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SOLIDYNE 462

dsp - broadcast digital processor

 

psychoacoustic  sensation  of  power  associated 
with  the  audio  peaks.  This  is  related  to  the 

Burst 

Masking

 effect; recently discovered (Ref. 8). 

2.2.6  DENSITY ECUALIZER 

This  technology  operates  in  5  bands  modifying   
the  density  of  energy  (instead  the  level)  of  each 
band.  Is  formed  by  complementary  filters  of  24 
dB/octave carefully designed to obtain a response 
variation  smaller  than  0,2  dB.  This  built-in 
equalizer offers an enormous flexibility. 

By  example:  in  the  case  of  FM  transmission;  is 
well-known  that  the  use  of  EQ  at  the  console 
output has an adverse effect in the sound quality, 
since  the  more  a  frequency  band  is  emphasized, 
grater  is  the  action  of  the  audio  compressor  ( 
previous to the transmitter) for that band. Equalize 
a  band  implies  to  unbalance  the  entire  audio 
spectrum.    It  doesn’t  happen  with  DENSITY  EQ, 
since  its  action  is  coordinated  with  the  following 
stages.  The  boosting  of  a  frequency  band  is    
translated  then  in  a  correlative  modification  of     
the  multiband  compressor  threshold,  to  carry  out 
the  new  equalization.  In  this  form,  its  action 
extends  to  the  range  of  sounds  of  very  high   
intensity,  where  the  conventional  EQ’s  are   
inefficient, due the excessive compression. 

2.2.7 

IM CANCELLED CLIPPER 

The analogic era... 

One of the techniques most well-known and used 
to  increase  the  energy  of  an  audio  signal  is  the 
use    of    an    audio    clipper.  With its evolution, 
the  analogical  processors  was  optimizing  this 
technique  to  reduce  the  udesired  effects  caused 
by  the  clipping.  The    problem    appears    because  
when  an  audio signal  is clipped, it  generates  a  
high    number    of  harmonic  components  and 
intermodulation (IM).  

The psychoacoustic studies have demonstrated a 
high tolerance  of the  ear  towards  the harmonic 
components,  increased  by  the  aural masking  that 
the multiband processor allows to obtain.  In fact, 
all      the    musical      instruments,      as      much      as  
the synthesized   ones,   have   a   high   amount   
of  harmonics,      superposed      to      their   
fundamental  notes.     Therefore  adding  harmonics  
artificially,  increases  the  wealth  of  the  musical 
timbre.   

Opposed  is  the  effect  that  the  distortion  by  IM 
produces.    This      type  of  distortion      DOES  NOT 
EXIST in the musical instruments, and its effect is 
highly disagreeable and irritating for the ear of the 

audience.  For  the  exposed  reasons,  considerable  
efforts  in  research  have  been  made  to  obtain 
audio  clippers  in    which  the    intermodulation    is  
reduced    or  even  better,  cancelled,  of  being 
possible.  System  RIMCA,  developed  at  the 
laboratories  of  Solidyne,  begins  in  a  multiband 
clipper,  was  a  good  solution  used  in  analogical 
units. 

The digital days... 

In  digital  audio,  the  adverse  effects  derivates  of 
the clipping, far from disappearing, becomes more 
complexes. 

DSP  technology,  since  works  with  digital  signals, 
has  limitations  in  to  manage  nonlinear  processes 
(as  it  is  the  case  of  the  clipping,  that  it  generates 
signals  with  very  steep  slopes).  These  type  of 
processes  generates  harmonic  components  of 
very  high  frequency  that  violate  the  condition  of 
Nyquist,  degrading  remarkably  the  final  audio 
quality. 

The 

conventional 

digital 

clipping 

techniques, used by other marks, work resampling 
the signal at greater sample rates, thus to be able 
to reduce (but to never eliminate) to the distortion 
caused by the alias effect. 

Although  the  result  that  is  reached  with  these 
techniques  is  acceptable,  the  “collateral  effects” 
caused  by  digital  clipping  are  diminished,  but  not 
eradicated  completely.  For  this  reason,  the 
laboratories of Solidyne continued developing new 
techniques. 

