36
Advanced recording techniques
—Owner’s Manual
Mixing multiple channels as you record
By combining multiple parts into a pair of tracks, you can record more than four parts on the
MD4S. For example if you have recorded drums, bass, and rhythm guitar, you can re-record
these three parts in stereo onto two tracks, and then record two other parts on the remaining
two tracks.
To do this, you will mix the signals of the input channels to the ST bus and record them on
either one or two tracks..
As an example, the following will explain how four audio sources connected to MIC/LINE
INPUT jacks 1–4 can be mixed in stereo and recorded onto tracks 1 and 2.
Drums
Guitar
Bass
MD4S
Stereo mix
Track 1
Track 2
Track 3
Track 4
Drums+
Bass
TOC WRITE
TOC WRITE
5 / 6
7 / 8
MONITOR LEVEL
STEREO
2TR IN
CUE MIX TO STEREO
MONITOR SELECT
REHE
REC
PLAY
STOP
PAUSE
OUT
SONG SEARCH
MARK SEARCH
REPEAT
AUTO
PUNCH I/O
A
B
DATA
CURSOR
PHONES
PUNCH I/O
PITCH
EJECT
ADJUST
EDIT
UTILITY
PEAK HOLD
DISPLAY
0
10
0
10
MIN
MAX
MULTITRACK MD RECORDER
IN
THRU
OUT
MIDI
5
6
7
8
LINE INPUT
AUX SEND
INSERT
I/O
INSERT
I/O
TRACK
DIRECT OUT
STEREO
OUT
2TR IN
MONITOR
OUT
1
2
EXIT
ENTER
SET
MARK
1
1
4
4
CUE
HIGH
L
R
0
10
–15
+15
MID
–15
+15
LOW
–15
+15
AUX
1
2
P
A
N
L
E
V
E
L
3
CUE
HIGH
L
R
0
10
–15
+15
MID
–15
+15
LOW
–15
+15
AUX
1
2
P
A
N
L
E
V
E
L
2
HIGH
–15
+15
MID
–15
+15
LOW
–15
+15
AUX
1
2
HIGH
–15
+15
MID
–15
+15
LOW
–15
+15
AUX
1
2
MIC/LINE INPUT
3
2
1
4
IN
STEREO
CUE
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
10
9
8
7
6
5
4
3
2
1
0
GAIN
LINE
FLIP
MIC/
LINE
MIC
PAN
L
R
PB
10
9
8
7
6
5
4
3
2
1
0
GAIN
LINE
FLIP
MIC/
LINE
MIC
PAN
L
R
PB
GAIN
CUE
LINE
FLIP
MIC/
LINE
MIC
L
R
0
10
PAN
L
R
PB
P
A
N
L
E
V
E
L
GAIN
CUE
LINE
FLIP
MIC/
LINE
MIC
L
R
0
10
PAN
L
R
PB
P
A
N
L
E
V
E
L
L
R
L
R
REC
PLAY
STOP
LAST REC SEARCH
CH1
BUS
CH2
REC SELECT
CH3
CH4
1
4
2
3
6
1
A
C
B
4
C
3
5
7
9
8
2