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broadcast digital processor -

 

SOLIDYNE 462

dsp

 

2.4 Digita l audio connections 

Optionally,  the  processor  has  digital 

AES-3

 

inputs/outputs (models 462dsp/AES). 

The 

digital input 

supports: 

 

Resolution: 

16 

24 bits

 

 

Sample rate: 

30 KHz 

a

 96 KHz

.  

Internally  462dsp  works  at  24  bits/192  KHz,  the 
digital  signal  is  converted  internally  by  a  stage

 

called “Resampler”

When  the  digital  input  is  used,  is  convenient  to 
connect the analogical input too. In case of losing 
the  digital  connection,  the  processor  switches 
automatically  to  the  analogical  inputs.  The  input 
mode  is  selected  from  the  main  menu  choosing 
the option “Setup Input”, as is explained later.  

 

S/PDIF: 

You  can  connect  an  S/PDIF  output  to 
the  AES3  input  of  462dsp  using  an 
S/PDIF  to  AES-3  adapter.  The  figure 
shows a compact adapter XLR BNC.  

AES-3  output

  has  a  resolution  of  24  bits  with  a 

samplerate  selectable  between  48/96  KHz  (see 
“3.2.2  –  Output  Setup”).  The  connector  is  male 
XLR. 

AES3  input  and  output  cables  connect  as 
following:  

XLR 

Signal  

GND 

AES3 (1)  

AES 3 (2) 

AES-3 standard connection 

 

2.5 Console  MICstart 

With  the  462dsp  the  current  processing  program 
can  changes  when  the  study  microphones 
activates.  In  this  way  you  can  use  a  processing 
specially  done  for  voices.  The  default  adjustment 
for  voices  is  the  program  “09:  Voice  Impact“. 
Obviously;  you  can  copy  and  customize  this 
program.  

The commutation takes place when grounding the 
MICstart  input. When  this  happens  the  processor 
exchanges  the  program  and  the  access  from  the 
JOG wheel is blocked. When the MICStart input is 
opened, 462dsp returns to the previous program.  

“Console  MICstart”  uses  a  connector  RCA  type. 
With  consoles 

Solidyne  2300  series

,  MICstart  is 

connected  directly  to  the 

Digisolid

  output  of  a 

microphone  channel  (please  refers  to  the  manual 
of the console). In other consoles, the control can 
be solved using the tally signal to activate a relay. 

 

 

 
Connect the relay contact directly to the RCA “MIC 
Start”; and the coil in parallel to the tally light. 

 

 

The 

relay  coil  voltage

  depends  on  the 

voltage gives by the console. 

 
When  the  relay  receives  tension,  the  contact  is 
closed  activating  the  Mic  Start  function  in  the 
processor.  The  voice’s  program  remains  active 
while the contact is closed.   

This  feature  comes  disabled  from  factory.

  In 

order  to  use  it,  you  must  enable  the  option  “MIC 
PROCESSING” in the processor setup (see “3.2.3 
- Processor Setup”). 

 

2.6 MPX output 

The MPX cable will be a RG-59 (coaxial 75 ohms), 
like  the  used  for  CATV.  The  output  connector  is 
BNC type. The maximum length recommended for 
this  cable  is  25  m.  Take  care  with  the  grounding; 
although this rarely is cause of problems because 
all  Solidyne  processors  have  MPX  differential 
outputs,  that  is  to  say,  with  the  Earth  isolated  of 
the cabinet, to avoid ground loops. 

If  some  residual  humming  appears  when  the 
system is on the air; power off the processor. If the 
humming disappears, check the input connections 
at  the  processor.  If,  however,  the  humming 
continues  (and  only  disappears  unplugging  the 
MPX cable), this indicates some problem with the 
grounding.  

When  enters  to  the  transmitter  through  the  MPX 
input,  make  sure  that  the  internal  preemphasis 
network  IS  DISCONNECTED  (that  is  to  say,  flat 
response  from  20  to  100  KHz).  Contrary,  when 
use  an  external  stereo  coder,  make  sure  that  the 
generator  INCLUDES  the  preemphasis  curve. 
This is thus since the 462dsp audio output DOES 
NOT INCLUDE preemphasis (only the MPX output 
has preemphasis). 

Summary of Contents for 462dsp

Page 1: ...ital audio processor User s manual 3 de Febr ero 3254 1429 Buenos Aires Argentina Phone 54 11 4702 0090 e mail info solidynepro com fax 54 11 4702 2375 web www SolidynePRO com Last revision Marzo 2013...

Page 2: ...P gina 2 procesador para radiodifusi n SOLIDYNE 462dsp...

Page 3: ...19 4 4 1 PROGRAM NAME 20 4 4 2 EXPANDER AGC 20 4 4 2 1 AGC OUT GAIN 20 4 4 2 2 AGC attack time 20 4 4 2 3 AGC recovery time 20 4 4 2 4 Hold 21 4 4 3 MULTIBAND COMPRESSOR 21 4 4 3 1 Atack times 22 4 4...

Page 4: ...crews with flexible o rings rubber PVC etc The frontal panel is made of aluminum so you must take special care of don t to apply excessive force on the screws since it can cause deformation or even br...

Page 5: ...ngs values are entered using a JOG Wheel Turn the JOG to select options and to change values Pressing briefly the JOG confirms an option Pressing and holding the JOG around one second go to the main m...

Page 6: ...l of the link that allows sending RS 232 data 1 3 Understanding the main screen Next you will see an overview on the 462dsp main screen Later each processing stages and its settings screens are fully...

Page 7: ...For this the processor applies a complex procedure of compression on each audio band producing greater sensation of loudness to the ear The size of each luminous bar indicates the compression degree a...

