset to the desired output for each layer Yes you can send each layer to a different send if you want By sending different amounts of presets to the effects subtle or striking effects can be achieved using the two effect processors This feature allows you to get the most out of two effects since you can have...

Page 92: ...Master Mix Output is set to Preset Otherwise the Edit menu Mix Output settings are ignored PRESET Mix Output Mix Output Send 1 MASTER MENU PRESET EDIT MENU Ch 1 SEND 2 Ch 2 SEND 3 Ch 3 SEND 4 Ch 16 S E N D 1 M A I N OUTPUT SECTION EFFECTS PROCESSORS Hall 1 Effect A Chorus Effect B B A FX Sends Send 2 10 Send 3 0 Send 4 0 Send 1 15 FX Sends Send 1 0 Send 4 15 Send 3 20 Send 2 0 S E N D 3 S E N D 4 ...

Page 93: ... layer field Rotate the Data Entry Control to select a layer 1 4 _ _ _ _ If there is no A option in the Layer field you must enable the Edit All Layers function in the Master Menu You can also select All Layers by choosing A in the layer field When All Layers is selected the existing parameter value for any field will be displayed if the values of all four layers are equal If the values of all fou...

Page 94: ... Creating categories makes it easier to find specific sounds when you need them For more information on Sound Navigator see Sound Navigator in Chapter 2 Operations The keyboard can also be used to select character The charts below show the keyboard character assignments PRESET NAME 0001 kit Brazilian GM 0 2 3 5 7 8 A C D F H J K M O P R T V W Y b c e g h j l n o q s t v x z b l a n k 4 6 9 B E G I...

Page 95: ...splay Layers 1 4 or All can be selected by positioning the cursor on this field and using the Data Entry Control to change the layer In the screen shown below Layer 1 is selected When All Layers A is selected the existing parameter value for any field will be displayed if all layers are equal If the layer parameter values are NOT equal the value of Layer 1 will be displayed with flashing character...

Page 96: ...ment for the selected layer s move the cursor to the bottom line of the display and change the instrument using the Data Entry Control Sound Navigator Sound Navigator also works to help select Instruments although the category names are predefined When the cursor is on the Instrument Category field turning the Data Entry Control selects different instrument categories The Name Field will change to...

Page 97: ...ing to key position by adjusting the Low and High Fade parameters The first Fade field determines how many semitones it takes the layer to Fade In from the low key The second Fade field determines how many semitones it takes the layer to Fade Out to the high key The screen shot above and the diagram below show Layer 1 being faded out over a one octave range With a High Fade value of zero as in lay...

Page 98: ...h Fade set to zero Set the Low and High Keys so they don t overlap other layers You can select key numbers by simply pressing the desired keyboard key when the cursor is positioned on the low or high key field n the display If two layers do overlap both will play as shown in the next example C0 C1 C2 C3 C4 C5 C6 Layer 1 Layer 2 Layer 3 Layer 4 Switch Switch Switch L1 KEY LO FADE HIGH FADE C0 000 F...

Page 99: ...is called stacking layers All Layers assigned to a key sound when the key is played This is shown in the following diagram It s very easy to stack layers Simply duplicate the key ranges for any layers you want to stack C0 C1 C2 C3 C4 C5 C6 Layer 1 Layer 2 L1 KEY LO FADE HIGH FADE C0 000 C6 000 L2 KEY LO FADE HIGH FADE C0 000 C6 000 ...

Page 100: ...by defining the high and low velocity values Values range from 0 off to 127 hardest The Fade fields define the velocity crossfade range for the currently selected layer The first Fade field defines the Fade In range for the low velocity value The second defines the Fade Out range for the high velocity value With soft playing Layer 1 sounds As you play harder Layer 1 gradually fades out and Layer 2...

Page 101: ...gher key velocity while layer 2 fades in At a velocity of 64 the two sounds are equal volume You may want to adjust the fade in and fade out points to achieve a natural sounding crossfade These parameters vary depending on the sounds Increasing Velocity 0 127 Layer 2 Layer 1 Layer 2 Layer 1 L1 VEL LO FADE HIGH FADE 000 000 127 127 L2 VEL LO FADE HIGH FADE 000 127 127 000 ...

Page 102: ...Fade value range is from 0 to 127 After the Ranges and Fades have been adjusted for each layer in the Real time Crossfade screen you must assign a real time controller to RTXfade Real time Crossfade on each Layer in the PatchCord screen Set the PatchCord Amounts to 100 To Set Up a Real time Crossfade Between Two Layers As the real time control knob pedal LFO etc is increased Layer 1 fades out as L...

Page 103: ...ossfade and set the Cord Amount to 127 10 Play the keyboard while adjusting the real time controller Go back to the Real time Crossfade screens to fine tune the crossfade if necessary Decreasing the fade size will narrow the region where both layers are sounding To Randomly Cross Switch Between Four Layers In certain situations you may want to switch between several layers randomly Crossfade Rando...

Page 104: ... 4 Define the High and Low range of each Layer as shown above 5 Press Home Enter and use the Data Entry Control to advance to the PatchCord page Select Layer 1 6 Select XfdRnd as the modulation source and RTXfade as the desti nation Set the Cord Amount to 100 7 Repeat step 6 for the remaining three layers L1 RT LO FADE HIGH FADE 000 000 031 000 L2 RT LO FADE HIGH FADE 032 000 063 000 L3 RT LO FADE...

Page 105: ...ay at once Transposing the Instrument The Transpose parameter lets you transpose the key of the current layer s Instrument Transpose works by shifting the keyboard position in semitone intervals relative to middle C Use this parameter to transpose different layers apart by semitone intervals For example by transposing one layer by 7 semitones it will track other layers at a perfect fifth interval ...

Page 106: ...lightly change the timbre of the instrument Amplifier This parameter sets the initial volume and pan position of the current layer These values can be changed using any Real time Controller set up in the PatchCords The value range for the volume is from 96 dB to 10 dB 0 dB is the default setting Routinely turning the volume up to 10 dB is not recommended because it doesn t allow other modulation s...

Page 107: ...nstrument If you select the Factory mode the Volume Envelope parameters are disabled and the factory defined settings are used instead _ _ _ _ If two adjacent segments have the same level in a time based envelope the segment will be skipped Adjacent segments must have different levels for the rate control to work Time based Defines the Volume Envelope rates from 0 to 127 approxi mately 1 ms to 160...

Page 108: ... is reached the Attack 2 phase begins When the Attack 2 Level is reached the Decay 1 phase begins When the key is released the envelope immediately jumps to the Release 1 stage then the Release 2 stage finally ending at the Release 2 level If you have selected the factory mode the Volume Envelope parameter screen looks like the following illustration _ _ _ _ If the Release 2 level is set at a valu...

