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4

AHLBORN - HYMNUS IV

3)

STRINGS

RECITATIVO II
Viola da gamba 8'

This incisive and delicate stop adds a graceful note of colour to the fundamental sounds. It is
particularly useful in romantic and modern music, where it creates a rich contrast with the deeper and
more penetrating sounds.

If Gamba 8' is blended with Nazardo 2 

2/3

' it will imitate the sound of an “Oboe” for solo purposes.

4)

UNDULATING STOPS

RECITATIVO II
Voce celeste 8'

The Voce celeste 8' from the Swell possesses a typical string character. Played on its own or together
with other gentle 8' stops, the Voce celeste 8' is a stop suited to romantic and modern organ music.

It is interesting to note that in the HYMNUS IV model, the phenomenon of acoustic undulation is
completely natural. In fact, on one of the channels the note played is in tune, while on the other the
note is sharp. The undulation, therefore, originates in the “air” between the two separate sound
sources.

NOTE: It is the norm to exclude the undulating stops from all registrations in which the Mixtures,
Reeds or stops above 8' are present. This is because the phenomenon of acoustic undulation gives
rise to a lack of the necessary basic stability. For the same reason, their use is not recommended for
accompanying choral or other instrumental music.

5)

REEDS

GRANDE ORGANO I

RECITATIVO II

PEDALE

Tromba 8'

Oboe 8'

Controfagotto 16'
Regale 4'

Last but not least is the Reed family whose sounds add colour and sharpness to the other stops.

The Great features a Tromba 8' which can be usefully employed as a solo stop to outline a “cantus
firmus” or to enrich the sound of the “Organo Pleno”.

In the Swell the Oboe 8', used alone or with fundamental stops and with the help of the expression
pedal, serves the romantic and late-romantic repertoires very well.

In the Pedal the Controfagotto 16' is suitable to support the “plenum” with or without reeds,
emphasizing the virtuosic pedal solos and chorale melodies in long passages entrusted to the feet.

The Regale 4', with its incisive timbre rich in colour, is used to state the “cantus firmus” in the tenor
in the numerous Chorale Preludes which call for a 4' Pedal solo.

Apart from all schematic family subdivisions, one can easily imagine the numerous and interesting
possible combinations which the HYMNUS IV offers, enhanced by the accurate timbre of every
stop.

Summary of Contents for HYMNUS IV

Page 1: ...Classic Organ Code 270975...

Page 2: ...a polarized line plug one blade wider than the other This is a safety feature If you are unable to insert the plug into the outlet contact an electrician to replace your obsolete outlet Do not defeat...

Page 3: ...OWNER S MANUAL ENGLISH AHLBORN Classic Organ...

Page 4: ...t cannot be copied photocopied or reproduced in part or in whole without prior consent from Generalmusic S p A Generalmusic reserves the right to apply whatever aesthetic design or functional modifica...

Page 5: ...dynamics which the HYMNUS IV offers and which allow him to play most styles of music The following general instructions are meant as mere examples since the art of organ registration is closely connec...

Page 6: ...stops belonging to this family are the foundation of any traditionally voiced organ The structure of the Mixtures relates to the different pitch foundation of the three sections As far as the use of...

Page 7: ...5 4 rank Cornet 3 Bordone 8 Nazardo 2 2 3 Terza 1 3 5 Sesquialtera combined with a flute sound 4 Bordone 8 Corno di notte 4 Nazardo 2 2 3 5 Bordone 8 Nazardo 2 2 3 6 Bordone 8 Nazardo 2 2 3 Flautino...

Page 8: ...ent This is because the phenomenon of acoustic undulation gives rise to a lack of the necessary basic stability For the same reason their use is not recommended for accompanying choral or other instru...

Page 9: ...5 3 Release both pistons The selected registration is now memorised 4 Bringalltabstozero usingtheAthumbpistonandrepeattheoperationonthumbpistonswhich are still available TO MODIFY A COMBINATION 1 Pres...