Page 8: ...Page 8 broadcast digital processor SOLIDYNE 462dsp THIS PAGE HAS BEEN LEFT INTENSIONALLY EMPTY...

Page 9: ...ence on the processor or proximity of heat sources The openings and grooves allow the circulation of air inside the unit These openings do not have to be blocked nor covered not to obstruct the refrig...

Page 10: ...ector RCA type With consoles Solidyne 2300 series MICstart is connected directly to the Digisolid output of a microphone channel please refers to the manual of the console In other consoles the contro...

Page 11: ...C connection For setup and control of RDS stage the 462 s RDS Data port must be connected to a computer using a standard COM RS 232 RDS Data PC 2 RxD 3 TxD 3 TxD 2 RxD 4 DTR 6 DSR 5 GND 5 GND 6 DSR 4...

Page 12: ...Page 12 broadcast digital processor SOLIDYNE 462dsp...

Page 13: ...ing a preset to the user memory recommended See 4 3 1 Copy programs 3 1 3 Modes of control The processor can be controlled of many ways a Can be manually controlled from the frontal panel b The progra...

Page 14: ...a digital data link falls As signal AES 3 is regenerated in the receiver the digital streaming follows present but without content of audio channels muted Reestablishing the signal in Auto Search mode...

Page 15: ...f the processor probably the indicators of modulation of needle type overpass the 100 This can be due to over impulses of the ballistics or to that it responds to values average of sine wave and the i...

Page 16: ...password to explore the program list and change the program on air The password must have 3 characters Any combination of letters numbers and symbols can be used To enter a password go to field Passwo...

Page 17: ...e BASS CLIP threshold to reinforce the bass punch This processing works very well with Jazz POP country and blues folklore and tango 02 MELODIC Here was prioritized the human voice over the musical su...

Page 18: ...uashed by the compressor the attack acts only on the first beat and never more which is equivalent to have an attack time equal to zero The high bands also are something released to obtain brightness...

Page 19: ...ault programs cannot be modified To make your customized adjustment look for that preset that more approaches to the sound that you are looking for your radio and copy it to a free user memory Soon mo...

Page 20: ...ndicators show the compression degree applied by the multiband system Each band has its own indicator Usual values for the AGC output are between 6 to 12 dB TAKE IN MIND How much greater the compressi...

Page 21: ...ubtle appearance of an instrument the AGC will hold its gain level giving rise to the contrast of loudness When the piano passage reaches the HOLD level the AGC unhold and begins to increase their gai...

Page 22: ...ers with high level The limiters contain the peaks by clipping a technique much more lasts that the compression With short attack times hard clipping is avoided but very short times can produce a soun...

Page 23: ...k 462dsp offers numerous features To change the current program to anyone of the 30 presets from the PC using a drop down menu The change take place in real time Create and edit the programs with an a...

Page 24: ...Page 24 SOLIDYNE 462dsp broadcast digital processor THIS PAGE HAS BEEN LEFT INTENSIONALLY EMPTY...

Page 25: ...ly see mentioned article AES Today our ideas are used by Orban Omnia Aphex etc The concept of psychoacoustic processing is simple in essence although of complex accomplishment It consists of analyzing...

Page 26: ...N OF THE TRANSMITTER THAT EXCEEDS 0 05 COULD BE LISTENED BY THE AUDIENCE EVEN THROUGH RECEIVERS THAT HAVE VALUES OF DISTORSION 50 TIMES GREATER This of course is not a novelty for the conscious audio...

Page 27: ...s known that by a particularity disposition of the vocal cords the sonorous emissions that these generate are asymmetric triangular pulses The three cavities that filter and shape these formants to ob...

Page 28: ...alue That means it always expands within that range for any level of signal The curve of transference based on the input level is a straight line from there the linear name While the signal stays belo...

Page 29: ...to obtain the desired effect The ear will perceive a greater loudness when the band compressors increase the relative loudness level The processor Solidyne 462dsp has digital frequency splitters with...

Page 30: ...o their fundamental notes Therefore adding harmonics artificially increases the wealth of the musical timbre Opposed is the effect that the distortion by IM produces This type of distortion DOES NOT E...

Page 31: ...stereo coder see Chapter 7 2 2 10 MPX PROCESSING The studies about the modulation on an FM transmitter indicate that when the transmitter is modulated by stereo MPX signal appears a new effect not pr...

Page 32: ...Page 32 SOLIDYNE 462dsp broadcast digital processor...

Page 33: ...nditions the audio output Hill must be 4dbm c Repeat for the other channel 7 1 3 FREQUENCY RESPONSE Input Audio generator at 1 KHz on both input channels the amplitude is varied throughout the test Ou...

Page 34: ...maximum level at the audio output c At the right output you must obtain a crosstalk bigger that 72dB difference between the level measured at the point b and the reached in the point c d Repeat for t...

Page 35: ...entage level of pilot tone will be Pilot Level 100 Ppp Xpp d Using the control P4 adjust Ppp to the desired value normally 9 to 11 is a good value Note If you have a Solidyne VA16 modulation monitor o...

Page 36: ...ation calibration of the Belar set see Belar manual f Now connect the sine wave generator at the same frequency and level to the Right Channel pin JS3 g Measure at the Belar the residual level of the...

Page 37: ...Attack Release time software controlled Gated Wide Band AGC Range 30 dB Attack Release time Threshold controlled from LCD screen Multiband Compressors DSP controlled Five Bands Crossover 24dB oct Max...

Page 38: ...Audio Input Filtering 15 kHz active FDNR filter 5 poles elliptical Total Distortion 0 003 at 1 kHz Signal to Noise Ratio 95 dBA or better Ref 100 modulation Stereo Separation 75 dB at 400 Hz 65 dB 30...

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