The River, User Manual
PAGE
13
PAGE
13
the layer 4 is no longer active. We will now get his voice for the layer 3. On the panel, press the channel button 3 and then
turn the voices 6, 7 and 8.
The River now connect to your computer with a USB cable.
Choose the taking
PANEL.
It is the most suitable for full control by software and start your favorite software. Verify PANEL @
Choose the taking
PANEL.
It is the most suitable for full control by software and start your favorite software. Verify PANEL @
Choose the taking
PANEL.
It is the most suitable for full control by software and start your favorite software. Verify PANEL @
THERIVER is available in source and destination MIDI. The River must also verify that communication
USB mirror
is activated.
THERIVER is available in source and destination MIDI. The River must also verify that communication
USB mirror
is activated.
THERIVER is available in source and destination MIDI. The River must also verify that communication
USB mirror
is activated.
To push on
*
S
SYSTEM, with the left encoder select
Dump to USB
and with the right encoder, if necessary, choose
YES.
To push on
*
S
SYSTEM, with the left encoder select
Dump to USB
and with the right encoder, if necessary, choose
YES.
To push on
*
S
SYSTEM, with the left encoder select
Dump to USB
and with the right encoder, if necessary, choose
YES.
To push on
*
S
SYSTEM, with the left encoder select
Dump to USB
and with the right encoder, if necessary, choose
YES.
To push on
*
S
SYSTEM, with the left encoder select
Dump to USB
and with the right encoder, if necessary, choose
YES.
To push on
*
S
SYSTEM, with the left encoder select
Dump to USB
and with the right encoder, if necessary, choose
YES.
To push on
*
S
SYSTEM, with the left encoder select
Dump to USB
and with the right encoder, if necessary, choose
YES.
Place your software recording and playing the keyboard. Your sequencer will receive MIDI events. Stop recording. If you look in
list view recorded events in your software, you will find that the transmitted MIDI channel is the selected channel in The River,
regardless of your definitions in The Riverkey. Why ? The panel is still active on the selected channel and you can record in your
software all actions on the panel;) It is therefore more coherent to select the mode
Select
when you work with your computer
software all actions on the panel;) It is therefore more coherent to select the mode
Select
when you work with your computer
software all actions on the panel;) It is therefore more coherent to select the mode
Select
when you work with your computer
using a profile. Press once on the button
fashion
to switch mode
Select.
using a profile. Press once on the button
fashion
to switch mode
Select.
using a profile. Press once on the button
fashion
to switch mode
Select.
using a profile. Press once on the button
fashion
to switch mode
Select.
Erase the previous record, select the panel channel 1: playing you hear the 1 (LEAD). Put your record in a sequencer play a
bass line by tweaking the CUTOFF, EMPHASIS and the dial. Stop recording. If you listen to the record and if you look in list
mode events recorded in your software, you will find that most of the notes, all the panel events were transmitted.
Add a MIDI track in your software and arm it for recording. On The River, select channel 2 (the MEP) and save the same.
Add a MIDI track in your software, arm it for recording. On The River, select channel 3 (sound STRING) and save the same.
It'll just listen to the overall result;)
3. Split, and arpeggio sequences
3. Split, and arpeggio sequences
Load the template 5. You watch the screen Riverkey two layers that go to channel 1, in which the eight voices are assigned. What
is the advantage of having two layers that go to the same channel rather than a single layer?
We must not forget that the Layers are customizable: transposition arpeggio / sequence etc ... A split was defined: A0 -> B4 and C5> C8
So the whole keyboard A0 -> C8 hand well to channel 1. Also, thanks to the two layers, we can define an arpeggio or
sequence on the lower keyboard and allow high free part or put another arpeggio / sequence on the upper part.
Select the layer 1:
S KEY
F # 4 "Layer 1". Select / run arpeggiator:
S KEY
G # 3 "Arpeggio" and play a chord. The arpeggio
Select the layer 1:
S KEY
F # 4 "Layer 1". Select / run arpeggiator:
S KEY
G # 3 "Arpeggio" and play a chord. The arpeggio
Select the layer 1:
S KEY
F # 4 "Layer 1". Select / run arpeggiator:
S KEY
G # 3 "Arpeggio" and play a chord. The arpeggio
Select the layer 1:
S KEY
F # 4 "Layer 1". Select / run arpeggiator:
S KEY
G # 3 "Arpeggio" and play a chord. The arpeggio
Select the layer 1:
S KEY
F # 4 "Layer 1". Select / run arpeggiator:
S KEY
G # 3 "Arpeggio" and play a chord. The arpeggio
starts. You will find that C0 to B4 buttons to transpose (if you play a note) or redefine the arpeggio (if you play multiple notes).
The C5 to C8 keys do not affect the arpeggio because they are in the layer 2. You can play freely on the keyboard (for more info
about arpeggios, see "arpeggios").
But you can also define an arpeggio or sequence on this layer. For a sequence: