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SOLIDYNE 462

dsp - broadcast digital processor

 

 

Page 15

 

seen in AGC indicator who will have to indicate 15 
dB with strong program signal, lowering to 8 dB or 
less  when  the  signal  reduces.  If  the  program 
signal  level  abruptly  falls,  the  indication  “HOLD” 
appears. 

Overload  warning  (OVL):

  appears  in  the  main 

screen  when  the  input  signal  reaches  +10  dBm; 
that  is  to  say,  +8  dB  before  the  ‘digital  clipping' 
threshold  (placed  at  +18  dBm).  The  indication 
disappears last 5 sec if the clipping disappears. 

The digital input fulfills recommendation AES-K12, 
applied to broadcasting, which takes as reference 
for 0 VU a digital input level of - 12 dBFS. 

This implies 12 dB of headroom. The user cannot 
modify the input level when digital input is used. 

3.2.2 OUTPUT SETUP 

 

OUT LEVEL:

 It refers to the analogical output. Level is 

fixed at 

+4dBm. 

DIG. OUT: 

Define the sample rate of the AES-3 output. 

It can be 96 KHz or 48 KHz.

 

MPX  Level: 

Define  the  MPX  output  level.  It  can 

change from 2V to 5V peak to peak. 

You must set the value according to the value that 
the  transmitter  needs  to  reach  the  100%  of 
modulation (75 KHz deviation). 

PRE-EMPHASIS:

 Allows to adjust the pre-emphasis 

curve according to the regulations of your country 
(I.E.:  Europe =  50uS;  USA,  ASIA,  Latin-American 
=75uS) 

3.2.2.1  Adjusting 100% of modulation in FM  

For this adjustment use a program material of high 
density;  with  voice  and  music  (i.e.:  commercial 
spots).  Select  the  program  “08:MaxLoudness”  (it 
produce high output level). Next change the MPX 
output  level  until  obtaining  75  KHz  of  deviation, 
measured  with  a  Monitor  of  Modulation  (like  the  
Solidyne VA16) or with the modulator meter of the 
transmitter.  For  fine  adjustment  of  the  100%  you 
can  use  the  input  gain  control  of  the  transmitter’s 
exciter. 

In  the  daily  use  of  the  processor,  probably  the 
indicators  of  modulation  of  needle  type  overpass 

the 100%. This can be due to over-impulses of the 
ballistics  or  to  that  it  responds  to  values  average 
of  sine  wave  and  the  indication  is  erroneous  with 
the  high  processed  audio.  Please  see  the 
following notes. 

3.2.2.2  Notes about FM 

Remember  that  many  countries  follow  the 
recommendations  on  modulation  of  the  FCC 
(USA). Recommendation 73268 indicates that the 
FM  must  stay  all  the  high  that  is  possible,  but 
without  exceeding  100%  in  peaks  of  frequent 
recurrence 

(“In  no  case  is  it  to  exceed  100  %  on 

peaks of frequent recurrence”)

. This indicates that 

in  transitory  peaks  (and  no  frequent)  100%  of 
modulation  can  be  surpassed  staying  within  the 
legal frame. 

The  462dsp  processor  is  designed  to  fulfill  this 

FCC Norm

, being allowed to surpass 100% in no 

recurrent  peaks  slightly.  When  fitting  the 
modulation, verifies the norms of its country. 

When making the programs; take in count if there 
is  an  UNIQUE  program for  the  whole  day.  In that 
case  commitment  solutions  will  be  use  to  accept 
all types of voices and music that the Radio emits. 
Using  the  remote  control  from  PC,  diverse 
programs  can  be  created.  This  eliminates  the 
commitments, so each program will be the optimal 
for  that  type  of  music  or  voice.  In  addition,  this 
automation  eliminates  the  listener’s  ear  fatigue 
associate  with  the  radio  stations  that  use  rigid 
processors. 

3.2.3 PROCESSOR SETUP 

 

MIC  PROCESSING  PGM:

  MICstart  input  allows  to 

change the processing program when the operator 
activates the microphones at the console, applying 
a specific processing to obtain high impact voices. 

This is a very useful feature, since it’s not possible 
to  obtain  an  adjustment  that  sounds  optimal  for 
music  and  voice  simultaneously;  for  being  two 
audio signals morphologically different. The attack 
and  recovery  times  of the  AGC  differ  sensibly for 
both cases; and must be carefully fit to avoid that 
its action is audible. 

Summary of Contents for 462dsp

Page 1: ...ital audio processor User s manual 3 de Febr ero 3254 1429 Buenos Aires Argentina Phone 54 11 4702 0090 e mail info solidynepro com fax 54 11 4702 2375 web www SolidynePRO com Last revision Marzo 2013...

Page 2: ...P gina 2 procesador para radiodifusi n SOLIDYNE 462dsp...

Page 3: ...19 4 4 1 PROGRAM NAME 20 4 4 2 EXPANDER AGC 20 4 4 2 1 AGC OUT GAIN 20 4 4 2 2 AGC attack time 20 4 4 2 3 AGC recovery time 20 4 4 2 4 Hold 21 4 4 3 MULTIBAND COMPRESSOR 21 4 4 3 1 Atack times 22 4 4...

Page 4: ...crews with flexible o rings rubber PVC etc The frontal panel is made of aluminum so you must take special care of don t to apply excessive force on the screws since it can cause deformation or even br...

Page 5: ...ngs values are entered using a JOG Wheel Turn the JOG to select options and to change values Pressing briefly the JOG confirms an option Pressing and holding the JOG around one second go to the main m...

Page 6: ...l of the link that allows sending RS 232 data 1 3 Understanding the main screen Next you will see an overview on the 462dsp main screen Later each processing stages and its settings screens are fully...

Page 7: ...For this the processor applies a complex procedure of compression on each audio band producing greater sensation of loudness to the ear The size of each luminous bar indicates the compression degree a...

Page 8: ...Page 8 broadcast digital processor SOLIDYNE 462dsp THIS PAGE HAS BEEN LEFT INTENSIONALLY EMPTY...

Page 9: ...ence on the processor or proximity of heat sources The openings and grooves allow the circulation of air inside the unit These openings do not have to be blocked nor covered not to obstruct the refrig...

Page 10: ...ector RCA type With consoles Solidyne 2300 series MICstart is connected directly to the Digisolid output of a microphone channel please refers to the manual of the console In other consoles the contro...

Page 11: ...C connection For setup and control of RDS stage the 462 s RDS Data port must be connected to a computer using a standard COM RS 232 RDS Data PC 2 RxD 3 TxD 3 TxD 2 RxD 4 DTR 6 DSR 5 GND 5 GND 6 DSR 4...

Page 12: ...Page 12 broadcast digital processor SOLIDYNE 462dsp...

Page 13: ...ing a preset to the user memory recommended See 4 3 1 Copy programs 3 1 3 Modes of control The processor can be controlled of many ways a Can be manually controlled from the frontal panel b The progra...

Page 14: ...a digital data link falls As signal AES 3 is regenerated in the receiver the digital streaming follows present but without content of audio channels muted Reestablishing the signal in Auto Search mode...

Page 15: ...f the processor probably the indicators of modulation of needle type overpass the 100 This can be due to over impulses of the ballistics or to that it responds to values average of sine wave and the i...

Page 16: ...password to explore the program list and change the program on air The password must have 3 characters Any combination of letters numbers and symbols can be used To enter a password go to field Passwo...

Page 17: ...e BASS CLIP threshold to reinforce the bass punch This processing works very well with Jazz POP country and blues folklore and tango 02 MELODIC Here was prioritized the human voice over the musical su...

Page 18: ...uashed by the compressor the attack acts only on the first beat and never more which is equivalent to have an attack time equal to zero The high bands also are something released to obtain brightness...

Page 19: ...ault programs cannot be modified To make your customized adjustment look for that preset that more approaches to the sound that you are looking for your radio and copy it to a free user memory Soon mo...

Page 20: ...ndicators show the compression degree applied by the multiband system Each band has its own indicator Usual values for the AGC output are between 6 to 12 dB TAKE IN MIND How much greater the compressi...

Page 21: ...ubtle appearance of an instrument the AGC will hold its gain level giving rise to the contrast of loudness When the piano passage reaches the HOLD level the AGC unhold and begins to increase their gai...

Page 22: ...ers with high level The limiters contain the peaks by clipping a technique much more lasts that the compression With short attack times hard clipping is avoided but very short times can produce a soun...

Page 23: ...k 462dsp offers numerous features To change the current program to anyone of the 30 presets from the PC using a drop down menu The change take place in real time Create and edit the programs with an a...

Page 24: ...Page 24 SOLIDYNE 462dsp broadcast digital processor THIS PAGE HAS BEEN LEFT INTENSIONALLY EMPTY...

Page 25: ...ly see mentioned article AES Today our ideas are used by Orban Omnia Aphex etc The concept of psychoacoustic processing is simple in essence although of complex accomplishment It consists of analyzing...

Page 26: ...N OF THE TRANSMITTER THAT EXCEEDS 0 05 COULD BE LISTENED BY THE AUDIENCE EVEN THROUGH RECEIVERS THAT HAVE VALUES OF DISTORSION 50 TIMES GREATER This of course is not a novelty for the conscious audio...

Page 27: ...s known that by a particularity disposition of the vocal cords the sonorous emissions that these generate are asymmetric triangular pulses The three cavities that filter and shape these formants to ob...

Page 28: ...alue That means it always expands within that range for any level of signal The curve of transference based on the input level is a straight line from there the linear name While the signal stays belo...

Page 29: ...to obtain the desired effect The ear will perceive a greater loudness when the band compressors increase the relative loudness level The processor Solidyne 462dsp has digital frequency splitters with...

Page 30: ...o their fundamental notes Therefore adding harmonics artificially increases the wealth of the musical timbre Opposed is the effect that the distortion by IM produces This type of distortion DOES NOT E...

Page 31: ...stereo coder see Chapter 7 2 2 10 MPX PROCESSING The studies about the modulation on an FM transmitter indicate that when the transmitter is modulated by stereo MPX signal appears a new effect not pr...

Page 32: ...Page 32 SOLIDYNE 462dsp broadcast digital processor...

Page 33: ...nditions the audio output Hill must be 4dbm c Repeat for the other channel 7 1 3 FREQUENCY RESPONSE Input Audio generator at 1 KHz on both input channels the amplitude is varied throughout the test Ou...

Page 34: ...maximum level at the audio output c At the right output you must obtain a crosstalk bigger that 72dB difference between the level measured at the point b and the reached in the point c d Repeat for t...

Page 35: ...entage level of pilot tone will be Pilot Level 100 Ppp Xpp d Using the control P4 adjust Ppp to the desired value normally 9 to 11 is a good value Note If you have a Solidyne VA16 modulation monitor o...

Page 36: ...ation calibration of the Belar set see Belar manual f Now connect the sine wave generator at the same frequency and level to the Right Channel pin JS3 g Measure at the Belar the residual level of the...

Page 37: ...Attack Release time software controlled Gated Wide Band AGC Range 30 dB Attack Release time Threshold controlled from LCD screen Multiband Compressors DSP controlled Five Bands Crossover 24dB oct Max...

Page 38: ...Audio Input Filtering 15 kHz active FDNR filter 5 poles elliptical Total Distortion 0 003 at 1 kHz Signal to Noise Ratio 95 dBA or better Ref 100 modulation Stereo Separation 75 dB at 400 Hz 65 dB 30...

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