After  long  investigation  and  numerous  tests; 
462dsp  took  a  step  more  in  the  field  of  digital 
clippers;  using  a  new  system  of  4  channels  with 
10 MHz of bandwidth (that is equivalent to 32 bits 
with  20  Megasamples),  that  obtains  that 
absolutely  clean  and  crystalline  sound;  free  of 
spurious and stridencies caused by aliasing. 

For  it  we  used  a  configuration  like  the  FIG-4  in 
which  we  have  two  cut  channels.  The  channel  of 
serious  and  average,  on  the  one  hand,  does  not 
cause  intermodulation.  The  channel  of  high 
frequencies, main person in charge of the IM, has 
a filter that eliminates all IM below 900 Hertz 

 

 

Summary of Contents for 462dsp

Page 1: ...ital audio processor User s manual 3 de Febr ero 3254 1429 Buenos Aires Argentina Phone 54 11 4702 0090 e mail info solidynepro com fax 54 11 4702 2375 web www SolidynePRO com Last revision Marzo 2013...

Page 2: ...P gina 2 procesador para radiodifusi n SOLIDYNE 462dsp...

Page 3: ...19 4 4 1 PROGRAM NAME 20 4 4 2 EXPANDER AGC 20 4 4 2 1 AGC OUT GAIN 20 4 4 2 2 AGC attack time 20 4 4 2 3 AGC recovery time 20 4 4 2 4 Hold 21 4 4 3 MULTIBAND COMPRESSOR 21 4 4 3 1 Atack times 22 4 4...

Page 4: ...crews with flexible o rings rubber PVC etc The frontal panel is made of aluminum so you must take special care of don t to apply excessive force on the screws since it can cause deformation or even br...

Page 5: ...ngs values are entered using a JOG Wheel Turn the JOG to select options and to change values Pressing briefly the JOG confirms an option Pressing and holding the JOG around one second go to the main m...

Page 6: ...l of the link that allows sending RS 232 data 1 3 Understanding the main screen Next you will see an overview on the 462dsp main screen Later each processing stages and its settings screens are fully...

Page 7: ...For this the processor applies a complex procedure of compression on each audio band producing greater sensation of loudness to the ear The size of each luminous bar indicates the compression degree a...

Page 8: ...Page 8 broadcast digital processor SOLIDYNE 462dsp THIS PAGE HAS BEEN LEFT INTENSIONALLY EMPTY...

Page 9: ...ence on the processor or proximity of heat sources The openings and grooves allow the circulation of air inside the unit These openings do not have to be blocked nor covered not to obstruct the refrig...

Page 10: ...ector RCA type With consoles Solidyne 2300 series MICstart is connected directly to the Digisolid output of a microphone channel please refers to the manual of the console In other consoles the contro...

Page 11: ...C connection For setup and control of RDS stage the 462 s RDS Data port must be connected to a computer using a standard COM RS 232 RDS Data PC 2 RxD 3 TxD 3 TxD 2 RxD 4 DTR 6 DSR 5 GND 5 GND 6 DSR 4...

Page 12: ...Page 12 broadcast digital processor SOLIDYNE 462dsp...

Page 13: ...ing a preset to the user memory recommended See 4 3 1 Copy programs 3 1 3 Modes of control The processor can be controlled of many ways a Can be manually controlled from the frontal panel b The progra...

Page 14: ...a digital data link falls As signal AES 3 is regenerated in the receiver the digital streaming follows present but without content of audio channels muted Reestablishing the signal in Auto Search mode...

Page 15: ...f the processor probably the indicators of modulation of needle type overpass the 100 This can be due to over impulses of the ballistics or to that it responds to values average of sine wave and the i...

Page 16: ...password to explore the program list and change the program on air The password must have 3 characters Any combination of letters numbers and symbols can be used To enter a password go to field Passwo...

Page 17: ...e BASS CLIP threshold to reinforce the bass punch This processing works very well with Jazz POP country and blues folklore and tango 02 MELODIC Here was prioritized the human voice over the musical su...