Page 109: ...the Start Offset amount to 0 plays the sample from the beginning Higher values move the Sample Start Point further into the sample toward the end There is also a PatchCord source which can be used to change the Sound Start point at note on time Controlling the Sound Start using Key Velocity Amt brings in the attack of the wave only when you play hard This is especially effective with percussion in...

Page 110: ...igger Last note priority No key up action Retriggers envelopes and samples when a key is pressed Melody last Last note priority No key up action First solo note Envelopes start at Attack segment from zero Samples start at the beginning If previous note is releasing Envelopes start at Attack segment but from current level Samples start at the beginning When playing Legato Envelopes continue from cu...

Page 111: ...oice such as an open high hat to a mono channel so it is cancelled by a closed high hat on the same mono channel Layers rotate within their assigned bin of channels not interfering with other bins The modes are Poly All Notes are played polyphonically with dynamic channel assignment using all 64 channels Poly 16 A B Two bins of 16 channels each Notes are played polyphoni cally with dynamic channel...

Page 112: ...f the state of Solo Mode Z Plane Filters A filter is a device which changes the output of a signal sound by removing certain elements of the signal based on the frequency and amplitude The Order of a filter defines the number of filter elements it contains The more elements the more complex the filter Proteus 1000 contains 50 different types of E mu s celebrated Z plane filters In addition to the ...

Page 113: ... with a wide spectrum of Q sounds BassBox 303 12 LPF Pumped up lows with TB like squelchy Q factor Shallow 02 HPF 2 pole high pass filter 12 dB octave slope Deeper 04 HPF Classic 4 pole high pass filter Cutoff sweep progressively cuts 4th Order High pass Band pass1 02 BPF Band pass filter with 6 dB octave rolloff on either side of the passband and Q control Band pass2 04 BPF Band pass filter with ...

Page 114: ... Ay sound to Ee sound at maximum frequency setting Q varies the apparent size of the mouth cav ity Ooh To Aah 06 VOW Vowel formant filter which sweeps from Oo sound through Oh sound to Ah sound at maximum frequency setting Q varies the apparent size of mouth cavity MultiQVox 12 VOW Multi Formant Map Q To velocity Ooh To Eee 12 VOW Oooh to Eeee formant morph TalkingHedz 12 VOW Oui morphing filter Q...

Page 115: ... increases flanging depth AngelzHairz 12 FLG Smooth sweep flanger Good with vox waves eg I094 Q 60 DreamWeava 12 FLG Directional Flanger Poles shift down at low Q and up at high Q MeatyGizmo 12 REZ Filter inverts at mid Q DeadRinger 12 REZ Permanent Ringy Q response Many Q variations ZoomPeaks 12 REZ High resonance nasal filter AcidRavage 12 REZ Great analog Q response Wide tonal range Try with a ...

Page 116: ...eping the envelopes in sync with the music See the illustration on page 60 Envelope Repeat The Envelope Generators can also be made to repeat When the envelope repeat function is On the Attack 1 2 and Decay 1 2 stages will continue to repeat as long as the key is held As soon as the key is released the envelope continues through its normal Release stages 1 2 For more information see Envelope Repea...

Page 117: ...be routed to any real time control destination in the PatchCords It is identical to the filter envelope generator See Filter Envelope on page 107 for full details Low Frequency Oscillators LFOs A Low Frequency Oscillator or LFO is simply a wave that repeats at a slow speed Proteus 1000 has two LFOs per layer identified on the display as LFO1 and LFO2 An LFO can be routed to any real time control d...

Page 118: ...smoothly then abruptly changes back down The available waveforms are shown below Triangle Square Sine 1 2 Sine 1 3 5 Sine Sawtooth 25 Pulse 33 Pulse 12 Pulse 16 Pulse Random Pat Fifth Octave C C G Pat Octaves Octave Octave C F G Pat Sus4 trip C G A Pat Neener Hemi quaver Sine Noise LFO Tricks Tips The Random LFO wave is truly random and is different for each voice and layer The Pattern Pat wavefor...

Page 119: ... 08 Hz to 18 14 Hz Values less than zero specify tempo based rates If you modulate the rate of a tempo based LFO the rates will jump between the tempo based note values with each PatchCord increment of 1 As an example if the LFO rate was set to 8 1 and you patched the Mod Wheel to control rate with a PatchCord amount of 1 turning the Mod Wheel to maximum would change the LFO rate to 4 1d Refer to ...

Page 120: ...Delay values equal to or greater than zero specify absolute time rates from 0 to 127 Values less than zero specify Tempo based mode Refer to the previous table for times and tempo based rates double note triplet 2 1t whole note 1 1 dotted half note 1 2d whole note triplet 1 1t half note 1 2 dotted quarter note 1 4d half note triplet 1 2t quarter note 1 4 dotted 8th note 1 8d quarter note triplet 1...

Page 121: ...controller This creates a chorus or ensemble effect since each note played has a slightly different modulation rate The higher the value entered the greater the note to note variation in the LFO The Variation value range is from 0 through 100 _ _ _ _ Variation is disabled when a Tempo Based LFO is selected LFO variation changes the rate of each note to create an ensemble effect ...

Page 122: ...control routings volume envelope to amplifier pitch wheel to pitch and key to pitch All other connections must be made using the PatchCords Each patch has an amount field which determines how much modulation is applied to the destination The modulation amount can be positive or negative Negative values invert the input The amount value range is from 100 to 100 Modulation Source LFO 1 Destination A...

Page 123: ...ity the Filter frequency is approximately where you set it at 100 An LFO works the same way on the positive half of the cycle it increases the initial amount and on the negative half of the cycle it decreases the initial amount With a modulation source a value of 64 equals 0 Modulation Uses only the negative half of the range subtracting from the current value For example if the Amplifier Volume w...

Page 124: ... Volume Envelope Attack MIDI Expression Controller 11 VEnvDcy Volume Envelope Decay KeyGlide VEnvRls Volume Envelope Release VolEnv Volume Envelope FEnvRts Filter Envelope Rates all FilEnv Filter Envelope FEnvAtk Filter Envelope Attack AuxEnv Auxiliary Envelope FEnvDcy Filter Envelope Decay LFO 1 2 FEnvRls Filter Envelope Release White White Noise FEnvTrig Filter Envelope Trigger Pink Pink Noise A...

