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SOLIDYNE 462

dsp - broadcast digital processor

 

 

Once  into  main  menu;  turn  the  JOG  until  select 
the desired option. The selected option is marked 
by 

a  little  arrow

  that  appears 

below  the  icons

Touch briefly the JOG to confirm the selection.  

 

 

WARNING

 

Remember  that  being  in  the  main  screen,  turning  the 

JOG  or  touching  it  briefly,  you  accede  to  the  mode 
‘program selection’. In this mode; turning the JOG you 

explore  the  462’s  programs.  In  order  to  leave  the 

‘programs selection’ mode, press and hold the JOG. In 
order  to  accede  to  the  main  menu  press  and  hold 

again.  
If  being  in  the  main  menu  or  any  settings  screen 

changes not occur during 10 minutes, the unit returns 

to the main screen, discarding the changes.  

 

3.2.1 INPUT SETUP 

a)

  Here  you  define  the 

audio  level

  and 

type  of 

input

.  The  operation  on  this  screen  follows  the 

concept  of  the  previous  ones:  to  select  an  option 
(“Input selection” or “Input level”) turn the JOG and 
touch  briefly  to  confirm.  Now  turn  the  JOG  again 
to  change  the  value  of  the  chosen  option.  Touch 
briefly to confirm. 

Selecting  this  option  the  following  screen  will 
appear: 

 

INPUT SELECTION 

 Analog:

 Select this option when the processor 

is connected ONLY through the analogical input. 

 Digital only: 

Choose this option  when the unit 

is  connected  ONLY  through  AES/3.  Also  the 
analogical  inputs  can  be  connected,  as  back  up, 
but  they  will  be  used  only  in  case  that  the  carrier 
of  signal  AES/3  interrupts.  In  this  case,  the 
equipment  exchanges  automatically  to  the 
analogical  inputs,  being  in  that  mode  until  the 
digital signal is reestablished. 

 

 Auto Search:

 (default) It uses the AES/3 digital 

inputs in case of finding a source of digital signal. 
Otherwise,  uses  the  analogical  inputs.  In  case  of 
finding only silence or a total lost of digital AES/3, 
the  unit  switches  to  the  analogical  inputs.  This 
type  of  faults  in  signal  AES/3  is  characteristic 
when  “a  digital  data link falls”.  As  signal  AES/3 is 
regenerated  in  the  receiver,  the  digital  streaming 
follows  present,  but  without  content  of  audio 
(channels muted).  

Reestablishing  the  signal  in  Auto  Search 

mode:

  After  losing  AES/3,  or  in  absence  AES 

signal,  or  absence  of  audio  in  this  digital  signal, 
the  equipment  switches  automatically  to  the 
analogical  mode.  The  reestablishment  to  the 
digital  mode  happens  in  immediately  in  case 
signal  AES/3  is  had  completely  lost.  Since  when 
recognizing  a valued  digital  carrier,  the  processor 
quickly returns to use the digital audio like source 
of incoming signal. In case the digital signal exists, 
but  the  same  one  contains  silence, the  processor 
operates  as  follows:  At  intervals  of  5  minutes  the 
processor  interrupts  briefly  (1  sec)  the  audio  on 
the left channel, connecting in its place the digital 
signal  of  the  left  channel;  verifying  soon  if  the 
digital  signal  were  reestablished.  If it  continues  in 
absolute  silence,  then  it  reestablishes  the 
analogical  signal.  This  process  is  repeated  time 
and  time  again  until  as  returns  signal  AES/3. 
When  the  digital  audio  reappears,  the  processor 
returns to digital mode. 

While the  digital  signal remains  absent,  the  audio 
on the left channel is briefly muted at intervals of 5 
minutes,  to  alarm  to  the  engineers  of  the  radio 
(and  to  the  operators)  that  the  processor  is 
working  with  the  analogical  backup  inputs.  This 
has been intentionally designing in this way, since 
otherwise; an accurate confirmation does not exist 
on problems in the signal AES/3. 

