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Chapter 3:
Getting Started
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Io HD And Your Workflow
There are many possible ways to think about your video/audio workflow. Your
workflow setup might be categorized by the end product you produce,
whether it be corporate video, professional broadcast media, film work, or
desktop video. Or your workflow might be categorized by the type of
equipment used rather than the nature of the work produced. Today's non-
linear editing systems often consist of a mixture of equipment from high-end
professional to prosumer and are used to create a variety of programs and
projects. This chapter hopes to show how Final Cut Pro and Io HD can fit
into the variety of workflows you currently have—and make them more
efficient. Even though Apple desktops and laptops come equipped to handle
FireWire interfaces for formats such as DV or HDV, or file based structures
such as P2 or XDCamHD, there are many formats and tape based recordings
that do not have a FireWire interface that you might wish to capture and work
with in Final Cut Pro. AJA's Io HD and Apple's ProRes 422 codec make high
quality ingest via FireWire possible.
A
Workflow Scenarios
diagram on the following page shows types of
equipment, sorted by VTR source, and the types of workflow attributes and
applications supported. After the diagram, we also discuss some typical
applications.
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