Page 125: ...er menu MUST be set to Preset on the selected MIDI channel If you want to define output routing by MIDI channel set it up using the Mix Output page in the Master menu See Mix Output on page 37 for more information The Sends function as effect processor inputs effect sends The Output Routing field shows the true routing of the Sends to the Main output The Output Routing never changes To Control the...

Page 126: ...e two processors can be programmed as part of the preset The diagram below shows how the effects are integrated into the signal path using a parallel effects send return model similar to a mixing console Refer to the Effects chapter for additional information and instructions for setting up both the Preset Effects and the Master Effects Effect A Sum Sum Main Outs Effect B FX Send Amount FX Send Am...

Page 127: ...e programmed by either MIDI Channel or by Preset whichever you prefer PRESET Mix Output Mix Output Send 1 MASTER MENU PRESET EDIT MENU Ch 1 SEND 2 Ch 2 SEND 3 Ch 3 SEND 4 Ch 16 S E N D 1 M A I N OUTPUT SECTION EFFECTS PROCESSORS Hall 1 Effect A Chorus Effect B B A FX Sends Send 2 10 Send 3 0 Send 4 0 Send 1 15 FX Sends Send 1 0 Send 4 15 Send 3 20 Send 2 0 S E N D 3 S E N D 4 S E N D 2 ...

Page 128: ...te 7 Delay 8 Panning Delay 9 Multitap 1 10 Multitap Pan 11 3 Tap 12 3 Tap Pan 13 Soft Room 14 Warm Room 15 Perfect Room 16 Tiled Room 17 Hard Plate 18 Warm Hall 19 Spacious Hall 20 Bright Hall 21 Bright Hall Pan 22 Bright Plate 23 BBall Court 24 Gymnasium 25 Cavern 26 Concert 9 27 Concert 10 Pan 28 Reverse Gate 29 Gate 2 30 Gate Pan 31 Concert 11 32 Medium Concert 33 Large Concert 34 Large Concert...

Page 129: ...meters set the effects amounts for each of the four stereo effects busses FXB Algorithm This screen selects the effect type for Effect Processor A Move the cursor to the lower line of the display and select the effect you want B Effect Types FXA DECAY HFDAMP FxB FxA 048 064 000 FXA SEND AMOUNTS 1 100 2 50 3 10 4 0 FXB ALGORITHM Panning Delay 1 Chorus 1 2 Chorus 2 3 Chorus 3 4 Chorus 4 5 Chorus 5 6...

Page 130: ...and intensifies a chorus or flange effect LFO Rate allows you to change the speed of the modulation oscillator for flange and chorus effects Delay sets the length of the delay line This affects the time between echoes or the tone of flange effects FXB Send Amounts These parameters set the effects amounts for the four stereo effects busses FXB FEEDBK LFORATE DELAY 032 003 200ms FXB SEND AMOUNTS 1 1...

Page 131: ...o 100 The Preset PatchCord controls are added to the FX Send Amounts set in the Master or Edit menus In other words multiple sources connected to destinations are summed O O O O To crossfade between effects 1 Set FXA Send 1 to 100 2 Set FXB Send 1 to 0 3 Set FX Cord 1 to FXA Send 1 at 100 4 Set FX Cord 2 to FXB Send 1 at 100 Increasing the controller amount will crossfade from FXA to FXB Modulatio...

Page 132: ...m 000 127 or they can be turned Off If set to Off the current controller value is used when the preset is first selected Setting the Initial Amount to off uses the values from the previously selected preset 0 1 2 3 31 MIDI Controller C Patchcord Destinations Control Knobs Master Menu Edit Menu A B C L 0 1 2 3 31 MIDI Controller A 0 1 2 3 31 MIDI Controller B 0 1 2 3 31 MIDI Controller L MIDI Amoun...

Page 133: ...9 tone equal temperament 19 notes per octave Difficult to play but works well with a sequencer Gamelan 5 tone Slendro and 7 tone Pelog Javanese Pelog are white keys Slendro are black keys Exotic tunings of Gamelan flavor Just C2 Allows you to play the following chords in the key of C C E F G A B C m D m Em F m G m Am Bm Just C minor Allows you to play the following chords in the key of C C E F G A...

Page 134: ...y explaining the mysteries of just intonation is beyond the scope of this manual but the subject is covered exhaustively in Hermann Helmholtz s On the Sensations of Tone available at most libraries and bookstores The new tables are called Just C2 Just C3 and Just C Minor Try playing in the key of C Cm using each table You ll quickly discover both the wonders and the frustrations of just intonation...

Page 135: ...m stacked presets with up to 12 layers We re talking LARGE sounds here Of course Links can also be used when you just want to stack up two sounds As an example let s stack two presets to create a big sound Start with a preset you like then go into the Links screen and start scrolling through the preset list while you play to hear both presets together When you find a winner simply Save the preset ...

Page 136: ...main preset selection screen O O O O Listening to the Riffs is a quick way to learn the sounds in Proteus 1000 If a preset has hidden tricks or controllers these will be shown off in the Riff The Riffs themselves cannot be modified Play Solo Layers When constructing multilayer sounds it is often useful to turn off one or more of the layers so you can hear what you re doing This feature allows you ...

Page 137: ...nal sound Changes are not permanent until you Save them see Saving a Preset on page 155 Let s experiment and modify a few parameters of an existing preset We ll start with functions that have an obvious effect on the sound Instrument Select Tuning and Chorus Changing the Instrument Changing the instrument is the easiest and most dramatic way to modify an existing preset To Change the Instrument fo...

Page 138: ...esents whole semitone intervals The Fine tuning value shifts the pitch in 1 64 semitones or 1 56 cents To Tune the Instrument of the Current Layer 1 Scroll through the Edit menu until you come to the Tuning page 2 Move the cursor to the Coarse field using the cursor button 3 Set the value to 12 to shift the pitch up a whole octave To shift the pitch in smaller units than a semitone use the Fine fi...

Page 139: ... of chorusing for each of the instruments just play around with the Chorus and Width parameter until you like what you hear Volume Envelope Every sound you hear whether it s a piano note a drum or a bell has a characteristic volume curve or envelope This Volume Envelope shapes the volume of the sound which grows louder or softer in various ways during the course of the sound The volume envelope of...

Page 140: ... preparation for this experiment choose almost any of the standard organ presets which continues to sustain when the key is held down Go to the Instrument page and set it to None on all layers except Layer 1 Now you re ready to play with the Volume Envelope To Setup the Volume Envelope 1 Go to the Volume Envelope mode screen and set the Volume Envelope mode to time based 2 Now move on to the next ...

