73
Viscount
Physis Organs
Reference Manual
select [NEW SONG] to start a new recording. Otherwise, a MIDI file can be loaded to overdub it, or in other
words make a new recording which will be added to the performance already recorded.
The internal sequencer also assigns a name to the track while recording, that corresponds to the sections
playing a track. Most computer software can read the track names:
“Pedal” track:
“Choir” track:
“Great” track:
“Swell” track:
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“Volumes” track: divisional volumes and expression pedals
“Stops” track: stops conditions
There are other tracksfor internal use and future developments only, that should not be altered.
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Divisional modules are recorded as Control Change 7 events. Expression pedals position as Control
Change 11. These Control Change channel are identical to the previous ones.
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The stops settings, together with cancel, enclosed, coupling settings etc. are recorded as Exclusive System.
We advice you not to alter these codes. If you wish to add or remove stops from a recording, you should
know its exclusive system code. To do so, you should monitor the MIDI OUT port of the organ and,
switching on and off a stop, check the MIDI code transmitted. Add or remove this code only from the
“stops” track.
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When saving the MIDI file do not change the resolution of 384 tpqn (tick per quarter note).
The sequencer can also paly non-recorded tracks. Again, keep in mind that:
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The track channelling may not be consistent with the internal sequencer. Reset the channels according to
what described above.
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Stop codes might not be present in a MIDI track. In this case we advice you overdub (see par. 12.2) with
the desired stop combination.
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Divisional volumes and expression pedals may be lacking from a MIDI track. Again, we advice you
overdub the tracks.
12.2 RECORDING A PIECE (RECORD mode)
In the sequencer mode video page, select the RECORD field. The display will show:
