5
PART NAME AND FUNCTIONS
(Top Panel)
16. Input selector for stereo channels. Switches between the inputs
as indicated on the front panel. A LED indicates the pressed
position.
17. Gain control for stereo channels. Allows adjustment of the input
sensitivity to compensate for different source volumes.
18. Input level meter for stereo channels. Display the current input
level after the Gain control (17) and allows visual adjustment to
the same level for all inputs.
19. Equalizer for stereo channels. Allows the adjustment of the tonal
balance for each of the stereo inputs in three music-specific
frequency bands with an adjustment range of -26/+12dB, thus
providing a virtual “kill” function for each frequency band if set to
extreme attenuation.
20. PFL switch for stereo channels. Assigns the respective channel to
the headphone bus for pre-fader-listening (PFL). A LED indicates
the pressed position.
21. Crossfader assignment switch. This switch determines whether
the respective channel’s signal is sent to the left side of the
crossfader, the right side of the crossfader or directly to the
master output.
22. Channel fader for stereo channels. A high-grade dual rail 60mm
fader determines the volume of the respective channel.
23. Main level control. Determines the main output level present at
outputs (3) and (4).
24. Booth level control. Determines the booth output level present at
output (5).
25. Balance control for main output. Determines the ration of left/right
output levels at outputs (3) and (4).
26. Main level meter. Displays the output level at outputs (3) and (4).
27. Mono/Stereo switch for main output. Allows the main output to be
switched to mono operation. A LED indicates the pressed position.
28. PFL Mix control. If the PFL mode (30) is set to “BLEND”, the
headphone signal can be a mix of the main output and the input(s)
assigned to the PFL bus by means of switches (20). This control
determines the mix ration between the main and the PFL signal.
29. PFL level. Determines the signal volume at the headphone output
(31). Always set this control to minimum before putting on
headphones, as sudden high-volume impact may damage your
ears.
30. PFL Mode switch. This control offers two pre-listening modes: (A)
Split. In this mode, the main signal appears on one earcup of the
headphones, the PFL signal on the other earcup. (B) Blend. In this mode, main and PFL signal are
mixed with adjustable ration by means of control (28). A LED indicates the pressed position.
31. Headphones output. Two connection format are provided, ¼” TRS and 3.5mm TRS. Both
connectors carry the same signal. Turn the PFL level (29) down before plugging in any
headphones.
32. Crossfader Curve control. Sets the transition curve characteristic of the crossfader (33) between
smooth transition or almost switch-like behaviour for scratch mixing.
33. Crossfader. A high-grade dual rail 45mm fader determines the mix ratio between the stereo
signals assigned to its left and right sides by means of the selector switches (21).