Page 10: ...pistons The selected registration in now memorised 4 Press the General Cancel piston A to switch off the tabs Each time the reversible piston relative to the programmed preset is pressed the stop tabs...

Page 11: ...ction panel is situated in the upper part of the hollow between the manuals and the pedalboard to the extreme right of the console OUT IN THRU MIDI L R LEVEL EFFECT MASTER PHONES REVERB AUX OUT MASTER...

Page 12: ...d pedalboard The MIDI THRU socket enables more than two instruments to be connected with each other utilizing the first as principal transmitter piloting instrument MIDI language can be received by mo...

Page 13: ...section HOW TO OPERATE should be modified as follows A SECTION CHANNELLING HOW TO OPERATE 1 Press for approx 3 seconds the WINDCHEST LAYOUT button the display will show the following information CHEST...

Page 14: ...ess the DECR or INCR buttons until the display shows the following information CHEST LAYOUT Top Tweeters on flashing 2 Press ENTER the word on will start to flash Press the DECR or INCR buttons to swi...

Page 15: ...utputs for amplified speakers amplifiers or domestic Hi Fi units IMPORTANT WARNINGS When positioning the speaker cabinets it is not advisable to place the left and right section too far away from each...

Page 16: ...al Reverb Headphone output MIDI IN OUT THRU ports Internal amplification 70 W RMS basses 2 x 40 W RMS medium and treble 10 woofer bass reflex 2 middle range 4 tweeters 10 divided chest configurations...

Page 17: ...s Meantone Chaumont WerckmeisterIII KirnbergerIII Tartini Vallotti Kellner on A 440 and 415 Manual Inversion Great and Pedal enclosed Output sound channelling general or independent per division monop...

Page 18: ...nH v X After Touch Key s X X Ch s X X Pitch Bender X X Control change 07 O O Section Volume 92 O O Tremolo 96 O O Data increment 97 O O Data decrement 70 O O 1 71 O O 1 Program Change O 127 O 127 True...

Page 19: ...MANUALE D USO ITALIANO AHLBORN Classic Organ...

Page 20: ...ione con un amplificatore o una cuffia in grado di produrrelivellidisuonotalidapotercausarelaperditapermanentedell udito Nonfatelafunzionarealungo ad un volume fastidioso o troppo alto 4 Posizionate l...

Page 21: ...e dall HYMNUS IV scegliendo di volta in volta quelle meglio rispondenti al tipo di musica che intende eseguire Le indicazioni che seguono hanno carattere generale e puramente esemplificativo in quanto...

Page 22: ...3 1 I registri appartenenti a questa famiglia sono da considerarsi la struttura portante di ogni organo classico razionalmente concepito LacomposizionedeiRipieni stabilitainfunzionedelladifferentebas...

Page 23: ...ssibili al Recitativo Seguono alcuni esempi di registrazioni al II Manuale RECITATIVO II 1 Bordone 8 Corno di notte 4 Nazardo 2 2 3 Flautino 2 Terza 1 3 5 Cornetto a 5 file 2 Bordone 8 Nazardo 2 2 3 F...

Page 24: ...egistri dolci di 8 la Voce celeste un registro adatto alla letteratura musicale romantica e moderna E interessante rilevare che nell organo HYMNUS IV il fenomeno del battimento acustico avviene nel mo...

Page 25: ...Unione si inserisce al secondo tocco si disinserisce E anchepossibiledisinseriretramiteleplacchettequanto statoinseritoconipistoncini eviceversa COMBINAZIONI AGGIUSTABILI HYMNUS IV dispone di N 5 comb...

Page 26: ...Il loro contenuto SI AGGIUNGE alle registrazioni preparate manualmente o tramite le combinazioni aggiustabili Il contenuto delle combinazioni stato stabilito dalla Ditta nel modo seguente RIPIENO I G...

Page 27: ...accompagnamento del canto odialtristrumenti Portandonellaposizionevolutal appositocomando possibilevariarelatonalit del brano musicale eseguito nell ambito di N 6 SEMITONI VERSO IL GRAVE e di N 3 SEM...