Page 141: ...ault Preset 1 Go to the Instrument screen Edit menu and select Instrument 321 Rast Keys This is a really buzzy sound Since filters work by removing or accentuating certain frequencies we want to make sure that we have a lot of frequencies to start with 1 Advance to the Filter Type screen using the Data Entry Control Select the Classic 4th order filter 2 Go to the Filter Frequency and Q screen Posi...

Page 142: ...Envelope is a device that can automatically change the filter frequency during the course of the note Before we define the Filter Envelope we need to patch the Filter Envelope to the Filter Frequency To Setup the Filter Envelope 1 Go to the PatchCord screen 2 Move the cursor below the first field in the bottom line of the display This is the Source field Use the Data Entry Control to change the So...

Page 143: ...ator to the Filter Cutoff as shown in the following diagram 5 Now return to the Filter Envelope Mode screen Set the Mode to time based 6 Advance to the Filter Envelope parameter page 7 Move the cursor underneath the time field and change the value to about 50 Now when you press a key the filter slowly sweeps up L1 PATCHCORD 01 FiltEnv FiltFreq 100 R L Pan Instrument Tone Filter DCA Filter Env Fc Q...

Page 144: ...ve the cursor down the lower line of the display Change the filter type while playing the keyboard There are 50 different filter types These filters are extremely powerful and have been carefully crafted to offer maximum flexibility and musical control You may want to change the Envelope PatchCord Amount Q and or the Filter Frequency to get the right sound for each filter and instrument These thre...

Page 145: ...o the envelope parameter page and adjust the Attack 1 2 and Decay 1 2 parameters The repeating envelope cycles through these four stages as long as the key is held Practice Modulating Try modulating the pitch with the Filter Envelope generator Use Velocity to modulate the Filter Envelope PatchCord or the Filter Frequency This brightens the sound as you play harder Program the LFO to modulate Filte...

Page 146: ...takes a little patience and practice Referring to the diagram below which shows the Proteus 1000 signal flow notice that the DCA comes after the Filter The DCA controls the final volume of the sound so if the filter s release is longer than the release for the DCA you won t hear it because the DCA has already shut off the sound You re getting the general idea by now Remember not to select a new pr...

Page 147: ...he preset you want to link with the preset you selected in step 1 Play the keyboard as you scroll through the various presets to hear the results 4 If you want the link to be a permanent part of the preset be sure to save the preset Otherwise simply change the preset to erase your work To Create a Split Keyboard Using Links 1 Follow steps 1 through 4 above 2 Press Enter and use the Data Entry Cont...

Page 148: ...140 E MU Systems Programming Tutorial Linking Presets ...

Page 149: ...l each channel Sends to the effect bus This allows each channel to be placed in a slightly different sonic space which creates an airy open sound Proteus 1000 uses this basic concept but works in a slightly different manner There are four effects busses Send1 Send4 Each preset or each MIDI channel you determine which can be directed to one of the four busses Each effect processor has four Send Amo...

Page 150: ...o algorithm you could route one MIDI channel to Send 3 and set the effect amount to 80 Another MIDI channel could be routed to Send 4 with an effect amount of only 5 This is almost like having two different effects The Mix Output function is also useful when sequencing since it lets you route specific MIDI channels and thus sequencer tracks to specific Sub outputs on the back panel where there the...

Page 151: ...es Room 1 3 Hall 1 2 Plate Delay Panning Delay Multitap 1 Multitap Pan 3 Tap 3 Tap Pan Soft Room Warm Room Perfect Room Tiled Room Hard Plate Warm Hall Spacious Hall Bright Hall Bright Hall Pan Bright Plate BBall Court Gymnasium Cavern Concert 9 Concert 10 Pan Reverse Gate Gate 2 Gate Pan Concert 11 Medium Concert Large Concert Large Concert Pan Canyon DelayVerb 1 3 DelayVerb 4 5 Pan DelayVerb 6 9...

Page 152: ...e have more high frequency damping The value range for High Frequency Damping is from 0 through 127 Feedback The Feedback parameter is used when setting B type effects The Chorus and Flange effects have a controllable feedback loop after the delay element Feeding back a small amount of the signal intensifies the effect by creating multiple cancellations or images Higher feedback values increase th...

Page 153: ...e Master menu will be used instead of the Preset Effect settings 4 Use the Data Entry Control to select the FXA parameter screen The FxB FxA parameter lets you route the B effect through the A effect See Effect B Into Effect A on page 150 5 Set the other effect parameters to your preference Refer to the infor mation in the last section for detailed descriptions of these parameters 6 Use the Data E...

Page 154: ...t When playing single presets the effects are normally programmed as part of the preset In Multimode the Master effects are used since there are only two effect processors to serve 16 MIDI channels To Program the Master Effects 1 Press the Master menu button The LED illuminates and the Master screen appears 2 Use the Data Entry Control to select the FXA Algorithm screen 3 Select an Effect 4 Use th...

Page 155: ... to the infor mation in the last section for detailed descriptions of these parameters 10 Press the Edit menu button The LED illuminates and the Edit menu displays the last screen used 11 Use the Data Entry Control to access the FXA Algorithm page and select Master Effect A _ _ _ _ The MIDI mode Master Menu must be set to Omni or Poly mode in order to select the effects in the preset 12 Repeat ste...

Page 156: ... Control The effects processor controls are very flexible The effects can be controlled in three different ways to suit your personal preference and to adapt to different situations When in Omni or Poly mode effects are normally programmed as part of the preset In Multi mode the two effects processors can be controlled using the Master settings or by using the effects settings of a preset on a spe...

Page 157: ...luminates and the Master menu screen appears 2 Use the Data Entry Control to select the MIDI mode page Choose multi for the mode Preset FX Master FX Effects are part of the Preset 1 Omni or Poly Mode Master FX Preset Ch 16 Master Effects Preset FX Ch 1 2 Multi mode Preset FX Preset FX FX Master Ch 16 Ch 1 Selected FX Control Channel One Channel s Preset determines the Effect Settings 3 Multi mode ...

Page 158: ...the Data Entry Control to select the MIDI mode page Choose multi for the mode 3 Move the cursor to the Multi mode Effects Control field using the Data Entry Control 4 Set the Effect Control to preset on Channel where is replaced by the actual channel number from 1 through 16 using the Data Entry Control 5 Press Enter to save the settings and return to the main screen Effect B Into Effect A The out...

Page 159: ... Main send amount to any amount other than zero 6 Press the cursor button again to return the cursor to the FXA title Use the Data Entry Control to advance to the FXB Algorithm page 7 Select an effect 8 Advance to the FXB submix routing page and set the Main FXB send percentage to zero 9 Play the keyboard and you should hear the B Effect running through Effect A This patch is shown below FXA DECAY...

