59
9 MODIFIERS
Here is your basic “vanilla” volume pedal.
The pedal “start” (heel position) sets the volume to
Min: 0.00; silent. The pedal “end” (toe down position)
has the volume at Max: 10 or all the way up.
As you rock the pedal forward, the dot follows the line.
It moves up as it goes and the volume does too.
As we adjust Mid, the graph shows the curve. At 25%,
the response is “tapered” so that with the pedal half
way forward, Feedback is only 25% between Min and
Max.
This type of curve provides gradual control of feedback
across the lower end of the range, and then a more
rapid change towards the top.
Now, something different: a “boost” pedal with Min set
to 8 and Max still at 10. In the heel position, the volume
will go only as low as 8, instead of 0 as in the previous
example.
Here is a different twist: Min is at 10.0 — the loudest
setting, while Max is at 0.0 — silent.
It looks the same, but this is a reverse volume pedal!
UNDERSTANDING MODIFIER MIN AND MAX
MIN and MAX set a range for the parameter under control. This lets you fine-tune modifiers in very cool ways. In
the example below, imagine a volume pedal with different settings. Using the principles on this page, you should
be able to achieve a wide range of modifier control scenarios.
Mid: 50.0%
Start: 0.0%
End: 100.0%
Max: 10.0
Min: 0.0
Max: 10.0
Min: 8.0
Max: 0.0
Min: 10.0
USING “MID” TO CREATE BASIC CURVES
Let’s imagine a modifier on the feedback of a delay to demonstrate changes to response curves. By now you
should be familiar with the default settings, so let’s skip right to the curved version:
Max: 100%
Min: 0%
Mid: 25.0%
Start: 0.0%
End: 100.0%
Содержание AXE-FX III
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