Page 28: ...In pratica possibile suonare attraverso le tastiere dell HYMNUS IV un altro strumento musicale MIDI compatibile o viceversa Collegando ad esempio la presa MIDI OUT dell HYMNUS IV con la presa MIDI IN...

Page 29: ...ER SEZIONI COME OPERARE 1 Tenere premuto per circa 3 secondi il tasto WINDCHEST LAYOUT sul display compaiono le seguenti indicazioni CHEST LAYOUT Panoramic off lampeggia 2 Premere i tasti DECR o INCR...

Page 30: ...ompaiono le seguenti indicazioni CHEST LAYOUT Top Tweeters on lampeggia 2 Premere ENTER la scritta on comincia a lampeggiare Premere i tasti DECR o INCR se si desidera escludere o abilitare i Top Twee...

Page 31: ...o HI FI AVVERTENZE IMPORTANTI Nella collocazione delle casse acustiche nell ambiente opportuno non separare ecces sivamente la parte sinistra dalla parte destra distanza consigliabile 2 4 metri L effe...

Page 32: ...del riverbero digitale Presa per cuffia Prese per collegamento MIDI IN OUT THRU Amplificazione interna 70 W RMS bassi 2 x 40 W RMS medio acuti Woofer 10 bass reflex 2 middle range 4 tweeters Canalizz...

Page 33: ...ordatura dello strumento pitch Temperamenti Mesotonico Chaumont Werckmeister III Kirnberger III Tartini Vallotti Kellner su La 440 e 415 Inversione delle tastiere Possibilit di espressione al Grande O...

Page 34: ...nH v X After Touch Key s X X Ch s X X Pitch Bender X X Control change 07 O O Section Volume 92 O O Tremolo 96 O O Data increment 97 O O Data decrement 70 O O 1 71 O O 1 Program Change O 127 O 127 True...

Page 35: ...MODE D EMPLOI FRAN AIS AHLBORN Classic Organ...

Page 36: ...peut tre ni copi ni photocopi ni reproduit int gralement ou en partie sans le consentement pr alable par crit de Generalmusic S p A Gen eralmusic se r serve le droit d effectuer toute modification est...

Page 37: ...ues tuyaux traction lectrique Chaque organiste ayant une bonne connaissance de cet instrument appr ciera les nombreuses ressources harmoniques offertes par l Hymnus IV ce qui lui permettra d interpr t...

Page 38: ...I ajoute les jeux du R cit au G O Cescommandessontd doubl esetsontactionnablesdepuisdiff rentscommutateursquisontplac s soit c t des dominos de jeux soit sous le premier clavier soit en tirasse devan...

Page 39: ...nulateur g n ral A pour repousser tous les dominos de jeux 2 Appuyer sur le bouton F plac sous le G O et tout en maintenant F appuy pousser le bouton du combinateur num rot s de 1 5 correspondant la c...

Page 40: ...t des jeux du G O 2 VOLUME DE LA P DALE par un curseur situ c t des jeux de la P dale 3 EXPRESSION DU R CIT par la p dale d expression situ e devant le p dalier Le volume du G O et du P dalier doit tr...

Page 41: ...gauche droite Prise pour connecter un magn tophone st r o Niveau max 0 dB 600 ohms MIDI IN OUT THRU La norme MIDI Musical Instrument Digital Interface d finit un protocole permettant l change d inform...

Page 42: ...es fonctions consulter le mode d emploi de la commande distance SECTION C WINDCHEST LAYOUT Apr s la description des 10 types de canalisations des sons il faut modifier la m thode COMMENT PROCEDER de l...

Page 43: ...EXCLUSION DES TOP TWEETERS COMMENT PROCEDER 1 Apr s tre entr s dans la section WINDCHEST LAYOUT appuyer sur DECR ou INCR jusqu ce que le display affiche les messages suivants CHEST LAYOUT Top Tweeters...