Page 160: ...cording to the time set by the Decay Time parameter High frequency energy tends to fade away first as a sound is dissipated in a room The High Frequency Damping parameter allows you adjust the amount of high frequency damping and thus change the characteristics of the room Rooms with smooth hard surfaces are more reflective and have less high frequency damping Rooms filled with sound absorbing mat...

Page 161: ... realistic effect with faster LFO rates generally requiring less LFO amount and vice versa Doubling When a copy of a sound delayed by about 26 milliseconds is added back to the original two audio images are perceived by your brain When the delayed image is slightly varied or modulated the illusion of two voices is created Slapback Slapback is a single short echo in the range of 50 60 milliseconds ...

Page 162: ...e two output signals are a few milliseconds apart to create a stereo image The delay times are variable from 0 635 mS Panning Delay A panning delay is similar to the normal delay lines except that the echoes bounce back and forth between the two stereo speakers Dual Tap These are delay lines where the signal is tapped off at two unevenly spaced locations When feedback is used multiple complex echo...

Page 163: ... in Quick Edit mode you must save the preset in order for the change to become permanent When you save a preset it erases any existing preset information in that location Make sure that the destination location does not contain preset information you want to keep Each time you change a preset parameter the Save Copy button LED illuminates reminding you to save your work To Save a Preset 1 Press th...

Page 164: ...he preset information in the source location the preset location from which you want to copy is not deleted from the original location just copied to the destination location To Copy a Preset All the Sound Navigator features work when using the Copy functions 1 Select the Preset you want to copy information into 2 Press the Save Copy menu button 3 Scroll to the Copy Preset screen using the data en...

Page 165: ... Select the Preset and Layer you want to copy information into 2 Press the Save Copy menu button 3 Scroll to the Copy Layer screen using the data entry control 4 Move the cursor to the bottom line on the display 5 Select the preset location using the Data Entry Control of the preset containing the information you want to copy into the current preset 6 Move the cursor to the top line in the display...

Page 166: ...rent preset 6 Move the cursor to the top line in the display 7 Select the layer of the source preset in the first field on the right 8 Select the destination layer in the second field 9 Press the Enter Home button Copy Preset PatchCords The Copy Preset PatchCord command lets you copy the preset patchcord settings from one preset location into the current preset location The preset information in t...

Page 167: ...select the User preset bank you want to copy into 7 Press the Enter Home button to overwrite the bank Create Random Preset This is a great feature which creates a new preset using portions of the ROM presets as source material By merging random presets really great sounding presets can be generated with ease Use this feature to generate wild new sounds get new programming ideas or just for fun To ...

Page 168: ... board The destination Flash SIMM must be placed in SIMM socket 1 To Copy a User Bank to Flash 1 Make sure a Flash SIMM is inserted into the extra Proteus 1000 SIMM socket _ _ _ _ If there is no Flash SIMM in the unit the error message Requires Flash SIMM will be displayed 2 Press the Save Copy menu button 3 Rotate the Data Entry Control to select the Copy User Bank function shown above 4 Move the...

Page 169: ...ayed 2 Press the Save Copy menu button 3 Rotate the Data Entry Control to select the Rename Flash SIMM function shown above 4 Move the cursor to the New Name field and rename the SIMM using the Data Entry Control to select the letter and the cursor keys to select the position 5 Set the Sound ID number for the SIMM It doesn t matter which number you choose as long as the same number isn t used in a...

Page 170: ... 0 The destination Flash SIMM must be placed in SIMM socket 1 1 Make sure the two Flash SIMM are located in the required Proteus 1000 SIMM sockets _ _ _ _ If there are no Flash SIMMs in the unit or if the SIMMs are in the wrong slots an error message will be displayed 2 Press the Save Copy menu button 3 Rotate the Data Entry Control to select the Duplicate Flash SIMM screen shown above 4 Move the ...

Page 171: ...rol these functions The Front Panel Knobs can be reprogrammed for each preset and stored in any of the User Presets The functions shown here are the factory programmed settings Tone Filter Frequency Presence Filter Resonance Shape Filter Envelope Amount Image Typically brings in additional layers Attack Volume or Filter Envelope Attack Decay Release Vol Filt Envelope Release and or Decay Movement ...

Page 172: ...based LFO Envs kit Drum Kit brs Brass Instruments led Leads bs1 Acoustic Bass nse Noises bs2 Electric Bass orc Orchestral sounds bs3 Sub Bass pad Sustained pad like bs4 Dance Bass prc Percussive bs5 Miscellaneous scr Scratches gtr Guitar sfx Sound Effects hit Orchestra Hit Short Blast str Strings violins cellos etc kb1 Piano syn Synthesizers kb2 Electric Piano vox Vocals kb3 Organs wav Simple Wave...

Page 173: ... StereoGrand3 56 kb1 StereoGrand4 57 kb1 Sung Piano 58 kb1 Techno Piano 59 kb2 Ballad Tine 60 kb2 Classic EP 1 61 kb2 Classic EP 2 62 kb2 Classic EP 3 63 kb2 Classic EP 4 64 kb2 DooGie 65 kb2 Dynofunk EP 66 kb2 FM El Piano 67 kb2 FM EP 1 68 kb2 FM EP 2 69 kb2 FM2Classic 70 kb2 Hard Dyno 71 kb2 Hard EP 72 kb2 Hard Tine 73 kb2 Med Dyno 74 kb2 Med EP 75 kb2 Pretty EP 76 kb2 PrettyLushEP 77 kb2 Rezzro...

Page 174: ...z 55 bs2 Finger1 56 bs2 Finger2 57 bs2 Fingered In 58 bs2 Fretless 1 59 bs2 Fretless 2 60 bs2 Fretless 3 61 bs2 Fretless 4 62 bs2 Fretless 5 63 bs2 Fretless d 64 bs2 FretterNot 65 bs2 Full Finger 66 bs2 Gruzzy Pop 67 bs2 Harmonics 68 bs2 MelloRounder 69 bs2 Picked 70 bs2 Picked Off 71 bs2 Pop 72 bs2 Pop Slide 1 73 bs2 Pop Slide 2 74 bs2 Pop Slide 3 75 bs2 Pop Slide 4 76 bs2 Signfeld Pop 77 bs2 Sla...