A. INPUT LEVEL 

Define  the  nominal  level  of  the  analogical  input 
signal.  So  that  the  AGC  (automatic  gain  control) 
operates correctly, is very important to fit this level 
correctly. 

This  value  must  agree  with  the 

nominal  output 

level  of  your  console

  (in  the  case  of  Solidyne 

consoles this level is + 4 dBm). 

NOTE:

 If you unknown the output level of your console, put the 

console’s  level  at  0  VU  peak  and  reads  the  level  in  the 
462dsp’s input VU-meters. 

With  the  adequate  input  level,  the  AGC  works 
around 10 to 15 dB of gain reduction. This can be 

Summary of Contents for 462dsp

Page 1: ...ital audio processor User s manual 3 de Febr ero 3254 1429 Buenos Aires Argentina Phone 54 11 4702 0090 e mail info solidynepro com fax 54 11 4702 2375 web www SolidynePRO com Last revision Marzo 2013...

Page 2: ...P gina 2 procesador para radiodifusi n SOLIDYNE 462dsp...

Page 3: ...19 4 4 1 PROGRAM NAME 20 4 4 2 EXPANDER AGC 20 4 4 2 1 AGC OUT GAIN 20 4 4 2 2 AGC attack time 20 4 4 2 3 AGC recovery time 20 4 4 2 4 Hold 21 4 4 3 MULTIBAND COMPRESSOR 21 4 4 3 1 Atack times 22 4 4...

Page 4: ...crews with flexible o rings rubber PVC etc The frontal panel is made of aluminum so you must take special care of don t to apply excessive force on the screws since it can cause deformation or even br...

Page 5: ...ngs values are entered using a JOG Wheel Turn the JOG to select options and to change values Pressing briefly the JOG confirms an option Pressing and holding the JOG around one second go to the main m...

Page 6: ...l of the link that allows sending RS 232 data 1 3 Understanding the main screen Next you will see an overview on the 462dsp main screen Later each processing stages and its settings screens are fully...

Page 7: ...For this the processor applies a complex procedure of compression on each audio band producing greater sensation of loudness to the ear The size of each luminous bar indicates the compression degree a...

Page 8: ...Page 8 broadcast digital processor SOLIDYNE 462dsp THIS PAGE HAS BEEN LEFT INTENSIONALLY EMPTY...

Page 9: ...ence on the processor or proximity of heat sources The openings and grooves allow the circulation of air inside the unit These openings do not have to be blocked nor covered not to obstruct the refrig...

Page 10: ...ector RCA type With consoles Solidyne 2300 series MICstart is connected directly to the Digisolid output of a microphone channel please refers to the manual of the console In other consoles the contro...

Page 11: ...C connection For setup and control of RDS stage the 462 s RDS Data port must be connected to a computer using a standard COM RS 232 RDS Data PC 2 RxD 3 TxD 3 TxD 2 RxD 4 DTR 6 DSR 5 GND 5 GND 6 DSR 4...

Page 12: ...Page 12 broadcast digital processor SOLIDYNE 462dsp...

Page 13: ...ing a preset to the user memory recommended See 4 3 1 Copy programs 3 1 3 Modes of control The processor can be controlled of many ways a Can be manually controlled from the frontal panel b The progra...

Page 14: ...a digital data link falls As signal AES 3 is regenerated in the receiver the digital streaming follows present but without content of audio channels muted Reestablishing the signal in Auto Search mode...

Page 15: ...f the processor probably the indicators of modulation of needle type overpass the 100 This can be due to over impulses of the ballistics or to that it responds to values average of sine wave and the i...

Page 16: ...password to explore the program list and change the program on air The password must have 3 characters Any combination of letters numbers and symbols can be used To enter a password go to field Passwo...

Page 17: ...e BASS CLIP threshold to reinforce the bass punch This processing works very well with Jazz POP country and blues folklore and tango 02 MELODIC Here was prioritized the human voice over the musical su...