Page 44: ...fi es amplificateurs ou installation HI FI AVERTISSEMENTS Lors du positionnement des enceintes il est d conseill de placer les enceintes droite et gauchetroploinl undel autre Distanceconseill e 2 4m t...

Page 45: ...ion num rique Prise pour casque Prises pour MIDI IN OUT THRU Amplificationinterne 70W RMS basses 2x40W RMS medium aigu s Woofer10 bass reflex 2 middle range 4 tweeters Canalisation s par e des sons c...

Page 46: ...ument Temp raments M sotonique Chaumont Werckmeister III Kirnberger III Tartini Vallotti Kellner La 440 et LA 415 Inversion des claviers manuels Possibilit d includere le Grand Orgue et la P dale dans...

Page 47: ...nH v X After Touch Key s X X Ch s X X Pitch Bender X X Control change 07 O O Section Volume 92 O O Tremolo 96 O O Data increment 97 O O Data decrement 70 O O 1 71 O O 1 Program Change O 127 O 127 True...

Page 48: ...12 AHLBORN HYMNUS IV...

Page 49: ...GEBRAUCHSANLEITUNG DEUTSCH AHLBORN Classic Organ...

Page 50: ...produziert bermittelt bertragen in einem Datenverarbeitungssystem gespeichert oder in andere Sprachen bersetzt werden Die Ger te werden nach M glichkeit geliefert wie hier abgebildet und beschrieben G...

Page 51: ...rpretationverschiedensterMusikrichtungen entspricht Die folgenden allgemeinen Anregungen sind mehr als Beispiele zu verstehen weil die Kunst des Registrierens mit der Empfindsamkeit und dem kulturelle...

Page 52: ...Gruppe sind die Grundlage jeder Orgel Der Aufbau der Mixturen h ngt von derunterschiedlichenGrundeinstellungderdreiWerkeab Prinzipalstimmenharmonierenwunderbar mit der menschlichen Stimme deshalb werd...

Page 53: ...8 Gedackt 8 Gemshorn 4 Terz 1 3 5 etc Die beiden Kombinationen 5 f Cornett Bsp 1 und 4 f Cornett Bsp 2 sind besonders h ufig in alter Musikzufinden wobeiderSesquialter2f mitFl tengrundstimme Bsp 3 ein...

Page 54: ...wenden DieOboe8 imSchwellwerk alleinodermitzartenGrundstimmen gespielt ist unter Zuhilfenahme des Schwellers eine berzeugende Registrierung f r romantische und sp tromantische Literatur Das Contra Fag...

Page 55: ...1 Dr cken Sie den Piston der zu ndernden Kombination 2 Gew nschte Register nderung vornehmen 3 Den Setzer S dr cken und halten gleichzeitig den Piston der zu ndernden Kombination dr cken 4 Beide losl...

Page 56: ...S dr cken und HALTEN einen der gew nschten Pistons dr cken 3 Beide Pistons loslassen Die gew nschte Registrierung ist nun gespeichert 4 Den Generalausschalter O dr cken um alle Registerwippen auszusc...

Page 57: ...ne nach oben ge ndert werden Aufwendige Transpositionen von Hand entfallen hierdurch BEMERKUNG Bei normalem Vortrag sollte dieser Schiebeschalter auf 0 stehen HALLEFFEKT Die HYMNUS IV Orgel besitzt e...

Page 58: ...Instrumente mit dem einfachen IN OUT THRU Anschlu zusammenzuschlie en ist ein gro er Vorteil von MIDI und erm glicht einen gegenseitigen Austausch von Informationen Diese betreffen die prim ren Opera...

Page 59: ...edienungsanleitung f r den INTERACTIVE PROGRAMMER ABSCHNITT C WINDLADENLAYOUT Genaueres nach Seite 26 Wenn Sie sich nach der Einstellbeschreibung der 10 Abstrahlvarianten richten m ssen Sie im Abschni...

