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PreSonus StudioLive
™
24.4.2
Quick S
tar
t:
Lev
el
Setting
Ov
er
view
Hook
up
Con
trols
Connec
ting
to
a
Comput
er
Tut
orials
Technic
al
Inf
orma
tion
Trouble
-
shooting
and W
arr
an
ty
Scenes
, P
resets
, S
yst
em Menu
,
and MIDI C
on
trol
7
Software: Universal Control, SL Remote, Capture, and Studio One Artist
Sof
tw
ar
e: Univ
ersal C
on
trol
,
SL Remot
e, C
aptur
e,
and S
tudio O
ne A
rtist
7.4 Capture
To do this, first open the original Session. If you have not already done
so, rename each marker to the desired name for each song. Then, select
Export to Audio File from the Session menu. In the Export to Audio
File menu’s Options section, select Export Tracks and Each Marker, and
set the Format to the desired file-format settings. Then click OK.
Capture will then automatically generate separate audio files
for each track in each song. The names of the files will be based
on the name you specified in the Export to Audio File menu, the
names of the markers, and the track names in your Session (Export
Name-Track Name-Marker Name). You can then import the files
for each song into a new Capture Session, or into a different audio
recording application, to be mixed with the StudioLive mixer.
A few days after the original performance, you have
finished producing a ten-song live album for the band you
recorded, and they could not be more impressed.
The studio-recording process often appears very different from the live-
recording process. However, the StudioLive mixer and Capture are equally
at home in the studio and in concert. The following describes aspects of
the studio-recording workflow using the StudioLive mixer and Capture.
Overdubbing
In a studio-recording session, as opposed to recording live, you might
wish to record on only a few tracks, or on a single track at a time, and
then record more later. This process of adding to your recorded tracks
later is called “overdubbing.” Using Capture and the StudioLive mixer,
you can play recorded audio on any tracks through the StudioLive
mixer and simultaneously record new audio to tracks in Capture.
To do this, it is a good idea to first establish a good mix to listen
to while recording. Just as when creating monitor mixes for a live
performance with the StudioLive mixer, you can create a number of
mixes to listen to. For instance, you might create a stereo mix of the
playback from Capture on Auxes 1 and 2 for a guitarist who is about
to overdub a lead guitar part. To accomplish this, do the following:
For all input channels on the StudioLive mixer on which you wish to
play tracks from Capture, engage the FireWire return by pressing each
channel’s FireWire Input Select switch (near the top of the channel
strip) so that it illuminates. This will route the output of the tracks in
Capture to their respective input channels on the StudioLive mixer.
Start playback in Capture. The output from each track in Capture
will play through their respective input channels on the StudioLive
mixer (Capture Track 1 on StudioLive Channel 1, etc.).
At this point, link Aux 1 and 2 on the StudioLive mixer and create a mix for
the linked Aux1/2 by adjusting the level for each input channel that has
playback coming from Capture. This is a stereo aux mix, so you can also
access the pan for each input channel in the mix by pressing the Mix/Pan
button for Aux 2. (For details on how to set aux mixes, see Section 4.43.)