Custom Shooting Mode: the other Scenes
Still
is high contrast Scene with saturated colours. Avoid it! Superficially it can look great but
it gives you no room to adjust in post if the exposure is incorrect. Oversaturated colours will
also look noisy in the shadow areas.
Standard
is a lower contrast, less saturated look than S-Cinetone but with aggressive
highlight compression. Extreme highlights can start to have a colour shift.
ITU 709
has more contrast and colour saturation than
Standard
but nowhere close to the
extreme look of
Still
. The image looks similar to S-Cinetone in the shadows and mids but
both
Standard and ITU 709
lack the highlight details of S-Cinetone. They have around 6 stops
of dynamic range.
Standard
and
ITU 709
work well in a situation without extreme highlights, a controlled
lighting situation.
If none of these scenes match the “look” you want, move on to Cine EI Shooting Mode and
shoot in Slog 3 (see the section on Cine EI shooting mode).
Summary of Contents for FX 6
Page 3: ...Introduction Sony FX 6 ...
Page 11: ...Recording Media Sony FX 6 ...
Page 18: ...The kit zoom lens Sony FX 6 ...
Page 21: ...Menu Navigation Sony FX 6 ...
Page 29: ...Audio Sony FX 6 ...
Page 40: ...Shooting Modes Introduction Sony FX 6 ...
Page 44: ...Custom Shooting Mode Settings Sony FX 6 ...
Page 55: ...Custom Shooting Mode Exposure Sony FX 6 ...
Page 82: ...Focusing Sony FX 6 ...
Page 97: ...Cine EI Shooting Mode Settings and Exposure Sony FX 6 ...
Page 103: ...Cine EI Option One Exposing Slog 3 with the s709 LUT Sony FX6 ...
Page 120: ...Cine EI EI Presets and Image Noise Base High 12800 ISO EI Preset 3200 300 percent enlargement ...
Page 129: ...Cine EI Option Two Importing custom LUTs Sony FX6 ...
Page 136: ...Cine EI Option Three Exposing Slog 3 without a LUT Sony FX6 ...
Page 143: ...S and Q Shooting Sony FX 6 ...
Page 156: ...Attaching the Viewfinder Loupe Sony FX 6 ...
Page 170: ...Tripod Tips Sony FX 6 ...
Page 180: ...Additional Resources Sony FX6 ...