Page 60: ...beschriebene Anzeige im Display C EIN UND AUSSCHALTEN DER HOCHT NER ABLAUF 1 Gehen Sie in die Funktion WINDCHEST LAYOUT dr cken Sie die DECR oder INCR Taste sooft bis im Display folgendes erscheint C...

Page 61: ...dB 600 Ohm LEFT RIGHT Ausg nge f r Tonstrahler Verst rker oder Hi Fi Anlagen WICHTIGER HINWEIS Es ist bei der Einrichtung darauf zu achten die Tonstrahler wegen des C Cis Laden Effektes nicht zu weit...

Page 62: ...gitalhall Kopfh reranschlu MIDI IN OUT THRU Anschl sse Interne Abstrahlung 70 W RMS B sse 2 x 40 W RMS Mittel und Hocht ner 10 woofer bass reflex 2 Mittelt ner 4 Tweeter 10 verschiedene Windladenkonfi...

Page 63: ...er f r die gesamte Orgel 1 Halbton Fest programmierte Stimmungen Temperiert Mittelt nig Chaumont Werckmeister III Kirn berger III Tartini Vallotti Kellner A 440 und A 415 Invertierung der Manuale Schw...

Page 64: ...nH v X After Touch Key s X X Ch s X X Pitch Bender X X Control change 07 O O Section Volume 92 O O Tremolo 96 O O Data increment 97 O O Data decrement 70 O O 1 71 O O 1 Program Change O 127 O 127 True...

Page 65: ...HANDLEIDING NEDERLANDS AHLBORN Classic Organ...

Page 66: ...e geheel of gedeeltelijk mag worden gekopie rd of op anderewijzegereproduceerdzonderschriftelijketoestemmingvooraf van GENERALMUSIC GENERALMUSIC behoudt zich het recht voor om wijzigingen zowel in des...

Page 67: ...voorbeelden bedoeld temeer ondat de kunst van het registreren nauw samenhangt met de persoonlijke smaak voorkeur en akoestische invloeden REGISTERS De diverse schakelaars zijn boven het Zwelwerkmanuaa...

Page 68: ...ingeschakeld en de tweede druk wederom uitgeschakeld Het is mogelijk om de koppels met de gewone schakelaars uit te schakelen ook wanneer ze ingeschakeld zijn met de duimpistons en vice versa SETZER...

Page 69: ...bruiken Wanneer u bent overgegaan naar een geprogrammeerde Setzer combinatie kan men d m v de HR piston terugkeren naar de oorspronkelijke handregistratie PRESETS Vaste combinaties De presets worden i...

Page 70: ...en Het Zwelwerkpedaal regelt alleen het volume van het Zwelwerk manuaal II waardoor een dynamisch effect wordt verkregen Middels een juist gebruik van dit pedaal verandert ook het Timbre van de Zwelwe...

Page 71: ...eergave automatisch uitgeschakeld Het hoofdtelefoonvolume wordt geregeld met de MASTER regelaar Zie hoofdstuk MASTER AUX OUT LEFT RIGHT Uitgang voor cassetterecorder voor bandopname Max level 0 dB 600...

Page 72: ...en ingebouwd versterking en weergavesysteem dat speciaal ontwikkeld is om bij te dragen aan de toonkwaliteit en de vele keuze mogelijkheden in de klankuitsturing via de diverse kanalen Twee naar boven...

Page 73: ...PMERKING De mogelijkheid om verschillende kanaaluitsturingen te cre ren voor de diverse secties is niet mogelijk wanneer Panoramic 1 of 2 is gekozen Het display zal daarom geen informatie tonen zoals...

Page 74: ...hms LEFT RIGHT uitgangen maar losse versterkers speakers met ingebouwde versterkers of Hi Fi huiskamerversterkers WAARSCHUWINGEN Plaats de linker en rechter speakers niet te ver uit elkaar geadviseerd...

Page 75: ...tale volumeregeling voor het orgel en hoofdtelefoon Digitale nagalm Hoofdtelefoon aansluiting MIDI IN OUT THRU aansluitingen Interne versterking en weergave 70 W RMS bas 2 x 40 W RMS midden hoog 10 wo...