Page 18: ...uashed by the compressor the attack acts only on the first beat and never more which is equivalent to have an attack time equal to zero The high bands also are something released to obtain brightness...

Page 19: ...ault programs cannot be modified To make your customized adjustment look for that preset that more approaches to the sound that you are looking for your radio and copy it to a free user memory Soon mo...

Page 20: ...ndicators show the compression degree applied by the multiband system Each band has its own indicator Usual values for the AGC output are between 6 to 12 dB TAKE IN MIND How much greater the compressi...

Page 21: ...ubtle appearance of an instrument the AGC will hold its gain level giving rise to the contrast of loudness When the piano passage reaches the HOLD level the AGC unhold and begins to increase their gai...

Page 22: ...ers with high level The limiters contain the peaks by clipping a technique much more lasts that the compression With short attack times hard clipping is avoided but very short times can produce a soun...

Page 23: ...k 462dsp offers numerous features To change the current program to anyone of the 30 presets from the PC using a drop down menu The change take place in real time Create and edit the programs with an a...

Page 24: ...Page 24 SOLIDYNE 462dsp broadcast digital processor THIS PAGE HAS BEEN LEFT INTENSIONALLY EMPTY...

Page 25: ...ly see mentioned article AES Today our ideas are used by Orban Omnia Aphex etc The concept of psychoacoustic processing is simple in essence although of complex accomplishment It consists of analyzing...

Page 26: ...N OF THE TRANSMITTER THAT EXCEEDS 0 05 COULD BE LISTENED BY THE AUDIENCE EVEN THROUGH RECEIVERS THAT HAVE VALUES OF DISTORSION 50 TIMES GREATER This of course is not a novelty for the conscious audio...

Page 27: ...s known that by a particularity disposition of the vocal cords the sonorous emissions that these generate are asymmetric triangular pulses The three cavities that filter and shape these formants to ob...

Page 28: ...alue That means it always expands within that range for any level of signal The curve of transference based on the input level is a straight line from there the linear name While the signal stays belo...

Page 29: ...to obtain the desired effect The ear will perceive a greater loudness when the band compressors increase the relative loudness level The processor Solidyne 462dsp has digital frequency splitters with...

Page 30: ...o their fundamental notes Therefore adding harmonics artificially increases the wealth of the musical timbre Opposed is the effect that the distortion by IM produces This type of distortion DOES NOT E...

Page 31: ...stereo coder see Chapter 7 2 2 10 MPX PROCESSING The studies about the modulation on an FM transmitter indicate that when the transmitter is modulated by stereo MPX signal appears a new effect not pr...

Page 32: ...Page 32 SOLIDYNE 462dsp broadcast digital processor...

Page 33: ...nditions the audio output Hill must be 4dbm c Repeat for the other channel 7 1 3 FREQUENCY RESPONSE Input Audio generator at 1 KHz on both input channels the amplitude is varied throughout the test Ou...

Page 34: ...maximum level at the audio output c At the right output you must obtain a crosstalk bigger that 72dB difference between the level measured at the point b and the reached in the point c d Repeat for t...

Page 35: ...entage level of pilot tone will be Pilot Level 100 Ppp Xpp d Using the control P4 adjust Ppp to the desired value normally 9 to 11 is a good value Note If you have a Solidyne VA16 modulation monitor o...

Page 36: ...ation calibration of the Belar set see Belar manual f Now connect the sine wave generator at the same frequency and level to the Right Channel pin JS3 g Measure at the Belar the residual level of the...

Page 37: ...Attack Release time software controlled Gated Wide Band AGC Range 30 dB Attack Release time Threshold controlled from LCD screen Multiband Compressors DSP controlled Five Bands Crossover 24dB oct Max...

Page 38: ...Audio Input Filtering 15 kHz active FDNR filter 5 poles elliptical Total Distortion 0 003 at 1 kHz Signal to Noise Ratio 95 dBA or better Ref 100 modulation Stereo Separation 75 dB at 400 Hz 65 dB 30...

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