Solidyne 2600 serie, Руководство пользователя

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Getting started
Chapter 1
1.1 What’s in the box?
With the console, you will receive the following
items:
•
This user’s manual. (Rev. May 2017)
•
1 Interlock power cord.
•
Guaranty certificate.
•
1 tubular connector for Tally lights.
•
1 set of self-adhesive labels for channel identifica-
tion.
•
4 self-adhesive rubber supports.
•
1 screwdriver for adjustment of gain presets.
•
spare parts: 2-TL074; 1-TL072; 1-CD4013; 1-
NE5532; 1 button MEC; 1 button MULTIMEC; 1
slide potentiometer 10K LIN; 1 rotary potentiome-
ter 50K LIN
OPTIONALS
•
ON-AIR Tally light
•
Wiring kit SOL-45
•
STUDIO BOX (headphone distributor/amp)
1.2 Brief description
1.2.1 Input modules
All input modules of consoles Solidyne 2600
manage the audio signal electronically, that is to
say, there is not audio signal on the switches.
The faders are ultra-light touch and operate man-
aging the audio indirectly through digital control
amplifiers. All input modules are programmable
from the front avoiding the use of internal
jumpers.
The Solidyne 2600 consoles have a great flexibil-
ity since they are fully modular. This feature al-
lows to reconfigure the console without leaving
the air. Most the input modules are double. Each
module has two faders of 100mm that manage
two stereo signals , and each channel has two
inputs (Line or Microphone and Aux) commutable
from a button in the front panel. There are differ-
ent modules to manage different signals, that
are:
Microphone modules (2610 and 2612) : The
modules 2610 manage two microphone channels
(MIC) and two unbalanced stereo line inputs
(AUX). The 2610 features:
•
Pan-pot
•
Gain control with 30dB of range (+/- 15dB)
that allows to adjust the input levels for
comfortable operation of the main fader.
•
2 bands low/high EQ, Baxandall type, with
+/- 15dB of rage.
The mic module 2612 manages 3 microphone
channels and 3 unbalanced line inputs (AUX). It
have the same features that the 2610 but include
a stage of microphone processor with dynamic
compression and noise gate.
Line modules (2601): Manage 2 balanced
stereo inputs (LIN) and two unbalanced inputs
(AUX). Main and auxiliary gains can be adjusted
using 4 trims located at the front panel, to match
the levels of the different sources.
Digital inputs 2602: Modules 2602 offers direct
connection to the computer via USB . It works
as external sound card, giving to the computer 2
playing devices and 2 recording devices (PGM
and AUD can be recorder directly).
2602 modules also allow operation with Skype or
telephone hybrids. Each 2602 channel internally
generates its own Mix-Minus signal.
1.2.2 Outputs
All outputs are located on the Master 2608. Line
(2601 and 2602) and microphone modules (2610
and 2612) have 3 stereo sends: PGM (program),
AUD (audition) and SEND.
•
The PROGRAM output is the main output,
used to send the audio signal to the trans-
mitter.
•
AUDITION is used to record or to hear au-
dio in control monitors but not on the air.
•
SEND is a stereo bus. It’s used, by exam-
ple, to make a mix of all input channels, ex-
cept the microphones. This mix can be sent
to the studio monitors. This way the speak-
ers will be able to listen a return in the loud-
speakers, without headphones, still on the
air.
•
The CUE bus allows hearing the signals
with the channel off and fader closed. The
monaural audio hears through an internal
speaker, located at the right of the meters
bridge. CUE can be assigned to the main
monitors of Control Room.
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