Page 76: ...nhoogte modulatie Fijnafstemming van de toonhoogte over het totale instrument Stemmingen temperaturen Middentoonstemming Chaumont Werckmeister III Kirnberger III Tartini Vallotti Kellner op A 440 en 4...

Page 77: ...nH v X After Touch Key s X X Ch s X X Pitch Bender X X Control change 07 O O Section Volume 92 O O Tremolo 96 O O Data increment 97 O O Data decrement 70 O O 1 71 O O 1 Program Change O 127 O 127 True...

Page 78: ...12 AHLBORN HYMNUS IV...

Page 79: ...MODO DE EMPLEO ESPA OL AHLBORN Classic Organ...

Page 80: ...dos y este documento no puede ser copiado fotocopiado reproducidototalmenteoparcialmentesinpreviaautorizaci nescrita por parte de Generalmusic S p A La Generalmusic se reserva el derechodeaportarcambi...

Page 81: ...instrumentos podr apreciar los infinitos recursos de timbre y din mica que ofrece HYMNUS IV eligiendo cada vez los m s convenientes para el tipo de m sica que desea tocar REGISTROS Las plaquetas que c...

Page 82: ...l tambi n El acoplamiento II I a ade los registros del Recitativo a los del Grande Organo Los controles correspondientes aparecen bajo forma de PLAQUETAS en la extremidad derecha de las secciones resp...

Page 83: ...esionar el pulsador fijador F y manteniendo la presi n apretar los pulsadores numerados que se desea anular En esta forma su contenido queda anulado FUNCION DEL PULSADOR O DE RETORNO AUTOMATICO Puede...

Page 84: ...ceado situado sobre el Pedal La posici n de los controles de balance de los puntos 1 2 condiciona el equilibrio sonoro de todo el instrumento Una vez establecidos los niveles m s apropiados para la ac...

Page 85: ...ulares impedancia m nima de 30 Ohms m xima de 600 Ohms Al enchufar los auriculares los altavoces amplificados eventualmente conectados al instrumento se desconectan autom ticamente El volumen de los a...

Page 86: ...expandir los sonidos agudosenelambiente ofreciendoalorganistalam ximadefinici nsonora comolaquepodriatener por ejemplo al tocar un rgano en proximidad de los tubos Mediante el control remoto Interact...

Page 87: ...es posible regular la canalizaci n de las secciones y de las familias de registros Por lo tanto las indicaciones del p rrafo A NO aparecer n en la pantalla C ACTIVACION O EXCLUSION DE LOS TOP TWEETER...

Page 88: ...MPORTANTES Al momento de instalar los altavoces en un ambiente es oportuno no colocar la secci n derecha e izquierda de cada par demasiado lejos una de otra distancia recomendada 2 4 metros El efecto...

Page 89: ...y de los auriculares Selector para Reverberaci n digital Salida para auriculares Conexiones MIDI IN OUT THRU Amplificaci n interna 70 W RMS medio agudos Woofer 10 bass reflex 2 middle range 4 tweeter...

Page 90: ...Regulaci n de la afinaci n del instrumento pitch Temperamentos Meantone Chaumont Werckmeister III Kirnberger III Tartini Vallotti Kell ner on A 440 y 415 Inversi n de los teclados manuales Posibilida...

Page 91: ...nH v X After Touch Key s X X Ch s X X Pitch Bender X X Control change 07 O O Section Volume 92 O O Tremolo 96 O O Data increment 97 O O Data decrement 70 O O 1 71 O O 1 Program Change O 127 O 127 True...

Page 92: ...12 AHLBORN HYMNUS IV...

Page 93: ...e to radio communications However there is no guarantee that interference will not occur in a particular installation If this instrument does cause harmful interference to radio or television receptio...

Page 94: ...A GENERALMUSIC Code 270975 PRINTED IN ITALY Specifications are subject to change without prior notice Specifiche soggette a cambiamento senza preavviso Les sp cifications sont sujettes modifications...

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