Master Section
RECORD Outputs
These unbalanced
RCA
outputs are
pre
-
EQ
(),
pre
-
SPEAKER PROCESSOR
and
post
-faders (
L&R
), as
well as
post
-effects.
The
RECORD
output signal consists of the
L&R
level (including effects) from the
L&R
masters. Th
signal is
pre-
graphic-
EQ
and speaker processor. This way, you can
EQ
the speaker system without
those
EQ
adjustments being present on the
RECORD
output signals. As the panel artwork indicates,
optimum level for recording is
0dB
(average) on the
VU-METER
s. For more information on setting
gain levels for
0dB
, see under
SOLO
Button.
EFX2 & AUX SEND Jacks
These carry the dry, mono output of the
EFX2
and
AUX
summing stages and are regulated by their
SEND
masters (and are
TRS
balanced).
As a rule, you would connect either or both of these outputs to the inputs of effects processors.
Alternately, either may be used as an audio output, perhaps to another
PA
system, recording (mono) or
broadcast mixer. Just remember that the channel
EFX2
and
AUX
send controls are post-fader, in other
words their send signal levels are affected by the channel faders.
The
EFX2
and
AUX SEND
jack signals are dry; i.e. they are not affected by the
L/R
graphic-
EQ
and
have no internal effects. They are
balanced
connectors, but will work with either balanced or unbal-
anced cables. However, for optimum
quiet
performance, use balanced patch cords whenever possible
MON1, MON2, EFX1, EFX2 & AUX SEND Masters, SOLOs and CLIP LEDs
Each master regulates the output levels of its gain stage. Each stage also has a
CLIP LED
and, with the excep-
tion of the
EFX1 & 2
and
AUX
buses, a
SOLO
button and
LED
. Output signals are available at the applicable
SEND
jacks except for
EFX1
, which is internally routed to the input of built-in effects processor.
Adjust these sends for maximum level at the input of the connected (or internal) units without clipping. If
clipping is indicated on a
SEND LED
, reduce that master’s level. The same action should be taken if clipping
is indicated on the input of anything connected to the
SEND
jacks or on the
EFX1 RETURN LEVELS
channel.
The SOLO functions permit you to listen (to each MASTER SEND) through headphones. The LED
indicates that the signal is being summed into the solo (AFL & PFL busses). Remember to turn
SOLOs off when you are through listening to them.
EFX2 & AUX RETURN Jacks
These are the inputs to the
EFX2
and
AUX RETURN
master sections. The
L / MONO RETURN
jacks are
patched internally to the
R RETurn
jacks which are switching jacks that interrupt the patch when a jack
is inserted. Both returns are
TRS
balanced.
The output/s of mono or stereo effects units would be connected here. If an effects unit is mono,
plug its output into
the L / MONO
jack. If it is stereo, use both jacks. Signals coming into the
EFX2
and/or
AUX RETURN
jacks are routed to the
EFX2
and
AUX RETURN
masters so that their mix levels to
both
MON1
and
MON2
channels and the
L/R
main
PA
channel can be regulated precisely.
These jacks may alternately be used to connect another audio source, e.g. a
CD
-player, tape deck,
instrument amp line out, keyboard or another mixer. The
EFX2
and
AUX
RETURN
masters would regu-
late their mix levels to the main and monitor systems. The
EFX2
and
AUX RETURN
jacks are balanced,
but will work with either balanced or unbalanced cables. However, for optimum,
quiet
performance,
use balanced patch cords whenever possible.
RETURN Levels Masters, SOLOs & CLIP LEDs
EFX1
is the internal effects processor bus. The
EFX1 RETURN
masters are between its output and
the internal inputs to the
MON1
,
MON2
and
L/R
(main) buses. The
EFX2
and
AUX RETURN
masters are between their respective
RETURN
jacks and the internal inputs to the
MON1, MON2
and
L/R
(main) buses.
SOLO
s can be
PFL
or
AFL
as per the
SOLO
MODE
button setting. In mono
effects mode
EFX2
gets signal from
intenal
-
EFX2
.
Summary of Contents for POWERMAX 1622
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