Boss GT-001, Parameter Manual

Page: 22 / 48

EFFECT
22
MIXER
Knob Parameter Value Explanation
[1] MODE
STEREO
Channels “A” and “B” will be mixed and output
in stereo.
PAN L/R
Channels “A” and “B” will be assigned
respectively to the L and R OUTPUT jacks.
[2]
A/B .BAL
(Ch .A/B
BALANCE)*1
100:0–
0:100
Adjusts the volume balance of channels “A”
and “B.”
[3] SPREAD *1 0–100
Slightly delays the sound of channel “B” to
make the sound more spacious.
*1 Shown only if DIVIDER MODE is “DUAL.”
NS1/NS2
This effect reduces the noise and hum picked up by guitar pickups.
Since it suppresses the noise in synchronization with the envelope
of the guitar sound (the way in which the guitar sound decays over
time), it has very little effect on the guitar sound, and does not
harm the natural character of the sound.
Knob Parameter Value Explanation
NS ON/OFF OFF, ON Switches the noise suppressor effect on/off.
[1]
THRESH
(THRESHOLD)
0–100
Adjust this parameter as appropriate for the
volume of the noise. If the noise level is high,
a higher setting is appropriate. If the noise
level is low, a lower setting is appropriate.
* High settings for the threshold parameter
may result in there being no sound when
you play with your guitar volume turned
down.
[2] RELEASE
0–100
Adjusts the time from when the noise
suppressor begins to function until the noise
level reaches “0.”
[4] DETECT
This controls the noise suppressor based on the
volume level for the point specified in Detect.
INPUT
Input volume from input jack.
* Ordinarily, DETECT should be set to
“INPUT.”
NS
INPUT
Noise suppressor input volume.
* When connected as illustrated below, and
you want to prevent a spatial-type effects
sound (such as a delay sound) from being
eradicated by the NS, you should set
DETECT to “NS INPUT.”
(Spatial-type effect)
NS1 DLY
FV OUT
Volume after passing through Foot Volume.
* If you want to use FV (Foot Volume) in
place of the guitar’s volume control, you
need to set DETECT to “FV OUT.”
INPUT
Foot Volume
NS1 FV
ACCEL FX
You can use six types of Accel effects in which operating an external
pedal connected to the CTL/EXP jack produces time-varying
changes in the sound.
* To use the Accel effect, connect a pedal such as the FS-6 to the
CTL/EXP jack, and set MENU
"
CTL/EXP
"
CTL1/CTL2 to assign
the FUNC (FUNCTION) as ACCEL.
Knob Parameter Value Explanation
Page 1
[1] TYPE
S-BEND Applies intense bending.
LASR BM
(LASER BEAM)
Produces a laser beam-like sound.
RNGMOD
(RING MOD)
Produces a metallic sound, creating
the impression that the sound is
being focused.
TWIST
Produces an aggressive sense of
rotation. Using this in conjunction
with distortion will produce an even
wilder sense of rotation.
WARP Produces a dream-like sound.
FEEDBKR
(FEEDBACKER)
Generates feedback performance.
S-BEND
Applies intense bending.
Knob Parameter Value Explanation
Page 1
[2] PITCH
-3 oct, -2 oct,
-1 oct, +1 oct,
+2 oct, +3 oct,
+4 oct
Adjusts the amount of pitch shift in
octave steps.
[3]
RISE .TM
(RISE TIME)
0–100
This parameter adjusts the amount
of time it is to take for the effect to
transition to the maximum.
[4]
FALL .TM
(FALL TIME)
0–100
This parameter adjusts the amount
of time it is to take for the effect to
transition to the original.
LASER BEAM
Produces a laser beam-like sound.
Knob Parameter Value Explanation
Page 2
[1]
RATE 0–100 Adjusts the modulation rate of the sound.
[2] DEPTH
0–100 Adjusts the modulation depth of the sound.
[3]
RISE .TM
(RISE TIME)
0–100
This parameter adjusts the amount of time
it is to take for the effect to transition to the
maximum.
[4]
FALL .TM
(FALL TIME)
0–100
This parameter adjusts the amount of time
it is to take for the effect to transition to the
original.