Page 18: ...uashed by the compressor the attack acts only on the first beat and never more which is equivalent to have an attack time equal to zero The high bands also are something released to obtain brightness...

Page 19: ...ault programs cannot be modified To make your customized adjustment look for that preset that more approaches to the sound that you are looking for your radio and copy it to a free user memory Soon mo...

Page 20: ...ndicators show the compression degree applied by the multiband system Each band has its own indicator Usual values for the AGC output are between 6 to 12 dB TAKE IN MIND How much greater the compressi...

Page 21: ...ubtle appearance of an instrument the AGC will hold its gain level giving rise to the contrast of loudness When the piano passage reaches the HOLD level the AGC unhold and begins to increase their gai...

Page 22: ...ers with high level The limiters contain the peaks by clipping a technique much more lasts that the compression With short attack times hard clipping is avoided but very short times can produce a soun...

Page 23: ...k 462dsp offers numerous features To change the current program to anyone of the 30 presets from the PC using a drop down menu The change take place in real time Create and edit the programs with an a...

Page 24: ...Page 24 SOLIDYNE 462dsp broadcast digital processor THIS PAGE HAS BEEN LEFT INTENSIONALLY EMPTY...

Page 25: ...ly see mentioned article AES Today our ideas are used by Orban Omnia Aphex etc The concept of psychoacoustic processing is simple in essence although of complex accomplishment It consists of analyzing...

Page 26: ...N OF THE TRANSMITTER THAT EXCEEDS 0 05 COULD BE LISTENED BY THE AUDIENCE EVEN THROUGH RECEIVERS THAT HAVE VALUES OF DISTORSION 50 TIMES GREATER This of course is not a novelty for the conscious audio...

Page 27: ...s known that by a particularity disposition of the vocal cords the sonorous emissions that these generate are asymmetric triangular pulses The three cavities that filter and shape these formants to ob...

Page 28: ...alue That means it always expands within that range for any level of signal The curve of transference based on the input level is a straight line from there the linear name While the signal stays belo...

Page 29: ...to obtain the desired effect The ear will perceive a greater loudness when the band compressors increase the relative loudness level The processor Solidyne 462dsp has digital frequency splitters with...

Page 30: ...o their fundamental notes Therefore adding harmonics artificially increases the wealth of the musical timbre Opposed is the effect that the distortion by IM produces This type of distortion DOES NOT E...

Page 31: ...stereo coder see Chapter 7 2 2 10 MPX PROCESSING The studies about the modulation on an FM transmitter indicate that when the transmitter is modulated by stereo MPX signal appears a new effect not pr...

Page 32: ...Page 32 SOLIDYNE 462dsp broadcast digital processor...

Page 33: ...nditions the audio output Hill must be 4dbm c Repeat for the other channel 7 1 3 FREQUENCY RESPONSE Input Audio generator at 1 KHz on both input channels the amplitude is varied throughout the test Ou...

Page 34: ...maximum level at the audio output c At the right output you must obtain a crosstalk bigger that 72dB difference between the level measured at the point b and the reached in the point c d Repeat for t...

Page 35: ...entage level of pilot tone will be Pilot Level 100 Ppp Xpp d Using the control P4 adjust Ppp to the desired value normally 9 to 11 is a good value Note If you have a Solidyne VA16 modulation monitor o...

Page 36: ...ation calibration of the Belar set see Belar manual f Now connect the sine wave generator at the same frequency and level to the Right Channel pin JS3 g Measure at the Belar the residual level of the...

Page 37: ...Attack Release time software controlled Gated Wide Band AGC Range 30 dB Attack Release time Threshold controlled from LCD screen Multiband Compressors DSP controlled Five Bands Crossover 24dB oct Max...

Page 38: ...Audio Input Filtering 15 kHz active FDNR filter 5 poles elliptical Total Distortion 0 003 at 1 kHz Signal to Noise Ratio 95 dBA or better Ref 100 modulation Stereo Separation 75 dB at 400 Hz 65 dB 30...

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