Page 175: ...ot 53 bs4 Octave 54 bs4 Org Gruz 55 bs4 Osc Kars 56 bs4 PercoOrgana 57 bs4 Plexy 58 bs4 Power Q 59 bs4 PuLs A ting 60 bs4 Q Attack 61 bs4 Q Bass 1 62 bs4 Q Bass 2 63 bs4 Q Bass 3 64 bs4 Q Bass 4 65 bs4 Q Snap 66 bs4 Reverend JB 67 bs4 Ripped3 68 bs4 Saw Sync 69 bs4 Sawz 70 bs4 SE 1 71 bs4 SE 2 72 bs4 SE One 73 bs4 Shift 74 bs4 Simple 3 75 bs4 Sobered Up 76 bs4 StraytUPjunO 77 bs4 Sync Echo 78 bs4 ...

Page 176: ...str Abbey Strngs 58 str Analog 59 str Analogic 60 str ArcotremPizz 61 str Big Strings 62 str ChamberGrp 63 str DarkMoods 64 str Digital 1 65 str Digital 2 66 str Drews Harp 67 str ExtremeStrng 68 str Fortuna 69 str GlissiPizzi 70 str Helium 71 str Hindookurdoo 72 str Japanman 73 str Koto 74 str Kult E Vatn 75 str Many Quarts 76 str Matrix Synth 77 str MeltroniKnbD 78 str Morocco Feel 79 str Obie a...

Page 177: ...ka Cheat 56 wnd S Sax 57 wnd Sax FX 1 2 3 58 wnd Sax Session 59 wnd Shenai 60 wnd Synth Flute 61 wnd T Sax 62 wnd Tenor Phone 63 wnd Virtuaccord 64 wnd WindTrio 65 vox Ahhs 66 vox Arco Breath 67 vox Common Vox 68 vox Dark Angels 69 vox Gossamer 70 vox Gothic Dream 71 vox Lo FakeChoir 72 vox Lo Fi Ether 73 vox Majestic 74 vox MauzeWowz 75 vox Mist 76 vox Odd Boys 77 vox Odd Vox 78 vox Oohs Souls 79...

Page 178: ...kedSquare 59 syn Ensemblist 60 syn Ethnosplint 61 syn Euro Wave 62 syn Fat Slide 63 syn Festival 64 syn Gritstrings 65 syn Heavy 66 syn Hi Oct Synth 67 syn Hi String 68 syn Hydraine 69 syn Little Tins 70 syn LOCoCution 71 syn Messy 72 syn Mood Strings 73 syn Moog 74 syn NarrowEscape 75 syn Nervous 76 syn No NerveNet 77 syn OBX Saws 78 syn OohAhh Vox 79 syn P5 Brass 80 syn ProfitMargin 81 syn Promo...

Page 179: ...t Orch Fatlow 57 hit Organ Hits 1 58 hit Organ Hits 2 59 hit Poker 60 hit Punch Prak 61 hit Sax Scandals 62 hit Skweeler 63 hit String Hits 64 hit Synth Basses 65 hit Vox Grunts 66 hit Vox Hits 1 67 hit Vox Hits 2 68 hit Vox Hitties 69 orc Brasso 70 orc Combo 71 orc Fanfare 72 orc Orch w Perc 73 orc Orchestra 74 orc PnoBrsStrg 75 orc Str Brs Wd1 76 orc Str Brs Wd2 77 orc Str Brs Wd3 78 sfx 30 79 s...

Page 180: ... 58 prc Xylophone 59 kit 424 60 kit Kit 02 61 kit Kit 03 62 kit Kit 04 63 kit Kit 05 64 kit Kit 06 65 kit Kit 07 66 kit Kit 08 67 kit Kit 09 68 kit Kit 10 69 kit Kit 11 70 kit Kit 12 71 kit Kit 13 72 kit Kit 14 73 kit Kit 15 74 kit Kit 16 75 kit Kit 17 76 kit Kit 18 77 kit Kit 19 78 kit Kit 20 79 kit Acoustic 2 80 kit All Niter 81 kit Berzerker 82 kit BMF 83 kit Booster 84 kit ClassicHouse 85 kit ...

Page 181: ...48 org Synth Organ 49 org Breathy 50 org Dance 51 org Synth Cheeze 52 org Oddd Organ 53 sub Bass Hum 54 sub Below Sub 55 sub Super Sub 56 sub SE Sub 1 57 sub SE Sub 2 58 sub SE Sub 3 59 sub SE Sub 4 60 sub SE Sub 5 61 sub SE Sub 6 62 sub SE Sub 7 63 sub Subtle Bass 64 sub Moog 1 65 sub Moog 2 66 sub Q Attack 67 sub Juno 68 sub Complex 69 sub Full Octave 70 sub Deep Pocket 71 sub JP4 Bass 72 sub Ba...

Page 182: ...r Gtr Scratch 187 gtr Muted String 188 gtr Klean Chuck 189 gtr Jangle 190 gtr Riff 1 191 gtr Riff 2 192 gtr Riff 3 193 gtr Funky Hit 194 gtr Another Hit 195 gtr Jazz Riff 1 196 gtr Jazz Riff 2 197 gtr Jazz Riff 3 198 gtr Slide Riff 199 gtr Pop Slide 200 gtr Pop 201 gtr Chord Chuck 202 gtr Slide 203 gtr Sad Guitar 204 gtr Wawa 1 205 gtr Wawa 2 206 gtr Wawa 3 207 gtr Wawa 4 208 gtr Wawa 5 209 gtr Wa...

Page 183: ... 319 wav Spacey Keys 320 wav Dig Buzz Syn 321 wav Rast Keys 322 wav Narrow Synth 323 wav Fat Attack 324 wav Synthetic 325 wav Overtone Syn 326 wav Buzz Saw Syn 327 wav Blipper 328 wav Full Synth 329 wav Bass Synth 330 wav Mini Lead 331 wav M12 Lead 332 wav Sync 1 333 wav Sync 2 334 wav Sync 3 335 wav Sync 4 336 wav Sync 5 337 wav Sync 6 338 wav Pop Square 339 wav Juno Square 340 wav SquareAttack 3...

Page 184: ...it Hit On It 449 hit Jazz Short 450 hit Blamp Hit 451 hit Blipp 452 hit Buzz Blip 453 hit Game Hit 454 hit Diss Hit 455 hit Bell Hit 456 hit Klang Hit 457 hit Metal Hit 458 hit Slinky Q Hit 459 hit Space Whip 460 hit Short Quack 461 hit Quack Ahhh 462 hit Bowser Bark 463 hit Chiffin 464 hit Ripped 465 hit Drum Stab 466 hit Hip Hop Hit 467 hit Drum Stall 468 hit Dance Hit 1 469 hit Dance Hit 2 470 ...

