AJA io hd, Installation And Operation Manual

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18
Workflow Scenarios
Understanding Typical Workflows
Io HD and Final Cut Pro allow more workflow flexibility than ever before. Users
can independently select different formats and frame rates for capture. Io HD's
full array of SD and HD, analog and digital connectors—with all outputs active
simultaneously—make video preview and mastering an easy task. Capture can
range from compressed or uncompressed SD to ProRes 422 and ProRes 422
(HQ) for SD and HD.
Captured media can be stored on disk as:
•
on-line quality at moderate bit rates
•
offline quality at low bit rates
•
8 or 10 bit uncompressed (SD-only)
•
or visually lossless, 10 bit, full raster ProRes 422 SD or HD
Corporate/Industrial
Io HD captures and outputs
S-video, component video (HD & SD),
and composite video, with
multi-channel audio
Io HD captures and outputs
SDI video with embedded
audio. Optionally, Application
can use AES/EBU
8 channel (in/out)
and/or SDI embedded 8 channel
(in/out)
IoHD captures via HD-SDI
to Apple ProRes 422 and Final Cut 6
is used to do field editing of the
material.
Monitoring a variety of legacy and
current devices for playback or
conversion can be a challenge. ,
AJA Io HD can use all of its I/O ports
simultaneously, supporting a
wide range of old and new analog
SD and HD equipment
configurations.
Pro Broadcast
On-site Editing
Corporate/Industrial
Pro Broadcast
On-site Editing
Corporate/Industrial
Pro Broadcast
Video Podcasting
Desktop Video
On-site Editing
Offline Editing,
On-site Editing,
Archival
Analog
Examples: Beta, VHS, and U-matic
Digital
Examples: Digibeta, DV50, DVCPRO, and DVcam
Field or Remote Capture and Editing
Capture HD via ProRes 422 with a MacBook Pro
Monitoring one of many video/audio sources
Examples: monitoring studio equipment
or using older legacy equipment in an edit
suite
Workflow Attributes
Source Deck Type(s)
Applications