User Guide Algorithms
19
Room
The Room Algorithm is designed to dial in realistic room sounds from vocal booths to small
halls. The controls allow for precision tweaking of early reflections, late reverb, and EQ.
Room is the workhorse Algorithm for placing a sound in a realistic space or adding that
subtle fattening that isn’t immediately noticed but is always immediately missed.
Mix – [MIX]: wet/dry mixer, 100% is all wet signal
Decay – [DECAY]: decay in seconds or note-based in Tempo Mode
Size – [SIZE]: room size
Delay – [PDLY]: pre-delay in milliseconds or note-based in Tempo Mode
Low – [LOW-LVL]: post reverb shelving boost/cut of low frequencies with cut-off at 350 Hz
(cutting also does some late reverb damping of lows)
High – [HI-LVL]: post reverb shelving boost/cut of high frequencies with cutoff at [HIFREQ]
(cutting also does some late reverb damping of highs)
Contour – [HIFREQ]: the high corner frequency of [HI-LVL]. This affects the sound as long as
[HI-LVL] is not set to 0
FXMIX – [MOD-LVL]: mixes in random modulation of diffusors and late reverb tail
Ynob – [DIFFUSION]: adjusts diffusion amount which affects reverb build up and tail density
Xnob – [ER 10+10 LR]: Early Reflection/Reverb and Late Reverb Mixer
Plate
The Plate Algorithm simulates the sound of early analog-mechanical artificial reverbs. This
Algorithm allows for long reverb times that won’t take over your sound. Be sure to play with
the [LO-DAMP] and [HI-DAMP] knobs to explore the full palette of tonal variations.
Mix – [MIX]: wet/dry mixer, 100% is all wet signal
Decay – [DECAY]: decay in seconds or note-based in Tempo Mode
Size – [SIZE]: plate size
Delay – [PDLY]: pre-delay in milliseconds or note-based in Tempo Mode
Low – [LO-DAMP]: turning knob left increases the damping frequency for the low end
(turning knob right gives more low end). The low damping frequency effectively chokes the
decay of everything below this frequency
High – [HI-DAMP]: turning knob left decreases the damping frequency for the high
end (turning knob right gives more high end). The high damping frequency effectively chokes
the decay of everything above this frequency
Contour – [TONE]: a pre-reverberator tone control, left is darker, right is brighter
FXMIX – [MOD-LVL]: mixes in random modulation in reverb tail
Ynob – [DIFFUSION]: adjusts amount of diffusion which affects reverb build up and tail
density
Xnob – [DISTANCE]: sets room/transducer distance from source/plate driver
Spring
The Spring Algorithm models the sound and character of the popular artificial reverbs found
in guitar amplifiers. It also goes a step further by allowing access to physical parameter
controls not readily available in a real spring tank.
By tweaking these parameters, the Spring Algorithm can create faithful representations of real
springs or push the physical boundaries to achieve new distinct sounds. Pay extra attention
to the [TENSION] and [NUMSPR] knobs to control the amount of ‘sprionginess’. For good
measure, we’ve also included a tube amp style tremolo at the reverb input.
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