Page 185: ...cr KickScratch1 578 scr KickScratch2 579 scr SnareScratch 580 scr Tite Scratch 581 scr Scratch Up 582 scr Barker 583 scr Plunger 584 scr Skipper 585 scr Fast Scratch 586 prc Soft Vibes 587 prc Hard Vibes 588 prc Xylophone 589 prc Marimba 590 prc Kalimba 591 prc Plexitone 592 prc Orchestral 593 prc Miscellany 594 prc FM Log Drum 595 prc SynDrum Wave 596 prc X ite Tick 597 prc Kicks 1 598 prc Kicks ...

Page 186: ...ck 60 714 prc Kick 61 715 prc Kick 62 716 prc Kick 63 717 prc Kick 64 718 prc Kick 65 719 prc Kick 66 720 prc Kick 67 721 prc Kick 68 722 prc Kick 69 723 prc Kick 70 724 prc Kick 71 725 prc Snare 1 726 prc Snare 2 727 prc Snare 3 728 prc Snare 4 729 prc Snare 5 730 prc Snare 6 731 prc Snare 7 732 prc Snare 8 733 prc Snare 9 734 prc Snare 10 735 prc Snare 11 736 prc Snare 12 737 prc Snare 13 738 pr...

Page 187: ...1 prc Snare 117 842 prc Snare 118 843 prc Snare 119 844 prc Snare 120 845 prc Snare 121 846 prc Snare 122 847 prc Snare 123 848 prc Snare 124 849 prc Snare 125 850 prc Snare 126 851 prc Snare 127 852 prc Snare 128 853 prc Snare 129 854 prc Snare 130 855 prc Snare 131 856 prc Timbale 1 857 prc Timbale 2 858 prc Timbale 3 859 prc Timbale 4 860 prc Timbale 5 861 prc Timbale 6 862 prc Tom 1 863 prc To...

Page 188: ... Hat 67 981 prc Hat 68 982 prc Hat 69 983 prc Hat 70 984 prc Hat 71 985 prc Hat 72 986 prc Hat 73 987 prc Hat 74 988 prc Hat 75 989 prc Hat 76 990 prc Hat 77 991 prc Hat 78 992 prc Hat 79 993 prc Hat 80 994 prc Hat 81 995 prc Hat 82 996 prc Hat 83 997 prc Hat 84 998 prc Hat 85 999 prc Hat 86 1000 prc Hat 87 1001 prc Hat 88 1002 prc Hat 89 1003 prc Hat 90 1004 prc Hat 91 1005 prc Hat 92 1006 prc Ha...

Page 189: ... Block 7 1102 prc Block 8 1103 prc Block 9 1104 prc Block 10 1105 prc Block 11 1106 prc Block 12 1107 prc Block 13 1108 prc Block 14 1109 prc Tam 1 1110 prc Tam 2 1111 prc Tam 3 1112 prc Tam 4 1113 prc Tam 5 1114 prc Tam 6 1115 prc Tam 7 1116 prc Tam 8 1117 prc Tam 9 1118 prc Clap 1 1119 prc Clap 2 1120 prc Clap 3 1121 prc Clap 4 1122 prc Clap 5 1123 prc Clap 6 1124 prc Clap 7 1125 prc Clap 8 1126...

Page 190: ...2 BRS Barry Bones 63 BRS Brass Bari 64 BRS BreathTBone 65 BRS Centurions 66 BRS Don sTrumpet 67 BRS Horny 68 BRS Huge Brass 69 BRS MelloD Trmp 70 BRS Milez 71 BRS Movie Brass 72 BRS MutedTrumpet 73 BRS Soft Trumpet 74 BRS The Ensemble 75 BRS Trmpt Sect 76 GTR Carlos 77 GTR Cast Teller 78 GTR Cast Teller2 79 GTR Chuckin 80 GTR Dark Gut 81 GTR Distorter X 82 GTR Distorter X2 83 GTR Distorter X3 84 G...

Page 191: ...IT CookUsAHit 2 189 KIT DerLyBeEmuD 190 KIT DeepBooty 191 KIT DeepBooty2 192 KIT DeepBooty3 193 KIT Disengrate 194 KIT Drum 303 195 KIT Drum Buzza 196 KIT Drum Bass 1a 197 KIT Drum Bass 1b 198 KIT Drum Bass 2 199 KIT Drum Bass 3a 200 KIT Drum Bass 3b 201 KIT Drum Bass 4a 202 KIT Drum Bass 4b 203 KIT Drum Bass 5 204 KIT Drum Bass 6 205 KIT Electro 206 KIT For Real 207 KIT For Real 2 208 KIT Gett Ou...

Page 192: ...a Pizz 320 STR AllinaPizz 2 321 STR ArcotremPizz 322 STR Dyna heim 323 STR ExtremeStrng 324 STR Filmscore 325 STR HindooKurdoo 326 STR Japanman 327 STR Kult E Vatn 328 STR Pizzicati 329 STR SitarTalk 330 STR Solo Quartet 331 STR Strg Choir 332 STR Swoon 333 STR Texture 334 STR TronStrings 335 STR Velo Marcato 336 STR Victrola 337 SYN Bender 338 SYN Brazz 339 SYN Ensemblist 340 SYN Euro Wave 341 SY...

Page 193: ...ity range Curve 2 0 20 40 60 80 100 120 0 20 40 60 80 100 Played Velocity 120 Result Velocity Expands dynamics in low range emphasizing medium velocity values and compressing high velocity values 0 20 40 60 80 100 120 0 20 40 60 80 100 Played Velocity 120 Result Velocity Curve 3 Expands velocity range Soft Loud 0 20 40 60 80 100 120 0 20 40 60 80 100 Played Velocity 120 Result Velocity Curve 4 Exp...

Page 194: ...0 100 120 0 20 40 60 80 100 Played Velocity 120 y Curve 8 Similar to Curve 6 with more emphasis on the middle range 0 20 40 60 80 100 120 0 20 40 60 80 100 Played Velocity 120 Result Velocity Curve 9 Extreme dynamic range compression 0 20 40 60 80 100 120 0 20 40 60 80 100 Played Velocity 120 y Curve 10 Extreme dynamic range compression Outputs low values 0 20 40 60 80 100 120 0 20 40 60 80 100 Pl...

Page 195: ... 120 Result Velocity Curve 12 Less severe version of Curve 11 0 20 40 60 80 100 120 0 20 40 60 80 100 Played Velocity 120 Result Velocity Curve 13 Extreme expansion of velocity range Semitone PatchCord Amount Semitone PatchCord Amount 1 3 21 66 2 6 22 69 3 approx 9 23 approx 72 5 4 approx 12 24 approx 76 5 16 25 79 6 19 26 82 7 22 27 88 8 25 28 91 9 28 29 approx 95 10 approx 31 30 98 11 35 31 12 3...

