LFO1..DEL LFO2..DEL
2nd 16th FRN 2bars
Here the LFO 1 and LFO 2 synchronisation settings may be edited. The
LFO 1 rate and delay settings are the first two entries from left to right.
The LFO 2 rate and delay settings are third and fourth entries.
In the above example, the LFO 1 delay sync is selected for editing with
the PERF / PROG / DATA knob. The SELECT Buttons can be used to
move the cursor to select a different parameter for editing.
The table found on page 52 gives the possible synchronisation settings
for the LFOs. It is also possible to set each parameter to
NCH
(no
change) or
FRN
(Free Run) . When set to
FRN
, the Effect is not synchro-
nised and will run at its own independent tempo.
Pressing the PERF / PROG / PAGE Up button again, shows :
DELY CHOR EQ_D PAN
93 127 +63 NCH
Here the Delay Level, Chorus Level, EQ Modulation Depth and Panning
Modulation Depth can be edited. In the above example, the Chorus Level
is selected for editing with the PERF / PROG / DATA knob. The SELECT
Buttons can be used to move the cursor to select a different parameter for
editing.
It is also possible to set each parameter to
NCH
(no change).
Note: If a different Hypersync template is selected before the current tem-
plate has been written to memory, any edits made will be lost.
SAVE HYPER Button
Pressing this button writes an edited Hypersync template into memory.
The LED above the button indicates whether any edits have been made
to the currently seleccted template.
When the button is pressed, the display shows :
Write to ? 01
Syncopated Delay
The display will now show the destination memory number where the
Hypersync template is about to be saved to. In this example,
Write to 01.
Notice that the destination memory is initially set to the currently selected
Hypersync Template’s number. It is possible to save a Template to a dif-
ferent memory location. Use the PERF / PROG / DATA knob or Keypad
buttons to select a different destination memory if required.
Any of the sixteen available Hypersync Template memories can be select-
ed. Press the SAVE HYPER button again to proceed. The display shows :
Name Hypersync 01
‘Syncopated Delay’
On this display it is possible to edit the Template’s name. Use the Left and
Right SELECT buttons to move the cursor within the Template’s name
text. Use the PERF / PROG / DATA knob to select the character located
at the cursor.
Once the name has been entered, press the SAVE HYPER button once
again to write the Hypersync template to memory.
During the saving procedure, saving can be abandoned at any point by
pressing the PERF or PROG buttons.
Program Mode
or
Performance
Mode
is selected without saving the Hypersync Template.
NOTE: When shipped from the factory, the global memory protect switch
is set to on. The memory protect switch is a safety feature designed to
prevent memories from being overwritten by accident. Therefore, in order
to save a Hypersync Template, the global memory protect must be
switched off. See page 6 for details on how to do this.
As soon as the Hypersync Template is saved to memory, the display will
revert back to the display showing the name and number of the
Hypersync Template.
Saving a Program after Hypersync has been applied
Once a Hypersync template has been applied to a Program, the audible
effects to the sound will be noticed immediately. If these settings are
required permanently, the Program must be saved in the normal way. To
do this refer to Page 6 - Saving a Program. If they are not permanently
required, it is only necessary to reload the Program to restore the orginal
sound or return the Hypersync knob to the zero position.
Once the Program has been saved, applying the same Hypersync
Template setting to it will naturally have no effect. If desired the Hypersync
Template may be edited such that an entirely new set of setting will be
introducded when Hypersync is applied.
SYNC MENU Button
Pressing this button accesses the Synchronisation Menu. The parameters
and features available in the Synchronisation Menu are detailed on page
52.
MAIN FEATURES AND OPERATION
Effects / Arpeggiator / Hypersync Section
•
30
•
