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As you can see, we have replicated on our earlier composition (which relied on the FX channel),
with additional benefits:
The
title page
can be displayed automatically or independently when you select V1 on
the
Switcher,
and both of the primary DSK video layers are left free for other uses.
Virtual Inputs
allow you to offset (and even scale) the primary video source – of course
this works every bit as well with live camera streams.
As well, since the entire composition is now represented by a single button on the
Switcher
, it is
very easy to
Take
or
Transition
directly to it with a single click – and it is just as easy to transition
from one
Virtual Input
to another.
Of course, this is just one way to use the basic
Virtual Input
features. The creative possibilities
are endless. For example, Figure 80 shows
Input A
(with
LiveMatte
enabled) keyed over
Input B
,
with the Virtual Input’s integrated
Overlay
channel use to add a PiP (Picture in Picture) effect.
Figure 80
Again, note that this setup leaves
both
primary
DSK
channels available for other purposes, such
as adding two more live PiPs, graphics or a title composition.
LIVESET™
4.10.3
We’ve saved the best for last in connection with
Virtual Inputs
, however. This is also where we
gain access to TriCaster’s virtual set technology called
LiveSet
.
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