Page 196: ...s Active Sensing No No System Reset No No Tune Request No No System Exclusive Sample Dump Standard File Dump MIDI Tuning Master Volume Master Balance Notation Information Turn GM1 System On Turn GM2 System On Turn GM1 System Off Other See Remarks Yes No No Yes No No No No No No No Yes No No Yes Yes No No No No No No NRPNs No No RPN 00 Pitch Bend Sensi RPN 01 Chan Fine Tune RPN 02 Chan Coar Tune RP...

Page 197: ...mmands although these presets can be edited independently of the current preset edited using the Front Panel Remote Preset selection is independent of the edit buffer Changing the current preset erases the edit buffer MIDI Time Code No No MIDI Machine Control No No MIDI Show Control No No Extension Capability General MIDI Compat Is GM default mode No No No No DLS compatible Import DLS Files Export...

Page 198: ...us 1000 is available on the official E MU Systems Inc web site www emu com Command Message Comments Note Off 8n kk vv Note On 9n kk vv velocity 0 note off Key Aftertouch An kk vv kk 0 127 vv 0 127 Program Change Cn vv 0 127 Channel Aftertouch Dn vv 0 127 Pitch Bend En ll mm l lsb m msb Real time Controller Bn cc vv cc 00 31 64 95 Footswitch Bn cc vv cc 64 79 vv 64 on Volume Bn 07 vv 0 127 Pan Bn 0...

Page 199: ...outputs 20 bit DACs Max Output Level 4 dB Output Impedance 1000 Ohms Sound Memory 32 MB expandable to 64 MB Data Encoding 16 bit linear data Effects Engine 24 bit internal processing Sample Playback Rate 44 1 kHz Signal to Noise 92 dB Dynamic Range 90 dB Frequency Response 20 Hz 20 kHz 2 1 dB THD Noise 0 02 1kHz sine wave A weighting IMD 0 05 Stereo Phase Phase Coherent 1º at 1 kHz Power Consumpti...

Page 200: ...ann Ed Dickie Andrew Schlesinger Alex Strudley Tim Swartz Audition Files Ed Mann Nate Tschetter John DePatie Kevin Woodhouse Sam Ward Friends Demo Sequences Rain Dance Dr Gerry Basserman Proteus 1000 Ed Mann Mov in Earth Sam Ward Organic Nick Tidy Earth Tones Nate Tschetter Executive Producer Tim Swartz ...

Page 201: ...cifically disclaims any implied warranty of merchantability satisfactory quality and fitness for a particular purpose EMU s liability under warranty is limited to repair or replacement of the unit or refund at EMU s option In no event will EMU be liable for loss of revenue or savings loss of time interruption of use or any other consequential indirect incidental special or exemplary damages The fo...

Page 202: ...dence with this number EMU suggests you carefully and securely pack your unit for return to the factory Do not send the power cord or operation manual Send the unit to E MU Systems Inc 1600 Green Hills Road Scotts Valley CA 95066 You must pre pay shipping charges to EMU EMU will pay return shipping charges You will be responsible for any damage or loss sustained during shipment in any direction 3 ...

Page 203: ...k number 19 26 basic setup 14 basics programming 55 bend range 36 breath controller 46 button control 21 cursor 22 edit menu 21 home enter 23 35 master menu 21 save copy 22 bypass effects 148 C calibration 49 category instrument 29 preset 29 164 center frequency 77 change filter type 136 MIDI preset 45 preset 19 the voice 129 channel arpeggiator 29 MIDI enable 44 MIDI select 26 pan 28 selection MI...

Page 204: ...mic range 191 E edit menu button 21 editing presets 129 effects A type 143 B into effect A 150 B submix routing 42 B type 143 busses 141 by channel number 150 chorus 153 decay 144 delay 144 154 description 152 diagram 118 119 121 distortion 154 doubling 153 dual tap delay 154 feedback 144 154 flanger 153 FXA decay 41 FXA HF Damping 41 FXB feedback 42 FXB FXA 41 145 global 149 HF damping 144 LFO ra...

Page 205: ...s 123 FX mode 39 148 FXA algorithm 145 146 FXA parameters 121 FXB FXA 145 146 150 FXB algorithm 121 145 147 FXB master algorithm 41 FXB parameters 122 FXB submix routing 42 G gain processor 66 gamelan tuning 125 gate 57 generator envelope 57 filter envelope 107 137 noise and random 57 volume envelope 99 glide 104 curve 104 key 57 rate 57 104 global effects 146 149 group assigning channels to a 103...

Page 206: ...1 menu 35 menu button 21 tuning 36 melody solo mode high 102 last 102 low 102 MIDI 47 A H messages 23 bank select display 17 22 channel 26 channel selection 26 clock 52 continuous controllers 45 57 80 controller 7 27 device ID 43 enable 44 external clock 62 footswitches 46 implementation chart 188 in 14 inputs A B 15 knobs transmit 24 48 mode 30 43 141 multi mode 43 omni mode 43 out 15 pan control...

Page 207: ...ning delay effect 154 parameters effects 143 parametric filters 77 patchcord 58 114 amount 80 114 copying a 158 example 69 routing 64 pedal 57 performance controllers 57 pink noise example 71 pitch wheel 57 137 master bend range 36 range 117 pitch shifting 130 pitchbend range 117 play solo layers 128 polarity modulation and LFO 115 ramp rate 68 pole filters 76 poly all assign group 103 poly mode 4...

Page 208: ...tput 117 S safety instructions 3 save copy button 22 menu 155 saving presets 155 Scarlatti tuning 125 screen main 26 35 preset select 26 viewing angle 53 selecting a MIDI channel 26 selecting presets 18 26 send amount 141 FXA 41 121 122 effect 38 preset effect 117 sequence setup 34 using multisetups in a 31 sequencing 34 setup basic 14 studio 15 signal path 79 141 slapback 153 slapback effect 153 ...

Page 209: ...25 Vallotti 125 Werkmeister 125 tuning tables send receive 50 tutorial filter 73 tutorial programming 129 U user key tuning 52 presets 51 V Vallotti tuning 125 variation LFO 113 velocity crossfade 92 curve 37 185 curves 185 key 57 preset link 127 release 57 vibrato effect processor 154 viewing angle screen 53 voices changing 129 stolen 103 voltage setting 16 volume channel 27 control 21 control 7 ...

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