The River, User Manual
PAGE
32
PAGE
32
Source: audiomulch.com
*
BICYCLE MOD S (0 ... 127)
of
ATTACK
and
RELEASE:
modulations separate times of attack and release by the strike velocity. A
BICYCLE MOD S (0 ... 127)
of
ATTACK
and
RELEASE:
modulations separate times of attack and release by the strike velocity. A
BICYCLE MOD S (0 ... 127)
of
ATTACK
and
RELEASE:
modulations separate times of attack and release by the strike velocity. A
BICYCLE MOD S (0 ... 127)
of
ATTACK
and
RELEASE:
modulations separate times of attack and release by the strike velocity. A
BICYCLE MOD S (0 ... 127)
of
ATTACK
and
RELEASE:
modulations separate times of attack and release by the strike velocity. A
BICYCLE MOD S (0 ... 127)
of
ATTACK
and
RELEASE:
modulations separate times of attack and release by the strike velocity. A
test for beautiful shades in the volume via the keyboard!
EXPRESSION (0 ... 127)
amount of velocity modulation of the amplitude of two ADSR.
EXPRESSION (0 ... 127)
amount of velocity modulation of the amplitude of two ADSR.
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S PEDAL MIN (0 ... 127)
minimum volume setting controlled by the pedal, when it is in the raised position (see rear
S PEDAL MIN (0 ... 127)
minimum volume setting controlled by the pedal, when it is in the raised position (see rear
panel).
5. ANALOG LFO
5. ANALOG LFO
Each voice has independent analog LFO. This LFO is free to swing, it is impossible to synchronize the LFO between voice or
with the clock. It is wonderful for the PWM phase-shifted or sounds slightly out of tune.
: Choice of the waveform of LFO
•
Triangle
•
Square (symmetrical pulse)
RATE (0-127):
LFO rate
RATE (0-127):
LFO rate
*
S LFO DELAY (0-127):
time to onset of the LFO or modulation by the filter envelope when the latter is assigned to the VCO2.
S LFO DELAY (0-127):
time to onset of the LFO or modulation by the filter envelope when the latter is assigned to the VCO2.