PM5D / PM5D-RH Quick Start Guide Part 1
14
Entering names and doing the patch; the planning stage.
Some important points to remember;
1) Mono channels can be paired to make stereo but only adjacent odd / even channels.
2) There are 24 channels in each mono layer and stereo channels are in two layers of 4 so avoid putting groups of
related channels across the layers. (Just like splitting related channels across a center-master analog console.)
“THE EXAMPLES” have less than 64 channel requirement and many are stereo so they can be accommodated on the
PM5D.
The most obvious candidates for the stereo channels are the effects returns, CD and ambience mics. There needs to be
one more stereo channel; this could be a stereo keyboard or stereo sampler line; but in this example the drum overhead
mics were chosen.
The revised list here shows this in the “First Attempt” column.
Input Channel List for THE EXAMPLES
As; August 2006
First
Second
Attempt! Attempt!
Multicore PM5D
PM5D
Ch
Ch
Ch
Channel
4Nam!
Mic
+48V
1
1
1 KICK B52
K 52
SH 53
2
2
2 KICK 91
K91
SH 92
Y
3
3
3 SNARE TOP
SNtp
SH 57
4
4
4 SNARE IN
SNin
XLR
Y
5
5
5 SNARE BOTT
SNbt
KP 85
Y
6
6
6 TIMBALE
Timb
Theta 98
7
7
7 HI HAT
Hats
A 452 *
Y
8
8
8 TOM 1
Tom1
Theta 98
Y
9
9
9 TOM 2
Tom2
Theta 98
Y
10
10
10 TOM 3
Tom3
Theta 98
Y
11
11
11 TOM 4
Tom4
Theta 98
Y
12
12
12 RIDE
Ride
A 461
Y
13
Stereo 1L
Stereo 1L OH SR
Ohsr
A 415
Y
14
Stereo 1R
Stereo 1R OH SL
Ohsl
A 415
Y
15
13
13 SPD
SPD
Active DI
Y
16
14
14 BASS PRE
Bss1
Active DI
Y
17
15
15 BASS POST
Bss2
UHF Theta 98
18
16
16 OCARINA
Ocar
UHF Theta 98
19
17
17 SAX
Sax
UHF Theta 98
20
18
18 ACC GTR
Acou
BSS DI
Y
21
19
19 GTR TOP
GtrT
BT 4051 *
Y
22
20
20 GTR BOTT
GtrB
MD422
23
21
21 LINE 6
Lin6
BSS DI
Y
24
22
22 HARMONICA
Harm
XLR
25
23
23 SIMON VOX
Simo
UHF Theta 58d
26
24
24 SIMON VOX SPARE
Sspr
UHF Theta 58d
27
25
25 BASS VOX
John
Theta 57d
28
26
26 KEY VOX
Nick
Theta 57d
29
27
27 GTR VOX
Andy
Theta 57d
30
28
28 BV
Anna
UHF Theta 58d
31
29
29 YAMAHA AN1x
AN1x
Active DI
Y
32
30
30 YAMAHA FS1R
Voco
Active DI
Y
33
31
31 Motif ES
Moti
Active DI
Y
34
32
32 YAMAHA CS6x L
CS6L
Active DI
Y
35
33
33 YAMAHA CS6x R
CS6R
Active DI
Y
36
34
34 VL1 L
VL1L
Active DI
Y
37
35
35 VL1 R
VL1R
Active DI
Y
38
36
>>37
SEQ 1 - LOOPS
Loop
XLR
39
37
38 SEQ 2 - LOOPS
Loop
XLR
40
38
39 SEQ 3 - BASS
Bass
XLR
41
39
40 SEQ 4 - FX
FX
XLR
42
40
41 SEQ 5 - KEY 1L
Key1
XLR
43
41
42 SEQ 6 - KEY 1R
Key1
XLR
44
42
43 SEQ 7 - KEY 2L
Key2
XLR
45
43
44 SEQ 8 - KEY 2R
Key2
XLR
46
44
45 SEQ 9 - VOX
Vox
XLR
47
45
46 SEQ 10 - VOX
Vox
XLR
48
46
47 SEQ 11 - GUIDE
Gide
XLR
49
47
48 SEQ 12 - CLICK
Clik
XLR
50
48
36
KEY TALKBACK
KeyT
MXL 58mic
51 Stereo 2L Stereo 2L AMBIENCE SR
Ambi
A415
Y
52 Stereo 2R Stereo 2R AMBIENCE SL
Ambi
A415
Y
53 FX 4L
FX 4L
Talk to Stage
TTS
MXL58 switch
54 FX 3L
FX 3L
CD
CD L
55 FX 3R
FX 3R
CD
CD R
56 Stereo 3L Stereo 3L DDL Simon
DDL
57 Stereo 3R Stereo 3R DDL Simon
DDL
58 Stereo 4L Stereo 4L Rev Simon
RevS
59 Stereo 4R Stereo 4R Rev Simon
RevS
60 FX 1L
FX 1L
Rev Sax
Rsax
61 FX 1R
FX 1R
Rev Sax
Rsax
62 FX 2L
FX 2L
Rev Kit
R sn
63 FX 2R
FX 2R
Rev Kit
R sn
64
At this stage it is noted that the stereo sampler lines are
in even + odd pairs so they cannot be linked into pairs. By
making the decision to move a single channel the pairing
can be made; this is labeled second attempt.
With “THE EXAMPLES”, the choice is made to keep the
Simon vocal as the last channel in a layer; making it quick
to fi nd.
