9
EN
Setting the INPUT/OUTPUT levels
This chart shows the overall signal flow relationship between this unit's inputs and outputs.
The following information is an overview of all you need to know regarding this unit's inputs
and outputs.
BYPASS LINE (DIGITAL)
BYPASS SW
DIGITAL INPUT ATTENUATION LEVEL
DIGITAL
IN
DIGITAL
OUT
CH1
CH2
ANALOG OUTPUT
CH1
CH2
CH1
CH2
BALANCED
UNBALANCED
LEVEL SW
(-20/+4 dB)
BYPASS SW
CH1
CH2
D/A
A/D
CH1
CH2
CH1
CH2
BALANCED
UNBALANCED
INPUT LEVEL
(PANEL)
ANALOG INPUT
LEVEL SW
(-20/+4 dB)
BYPASS LINE (ANALOG)
EQ BLOCK
EFFECT BLOCK
MIXER BLOCK
INPUT SW (AUTO)
OUTPUT LEVEL
(PANEL)
CH1
CH2
You can use the effector as an A/D or D/A converter by turning off all the effects.
BLOCK
A
BLOCK
B
MIX
BLOCK
IN
ch 1
ch 2
OUT
ch 1
ch 2
PARALLEL (PARA)
DUAL (DUAL)
MORPHING (MORPH)
This structure lets you apply effects, like
flanger and reverb, separately and then mix
them before output. In this case, there's no
undulation from the flanger in the reverb.
This structure lets you isolate ch 1 and ch 2.
For example, you can connect a guitar to ch 1
and a drum machine to ch 2, then add a
flanger effect to the guitar and a reverb effect
to the drum machine.
This structure lets you make seamless changes
between effects stored in the memory banks.
In other words, it keeps the current effect
from suddenly cutting out when you change
to another effect. For details on morphing, see
“Morphing” on page 16.
BLOCK
A
BLOCK
B
MIX
BLOCK
IN
ch 1
ch 2
OUT
ch 1
ch 2
BLOCK
A
MIX
BLOCK
IN
ch 1
ch 2
OUT
ch 1
ch 2
Summary of Contents for DPS-V77
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