The River, User Manual
PAGE
17
PAGE
17
VI. References
VI. References
1. Channel and voice, and UNISON MODE buttons
1. Channel and voice, and UNISON MODE buttons
First step in the configuration of The River, we must organize
multitimbrality
and
polyphony.
For simplicity, sound = one channel
First step in the configuration of The River, we must organize
multitimbrality
and
polyphony.
For simplicity, sound = one channel
First step in the configuration of The River, we must organize
multitimbrality
and
polyphony.
For simplicity, sound = one channel
First step in the configuration of The River, we must organize
multitimbrality
and
polyphony.
For simplicity, sound = one channel
First step in the configuration of The River, we must organize
multitimbrality
and
polyphony.
For simplicity, sound = one channel
and a score = 1 vote. The River has 8 voices and 8 channels. The
multitimbrality
and a score = 1 vote. The River has 8 voices and 8 channels. The
multitimbrality
is the ability to manage multiple sounds simultaneously, the
polyphony
meanwhile, is the ability to play multiple notes sound
is the ability to manage multiple sounds simultaneously, the
polyphony
meanwhile, is the ability to play multiple notes sound
is the ability to manage multiple sounds simultaneously, the
polyphony
meanwhile, is the ability to play multiple notes sound
simultaneously. We must also consider the nature of his rule when polyphony: a sound that slowly extinguished after releasing the
key (long release) require more votes even for a monophonic play. Otherwise, the new note will replace the old very quickly, and
the extinction of the previous note will be stopped abruptly ...
If you want to play one sound at a maximum polyphony, that is to say up to 8 notes simultaneously, it will be the simplest
configuration: Select channel 1 and set it all voices (all yellow buttons illuminated).
If you want to play two tones with a shared polyphony, that is to say up to four notes simultaneously for each sound, select
channel 1 and assign the first four voices, select channel 2 and set it the last four voices.
When you select a voice that is already assigned to another channel, it is removed from it.
When you add a voice channel, the sound loaded into other voice channel will be copied to this new voice.
The channel index is channel "MIDI" to communicate with him. For a layer address notes to Channel 2, for example, it will set
this layer output "The River, Channel 2". This is also valid for communication with software.
Function
RDIR (
see page
RDIR)
to change the "pilot" channel of a channel. For example you can say, channel 3 receives
Function
RDIR (
see page
RDIR)
to change the "pilot" channel of a channel. For example you can say, channel 3 receives
Function
RDIR (
see page
RDIR)
to change the "pilot" channel of a channel. For example you can say, channel 3 receives
Function
RDIR (
see page
RDIR)
to change the "pilot" channel of a channel. For example you can say, channel 3 receives
Function
RDIR (
see page
RDIR)
to change the "pilot" channel of a channel. For example you can say, channel 3 receives
orders from channel 2 (see
Propagation All commands and redirection).
orders from channel 2 (see
Propagation All commands and redirection).
Orders synthesis are active for the selected channel unless mode
ALL
is selected. In this case, the panel acts on all channels.
Orders synthesis are active for the selected channel unless mode
ALL
is selected. In this case, the panel acts on all channels.
Orders synthesis are active for the selected channel unless mode
ALL
is selected. In this case, the panel acts on all channels.
The panel also acts on all channels that would be redirected to the selected channel (see
Propagation All commands and
The panel also acts on all channels that would be redirected to the selected channel (see
Propagation All commands and
redirection).
FASHION
This button changes the channel operation.
•
mode
MIDDAY,
the destination of the layers is respected. What hand to channel 1 arrives on channel 1, which leaves towards the channel 2 arrives
mode
MIDDAY,
the destination of the layers is respected. What hand to channel 1 arrives on channel 1, which leaves towards the channel 2 arrives
mode
MIDDAY,
the destination of the layers is respected. What hand to channel 1 arrives on channel 1, which leaves towards the channel 2 arrives
on channel 2 etc ...
• mode
SELECT,
all incoming information is sent to the selected channel. So even if you have defined two layers with two
mode
SELECT,
all incoming information is sent to the selected channel. So even if you have defined two layers with two
mode
SELECT,
all incoming information is sent to the selected channel. So even if you have defined two layers with two
channels, or a single layer on a channel, in this mode, all notes will be sent to the selected channel. This mode is useful
when you want to go from a to another. You load two different sounds in both channels, and the choice of the channel on the
panel, you can alternately use each sound without extinguishing when switching from one channel to another.
• mode
ALL,
all information (one or more layers) are made simultaneously to all active channels (i.e. with at least one voice).
mode
ALL,
all information (one or more layers) are made simultaneously to all active channels (i.e. with at least one voice).
mode
ALL,
all information (one or more layers) are made simultaneously to all active channels (i.e. with at least one voice).
This mode is useful for working on complex multilayer sounds. The RDIR function to achieve the same result but more
accurately by linking only two channels for example.